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Features
- Goof proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
- New gate timing algorithms ensure the smoothest release characteristics
- Program-adaptive expander/gates
- Great sounding dynamics control for any type of program material
- Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
- Stereo or dual-mode operation
- Balanced inputs and outputs on 1/4" TRS and XLR
- Side Chain insert
- Classic dbx® "Auto" mode
Specifications Input Connectors | 1/4" TRS and XLR, Floating Balanced; XLR: Pin 2 hot Phone: Tip Hot HI | Input Impedance | >50kΩ balanced, >25kΩ unbalanced | Max Input | +24dBu, Balanced or Unbalanced | CMRR | >40dB at 1kHz, typically >55dB | Sidechain | 1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return) | Sidechain Impedance | Tip = >10kΩ (Input), Ring = 2kΩ (Output) | Sidechain Max Input Level | +24dBu | Output Connectors | 1/4" TRS phone and XLR floating balanced, XLR: Pin 2 and Tip Hi | Output Impedance | 120Ω balanced, 60Ω unbalanced | Max Output | +21dBu,>+20 dBm into 600Ω, balanced or unbalanced | Frequency Response | 20Hz - 20kHz; +0, -0.5dB, Typical 3dB points are 0.35Hz and 110kHz, unity gain | Noise | |
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AKG N63E Phantom Power Supply
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PRICE WITHOUT V.A.T. 23%
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BSS Opal FCS-966 Constant Q Graphic Eq
Graphic equalisers are found in just about every sound application, from room contouring to feedback control and general audio sweetening.
Traditionally, much general eq'ing takes place on the faders alone, but this restricts the use of the faders at each end of the scale for further precision eq work. So we provided the Opal FCS-966 with separate LF and HF contour filters which can change an overall sound balance without disturbing a detailed room or loudspeaker response.
These filters are very musical gentle boost and cut shelving filters which can be used to add (or remove) room effects that change with temperature, audience numbers or humidity.
All these effects can be easily made without disturbing the critical fader settings already made.
Constant Q Filters
The modern generation of graphic eq's
uses the Constant Q topology, pioneered by BSS Audio, which means that the filter width is constant whatever the fader gain setting.
Compared to the earlier 'gyrator' style of filters, Constant Q filters provide a smoother and more predictable interaction between adjacent faders and the resulting eq curve more closely resembles the actual fader positions.
More Gain Control Per Filter
Each eq fader has +/-15dB of adjustable gain, more than many competitive graphic eq's. The faders are long-throw 45mm types for precision control.
High Pass Filter
Also provided on the FCS-966 is a sweepable high-pass filter which can be used very effectively to restrict the low-energy output for better amplifier and loudspeaker performance. Stage monitors also benefit from the application of a high-pass filter to remove bass signals e.g. from vocal-only wedges.
Metering
BSS Audio believes in providing engineers with information, and the FCS-966's 8-segment led meter shows output level and warns of signal clipping within the eq. When the unit is switched to bypass, the meter will read the input level, allowing accurate matching of the 'dry' and equalised signals using the gain control.
Centre Bypass
When any eq fader is in its centre detent position, the filter is automatically bypassed, for optimum performance.
Input/Outputs
All the inputs and outputs of the FCS-966 are electronically balanced, with optional transformer balancing. To make installation of the FCS-966 easier, we've provided three differerent interface connectors: XLR-type, 1/4" TRS jack and Phoenix/Combicon screw terminals.
Relay Bypass
The EQ IN buttons switch the EQ path
into circuit. When switched out, or power fails, a high-quality relay switches the input signal directly to the output connectors.
Control Descriptions
Faders
30 EQ filter faders on ISO centres, each with nominal +/-15dB of gain. Positive centre-detent on 45mm long-throw precision faders.
HP Filter
Sweepable high pass filter, frequency adjustable from OUT (flat) up to 250Hz.
LF Contour
Smooth shelving filter, +/-6dB of gain at 50Hz
HF Contour
Smooth shelving filter, +/-6dB of gain at 14kHz.
GAIN
Used for overall unity gain adjustment. Adjustable from - infinity to +10dB.
CLIP
Triple-point clip detector that indicates red when the internal signal is clipping at any one of three critical points.
LED Meter
Shows output signal level (input signal when eq is bypassed) from -24dBu to +18dBu in 8 steps. |
USED IN GOOD CONDITION.
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The S com 4 is a compact and versatile single-rack space device that provides four channels of high quality dynamics processing with an Expander/Gate and Compressor/Limiter on each channel. The four channels operate independently or in stereo pairs. Its multi-segment LED metering displays input/output level as well as gain reduction. The Expander/Gate section features a continuously variable Threshold control as well as a switch for fast or slow release times. The Compressor/Limiter section includes variable Threshold, Ratio and Output levels. S com 4\'s Enhancer switch restores high frequencies that are sometimes diminished by heavy compression. This wide-ranging combination of features makes the S com 4 an efficient and versatile audio tool for a wide variety of applications. Its clean and quiet audio characteristics make it ideal where high sonic integrity is imperative. FEATURES:
4 Channel Compressor/Limiter, Expander/Gate with Enhancer Linkable in two Stereo pairs Expander/Gate with variable Trigger control and switchable Fast/Slow Release 5 Segment LED meters for Input/Output levels and Gain Reduction on each channel Advanced circuit design utilizing Low Noise Operational Amplifiers and High Quality VCA\'s Servo Balanced Inputs and Outputs on XLR and 1/4" connectors SKD (Smart Knee Detector) circuit automatically switches from soft to hard knee based on the level of Input signal applied Individual Threshold and Ratio controls on each channel Three-year extended warranty |
Features | • Dual 15-band equalizer | | • Constant Q | | • Low cut filter at 50Hz with a 12dB/Octave slope | | • Balanced XLR inputs and outputs | - | • Bal 1/4" inputs and impedance balanced 1/4" outputs | - | • ISO 2/3 octave frequency centers |
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Longer throw faders provide more precise adjustments when equalizing a room. The SR830QXLR offers 2 channels of equalization each with 15 bands of 45mm faders. The all steel chassis construction can handle the abuse of the road, or the solace of a permanent installation.
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