PRICE PER UNIT ΤΙΜΗ ΤΕΜΑΧΙΟΥ Main Monitors: S6X & S7A Mk2 The main monitors S6X and S7A Mk2 are designed for large control rooms and film studios. They present a completely new, impressive concept: to transport the unique realism of the ADAM monitors at a very high SPL level. In accordance with ADAMʼs main […]
The main monitors S6X and S7A Mk2 are designed for large control rooms and film studios. They present a completely new, impressive
concept: to transport the unique realism of the ADAM monitors at a very high SPL level. In accordance with ADAMʼs main goal to achieve the best possible authenticity in music reproduction, any overemphasis of the bass frequencies should be avoided. Furthermore, it is essential for neutral sound characteristics at high volumes to achieve a wide dispersion in the horizontal plane and a somewhat narrower dispersion in the vertical plane, thus reducing reflections from the ceiling, the floor or a mixing console. Less reflection means superior imaging and better localization, facilitating the best possible transportability of mixes across the widest range of playback systems.
Advanced DʽAppolito-array
The arrangement of the seven discrete drivers facilitates a gradual transition of the chassis dimensions. One of the most important aspects of these monitorʼs new approach is the horizontal symmetry of the drivers, which could be referred to as advanced D´Appolito array. If the drivers are filtered properly there are – besides the dispersion characteristics mentioned previously – two more advantageous results:
There is an absence of any sudden change in directivity with frequency, leading to harmonic dispersion behavior throughout the audio band. The absence of sudden changes in directivity is not visible in a frequency plot, but clearly audible – especially with a full range of materials, from single complex sources such as the human voice to the wide sonic palette of large orchestras.
The dynamic capabilities of the monitor are distributed over the audio band more equally, and louder recording or mixdown sessions with SPL´s of 120dB are handled without offending the ear.
Impulse Coupling
In order to get a precise and undistorted reproduction, all drive units are mounted on an ultra stiff Aluminum honeycomb plate (=IC).
Amplifiers
Both the S6X and the S7A Mk2 ADAM use the new generation of switching amps and power supplies (=PWM).
These are combined in an extremely powerful (1000 and 1500W rms respectively) yet cool amplifier assembly. Together with the built in overload protection circuits these amplifiers will run reliably and at constant safe operating temperatures not possible with conventional designs.
The amplifiers are of extremely low output impedance, leading to a damping factor >4.000, enabling them to strictly control the motion of the drive units.
The S6X: accuracy and power
The S6X is one of the most ambitious studio monitors available today. They can be found in some of the highest profile studios in the industry, from elite private studios to world class jazz, from rock and orchestral tracking and mixing facilities to high powered hip hop production rooms. The concept of the horizontal symmetry of the drivers is greatly affected by the generous proportions of the larger diaphragms, resulting in both exceptionally flat frequency response and extremely realistic dynamic reproduction across the entire audio spectrum. Numerous controls at the front panel allow detailed adaptations to different acoustic environments.
This main monitor offers very high accuracy and power in sheer abundance. SPL peaks beyond 120 dB are produced without any compression or harshness. The S6X is a top shelf choice for larger control rooms and film or sound studios.
Control panel (S6X & S7A Mk2)
Numerous controls on the front panel introduce a new degree of control for main monitors. Along with the input gain, there are level controls for each of the four drivers, shelving filters on both ends of the frequency spectrum, and three full parametric EQs (20-200Hz) that can be used to combat standing waves in the control room. The EQ can be bypassed individually or as a group so that their overall effect can be analyzed in direct comparison to the unaffected signal.
In large film score mixing rooms, it may be desirable to have a representation of the sound in the theatres. To meet the ISO 2969 Standard, the Dolby™ X-curve has to be applied.
Using pink noise, the X-curve engages a 3 dB per octave roll-off above 2 kHz. Both the S6X and S7A Mk2 have a switch that activates this filter, eliminating the need for external processing during the film mix.
A second switchable input on the front allows servicing without moving the unit.
All LED indicators can be dimmed if necessary.
Subwoofer
Number
2
Basket Ø
12″ (305 mm)
Voice coil Ø
3″ (75 mm)
Cone material
HexaCone
Woofer
Number
2
Basket Ø
7.5″ (186 mm)
Voice coil Ø
2″ (50 mm)
Cone material
HexaCone
Midrange
Number
2
Type
X-ART
Diaphragm area
26 inch² (16800 mm²)
Equiv. Diaphragm Ø
5.5″ (146 mm)
Velocity transform ratio
3.5:1
Diaphragm weight
0.7 g
Tweeter
Number
1
Type
X-ART
Diaphragm area
4 inch² (2420 mm²)
Equiv. Diaphragm Ø
2″ (56 mm)
Velocity transform ratio
4:1
Diaphragm weight
0.17 g
Built-in Amplifiers
Subwoofer
2
Type
PWM
Amp. power RMS / music
500 W / 700 W
Woofer
2
Type
PWM
Amp. power RMS / music
250 W / 350 W
Midrange
1
Type
PWM
Amp. power RMS / music
250 W / 350 W
Tweeter
1
Type
PWM
Amp. power RMS / music
250 W / 350 W
Control panel
Input Sensitivity
±10 dB
EQ 80 Hz (Quality / Hz / Level)
3 x 0.2 – 20 / 20 – 200 / ±12 dB
High Shelf EQ > 6 kHz
±6 dB
Low Shelf EQ
±6 dB
Sub Gain
±4 dB
Mid-Woofer Level
±2 dB
Mid level
±2 dB
Tweeter gain
±4 dB
Input connectors
Analog
XLR
General data
Panel
Front
X-Curve-Filter
yes
Frequency response
23 Hz – 50 kHz
THD 90dB/1m > 100 Hz
≤0.5 %
Long term output
≥123 dB
Max. peak
≥133 dB
Crossover frequencies
85 / 800 / 3100 Hz
Input impedance
10 KOhm
Weight
213.8 lb (97 kg)
Height x Width x Depth
28.5″ (720 mm) x 37″ (940 mm) x 19.5″ (490 mm)
Warranty
5 Years
Delivery contents
Power cord, Manual
Weight
100.00 kg
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The main monitors S6X and S7A Mk2 are designed for large control rooms and film studios. They present a completely new, impressive
concept: to transport the unique realism of the ADAM monitors at a very high SPL level. In accordance with ADAMʼs main goal to achieve the best possible authenticity in music reproduction, any overemphasis of the bass frequencies should be avoided. Furthermore, it is essential for neutral sound characteristics at high volumes to achieve a wide dispersion in the horizontal plane and a somewhat narrower dispersion in the vertical plane, thus reducing reflections from the ceiling, the floor or a mixing console. Less reflection means superior imaging and better localization, facilitating the best possible transportability of mixes across the widest range of playback systems.
Advanced DʽAppolito-array
The arrangement of the seven discrete drivers facilitates a gradual transition of the chassis dimensions. One of the most important aspects of these monitorʼs new approach is the horizontal symmetry of the drivers, which could be referred to as advanced D´Appolito array. If the drivers are filtered properly there are – besides the dispersion characteristics mentioned previously – two more advantageous results:
There is an absence of any sudden change in directivity with frequency, leading to harmonic dispersion behavior throughout the audio band. The absence of sudden changes in directivity is not visible in a frequency plot, but clearly audible - especially with a full range of materials, from single complex sources such as the human voice to the wide sonic palette of large orchestras.
The dynamic capabilities of the monitor are distributed over the audio band more equally, and louder recording or mixdown sessions with SPL´s of 120dB are handled without offending the ear.
Impulse Coupling
In order to get a precise and undistorted reproduction, all drive units are mounted on an ultra stiff Aluminum honeycomb plate (=IC).
Amplifiers
Both the S6X and the S7A Mk2 ADAM use the new generation of switching amps and power supplies (=PWM).
These are combined in an extremely powerful (1000 and 1500W rms respectively) yet cool amplifier assembly. Together with the built in overload protection circuits these amplifiers will run reliably and at constant safe operating temperatures not possible with conventional designs.
The amplifiers are of extremely low output impedance, leading to a damping factor >4.000, enabling them to strictly control the motion of the drive units.
The S6X: accuracy and power
The S6X is one of the most ambitious studio monitors available today. They can be found in some of the highest profile studios in the industry, from elite private studios to world class jazz, from rock and orchestral tracking and mixing facilities to high powered hip hop production rooms. The concept of the horizontal symmetry of the drivers is greatly affected by the generous proportions of the larger diaphragms, resulting in both exceptionally flat frequency response and extremely realistic dynamic reproduction across the entire audio spectrum. Numerous controls at the front panel allow detailed adaptations to different acoustic environments.
This main monitor offers very high accuracy and power in sheer abundance. SPL peaks beyond 120 dB are produced without any compression or harshness. The S6X is a top shelf choice for larger control rooms and film or sound studios.
Control panel (S6X & S7A Mk2)
Numerous controls on the front panel introduce a new degree of control for main monitors. Along with the input gain, there are level controls for each of the four drivers, shelving filters on both ends of the frequency spectrum, and three full parametric EQs (20-200Hz) that can be used to combat standing waves in the control room. The EQ can be bypassed individually or as a group so that their overall effect can be analyzed in direct comparison to the unaffected signal.
In large film score mixing rooms, it may be desirable to have a representation of the sound in the theatres. To meet the ISO 2969 Standard, the Dolby™ X-curve has to be applied.
Using pink noise, the X-curve engages a 3 dB per octave roll-off above 2 kHz. Both the S6X and S7A Mk2 have a switch that activates this filter, eliminating the need for external processing during the film mix.
A second switchable input on the front allows servicing without moving the unit.
All LED indicators can be dimmed if necessary.
Subwoofer
Number
2
Basket Ø
12" (305 mm)
Voice coil Ø
3" (75 mm)
Cone material
HexaCone
Woofer
Number
2
Basket Ø
7.5" (186 mm)
Voice coil Ø
2" (50 mm)
Cone material
HexaCone
Midrange
Number
2
Type
X-ART
Diaphragm area
26 inch² (16800 mm²)
Equiv. Diaphragm Ø
5.5" (146 mm)
Velocity transform ratio
3.5:1
Diaphragm weight
0.7 g
Tweeter
Number
1
Type
X-ART
Diaphragm area
4 inch² (2420 mm²)
Equiv. Diaphragm Ø
2" (56 mm)
Velocity transform ratio
4:1
Diaphragm weight
0.17 g
Built-in Amplifiers
Subwoofer
2
Type
PWM
Amp. power RMS / music
500 W / 700 W
Woofer
2
Type
PWM
Amp. power RMS / music
250 W / 350 W
Midrange
1
Type
PWM
Amp. power RMS / music
250 W / 350 W
Tweeter
1
Type
PWM
Amp. power RMS / music
250 W / 350 W
Control panel
Input Sensitivity
±10 dB
EQ 80 Hz (Quality / Hz / Level)
3 x 0.2 - 20 / 20 - 200 / ±12 dB
High Shelf EQ > 6 kHz
±6 dB
Low Shelf EQ
±6 dB
Sub Gain
±4 dB
Mid-Woofer Level
±2 dB
Mid level
±2 dB
Tweeter gain
±4 dB
Input connectors
Analog
XLR
General data
Panel
Front
X-Curve-Filter
yes
Frequency response
23 Hz - 50 kHz
THD 90dB/1m > 100 Hz
≤0.5 %
Long term output
≥123 dB
Max. peak
≥133 dB
Crossover frequencies
85 / 800 / 3100 Hz
Input impedance
10 KOhm
Weight
213.8 lb (97 kg)
Height x Width x Depth
28.5" (720 mm) x 37" (940 mm) x 19.5" (490 mm)
Warranty
5 Years
Delivery contents
Power cord, Manual
The CMS 50 is the most compact monitoring loudspeaker of all the Focal Professional range. Its design permits listening from 50cm away, while still keeping the possibility of the monitors at a great distance from one another without damaging the soundstage. The 5” mid-woofer reaches down to 55Hz, while offering a controlled bass and a totally linear midrange. The midrange register of the CMS 50 has unequalled neutrality in its price range. The Al-Mg inverted dome tweeter offers outstanding dynamics and a degree of definition in the treble that allow precise measurement of reverb and other effects which are normally very difficult to assess.
Power ON / OFF LED
Standby / ON LED
Audio Clip LED
Woofer :
5" Focal drive unit, Polyglass cone
Tweeter :
Aluminum/Magnesium inverted dome Focal tweeter
Shielding :
Integral by cancellation magnet
Construction :
Reinforced and damped Aluminum cabinet
Finish :
Black powder cabinet
Dimensions with spikes :
289.5 x 190 x 201mm (11.4" x 7.5" x 7.9“)
Dimensions with table stand :
299.5 x 190 x 201mm (11.8" x 7.5" x 7.9“)
Net weight :
7.7kg - (17lb)
PRICE PER UNIT
S1X
The S1X nearfield monitor delivers high quality sound in a very small cabinet. The S1X has all the critical features of the new SX-Series: the X-ART tweeter in combination with the ADAM designed class A/B amplifier and the HexaCone woofer with optimized magnet/voice-coil systems, driven by premium PWM amplifiers.
The smallest reference speaker
The combined features of crystal clear resolution, tight and precise low-frequency reproduction and the effortless musical reproduction sets this speaker apart from all conventional designs.
The S1X is the first choice in all environments that require high quality within a small space, whether it is a smaller studio, an OB vehicle, or a 5.1 installation.
Woofer
Number
1
Basket Ø
6" (156 mm)
Voice coil Ø
1.5" (37 mm)
Cone material
HexaCone
Tweeter
Number
1
Type
X-ART
Diaphragm area
4 inch² (2420 mm²)
Equiv. Diaphragm Ø
2" (56 mm)
Velocity transform ratio
4:1
Diaphragm weight
0.17 g
Built-in Amplifiers
Woofer
1
Type
PWM
Amp. power RMS / music
200 W / 280 W
Tweeter
1
Type
A/B
Amp. power RMS / music
50 W / 100 W
Control panel
Input Sensitivity (coarse)
±10 dB
High Shelf EQ > 6 kHz
±6 dB
Low Shelf EQ
±6 dB
Tweeter gain
±4 dB
Input connectors
Analog
XLR
General data
Panel
Rear
Frequency response
40 Hz - 50 kHz
THD > 80 Hz
≤1.5 %
Long term output
≥103 dB
Max. peak
≥113 dB
Crossover frequencies
2200 Hz
Input impedance
10 KOhm
Weight
13.2 lb (6 kg)
Magnetically shielded
Optional
Height x Width x Depth
11.5" (295 mm) x 7" (175 mm) x 10" (260 mm)
Warranty
5 Years
Delivery contents
Power cord, Manual
PRICE PER UNIT
ADAMs A7 & A7X: the evolution of a legend
The predecessor to the A7X, the A7, became the most famous of all ADAM monitors in a very short time. Not only has it been reviewed over three dozen times with outstanding results, it has also received numerous awards. The A7 quickly gained mass appeal, praised in many of the worldʼs largest internet forums. Still today, the A7 are the reference monitors in many smaller studios.
With the A7X, ADAM Audio proudly presents the evolution of a legend. It takes everything that made the A7 such an outstanding speaker to a new level.
Driver technology
The first aspect that distinguishes the old from the new model is the X-ART tweeter. The ʽXʼ stands for ʽeXtended frequency responseʼ and thus for one of the features of the Accelerating Ribbon Technology that has been drastically improved: the frequency response. It now extends all the way up to 50kHz. In addition, the X-ART tweeter has a higher efficiency and higher maximum sound pressure levels.
The perfect integration with the lower frequencies has been achieved with a newly designed 7” midwoofer. It has been redesigned with a much bigger voice coil (1.5”) and is driven by an amplifier with twice the power compared to its predecessor. This combination produces an amazing sound and pressure levels with an almost distortion-free musical reproduction.
Amplifiers / controls
Each driver has its own dedicated amplifier. A 50W A/B amp is responsible for the X-ART tweeter, while the midwoofer is being driven by a 100W PWM amp. The front panel includes a power switch and a control for the volume that retains the volume setting independently from the on/off switch.
On the rear panel are several additional controls: a gain for the high frequencies (± 4dB) and two shelf filters for high and low frequencies. To ensure greater compatibility, there are both XLR (balanced) and RCA (unbalanced) connectors.
Mid-Woofer
Number
1
Basket Ø
7" (175 mm)
Voice coil Ø
1.5" (38 mm)
Cone material
Carbon/Rohacell/Glass Fiber
Tweeter
Number
1
Type
X-ART
Diaphragm area
4 inch² (2420 mm²)
Equiv. Diaphragm Ø
2" (56 mm)
Velocity transform ratio
4:1
Diaphragm weight
0.17 g
Built-in Amplifiers
Mid-Woofer
1
Type
PWM
Amp. power RMS / music
100 W / 150 W
Tweeter
1
Type
A/B
Amp. power RMS / music
50 W / 75 W
Control panel
Input Sensitivity
-∞ to +14 dB
High Shelf EQ > 5 kHz
±6 dB
Low Shelf EQ
±6 dB
Tweeter gain
±4 dB
Input connectors
Analog
XLR / RCA
General data
Frequency response
42 Hz - 50 kHz
THD 90dB/1m > 100 Hz
≤0.5 %
Long term output
≥106 dB
Max. peak
≥114 dB
Crossover frequencies
2500 Hz
Input impedance
30 KOhm
Weight
20.3 lb (9,2 kg)
Magnetically shielded
No
Height x Width x Depth
13.5" (337 mm) x 8" (201 mm) x 11" (280 mm)
Warranty
5 Years
Delivery contents
Power cord, Manual
High-Resolution, Active 2-Way Reference Studio Monitor with 5.25" Kevlar Woofer
Ultra-linear studio monitor with true active design
Precision Class A/B amplifiers with active protection circuits: 50 W for LF / 25 W for HF
Ultra-high resolution, ferrofluid-cooled 1" dome tweeter for ultimate sound reproduction
Long-throw 5.25" woofer with deformation-resistant Kevlar cone for ultimate bass response
Ultimate dispersion characteristics and extremely large "sweet spot" owing to advanced wave guide technology
High-precision crossover network with 4th order Linkwitz-Riley filters
Adjustable to a wide range of acoustic conditions
Separately controlled limiter for low and high frequency overload protection
Magnetic shielding allows placement near computer monitors
“Planet Earth" power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
Servo-balanced inputs with XLR, 1/4" and unbalanced RCA connectors
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
100 watts power for low frequencies, 50 watts for highs
Cast aluminum enclosure for structural rigidity and light weight
Magnetically shielded for interference-free use near CRTs and other electronic gear
Linear Spatial Reference technology ensures even frequency response at the mix position
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