AKG C 411L Vibration Pickup Ultralight Condenser Microphone for WMS

147.99 incl. GR VAT

In stock

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AKG C411L Ultralight Condenser Microphone Ultra-light vibration pickup Condenser transducer in sealed enclosure Cable with lockable miniature XLR connector Weighing only 18 grams (0.6 oz.), this ultra-light condenser pickup is ideal for acoustic guitar, mandolin, violin, and most other stringed instruments. The C 411 will give a clear and uncolored sound without changing the balance of […]

 

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AKG C411L Ultralight Condenser Microphone
  • Ultra-light vibration pickup
  • Condenser transducer in sealed enclosure
  • Cable with lockable miniature XLR connector

Weighing only 18 grams (0.6 oz.), this ultra-light condenser pickup is ideal for acoustic guitar, mandolin, violin, and most other stringed instruments. The C 411 will give a clear and uncolored sound without changing the balance of the instrument. Attaching the C 411 on or near the bridge or anywhere else on the instrument is easy with the included non-marring, reusable, solventfree adhesive compound.

C 411 L: With mini XLR connector for use with B 29 L battery operated power supply, MPA V L external phantom power adapter, or AKG WMS bodypack transmitters.

Frequency range 10 to 18,000 Hz
Max. SPL 100 dB (for 1% THD)
Impedance 200 ohms unbalanced
Recommended load impedance >=1000 ohms
Supply voltage 9 to 52 V phantom power to DIN 45596 or battery powering from B 29 L or AKG bodypack transmitter
Current consumption approx. 2.2 mA
Connector C 411 L: 3-pin mini XLR
Cable C 411 L: 1.5 m (5 ft.)
Finish matte black
Dimensions 27 x 14 x 9.5 mm / 1.1 x 0.5 x 0.3 in.
Net weight C 411 L: 18 g / 0.7 oz.
Shipping weight C 411 L: 150 g / 5.5 oz.
Weight 0.15 kg

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Quick Comparison

AKG C 411L Vibration Pickup Ultralight Condenser Microphone for WMS removeSENNHEISER E-614 SUPERCARDIOID CONDENSER MICROPHONE removeSENNHEISER E-945 SUPERCARDIOID DYNAMIC MICROPHONE removeSHURE SM-81LC - Cardioid Condenser Microphone removeRODE NT-3 MULTI POWERED 3-4 removeRODE NT-6 COMPACT CONDESER MICROPHONE Demo or end of life remove
NameAKG C 411L Vibration Pickup Ultralight Condenser Microphone for WMS removeSENNHEISER E-614 SUPERCARDIOID CONDENSER MICROPHONE removeSENNHEISER E-945 SUPERCARDIOID DYNAMIC MICROPHONE removeSHURE SM-81LC - Cardioid Condenser Microphone removeRODE NT-3 MULTI POWERED 3-4 removeRODE NT-6 COMPACT CONDESER MICROPHONE Demo or end of life remove
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SKUC 411LH10SE00091H10SE00089SM81-LCH11RD00004H11RD00016
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Price 147.99 incl. GR VAT 189.00 incl. GR VAT 189.00 incl. GR VAT 345.00 incl. GR VAT 250.00 incl. GR VAT 179.00 incl. GR VAT
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Description
ContentAKG C411L Ultralight Condenser Microphone
  • Ultra-light vibration pickup
  • Condenser transducer in sealed enclosure
  • Cable with lockable miniature XLR connector
Weighing only 18 grams (0.6 oz.), this ultra-light condenser pickup is ideal for acoustic guitar, mandolin, violin, and most other stringed instruments. The C 411 will give a clear and uncolored sound without changing the balance of the instrument. Attaching the C 411 on or near the bridge or anywhere else on the instrument is easy with the included non-marring, reusable, solventfree adhesive compound. C 411 L: With mini XLR connector for use with B 29 L battery operated power supply, MPA V L external phantom power adapter, or AKG WMS bodypack transmitters.
Frequency range 10 to 18,000 Hz
Max. SPL 100 dB (for 1% THD)
Impedance 200 ohms unbalanced
Recommended load impedance >=1000 ohms
Supply voltage 9 to 52 V phantom power to DIN 45596 or battery powering from B 29 L or AKG bodypack transmitter
Current consumption approx. 2.2 mA
Connector C 411 L: 3-pin mini XLR
Cable C 411 L: 1.5 m (5 ft.)
Finish matte black
Dimensions 27 x 14 x 9.5 mm / 1.1 x 0.5 x 0.3 in.
Net weight C 411 L: 18 g / 0.7 oz.
Shipping weight C 411 L: 150 g / 5.5 oz.

The super-cardioid e 614 is a permantly polarized condenser microphone
designed for demanding applications which require a wide frequency response,
high SPL, fast transient response and a compact design.  With its frequency
response of 40 Hz to 20 kHz, the e 614 is able to capture the full sound of the
instrument, while its super-cardioid pick-up pattern isolates the microphone
from other on-stage signals. 
An excellent microphone for percussion instruments, the e 614 is also an ideal
choice for woodwind and string instruments.  Its excellent acoustic properties
also make it a valuable tool for home recording.

Features
Rugged design Effective rejection of incidental rear noise Excellent directivity
across the whole frequency range Full, natural sound High maximum sound
pressure level
Wide frequency response
Delivery Includes
Microphone pouch
Microphone clip MZQ 100

Technical Data
Frequency response  40 Hz ... 20 kHz 
Transducer principle  permanently polarized condenser 
Pick-up pattern  supercardioid 
Sensitivity in free field, no load (1kHz)  3 mV/Pa = - 50dB (0 dB = 1 V/Pa) 
Nominal impedance  50 Ohm 
Min. terminating impedance  1 kOhm 
Maximum sound pressure level (passiv)  139 dB/SPL 
Equivalent noise level  24 dB(A) 
Equivalent noise level weighted as per CCIR 468-3  35 dB 
Dimensions  ? 20mm, L = 100mm 
Weight w/o cable  93 g 

The e 945 is a fully professional super-cardioid vocal microphone which cuts through the mix and offers a smooth, natural sound. Its warm tonal response is matched with rugged construction and excellent feedback rejection. Features Rugged metal body Advanced shock-mount design Consistent on-/off-axis response Hum compensating coil Made in Germany Delivery includes a pouch and a microphone clamp Delivery Includes 1 e 945 MZQ 800 microphone clamp Pouch Technical Data Pick-up pattern  Super-cardioid Frequency response (microphone)  40.....18000Hz Sensitivity in free field, no load (1kHz) 2,0mV/Pa bei 1 kHz = -54dB (0 dB = 1V/Pa) = -74 dB (0 dB = 1V/ubar) Nominal impedance  350 Ohm Min. terminating impedance  1000 Ohm Dimensions  47 x 186 mm Weight  330 g

 Cardioid Condenser with 10dB Attenuator and 3 Position Low-Cut Filter

One of the world's great studio microphones, the SM81 provides precise, detailed sound reproduction, is excellent for studio recording, and is rugged enough for live sound reinforcement.

  • A standard for acoustic instruments, including guitar and cymbals
  • Selectable, low-frequency response -- either flat, 6dB/octave roll-off, or 18 dB/octave roll-off
  • Built-in, switchable 10 dB attenuator for use in high SPL situations
  • Phantom power only
  • Windscreen included
  • Low noise and high output clipping
  • Cardioid condenser
  • Frequency response: 20 to 20,000 Hz
NT3 - Versatile & Dependable Stylish and modern, the NT3 is a studio and location workhorse. With both 48V phantom and internal 9V battery operation, this R?DE is at home anywhere. Intended for studio, stage and location work, this versatile handheld or stand mounted microphone incorporates a true externally polarized condenser (hyper- cardioid polar response) transducer with an internal capsule shock mounting system, and an ultra-low noise electronic circuit that has a high immunity to R.F. interference. Incorporating a rugged welded and heat-treated mesh head and all metal body. The NT3 is supplied in a zip pouch with a windshield, stand mount and thread adaptor. SPECIFICATIONS: Acoustic principle: Externally polarised 19mm (3/4“) condenser Directional pattern:  Hypercardioid Frequency range:  20Hz-20 kHz Output impedance:  200? Signal noise ratio din iec 651:  > 77dB (per IEC268-15) Equvalent noise:  123dB (per IEC268-15) Power supply voltage: P48, P24, P12 phantom 9V battery Weight without battery:  371g Weight with battery:  680g

The R?DE NT6 is specifically designed for difficult mounting applications. Although
clearly relevant to instrument mic'ing, the new NT6 is extremely well suited to any
situation where a small 'unobtrusive' but powerful microphone system is required.
The NT6 utilises the 1/2" (externally biased) gold sputtered true condenser transducer
used in the internationally renowned R?DE NT5. The capsule is designed to attach to
a custom made, multi-position swivel mount allowing it to be independently positioned
with ease.
To further increase the versatility of the NT6, it is supplied with 2 thread adaptors - 1/4"
to 5/8" and 1/4" to 3/8" that enable the capsule assembly to be securely attached to a
wide variety of mic stands, tripods and boom poles.
The capsule is connected to the pre-amplifier (body) by a custom 3 m Kevlar? fibre reinforced
cable. Housed within the heavy duty satin-nickel-plated body, is a state-of-the-art low noise
balanced output preamplifier, exhibiting a wide dynamic range and full frequency response.
The surface-mount pre-amplifier circuit also incorporates a 2-position variable pad: 0 dB an -10 dB
attenuation, and a 2-position variable high-pass filter that enables you to step from a flat response
to 80 Hz high pass filter; both conveniently located away from the capsule, providing additional
control without the need to move the capsule once in position.
The NT6 is intended for Film, Television, Broadcast, Live Performance, Theatre, Television,
Surround and Environmental recording applications or wherever your imagination takes you.
The NT6 is produced in R?DE's design and manufacturing facility in Sydney, Australia. Utilising
state of the art computer controlled machining and assembly technologies, R?DE is able to
achieve levels of finish and repeatability of the most exacting standards and tolerances.
The NT6 comes supplied with Microphone Preamp (Body), Capsule, 3 m Kevlar? fibre reinforced
cable, RM5 Stand Mount, 2-axis Swivel Mount, 2 thread adaptors, ZP1 Zip Pouch and WS5 Wind Shield.
 
FEATURES:
? 1/2? (externally biased) gold sputtered true condenser capsule ? Heavy duty satin-nickel-plated body
? 2-position variable pad: 0 dB and -10 dB ? 2-position variable high-pass filter: flat and 80 Hz ? Surface
mount technology ? Low noise ? Wide dynamic range ? Full frequency response ? Supplied complete
with 2-axis swivel mount, 2 thread adaptors, M5 clip, WS5 (Black) Wind Shield and Soft Pouch ? Designed
& manufactured in Australia ? Full 2 year guarantee 
 
Operation power:
The NT6 is designed to operate from phantom power to the P48 standard. The NT6 will operate
between 44V and 52V applied with positive polarity to pin 2 and pin 3 of the output XLR connector. 
Operation output impedance:
Output Impedance: The NT6 will operate satisfactorily into a load impedance as low as 1 kΩ. If a
load below this is used, the output signal level will be reduced. The NT6 output is balanced between
pin 2 (hot) and pin 3 (cold). Pin 1 is ground.
 Acoustic principle:
Externally polarised 1/2" (13mm) pressure gradient condenser
Directional pattern:  Cardioid
Frequency range:
40 Hz ~ 20,000 Hz selectable HPF @ 80 Hz/12 dB/octave
Output impedance: 200 Ω
Signal noise ratio din iec 651:
75 dB (1 kHz rel 1 Pa; per IEC651, IEC268-15)
Equvalent noise: 19 dB SPL (per IEC651, IEC268-15)
Maximum spl:
138 dB (@ 1% THD into 1 kΩ)148 dB (@ 1% THD into 1 kΩ) - pad at maximum
Sensitivity:
-38 dB re 1 Volt/Pascal (16 mV @ 94 dB SPL) +/- 2 dB
Dynamic range din iec 651: 119 dB (per IEC651, IEC268-15)
Power supply voltage: 48 Volts (P48)
Weight: 386 grm.
Maximum output voltage: 6 dBu (@ 1% THD into 1 kΩ)
Pin assignment:
3 pin XLR, balanced output between pin 2(+), pin (-) & pin 1 (ground)
 

Weight0.15 kg0.10 kg0.33 kg0.60 kg2.00 kg2.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.15 kg
Weight 0.10 kg
Weight 0.33 kg
Weight 0.60 kg
Weight 2.00 kg
Weight 2.00 kg