ΛΕΙΤΟΥΡΓΙΑ AUTO, NOISE GATE, SIGNAL ENHANCER
|
ΛΕΙΤΟΥΡΓΙΑ AUTO, NOISE GATE, SIGNAL ENHANCER
|
Weight | 3.00 kg |
---|
ALTO BK-2.0 COMPRESSOR-LIMITER-EXPANDER 2-CHANNEL remove | BEHRINGER FBQ100 DIGITAL FEEDBACK SUPPRESOR remove | BSS DPR-504 QUAD NOISE GATE remove | ARX COMBO DUAL CHANNEL COMPRESSOR-LIMITER remove | ORBAN OPTIMOD-FM5500 2-5 BAND AUDIO SIGNAL PROCESSOR remove | WAVES MAXX BCL PSYCHOACOUSTIC BASS ENHANCEMENT UNIT remove | |||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Name | ALTO BK-2.0 COMPRESSOR-LIMITER-EXPANDER 2-CHANNEL remove | BEHRINGER FBQ100 DIGITAL FEEDBACK SUPPRESOR remove | BSS DPR-504 QUAD NOISE GATE remove | ARX COMBO DUAL CHANNEL COMPRESSOR-LIMITER remove | ORBAN OPTIMOD-FM5500 2-5 BAND AUDIO SIGNAL PROCESSOR remove | WAVES MAXX BCL PSYCHOACOUSTIC BASS ENHANCEMENT UNIT remove | ||||||||||||
Image | ||||||||||||||||||
SKU | BK-2.0 | E005280 | DPR-504 | COMBO | OPTIMOD FM 5500 | MAXX BCL | ||||||||||||
Rating | ||||||||||||||||||
Price | €102.82 incl. GR VAT | €95.00 incl. GR VAT | €843.00 incl. GR VAT | €297.60 incl. GR VAT | €4,440.22 incl. GR VAT | €2,596.63 incl. GR VAT | ||||||||||||
Stock | Out of stock | Available on backorder | Only 2 left in stock | Available on backorder | Available on backorder | Available on backorder | ||||||||||||
Availability | Out of stock | Available on backorder | Only 2 left in stock | Available on backorder | Available on backorder | Available on backorder | ||||||||||||
Add to cart | ||||||||||||||||||
Description | ||||||||||||||||||
Content |
| SHARK FBQ100 Automatic Feedback Destroyer with Integrated Microphone Preamp, Delay Line, Noise Gate and Compressor High performance single channel Feedback Destroyer with integrated microphone preamp, delay line, noise gate and compressor Automatically and "intelligently" locates and destroys up to 8 feedback frequencies Narrow FBQ filters for extremely effective feedback suppression, while keeping highest sonic quality Ultra-low noise Mic/Line input with Gain control and +48 V phantom power Delay line with up to 2.5 seconds of delay, adjustable in meters, feet and msec Noise gate with automatic and manual parameter settings Automatic compressor with variable density Subsonic filter with adjustable cut-off frequency Balanced inputs and servo-balanced outputs with ¼'' TRS and gold-plated XLR connectors High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany |
The DPR-504 is a 4-channel noise gate. Each channel features: The Range switch selects between 7OdB and 2OdB gating depth to |
Features Innovation Every day, ARX Audio interface products solve audio problems for thousands of people
Front Panel Controls |
OPTIMOD-FM 5500 puts coveted five-band and two-band OPTIMOD processing into a single rack unit package and brings it to you at the most affordable price ever. Quality sound is what 5500 is all about-sound that attracts audiences by providing a polished, professional presentation regardless of format and source material. Exceptional versatility allows you to adjust the processor's audio texture to brand your audio, knowing that the resulting signature sound will remain consistent, cut-to-cut and source-to-source. Branding builds businesses and no other processors have the consistency to brand your sound like OPTIMOD. With the 5500, your signature sound is just a preset away. An easy, one-knob Less/More adjustment allows you to customize any factory preset, trading cleanliness against processing artifacts according to the requirements of your market and competitive environment. Full Control gives you the versatility to customize your audio further. And, if you're a hard-core processing expert, you can explore Advanced Control to tweak presets at the same level as Orban's factory programmers. This versatility makes the 5500 a superb choice for any format. Its five-band processing is ideal for any pop music format (even the most competitive and aggressive CHR), while phase-linear two-band processing yields ultratransparent sound for classical, classic jazz, and fine arts formats. Regardless of your choice, 5500's optimized technology ensures unusually high average modulation and coverage for a given level of subjective quality. Unlike many lesser processors, the 5500 handles speech particularly well. It's always clean, even when you process for loudness. If you're concerned about latency because you need to feed live talent headphones off air, be assured that the 5500's ultra-low-latency (5 ms delay) processing will keep the most finicky talent happy. Or use optimum latency (15 ms delay) processing for the most competitive sound with delay that's still low enough to satisfy most any talent. Versatility doesn't stop with sound.The 5500 can also be used as a superb stand-alone stereo encoder with latency as low as 2 ms and full overshoot limiting in both the left/right and composite baseband domains. When used in this mode, the 5500 must be driven (usually via an STL) by a full-featured FM audio processor (like Orban's 8600) that incorporates pre-emphasis aware HF limiting and peak control. In both modes, the 5500's stereo encoder helps deliver a transmitted signal that's always immaculately clean and perfectly peak limited, with full spectral protection of subcarriers and RDS/RBDS regardless of the amount of composite limiting. It is the ideal choice for network broadcasters who process with Orban's flagship OPTIMOD-FM 8600 at the network origination point and who need a processor at every transmitter to eliminate STL overshoots (using the 5500's stand-alone stereo encoder mode) and/or to process local insertions while also eliminating network STL overshoots (using the 5500's audio processor / stereo encoder mode). Moreover, the 5500's two modes make it easy for large government and network broadcasters to manage its inventory of spares because any 5500 can be used as a stereo encoder with or without audio processing. Available in both modes, the built-in, defeat-able ITU-BS412 multiplex power controller allows the 5500's output to meet even the most stringent European government regulations. A 10 MHz frequency reference input allows the stereo pilot tone frequency to be locked to GPS or another high-accuracy frequency standard. This improves the performance of single-frequency networks in areas where coverage of the transmitters overlaps. The 5500's built-in stereo encoder, AES/EBU digital inputs and outputs, and analog I/O permit hasslefree interfacing to any broadcast plant, whether the 5500 is located at the studio or the transmitter. Tight band limiting to 15 kHz means you can use any uncompressed digital STL to pass 5500- processed audio from studio to transmitter without compromising on-air loudness - there's no need to use STL's having 44.1 or 48 kHz sample-rate. The stereo encoder's stereo sub-channel modulator can operate in normal double sideband mode and in an experimental compatible single sideband mode (SSB/VSB) that is offered to enable users to compare and assess the two modes. Analog Fallback to Digital control that allows Silence Sense to switch the active input from Analog to Digital if silence is detected in the analog input signal but not on the digital input signal. This function works vice versa as well on both analog and digital AES input. The silence sense parameters apply to both simultaneously and both detectors are available to drive the 5500's tally outputs and sending SNMP Traps/Alerts. If you want to locate the 5500 away from the studio, you'll be pleased by its three separate remote control ports - GPI contact closures, RS232 serial and built-in Ethernet for TCP/IP networks. The serial and Ethernet ports are supported by the supplied 5500 PC Remote Control application. This Windows® 2000/XP/Vista/7/8 application allows you to do even more with the 5500 than you can do through its front panel, making remote control a pleasure. 5500 PC Remote software allows you to access all 5500 features and allows you to archive and restore presets, automation lists, and system setups (containing I/O levels, digital word lengths, GPI functional assignments, etc.) Built-in clock-based automation lets you automatically day-part the processing. You can control many other 5500 operating parameters too. The 5500's feature set fully exploits the processor's DSP and computer-based control architecture. To ensure absolute accuracy, you can automatically synchronize the clock to an Internet timeserver. It has a cool-running, energy-efficient switching power supply and uses the latest dual-core DSP chip technology from Freescale Semiconductor.
|
Psychoacoustic Bass Enhancement Unit with Renaissance Compressor, MaxxBass, and L2
Bass Boost for Live Sound, Broadcast, Mastering & Post Production
Waves MaxxBCL at a Glance:
MaxxBass Bass Enhancement
Renaissance Compressor
L2 Ultramaximizer Peak Limiter
Pristine Sound Quality
Versatile Connections
Waves MaxxBCL Features: | ||||||||||||
Weight | 3.00 kg | 0.38 kg | 5.00 kg | 5.20 kg | 9.50 kg | 4.50 kg | ||||||||||||
Dimensions | N/A | N/A | N/A | N/A | N/A | N/A | ||||||||||||
Additional information |
|
|
|
|
|
|
Reviews
There are no reviews yet.