ARTURIA MatrixBrute – Analog synthesizer

Main Features

• Analog Matrix Synthesizer
• 256 Preset memory locations
• 2 Analog Exponential VCOʼs:
  • Saw + UltraSaw, Square +Pulse width, Triangle + Metalizer, Sub
• 1 Analog Linear VCO/LFO
  • Saw, Square, Triangle, Sine waveforms; LFO time divisions; Key track
• VCO 2>1 Hard Sync
• Audio Mod:
  • VCO1>2 ; VCO1 VCO2 ; VCF 1 VCF 2 ; VCF1 VCF2
• Noise Generator:
  • White ; Pink ; Red ; Blue noise types
• 5 input Audio Mixer with Filter routing
• Steiner Parker filter with 12+24 db per octave modes ; Drive ; Brute factor; Low Pass, High Pass, Band Pass, Notch
• Ladder filter with 12+24 db per octave modes ; Drive ; Brute factor; Low Pass, High Pass, Band Pass
• 2 LFOʼs
  • Sine, Tri, Square, Ramp, Saw, Random, S&H
• 3 Envelope Generators
  • 2 Attack, Decay, Sustain, Release
  • 1 Delay, Attack, Decay, Sustain, Release
• External Audio In
• 16x16 Matrix modulation panel
• 64 step sequencer
  • STEP enable, Slide, Accent, Modulation
  • Save and recall sequence patterns on the fly
• Analog Effects
  • Stereo delay, Delay, Flanger, Chorus, Analog Reverberator
• Arpeggiator
• 12 CV / Gate Inputs/Outputs
• Audio Input, Line or Instrument level
• Stereo audio output
• MIDI and USB I/O
• Pedal inputs for Expression and Sustain

With the KROSS, the sounds and songs that you've created at home and the system that you use every day can go with you onto the stage or into the street! Featuring rich sounds that exceed its class, yet remaining highly portable, the KROSS is designed for practical usability. There's a convenient mic input and a built-in audio recorder, and it can run on 6 x AA batteries. It's a distinctive new standard in music workstations, with specs and style that set it apart from all others.

• Stylish and distinctive red and black two-tone color design
• The lightweight body is only 4.3 kg/9.5 lbs
• Can be powered by 6x AA batteries
• Piano, electric piano, and drum sounds that exceed its class
• A wide variety of sounds that utilize twice as much PCM memory as previous instruments, and meet the needs of a broad range of musical styles
• Sound Selector makes it easy to find the sound you're looking for
• Favorites function lets you register 64 selected sounds or audio songs for one-touch access - a great feature for live performances
• Pro-quality EDS-i sound engine built-in, with a total of seven effects available for simultaneous use
• External input jacks allow a mic or external audio source to be directly connected.
• Quick Layer/Split function for on-the-fly versatility
• Stereo audio recorder allows you to record and overdub your performances and vocals
• Step sequencer inherited from the Electribe, a 16-track MIDI sequencer, a drum track, and an arpeggiator
• Connects to your computer via USB for plug-in integration with your favorite DAW

Bass Station II is an analogue mono-synth based on the classic original Bass Station but re-worked for the 21st century. It has two filters, two oscillators plus a third sub-oscillator, patch save and a fully analogue effects section. Add a step sequencer, arpeggiator, full sized keys and a powerful modulation section and you have the makings of a synth that is built for bass, but capable of so much more.

• Osc 1
• Osc 2
• Sub Osc (3)
• Noise generator

Osc 1 & 2

Select between waveforms:

• sine
• triangle
• sawtooth
• square/variable pulse width

Features

• Sync 1 & 2
• Detune 
• Octave range
• Pitch bend
• Pitch modulation from Mod Envelope and/or LFO 1
• Pulse width modulation from Mod Envelope and/or LFO 2

Sub Osc (3) which is tracked to Osc 1

Select independently between waveforms:

• Sine
• Square
• Narrow pulse

Features

• All modulation and tuning tracked to Osc 1
• Independent octave select 

• Osc 1 level
• Osc 2 level
• Sub Osc level
• Noise generator level
• Ring modulation depth
• External signal level

Two filter types

• Acid type (diode ladder filter design)
• Classic type (derived from original Bass Station)

Features

• Cutoff
• Resonance
• Overdrive
• Filter frequency to Mod Envelope depth
• Filter frequency to LFO 2 depth

Select 'Classic' filter between:

• Low pass
• Band pass
• High pass
• 12dB slope
• 24dB slope

Two ADSR Envelopes  (Attack/Decay/Sustain/Release)

• Amp Envelope
• Mod Envelope
• Combined control of both Envelopes

Select triggering mode between:

• Single trigger (holds envelope state when new note is played)
• Multi trigger (re-triggers with every new note played)
• Autoglide (engages portamento) 

There is also a VCA limiter

Two LFOs each selectable between:

• Triangle
• Sawtooth
• Square
• Sample and hold
• Both LFOs independently adjustable between rate and delay time
• Key sync LFO 1 & 2
• LFO slew on LFO 1& 2 (low pass filter on the LFO waveform)

• Distortion send
• Oscillator filter mod amount (FM effect created by Oscillator 2 modulating filter freq)
   

Arpeggiator

• Up to 32 different patterns
• Select between 1-4 octave range
• Swing function
• Select direction:
• up
• down
• up / down 1
• up / down 2
• As played
• Random
• Latch (hold the arpeggiator)

Step Sequencer

• Up to four sequences
• Assign one of 32 preset rhythms or create your own
• insert rests or legato (slide)
• Sequencer re-trigger function

• Adjust glide time
• Single trigger or re-trigger modes
• Integrate into step sequencer and arpeggiator

• 25 note synth-action keyboard
• Aftertouch can be assigned to modulate:
• Filter frequency
• LFO 1to Osc pitch
• Osc 2 speed
• Pitch wheel
• Modulation wheel can be assigned to:
• LFO 2 to filter frequency
• LFO 1 to Osc pitch
• Osc 2 pitch
• Octave up/ down buttons
• 64 factory presets
• 64 slots for user patches (and patch dump facility for storing more)
• Master volume dial

• USB MIDI (for connecting & powering Bass Station II via host computer)
• Mono output on 1/4" TRS jack
• Headphone output on 1/4" TRS jack
• External input on 1/4" TRS jack
• Sustain pedal input on 1/4" TS jack
• MIDI IN / MIDI OUT ports on 5 pin din
• DC power input
• Switch between power off / DC powered / bus powered

• 18" wide x 10.75" deep x 3" tall

MX49 is a 49 key music synthesizer which combines Motif XS sounds, USB Audio/MIDI connectivity and advanced DAW/VST controller features at a ground breaking level of affordability.

The new MX series combines Motif XS sounds, USB Audio/MIDI connectivity and advanced DAW/VST controller
features at a ground breaking level of affordability.
- Over 1000 sounds from the MOTIF series
- Equipped with VCM effects
- Easy Split /Layer Performance Mode for Instant Inspiration
- 16-Part Multi timbral and 128-note polyphony
- Extensive Hands-On controls for VSTs and DAWs
- Bi-directional USB Audio/MID interfacing
- A complete suite of music production software included
- A lightweight design with a quality Yamaha keyboard
- Complete analog and digital connectivity

The MX series contains more than 1000 Voices derived directly from the world famous Yamaha MOTIF XS series. From realistic acoustic sounds like piano, electric piano, strings and drums to complex 8-element synth sounds, the MX has all of your favorite Motif XS Voices right at your fingertips. The MX even has a streamlined interface for instant hands-on selection of all those great Voices. The newly designed category selection makes it easier than ever to find the Voice you need. You can even edit and store your own sounds right onboard.

MX synthesizers come equipped with VCM effects, which simulate vintage effectors at the circuit level. The　sounds of the ʽ70s are brought back to life, through simulating the hard-to-find vintage sounds of equalizer, flanger, phaser, and wah effects introduced by the keyboard legends of the era.

Performance Mode on the Motifs has always been the place to find instant inspiration and the MX is no different. You can easily combine two Voices to play on the keyboard using the dedicated Split and Layer buttons each with their own intelligent arpeggiator and a dedicated Part for a drum track to create evocative Performances that feel like a whole band is playing. The 128 Performances on the MX are all user editable, but come programmed with the latest club friendly grooves.

Synth engine

• Up to 18 note polyphony (dynamic voicing)
• Mono-Timbral


Per patch:
• 3x oscillators
• 1x noise generator
• 2x ring modulators


Waveforms include:
• Square, sine, tri, sawtooth, pulse, 9x saw:pulse combinations.
• 20x digital waveforms
• 36x wavetables


Filtertypes:
2x filters per patch
• low pass no resonance 6dB per octave
• low pass 12dB
• low pass 18dB
• low pass 24dB
• band pass 6:6
• band pass 6:12
• band pass 12:6
• band pass 6:18
• band pass 18:6
• band pass 12:12
• high pass no resonance 6dB per octave
• high pass 12dB
• high pass 18dB
• high pass 24dB


Sources:
20 modulation slots per patch
• 6x envelope generators
• 3x LFOs.
• Aftertouch
• Velocity
• Key scaling/track
• Mod wheel
• Expression pedal


Total of 66 Destinations including:
• Oscillator pitch, pulse width, wavetable index, level and sync
• Filter cutoff, resonance, envelope settings
• Effects parameters and send levels
• Recursive modulation (modulating modulation sources themselves)


5 Effects slots per patch
• Distortion – up to 2 instances
• Compressor – up to 2 instances
• Chorus/Phase – up to 4 instances
• Delay – up to 2 instances
• Reverb – up to 2 instances
• Gator
• EQ
•12 band vocoder
• Arpeggiator – 33 patterns
• Chord function – lock up to 10 notes
• Patch storage up to 512 on hardware (ships with 300 factory patches)


Hardware

• 144 character LCD
• 8x detented touch sensitive encoders
• 1x large smooth encoder (with back-lit filter lock buttons)
• 1x large patch select/speed dial encoder
• 2x volume & monitor mix dials
• 39 LED lit/indicated buttons
• Pitch wheel (LED lit)
• Modulation wheel (LED lit)
• 37 note keyboard with velocity and aftertouch
• XLR dynamic mic input
• 2x ¼” jack inputs
• 2x ¼” jack outputs
• 2x ¼” jack aux outputs
• 1x ¼” jack headphone output
• SPDIF digital output on RCA connector
• Expression pedal on ¼” jack input
• Sustain pedal on ¼” jack input
• MIDI in/out/thru
• 12 volt power input
• USB port (UltraNova can be powered via USB)
• Kensington Lock port