Content | The Swiss Army Knife of microphones
for vocal and instrumental recording, on stage, in ENG/EFP and video production
The C1000 S from AKG is a small-diaphragm condenser microphone with a cardioid pattern designed for recording, live-sound, ENG and video-production applications with vocals and instruments. Using the included polar-pattern converter accessory, the microphone can be switched from cardioid to hypercardioid to reduce feedback when used on stage. The presence-boost adapter offers three discrete frequency settings to add clarity to speech and instrument sounds.
A switchable low-cut filter at 80 Hz helps reduce rumble or wind noise, and a switchable 10 dB pad enables distortion-free recording of very loud sound sources associated with proximity miking. If no phantom power is available, the C1000 S can be powered by two standard AA batteries for up to 120 hours.
Featuring a pre-polarized design encased in a sturdy metal chassis, a gold-sputtered microphone capsule housing and gold-plated XLR pins, this microphone is well suited for mobile applications such as broadcast and interviews, even in high-humidity environments.
The C1000 S comes with a stand adapter, a foam windscreen and a microphone bag.
- Presence-boost adapter offers three discrete frequency settings to add clarity to speech and instrument sounds
- Polar-pattern converter allows microphone pattern to be switched from cardioid to hypercardioid
- Pre-polarized design, gold-sputtered microphone-capsule housing and gold-plated XLR pins make this microphone well suited for portable applications and high-humidity environments
- Switchable low-cut filter at 80 Hz to reduce rumble or wind noises which may cause distortion at low frequencies.
- Switchable 10 dB pad to enable distortion-free recording of very loud sound sources in proximity miking
- If no phantom power is available, the C1000 S can be powered by two standard AA batteries for up to 120 hours
- Sturdy metal chassis and specialized mic clip to keep microphone securely attached to stands
General |
Audio Frequency bandwidth |
50 to 20000 Hz |
Sensitivity |
6 mV/Pa |
Equivalent Noise Level |
21 dB-A |
Signal to Noise |
73 dB-A |
Preattunation Pad |
10 dB |
Bass Cut Filter |
80 Hz |
Electrical Impedance |
200 Ohms |
Recommended Load Impedance |
2000 Ohms |
|
Polar Patterns |
Polar Pattern |
hypercardioid; cardioid |
Number |
2 |
|
Powering Interface |
Voltage |
9 to 52 V |
Current |
3 mA |
|
Audio Output |
Type |
Balanced XLR |
Gender |
Male |
Contacts |
3-pin |
|
Design |
Body |
metal |
Finish |
matte grayish blue |
|
Dimensions / Weight |
Length |
229 mm |
Height |
34 mm |
Diameter |
34 mm |
Net Weight |
320 g |
|
|
MC10M is a multi capsule microphone set including a cardioid electret condenser microphone
(MC10) with the replaceable super cardioid capsule, shock mount adaptor, and wind screen.
MC10M can be used in wide applications, from studio & home recording to field sound aquisition.
FEATURES:
Replaceable 2 types of polar pattern capsule, cardioid/super cardioid as standard
Wide frequency response range
High sensitivity
Low distortion
High input withstand S.P.L.
Rugged brass case
Light weight
Shock mount adaptors, stereo mounting blacket & wind screen as standard
Dedicated carrying case as standard
SPECIFICATIONS:
Type :Back Electret
Condenser Microphone
Polar Pattern :Cardioid/Super Cardioid
Frequency Response :40Hz to 20kHz +/-10dB
Sensitivity :-40dBV/pa (10mv/pa)
Rated Impedance :200W
Equivalent Noise Level
:22dB (A weighted IEC/DIN 651)
Maximum S.P.L. :134dB (THD£0.5%, 1kHz)
Dynamic Range :112dB
Power Supply :48V Phantom Power
(IEC 268-15/DIN45596)
Current Consumption :3.5mA
Dimensions :?20mm x 150mm
Net Weight :130g (MC10 x 1)
Full Package Weight :865g
|
The ME 66 is a shot gun microphone head designed for use with the K6 and K6P powering modules. It is especially suitable for reporting, film and broadcast location applications and for picking up quiet signals in noisy or acoustically live environments as it discriminates against sound not emanating from the main pick-up direction. Matt black, anodised, scratch-resistant finish.
Pick-up pattern : super-cardioid/lobar
Sensitivity in free field, no load (1kHz) : 50 mV/Pa +- 2,5 dB
Nominal impedance : 200 Ohm (K6)
Min. terminating impedance : 1000 Ohm ( K6)
Equivalent noise level : 10 dB
Dimensions : d 22,5 x 221 mm
Weight : 65 g
|
The ME 62 is an omni-directional microphone head suitable for K6 and K6P
powering modules. It can be used for reporting, discussions and interviews.
The ME 62 is particularly suitable for good reproduction of 'room' ambience
and 'spaced omni' stereo recording. Matt black, anodised, scratch-resistant finish.
Features
Omni-directional pick-up pattern
Minimal inherent self-noise
Excellent rejection of rumble, wind and handling noise
Wide frequency response
High maximum sound pressure level
Integral pop filter
Delivery Includes
1 ME 62
Technical Data
Pick-up pattern omni
Sensitivity in free field, no load (1kHz) 31 mV/Pa +- 2,5 dB
Nominal impedance 200 Ohm (K6)
Min. terminating impedance 1000 Ohm (K6)
Equivalent noise level 15 dB
Equivalent noise level weighted as per CCIR 468-3 27 dB
Dimensions d 22,5 x 94 mm
Weight 30 g
| The e 945 is a fully professional super-cardioid vocal microphone which cuts
through the mix and offers a smooth, natural sound. Its warm tonal response
is matched with rugged construction and excellent feedback rejection.
Features
Rugged metal body
Advanced shock-mount design
Consistent on-/off-axis response
Hum compensating coil
Made in Germany
Delivery includes a pouch and a microphone clamp
Delivery Includes
1 e 945
MZQ 800 microphone clamp
Pouch
Technical Data
Pick-up pattern Super-cardioid
Frequency response (microphone) 40.....18000Hz
Sensitivity in free field, no load (1kHz)
2,0mV/Pa bei 1 kHz = -54dB (0 dB = 1V/Pa) = -74 dB (0 dB = 1V/ubar)
Nominal impedance 350 Ohm
Min. terminating impedance 1000 Ohm
Dimensions 47 x 186 mm
Weight 330 g |
Cardioid Condenser with 10dB Attenuator and 3 Position Low-Cut Filter
One of the world's great studio microphones, the SM81 provides precise, detailed sound reproduction, is excellent for studio recording, and is rugged enough for live sound reinforcement.
- A standard for acoustic instruments, including guitar and cymbals
- Selectable, low-frequency response -- either flat, 6dB/octave roll-off, or 18 dB/octave roll-off
- Built-in, switchable 10 dB attenuator for use in high SPL situations
- Phantom power only
- Windscreen included
- Low noise and high output clipping
- Cardioid condenser
- Frequency response: 20 to 20,000 Hz
|
Reviews
There are no reviews yet.