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Features Vocal Studio Pro II - M-Track USB Audio Interface
- (2) XLR+1/4” combo inputs with phantom power for recording vocals, guitars, bass, and more
- Zero-latency monitoring with USB/Analog Direct Balance control
- (2) Balanced 1/4” main outputs with dedicated level control
- Channel-specific LED VU meters provide real-time visual feedback of the audio signal
- Headphone out with independent level control for private recording and mixing
- USB-powered connectivity and solid metal construction for on-the-go use
- Studio-quality audio recording with up to 24-bit/48kHz resolution
- Includes Ableton Live Lite for recording, mixing, and producing music with your Mac or PC
- Use the included Waves plugin bundle (AudioTrack, Eddie Kramer Effects Channel, and TrueVerb) to add a professional finish to your production
- Large-Diaphragm Condenser Microphone
- Top quality condenser transducer
- High sensitivity and low self noise
- Built-in pre-amplifier circuitry for unrivaled sound performance
- Wide frequency response range
- Studio Headphones
- Large 50mm neodymium drivers for accuracy
- Earcups rotate on two axes for optimal fit
- Padded headband for comfort
- 9.9-foot (3m) single-sided, coiled cable
- Right-angle, 1/8" gold-plated, threaded mini-plug connector
- Gold-plated, threaded 1/4" connector also included
- Built-in cable strain relief for long life
Specifications - M-Audio Large Capsule Condenser Microphone
- Transducer Principle: Back Electret Condenser
- Directivity Characteristic: Cardioid
- Frequency Response: 30Hz - 20kHz
- Sensitivity: -38dB ±2dB (0dB=1V/Pa at 1kHz)
- Output Impedance: 200Ω ±30% (at 1kHz)
- Load Impedance: ≥1000Ω
- Equivalent Noise Level: ≤22dB A (IEC 581-5)
- Max. Input SPL: 140dB (THD ≤1.0ï¼… at 1kHz)
- Power Requirements: 48V DC Phantom Power
- Body Dimensions: Ø54 x 128mm
- Net Weight: 371 g
- M-Track Two-Channel USB Audio Interface
- Mic Inputs 1–2 (balanced XLR)
- Frequency Response: 20 Hz – 20 kHz (+/-0.1 dB)
- Dynamic Range: 104 dB (A-weighted)
- Signal-to-Noise Ratio: 104 dB (1 kHz, +1.4 dBu, A-weighted)
- THD+N: 0.003% (1 kHz, +2 dBu input, -0.8 dBFS)
- Preamp EIN:
- -133 dBu (max gain, 40 Ω source, A-weighted)
- -126 dBu (max gain, 150 Ω source, unweighted)
- Sensitivity: -53 dBu
- Gain Range: 55 dB
- Line Inputs 1–2 (balanced 1/4" [6.35 mm] TRS)
- Frequency Response: 20 Hz – 20 kHz (+/-0.1 dB)
- THD+N: 0.004% (1 kHz, -1 dBFS)
- Sensitivity: -43 dBu
- Gain Range: 55 dB
- Inst Input 2 (unbalanced 1/4" [6.35 mm] TS)
- Frequency Response: 20 Hz – 20 kHz (+/-0.1 dB)
- THD+N: 0.022% (1 kHz, -1 dBFS)
- Sensitivity: -47 dBu
- Input Impedance: 1 MΩ
- Gain Range: 55 dB
- Main Outputs, L and R (impedance-balanced 1/4" [6.35 mm] TRS)
- Frequency Response: 20 Hz – 20 kHz (+/-0.3 dB)
- Dynamic Range / Signal-to-Noise Ratio: 102 dB (A-weighted)
- THD+N: 0.008% (1 kHz, -1 dBFS)
- Max Output Level: +2.86 dBu
- Power: USB-bus-powered
- Size (H x W x D): 2.07 x 9.4 x 4.85 inches (52.58 x 238.76 x 123.19 mm)
- Weight: 2.29 lbs (1.04 kg)
- M-Audio Studio Headphones
- 32Ω impedance
- 1,000mW power-handling capacity
- Sensitivity: 102 ±3dB
- THD:
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| Variable large diaphragm microphone | | Pressure-gradient transducer with double membrane capsule | | The studio microphone classic | | Three directional characteristics: omni, cardioid, figure-8 | | Switchable low frequency roll-off | | Switchable 10 dB pre-attenuation | |
Ideal as main and as support microphone in the most differing recording situations
| Acoustical operating principle | Pressure gradient transducer | | Directional pattern | Omnidirectional, cardioid, figure-8 plus | | Frequency range | 20 Hz ... 20 kHz | | Sensitivity at 1 kHz into 1 kohm | 20/28/22 mV/Pa1) | | Rated impedance | 200 ohms | | Rated load impedance | 1 kohms | | Equivalent noise level, CCIR2) | 26/23/25 dB1) | | Equivalent noise level, A-weighted2) | 15/12/14 dB-A1) | | Signal-to-noise ratio, CCIR2) (rel. 94 dB SPL) | 68/71/69 dB1) | | Signal-to-noise ratio, A-weighted2) (rel. 94 dB SPL) | 79/82/80 dB1) | | Maximum SPL for THD 0.5%3) | 117 dB (cardioid) | | Maximum SPL for THD 0.5% with preattenuation3) | 127 dB | | Maximum output voltage | 390 mV | | Dynamic range of the microphone amplifier (A-weighted) | 105 dB | | Supply voltage (P48, IEC 61938) | 48 V ± 4 V | | Current consumption (P48, IEC 61938) | 0.8 mA | | Matching connectors | XLR3F | | Weight | 500 g | | Diameter | 56 mm | | Length | 200 mm |
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The AVANTONE CK-6 is truly a gorgeous looking and sounding microphone. The design, character and performance can be compared directly to fine studio-standard FET mics…but at a fraction of their cost!
The rugged CK-6 microphone body and capsule assembly are precision machined of Brass. Aesthetically the compact body features an elegant Metallic Cabernet Wine-Red finish, accented with polished nickel trim and capsule assembly. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability.
This Transformerless CLASS A FET Microphone w/ 32mm gold sputtered thin Mylar capsule is designed with circuitry that will yield pleasing professional results comparable to much more expensive designs. It also features -10 dB pad & 80 Hz LF roll off switches for varied recording situations.
The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.
Applications
Studio vocals, acoustic guitar, mandolin, drum overheads, piano, etc…
Specifications
Type: True Transformerless Condenser
Polar Pattern: Cardioid
Frequency Response: 35-20,000 Hz +/- 3.5dB
Output Impedance: |
- One-inch large-diaphragm, true condenser cardioid transducer
- Rugged all-metal body
- Roadworthy construction
- Switchable 20 dB preattenuation pad
- Switchable bass cut filter
- Legendary AKG sound quality
- Designed and engineered by AKG in Vienna, Austria
- Comes with spider-type shock mount and aluminium carrying case
The Perception 220 is a large-diaphragm true condenser microphone offering outstanding build quality and excellent value. Its many useful features and included accessories make this microphone uncommonly versatile. It delivers a classic warm, clear sound and conforms to the stringent standards defined for AKG recording products. These standards are based on AKG΄s six decades of experience in making microphones and on input from sound engineers around the world who use AKG products every day.
Its 1-inch large-diaphragm true condenser transducer brings AKG studio quality to the project studio as well as all other areas of recording and live sound applications. A switchable bass cut filter and preattenuation pad make it perfectly suited even for use on loud sound sources producing sound pressure levels up to 155 dB SPL. The rugged and roadworthy design makes it also a perfect choice for on-stage applications. The Perception 220 comes with a spider-type shock mount and a rugged metal case. |
| Type |
1" Large Diaphragm True Condenser |
| Polar pattern |
cardioid |
| Frequency range |
20 to 20,000 Hz |
| Sensitivity |
18 mV/Pa (-35 dBV) |
| Max. SPL |
135 dB/155 dB (0/-20 dB) for 0.5% THD |
| Equivalent noise level |
16 dB-A (IEC 60268-4) |
| Signal/noise ratio (A-weighted) |
78 dB |
| Preattenuation pad |
0 dB, -20 dB |
| Bass filter |
12 dB/octave at 300 Hz |
| Impedance |
=1000 ohms |
| Current consumption |
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| Behringer C-1 Studio Condenser Microphone
Behringer C-1 Studio Condenser Microphone
The C-1 Studio Condenser Microphone from Behringer offers a cardioid pickup pattern for maximum sound source separation and feedback rejection. This low noise microphone is suitable for a wide range of recording scenarios, including project, professional, and home studio applications. There is a pressure gradient transducer and a shock-mounted large diaphragm capsule for open, transparent sound with high-quality transient response. It is constructed of a die-cast metal body for durability and features an LED light to indicate when the microphone is receiving phantom power. The C-1 includes a swivel mount and custom case.
- Professional large-diaphragm condenser microphone for unsurpassed audio quality
- Ideal as main and support microphone for studio and live applications
- Exceptionally flat frequency response and ultra-high sound resolution
- Cardioid pickup pattern for outstanding sound source separation and feedback rejection
- Ultra low-noise transformerless FET input circuitry
- LED indicates phantom power operation
- Gold-plated 3-pin XLR output connector for perfect signal transmission
- Ultra-rugged construction with die-cast body
- Swivel stand mount and carrying case included
| Operating Principle |
Pressure Gradient |
| Capsule |
Condenser |
| Diaphragm |
0.63" / 16.0 mm |
| Polar Pattern |
Cardioid |
Performance
| Frequency Range |
40 Hz to 20 kHz |
| Maximum SPL |
136 dB SPL |
| Impedance |
100 Ohms |
| Load Impedance |
1000 Ohms |
| Sensitivity |
-33 dB |
| THD |
1% |
Connectivity
| Output Connectors (Analog) |
1 x XLR 3-Pin |
Power
| Operating Voltage |
36 to 52 V |
| Operating Current Consumption |
2.5 µA |
Physical
0.93 lb / 0.42 kg
| Dimensions |
ø: 2.13 x L: 7.09" / ø: 54 x L: 180 mm |
| Weight |
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| Acoustical operating principle | Pressure gradient transducer | | Directional pattern | Cardioid | | Frequency range | 20 Hz ... 20 kHz | | Sensitivity at 1 kHz into 1 kohms | 18 mV/Pa | | Rated impedance | 50 ohms | | Rated load impedance | 1000 ohms | | Equivalent SPL CCIR 468-3 | 21 dB | | Equivalent SPL DIN/IEC 651 | 10 dB-A | | S/N ratio CCIR 468-3 | 73 dB | | S/N ratio DIN/IEC 651 | 84 dB | | Maximum SPL for THD 0.5% | 140 dB | | Maximum output voltage | 13 dBu | | Dynamic range of the microphone amplifier DIN/IEC 651 | 130 dB | | Supply voltage | 48 V ± 4 V | | Current consumption | 3 mA | | Matching connectors | XLR 3F | | Weight | 480 g | | Diameter | 49 mm | | Length | 175 mm |
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