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PRICE DOES NOT INCLUDE VAT
Features
- Goof proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
- New gate timing algorithms ensure the smoothest release characteristics
- Program-adaptive expander/gates
- Great sounding dynamics control for any type of program material
- Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
- Stereo or dual-mode operation
- Balanced inputs and outputs on 1/4" TRS and XLR
- Side Chain insert
- Classic dbx® "Auto" mode
Specifications | Input Connectors | 1/4" TRS and XLR, Floating Balanced; XLR: Pin 2 hot Phone: Tip Hot HI | | Input Impedance | >50kΩ balanced, >25kΩ unbalanced | | Max Input | +24dBu, Balanced or Unbalanced | | CMRR | >40dB at 1kHz, typically >55dB | | Sidechain | 1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return) | | Sidechain Impedance | Tip = >10kΩ (Input), Ring = 2kΩ (Output) | | Sidechain Max Input Level | +24dBu | | Output Connectors | 1/4" TRS phone and XLR floating balanced, XLR: Pin 2 and Tip Hi | | Output Impedance | 120Ω balanced, 60Ω unbalanced | | Max Output | +21dBu,>+20 dBm into 600Ω, balanced or unbalanced | | Frequency Response | 20Hz - 20kHz; +0, -0.5dB, Typical 3dB points are 0.35Hz and 110kHz, unity gain | | Noise | |
| PRICE WITHOUT V.A.T.
BSS Opal FCS-966 Constant Q Graphic Eq
Graphic equalisers are found in just about every sound application, from room contouring to feedback control and general audio sweetening.
Traditionally, much general eq'ing takes place on the faders alone, but this restricts the use of the faders at each end of the scale for further precision eq work. So we provided the Opal FCS-966 with separate LF and HF contour filters which can change an overall sound balance without disturbing a detailed room or loudspeaker response.
These filters are very musical gentle boost and cut shelving filters which can be used to add (or remove) room effects that change with temperature, audience numbers or humidity.
All these effects can be easily made without disturbing the critical fader settings already made.
Constant Q Filters
The modern generation of graphic eq's
uses the Constant Q topology, pioneered by BSS Audio, which means that the filter width is constant whatever the fader gain setting.
Compared to the earlier 'gyrator' style of filters, Constant Q filters provide a smoother and more predictable interaction between adjacent faders and the resulting eq curve more closely resembles the actual fader positions.
More Gain Control Per Filter
Each eq fader has +/-15dB of adjustable gain, more than many competitive graphic eq's. The faders are long-throw 45mm types for precision control.
High Pass Filter
Also provided on the FCS-966 is a sweepable high-pass filter which can be used very effectively to restrict the low-energy output for better amplifier and loudspeaker performance. Stage monitors also benefit from the application of a high-pass filter to remove bass signals e.g. from vocal-only wedges.
Metering
BSS Audio believes in providing engineers with information, and the FCS-966's 8-segment led meter shows output level and warns of signal clipping within the eq. When the unit is switched to bypass, the meter will read the input level, allowing accurate matching of the 'dry' and equalised signals using the gain control.
Centre Bypass
When any eq fader is in its centre detent position, the filter is automatically bypassed, for optimum performance.
Input/Outputs
All the inputs and outputs of the FCS-966 are electronically balanced, with optional transformer balancing. To make installation of the FCS-966 easier, we've provided three differerent interface connectors: XLR-type, 1/4" TRS jack and Phoenix/Combicon screw terminals.
Relay Bypass
The EQ IN buttons switch the EQ path
into circuit. When switched out, or power fails, a high-quality relay switches the input signal directly to the output connectors.
Control Descriptions
Faders
30 EQ filter faders on ISO centres, each with nominal +/-15dB of gain. Positive centre-detent on 45mm long-throw precision faders.
HP Filter
Sweepable high pass filter, frequency adjustable from OUT (flat) up to 250Hz.
LF Contour
Smooth shelving filter, +/-6dB of gain at 50Hz
HF Contour
Smooth shelving filter, +/-6dB of gain at 14kHz.
GAIN
Used for overall unity gain adjustment. Adjustable from - infinity to +10dB.
CLIP
Triple-point clip detector that indicates red when the internal signal is clipping at any one of three critical points.
LED Meter
Shows output signal level (input signal when eq is bypassed) from -24dBu to +18dBu in 8 steps. |
PRICE WITHOUT V.A.T. 23%
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DEMO PIECE IN VERY GOOD CONDITION
COMES IN ORIGINAL PACKAGE WILL ALL CABLES/MANUALS STILL SEALED!
DBX Quantum 2 Digital Multi Band Processor
The Quantum II is your studio\'s secret to success, delivering a fully professional master every time. You get sample rates up to 96kHz , a true, 48-bit digital signal path, and legendary dbx dynamics processing in a 4-band multiband system. The 4-way crossover splits the signal into 4-bands, and each band may be individually gated, compressed, and limited. The intuitive user interface puts all the mastering processes you need right at your fingertips.
A quick surf through the menu driven system gives you a glimpse of the packed feature set. But what really makes the Quantum II a giant in the field of dynamics processing is the dbx Type IV Conversion System. This lets you capture the character of any analog signal to the digital domain, retaining the original warmth of the sound yet allowing you the precision and accuracy you need in today\'s digital world.
Features:
- 96 kHz, 24 bit A/D, D/A, and Digital I/O on AES/EBU or S/PDIF
- 48 bit internal signal path for increased head room and low level resolution
- Patented TYPE IV™ A/D Conversion system with TSE™
- 4 band stereo compressor-gate-limiter
- 5 band EQ - Hi and Lo shelves, 3 band fully parametric and MS EQ
- Normalizer - lets you control overall signal dynamics
- Stereo adjust - control your stereo image
- Sync input/output using dbx\'s ownproprietary clock chips for extremely low jitter sync
- Dither outputs to 16, 20, or 24 bits
- Sample rate conversion - Fill Up/Down
- Software updateable via Internet and MIDI and RS 232
- 4 band crossover with variable slopes
- GUI Control
PRICE WITHOUT VAT 24% |
PRICE WITHOUT V.A.T.
The BSS FDS-334T is a 2 input / 4 output loudspeaker management system with
Features such as : Fast-access edit input and output, Each output is assignable
to either input or to sum of inputs, Navipad menu navigation, Bright blue text display,
Crossover, assignable PEQ mid-filter limiters, polarity and delay on each output,
Assignable parametric EQ and delay on each input, LED bargraphs on every input
and output, 6, 12, 18, 24 or 48dB per octave Butterworth, Bessel or Linkwitz crossover
alignments, 60 user programs, Lockable front panel mutes and level trims and MIDI control.
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