The alphaton Direct Injection-Box SM-50 allows direct connection of electric guitars, electric bass, and electronic music instruments with mixing desks of PA systems and of recording studios. The SM-50 reduces the amount of microphones used on stage, thus improving gain before feedback. Coloration of sound is avoided. Clean signal without interference from other instruments eases […]
The alphaton Direct Injection-Box SM-50 allows direct connection of electric guitars,
electric bass, and electronic music instruments with mixing desks of PA systems
and of recording studios.
The SM-50 reduces the amount of microphones used on stage, thus improving gain
before feedback.
Coloration of sound is avoided. Clean signal without interference from other instruments
eases the job of the recording engineer. The use of a strong aluminium die-cast box allows
trouble-free function for a number of years even under adverse conditions. Double grounding
(hum) can be eliminated by activating the built-in ground-lift switch. Isolation voltage between
input and output is 2500 volts, against ground 1500 volts (with ground-lift switch activated).
The box thus complies with toughest safety standards.
Technical Data
input impedance 20 kOhm
input impedance, instrument
input impedance, line-In
input impedance, speaker
output impedance 200 Ohm
frequency response 30 … 20000 Hz, ± 1 dB
THD
isolation voltage tranformer pri/sec 2500 V
outpur to ground 1500 V
inputs 1/4″ phone jacks, unbalanced
outputs XLR, balanced, microphone level.
pin 1 = ground, pin 2 = hot, pin 3 = cold
case aluminium die-cast
weight 230 g
dimensions113 x 71 x 37 mm
Weight
0.23 kg
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Professional and multi-purpose direct injection box for stage and studio applications
Provides impedance and signal matching for the direct connection of instruments to mixers and amplifiers
Ultra-flat frequency response due to renowned BEHRINGER OT-1 transformer
Internal battery automatically shuts off when phantom power is applied
Allows direct connection to speaker outputs with up to 3,000 Watts
Content
The alphaton Direct Injection-Box SM-50 allows direct connection of electric guitars,
electric bass, and electronic music instruments with mixing desks of PA systems
and of recording studios.
The SM-50 reduces the amount of microphones used on stage, thus improving gain
before feedback.
Coloration of sound is avoided. Clean signal without interference from other instruments
eases the job of the recording engineer. The use of a strong aluminium die-cast box allows
trouble-free function for a number of years even under adverse conditions. Double grounding
(hum) can be eliminated by activating the built-in ground-lift switch. Isolation voltage between
input and output is 2500 volts, against ground 1500 volts (with ground-lift switch activated).
The box thus complies with toughest safety standards.
Technical Data
input impedance 20 kOhm
input impedance, instrument
input impedance, line-In
input impedance, speaker
output impedance 200 Ohm
frequency response 30 ... 20000 Hz, ± 1 dB
THD
isolation voltage tranformer pri/sec 2500 V
outpur to ground 1500 V
inputs 1/4" phone jacks, unbalanced
outputs XLR, balanced, microphone level.
pin 1 = ground, pin 2 = hot, pin 3 = cold
case aluminium die-cast
weight 230 g
dimensions113 x 71 x 37 mm
Product Features:
Professional and multi-purpose direct injection box for stage and studio applications
Provides impedance and signal matching for the direct connection of instruments to mixers and amplifiers
Ultra-flat frequency response due to renowned BEHRINGER OT-1 transformer
Internal battery automatically shuts off when phantom power is applied
Allows direct connection to speaker outputs with up to 3,000 Watts
Switchable input attenuation allows input levels of up to +50 dB
Ground Lift switch eliminates typical ground loop problems
¼" TRS and gold-plated XLR connectors
Ultra-rugged, road-suitable aluminum case
Stackable oversized rubber corners
High-quality components and exceptionally rugged construction ensure long life and durability
Conceived and designed by BEHRINGER Germany
With the DI100, you can rest assured that your sound source will reach the console balanced and noise-free. BEHRINGER's take on the all-important active DI box gives you functionality, durability and incredible sound at a remarkable price.
Be Direct
Plug into the DI100's balanced 1/4" TRS or XLR input, then send a signal to your console via the balanced XLR output. You can even plug your guitar or bass amp's speaker output into the DI100, which can handle ratings of up to 3,000 Watts and still deliver a perfect signal. It also features a 1/4" LINK jack to send your signal to an on-stage amplifier. The DI100 also has a switchable attenuation pad, allowing input levels of up to +50 dB. There is also a ground lift switch to eliminate noise associated with ground loops. The DI100 also features BEHRINGER's renowned OT-1 output transformer.
Superior Sound, Incredible Value
DI boxes are an essential part of any stage or studio, and the DI100 delivers the exceptional sound you expect, wrapped up in a rugged, road-proof aluminum case with stackable rubber corners.
User´s Manual
LD Systems LDI02
DI Box active
Active DI box in a sturdy metal housing (aluminium/steel) with protective corners, silver-blue metallic, internal battery (9 V flashes during operation) is switched off automatically when phantom power is used (LED permanently illuminated),
extremely low battery consumption. Battery: 9 V block (not included).
Product type DI Boxes
Channels 1
Inputs 2
Input connectors 6.3 mm Jack , XLR
Max. input level + 10 / + 30 dBu dBu
Input impedance 1 M Ohm(s)
Outputs 1
THRU outputs/channel 1
Output connectors XLR
Frequency response 20 - 20.000 Hz
THDIndicators Power
Controls ground lift , Power
Operating voltage +48 V phantom power , 9 V block
Cabinet material metal
Cabinet surface painted
Width 135 mm
Depth 128 mm
Height 53 mm
Weight 0,645 kg
With added functionality and enhanced audio performance, the AR-133 has been
designed to be more affordable for musicians, studios and PA companies.
The unit includes phantom power and battery supplies as standard. Should the
phantom power from the console fail or be accidentally switched off, the AR-133
automatically switches over to the internal 9V battery providing uninterrupted use.
The unit is housed in a rugged aluminium extrusion case, with robust polyurethane
end-cheeks which give the AR-133 a very distinctive look.
Input connectors are both 1/4" jack sockets and an XLR socket, the latter meaning
that the AR-133 can be used to convert unbalanced signals to a balanced output on
XLRs throughout.
The arched case allows cables to run back underneath the unit from the end for neat
cable management.
Input attenuation is 0, -20 or -40dB, making the box suitable for instrument, line or
amplifier levels on inputs. On the output side, a ground-lift switch is provided for quick
solutions to ground-loop problems.
The AR-133 uses an enhanced version of the same audio path as the AR-116, now
regarded by many people as a reference standard. The sound quality is legendary,
particularly on acoustic and bass guitars.
Numerous applications can be satisfied by the AR-133. For example, as well as the
traditional guitar use, the AR-133 can be used with keyboards, DJ consoles, amplifier
outputs, and other electronic sources.An additional bonus is the ability to use the AR-133
as an active balancing device.
Input Section
Input Impedance 1M Ohm (pad at 0dB)
47k Ohm (pad at -20dB)
47k Ohm (pad at -40dB)
Max Input Level +9dBu (pad at 0dB)
+29dBu (pad at -20dB)
+49dBu (pad at -40dB)
Connectors Two Parallel 1/4" jack connectors and a parallel
XLR connector (unbalanced)
Jack: Tip Hot (+ve)
Sleeve Ground
XLR: Pin 2 Hot (+ve)
Pin 1 & 3 Ground
Output Section
Output Transformer Balanced
Max. Output Level +8dBu into 600 Ohms or greater
Connector XLR3-32 or equivalent
System Performance
Distortion (THD) < 0.005% at 1khz, 0dbu output
Noise < -105db unweighted, 22hz-22khz, rms*
Frequency Response 30Hz to 20kHz, +0dB/-1dB
General
Main/Standby battery 9 volt PP3 type, preferably alkaline.
Current drain on phantom - less than 7.5mA
on battery - less than 2mA.
Phantom Power +20 volts DC to +48 volts DC
Weight 650 gms, excluding batteries.
Overall Dimensions 59 mm x 124 mm x 143 mm
(2.3" x 4.9" x 5.6“)
Palmer PAN 03 19" DI Box 4-Channel active
Active 4-channel DI box. Each channel has a jack input with a parallel output for passing through the signal. An attenuation switch (-30 dB) allows either a line or loudspeaker signal to be connected.Active 4 x DI box, 19" format. Technical specitications identicl to the PAN-02, however, the PAN-03 is built for mains operation. All connections and switches are located on the front panel, an additional parallel XLR output is located in back. 19 inch rack-mount format, 1 rack space, 90 mm front to back.
Product type
DI Boxes
Type
active
Channels
4
Inputs
4
Input connectors
6.3 mm jack
Max. input level
+ 45 dBu
Input impedance
(@ 60 Hz) 1 M Ohm(s)
Input pad
0 / -30 dB
Outputs
4 (+ 4 parallel XLR outs)
THRU outputs/channel
1
Output connectors
6.3 mm jack , XLR
Max. output level
+ 10 dBu
Output impedance
600 Ohm(s)
Frequency response
10 - 20000 Hz
Transformer balanced
Yes
Ratio
10 : 1
Indicators
Power
Controls
attenuator , ground lift
Operating voltage
external
Cabinet material
sheet steel
Cabinet surface
Powder coated
Width
480 mm
Width
19 "
Depth
90 mm
Height
45 mm
Height
1 U
Weight
1,6 kg
At dbx, when we do something, we do it right. So when we decided to create our new direct injection boxes, we didnʼt settle for the same old tired approach to direct box design. With our dbx name on the line, how could we? One look at our new dB10 Passive and dB12 Active direct boxes will tell you that these are clearly different. With their bullet-proof construction, and extraordinary audio performance to rival their looks, finally thereʼs a direct box worthy of the dbx name.
Utilizing custom dbx mu-metal-shielded audio transformers, high-quality Neutrik® connectors, and low-noise circuitry preserves the sonic integrity and true characteristics of the signal source. Both boxes include a pad switch that accomodates instrument, line and even speaker level signals. Take even more control of your sound by utilizing the polarity invert switch to set the phase relationship between the direct and mic'd sound.
As a professional, you donʼt have time for interference, so weʼve included a ground lift switch to solve potential hum and buzz problems due to ground loops. And between the combined shielding of the cast metal chassis and the custom-wound transformer, you can be doubly assured of a clean signal free from interference. All of this sits atop a solid, stable footprint, that will keep the box from being dragged around the stage, and the unique contoured underside allows secure stacking of multiple units.
So whether you need to control the level, placement in the mix, or overall characteristics of 4 independent signals or control the gain leveling on a couple of stereo pairs, the dbx dB12 is for you.
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