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Features
- OverEasy® or classic hard knee compression with dbx's® ultra-musical program dependent attack and release times
- Compression ratio variable from 1:1 through infinity :1 to negative compression
- Precision dual RMS LED display monitors input or output and gain reduction over a wide range and calibrates for different operating levels
- Over 60dB of gain reduction available
- Exclusive Infinity+ compression allows negative compression
- Independent balanced and unbalanced outputs can drive 600 loads to +24dBm simultaneously. New floating balanced output stage drives any load
- Optional output transformer capable
- Strappable with another 160A for true RMS stereo summing operation
Specifications Input Connectors | 1/4" TRS and XLR, Floating Balanced; XLR: Pin 2 hot Phone: Tip Hot | Input Impedance | 40k | Max Input | +24dBu, Balanced or Unabalanced (Absolute) | CMRR | >45dB (any Frequency) | Detector Input | Connector: 14" TRS phone, Floating Balanced | Detector Input Impedance | >200k | Detector Input Max Level | +28dBu, Balanced or Unbalanced | Output Connectors | 1/4" TRS phone, Unbalanced; XLR, floating balanced; pin 2 hot | Output Impedance | Balanced 200 ohm, unbalanced 100 ohm | Max Output | (Balanced): +24dBm; |
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Features
Advanced Hardware for Superior Sound
The latest 20-bit analog-to-digital and digital-to-analog conversion technology-sampling at 44.1kHz. Frequency response extends all the way from 20 Hz to 20 kHz; dynamic range is an extraordinary 106dB; noise and distortion are neglible.
Stereo Configuration with Balanced Inputs and Outputs
A true 2-in/2-out stereo configuration that allows stereo sources to be processed without disrupting the original stereo image. Stereo inputs and outputs are all electronically balanced, with XLR and TRS phone jack connectors.
Preset, Internal, and Card Memory
180 memory locations "on board“. 80 of these are read-only memory. The remaining 100 are writable memory locations. Plug-in memory cards hold an extra 100 effect programs each.
Three-stage Effect Configuration
In addition to the main effects, the SPX990 provides programmable pre and post effects that can be used to refine and polish your sound.
In-depth Programming Power
The SPX990 has 4 programmable pre effects, 36 programmable main effects, and 3 programmable post effects.
Tempo-based Delay Time Programming
Delay time parameters can be programmed in terms of tempo or note length. Delay time can also be entered via a footswitch or MIDI clock data.
Superior Pitch Precision
The SPX990 achieves faultless pitch tracking through a new dynamic waveform analysis technique. In addition to the simple parallel pitch tracking the SPX990's "intelligent" pitch change creates appropriate harmony based on a specified key and scale type.
External Parameter Control
The SPX990 allows two selected parameters from each program to be assigned to two external MIDI controllers.
MIDI Control
The SPX990 allows MIDI selection of all programs, and real-time control of up to two selected effect parameters at the same time.
4 Pre-Effects
1. 3-band PEQ *1, 2. Compressor *1, 3. Harmonic Driver *1, 4. Compressor, Dist. and EQ *3 *1= 2 IN - 2 OUT, *2 = 1 IN - 2 OUT, *3 = 1 IN, 1 OUT
36 Main Effects: Reverb, Early Reflections, Delay and Echo, Modulation
REVERB: Reverb *2, Filtered Reverb *2, Stereo Reverb *1, Echo Room *2; EARLY REFLECTIONS: Thin Early Reflection *2, Fat Early Reflection *2, Gate Reverb *2, Reverse Gate *2; DELAY and ECHO: Delay L, C, R *2, Echo *2, Multi Tap Delay *2, Stereo Echo *1, Tempo Mono Echo *2, Tempo Stereo Echo *1, Tempo Quad Echo *1; MODULATION: Flanger *1, Dual Flanger *1, FM Chorus *1, AM Chorus *1, Phaser *1, Symphonic *1 *1= 2 IN - 2 OUT, *2 = 1 IN - 2 OUT, *3 = 1 IN, 1 OUT
Main Effects continued: Pitch Change, Pan, Complex Effects, Freeze
PITCH CHANGE: Mono Pitch Change *3, Dual Pitch Chance *2, Triple Pitch Chance *2, Stereo Pitch Change *1; PAN: Auto Pan *2, Triggered Pan *2; COMPLEX EFFECTS: Chorus and Reverb *2, Symphonic and Reverb *2, Flanger and Reverb *2, Reverb (L) / Reverb (R) *1, ER (L)/ Reverb (R) *1, Echo (L) / Reverb (R) *1, Chorus (L) / Reverb (R) *1, Pan (L) / Pan (R) *1; FREEZE: Freeze *3 *1= 2 IN - 2 OUT, *2 = 1 IN - 2 OUT, *3 = 1 IN - 1 OUT
3 Post Effects
1. 3-band PEQ *1; 2. Compressor *1, Harmonic Driver *1 *1 = 2 IN - 2 OUT
Specifications
Frequency Response |
20 Hz - 20kHz +/-0.5 dB |
CD Player
Dynamic Range |
Above 100 dB (typical 106dB) |
Specifications
Hum and Noise |
Below -82 dBm (Typical -88dBm) |
Distortion |
Below 0.005% at max. level 1 kHz |
Input/ Number of Channel |
2 (Phone Jack) |
Input/ Nominal Level |
+4/-20dBm (Switchable) |
Input/ Highest Input |
+24dBm (Switchable at +4dB) |
Input/ Impedance |
20 k ohm |
Output/ Number of Channel |
2 (Phone Jack) |
Output/ Nominal Level |
+4/-20dBm (Switchable) |
Output/ Highest Output |
+18dBm (Switchable at +4dB) |
Output/ Impedance |
150 ohm |
A/D Conversion |
20 bits |
D/A Conversion |
20 bits |
Sampling Freq. |
44.1kHz |
Preset Program |
1 - 80 |
User Memory Program |
1 - 99,00 |
Optional Memory Card |
1 - 99,00 |
Front Panel/ Control |
Input Level (L,R), Data Entry |
Front Panel/ Keys |
Function Key x 6, Page Select Key x 2, Memory, Store, Edit, Bypass |
Front Panel/ Display |
2 ch. 8 segment LED (Level Meter) 6 segment LED (Mode Indicator) 7 segment LED (Memory No.) Memory, Edit, Bypass indicators 24 chara x 2 Line LCD |
Front Panel/ Slot |
Memory Card |
Rear Panel/ Connectors |
Input L/R (XLR x 2, Phone jack x 2 Output L/R (XLR x 2, Phone jack x 2) MIDI In, Thru/Out (DIN 5P x 2) Trigger (Phone Jack x 1) Bypass or INC/DEC (Phone Jack x 1) |
Rear Panel/ Switch |
In/Out Level Switch (+4dB/ -20dB x 2) MIDI Thru/ Out Switch |
Power Requirements |
US and Canadian Models: 120V, 60Hz British Model:240V, 50Hz General Model:230V, 50Hz |
Power Consumption |
25W |
Dimensions |
480 x 46 x 324.4 mm |
(W x H x D) |
(18-7/8" x 1-13/16" x 12-3/4“) (including attachments) |
Weight |
4.6 kg (10lbs. 2oz) |
| Outline FSC1 Processor-2nd Hand-
FEATURING
Customized functions
FOC1 dedicated controller for Flyone loudspeaker system
SC1 dedicated controller for Spectra loudspeaker system
NC1 dedicated controller for Integra loudspeaker system
MEC1 dedicated controller for Media loudspeaker system
FSC1 dedicated controller for Formula Stack louds. System
TFC1 dedicated controller tor Topfly loudspeaker system
MRC1 dedicated controller for Road loudspeaker system
TLC1 : dedicated controller for Tripla loudspeaker system
Dynamically invariant filter transfer function
RMS limiters on each output
Subwoofer dedicated output
Adjustable band gain
Polarity inversion switches
Muting switches
DESCRIPTION
Designed with the most advanced audio technologies the Outline Controller Series are true professional active dedicated control units for some Outline loudspeaker system models. Developed to meet the most demanding requirements of the sound reinforcement applications, the Outline Controller Series provides nonstop operation with absolute stability and reliability. Only IEC approved components and parts are used in these active controllers and they are manufactured to satisfy and to be in according with safety objects stated for “electrical device” working within the limits of pertinent CE, European Community directive.
Based on a plugin filter card design, the Outline Controller Series allows the operation to those Outline loudspeaker systems that needs this kind of external assistance to perform of its best.
The Outline FOC1, SC1, MEC1, NC1 two ways with subbass output controllers, are designed for the Outline Flyone, Spectra, Media, Integra loudspeaker system.
The Outline FSC1, TFC1, MRC1, TLC1, three ways with subbass output are designed for the Outline FormulaStack, TopFly, RoadSystem, Tripla loudspeaker system.
All models have customized band splitting, filter transfer function and signal time alignment tailored to the loudspeaker system for which are designed.
All models have dynamic control with loudspeaker protection purposes, obtained with RMS limiters with adjustable threshold that are available on each output.
All models have a very low frequency output that can be used to drive the Outline Bass Series or Sub Series low frequency units.
All models have level control on each output, polarity inverters, muting switches, subsonic filters, RMS limiters and active balanced input and outputs with XLR connectors. Perspex security cover are included.
Dimensions of all models are 483mm width, 44mm height, 210mm depth.
SPECIFICATIONS
Product name:
Outline FOCI, SC1, NCI, MEC1, FSC1, TFC1, MRC1, TLC1
Product type: Dedicated active controller
Channels: 1
Ways:
FOCI: 2 ways + subwoofer
SC1: 2 ways + subwoofer
NCI: 2 ways + subwoofer
MEC1 : 2 ways + subwoofer
FSC1: 3 ways + subwoofer
TFC1: 3 ways + subwoofer
MRC1: 3 ways + subwoofer
TLC1: 3 ways + subwoofer
Crossover frequencies: fixed customized
Filter slope: fixed customized
Filter transfer function: fixed customized
Input impedance: 20 kΩ balanced
Frequency response: 20-20000 Hz ± 0.3 dB
Output impedance: 600Ω balanced
Total harmonic distortion (THD): <0.01%
Total intermodulation distortion (SMPTE): <0.01%
Signal to noise ratio: > 100dBA
Subsonic filter: Butterworth 18 Hz, 18 dB octave
Controls:
Front panel: Power on, output level, polarity, output mute, limiting threshold, input gain adjust
Rear panel switches: Balanced/unbalanced input and outputs, limiters on
Display:
Front panel: Power on, signal present, limiting action, input overloading
Connectors: XLR, Pin 1 ground, Pin 2 hot, Pin 3 cold
Power supply: AC from 100 -to 240V/50-60 Hz
Power consumption: 20W
Dimensions and net weight: Front panel Standard EIA 19" 1 U
483mm width, 44mm height, 210 mm depth, all models 3.3 net weight.
Dimensions volume and gross weight: all models, 55cm width, 8cm height, 30cm depth, volume 0.01 m3, 4.3 gross weight.
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DEMO PIECE IN VERY GOOD CONDITION
COMES IN ORIGINAL PACKAGE WILL ALL CABLES/MANUALS STILL SEALED!
DBX Quantum 2 Digital Multi Band Processor
The Quantum II is your studio\'s secret to success, delivering a fully professional master every time. You get sample rates up to 96kHz , a true, 48-bit digital signal path, and legendary dbx dynamics processing in a 4-band multiband system. The 4-way crossover splits the signal into 4-bands, and each band may be individually gated, compressed, and limited. The intuitive user interface puts all the mastering processes you need right at your fingertips.
A quick surf through the menu driven system gives you a glimpse of the packed feature set. But what really makes the Quantum II a giant in the field of dynamics processing is the dbx Type IV Conversion System. This lets you capture the character of any analog signal to the digital domain, retaining the original warmth of the sound yet allowing you the precision and accuracy you need in today\'s digital world.
Features:
- 96 kHz, 24 bit A/D, D/A, and Digital I/O on AES/EBU or S/PDIF
- 48 bit internal signal path for increased head room and low level resolution
- Patented TYPE IV™ A/D Conversion system with TSE™
- 4 band stereo compressor-gate-limiter
- 5 band EQ - Hi and Lo shelves, 3 band fully parametric and MS EQ
- Normalizer - lets you control overall signal dynamics
- Stereo adjust - control your stereo image
- Sync input/output using dbx\'s ownproprietary clock chips for extremely low jitter sync
- Dither outputs to 16, 20, or 24 bits
- Sample rate conversion - Fill Up/Down
- Software updateable via Internet and MIDI and RS 232
- 4 band crossover with variable slopes
- GUI Control
PRICE WITHOUT VAT 24% |
PRICE DOES NOT INCLUDE VAT
AKG N63E Phantom Power Supply
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Features | • Dual 15-band equalizer | | • Constant Q | | • Low cut filter at 50Hz with a 12dB/Octave slope | | • Balanced XLR inputs and outputs | - | • Bal 1/4" inputs and impedance balanced 1/4" outputs | - | • ISO 2/3 octave frequency centers |
PRICE DOES NOT INCLUDE VAT
Longer throw faders provide more precise adjustments when equalizing a room. The SR830QXLR offers 2 channels of equalization each with 15 bands of 45mm faders. The all steel chassis construction can handle the abuse of the road, or the solace of a permanent installation.
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