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Features Vocal Studio Pro II - M-Track USB Audio Interface
- (2) XLR+1/4” combo inputs with phantom power for recording vocals, guitars, bass, and more
- Zero-latency monitoring with USB/Analog Direct Balance control
- (2) Balanced 1/4” main outputs with dedicated level control
- Channel-specific LED VU meters provide real-time visual feedback of the audio signal
- Headphone out with independent level control for private recording and mixing
- USB-powered connectivity and solid metal construction for on-the-go use
- Studio-quality audio recording with up to 24-bit/48kHz resolution
- Includes Ableton Live Lite for recording, mixing, and producing music with your Mac or PC
- Use the included Waves plugin bundle (AudioTrack, Eddie Kramer Effects Channel, and TrueVerb) to add a professional finish to your production
- Large-Diaphragm Condenser Microphone
- Top quality condenser transducer
- High sensitivity and low self noise
- Built-in pre-amplifier circuitry for unrivaled sound performance
- Wide frequency response range
- Studio Headphones
- Large 50mm neodymium drivers for accuracy
- Earcups rotate on two axes for optimal fit
- Padded headband for comfort
- 9.9-foot (3m) single-sided, coiled cable
- Right-angle, 1/8" gold-plated, threaded mini-plug connector
- Gold-plated, threaded 1/4" connector also included
- Built-in cable strain relief for long life
Specifications - M-Audio Large Capsule Condenser Microphone
- Transducer Principle: Back Electret Condenser
- Directivity Characteristic: Cardioid
- Frequency Response: 30Hz - 20kHz
- Sensitivity: -38dB ±2dB (0dB=1V/Pa at 1kHz)
- Output Impedance: 200Ω ±30% (at 1kHz)
- Load Impedance: ≥1000Ω
- Equivalent Noise Level: ≤22dB A (IEC 581-5)
- Max. Input SPL: 140dB (THD ≤1.0ï¼… at 1kHz)
- Power Requirements: 48V DC Phantom Power
- Body Dimensions: Ø54 x 128mm
- Net Weight: 371 g
- M-Track Two-Channel USB Audio Interface
- Mic Inputs 1–2 (balanced XLR)
- Frequency Response: 20 Hz – 20 kHz (+/-0.1 dB)
- Dynamic Range: 104 dB (A-weighted)
- Signal-to-Noise Ratio: 104 dB (1 kHz, +1.4 dBu, A-weighted)
- THD+N: 0.003% (1 kHz, +2 dBu input, -0.8 dBFS)
- Preamp EIN:
- -133 dBu (max gain, 40 Ω source, A-weighted)
- -126 dBu (max gain, 150 Ω source, unweighted)
- Sensitivity: -53 dBu
- Gain Range: 55 dB
- Line Inputs 1–2 (balanced 1/4" [6.35 mm] TRS)
- Frequency Response: 20 Hz – 20 kHz (+/-0.1 dB)
- THD+N: 0.004% (1 kHz, -1 dBFS)
- Sensitivity: -43 dBu
- Gain Range: 55 dB
- Inst Input 2 (unbalanced 1/4" [6.35 mm] TS)
- Frequency Response: 20 Hz – 20 kHz (+/-0.1 dB)
- THD+N: 0.022% (1 kHz, -1 dBFS)
- Sensitivity: -47 dBu
- Input Impedance: 1 MΩ
- Gain Range: 55 dB
- Main Outputs, L and R (impedance-balanced 1/4" [6.35 mm] TRS)
- Frequency Response: 20 Hz – 20 kHz (+/-0.3 dB)
- Dynamic Range / Signal-to-Noise Ratio: 102 dB (A-weighted)
- THD+N: 0.008% (1 kHz, -1 dBFS)
- Max Output Level: +2.86 dBu
- Power: USB-bus-powered
- Size (H x W x D): 2.07 x 9.4 x 4.85 inches (52.58 x 238.76 x 123.19 mm)
- Weight: 2.29 lbs (1.04 kg)
- M-Audio Studio Headphones
- 32Ω impedance
- 1,000mW power-handling capacity
- Sensitivity: 102 ±3dB
- THD:
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| Acoustical operating principle | Pressure transducer | | Directional pattern | Omnidirectional | | Frequency range | 20 Hz ... 20 kHz | | Sensitivity at 1 kHz into 1 kohm | 20 mV/Pa | | Rated impedance | 50 ohms | | Rated load impedance | 1000 ohms | | Equivalent SPL CCIR 468-3 | 28 dB | | Equivalent SPL DIN/IEC 651 | 15 dB-A | | S/N ratio CCIR 468-3 | 66 dB | | S/N ratio DIN/IEC 651 | 79 dB | | Max. SPL (tube characteristic) | K | | Dynamic range (of the amplifier) | K | | Maximum output voltage | 8 dBu | | Weight | 800 g | | Diameter | 78 mm | | Length | 165 mm |
* THD of the microphone amplifier at an input voltage which is equivalent to the capsule output voltage at the specified SPL.
| Behringer C-2 2 Matched Studio Condenser Microphones
2 Matched Studio Condenser Microphones
- 2 matched condenser microphones for stereo studio recording and live applications
- Ideal as main and support microphones for studio and live applications
- Cardioid pickup pattern for effective feedback elimination
- Low-mass diaphragm for ultra-wide frequency response and ultimate sound reproduction
- Switchable low-frequency roll-off and input attenuation
- Ultra low-noise transformerless FET input eliminates low-frequency distortion
Excellent Source Isolation
Our C-2 mics also feature a low-frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10 dB input pad to accommodate hot signals, such as a really loud vocalist or overzealous cellist.
The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort!
Sound That Astounds
Every stitch of these mics is designed to deliver beautiful sound. Beginning with the gold-plated 3-pin XLR connector, you get the highest signal integrity.
Once connected to your system, youʼll notice these twin pro-caliber microphones have a 4 dB boost in the 1 kHz - 8 kHz range. For those of you new to condenser mics, this basically means youʼll get a slightly brighter sound that will give the perfect shape to cymbals and overhead miking. Acoustic pianos and choirs also benefit greatly from this type of frequency response.
Excellent Source Isolation
The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort!
Our C-2 mics also feature a low-frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10 dB input pad to accommodate hot signals, such as a really loud vocalist or overzealous cellist.
You Are Covered
We always strive to provide the best possible Customer Experience. Our products are made in our own MUSIC Group factory using state-of-the-art automation, enhanced production workflows and quality assurance labs with the most sophisticated test equipment available in the world.
As a result, we have one of the lowest product failure rates in the industry, and we confidently back it up with a generous 3-Year Warranty program. |
| Acoustical operating principle | Pressure gradient transducer | | Directional pattern | Cardioid | | Frequency range | 20 Hz ... 20 kHz | | Sensitivity at 1 kHz into 1 kohm | 20 mV/Pa | | Rated impedance | 50 ohms | | Rated load impedance | 1000 ohms | | Equivalent SPL CCIR 468-3 | 24 dB | | Equivalent SPL DIN/IEC 651 | 12 dB-A | | S/N ratio CCIR 468-3 | 70 dB | | S/N ratio DIN/IEC 651 | 82 dB | | Maximum SPL | 114 dB for THD | | Maximum output voltage | 8 dBu | | Dyn. range of the mic. amplifier DIN/IEC 651 | 102 dB for THD | | Supply voltage | Power supply N 149 A | | Matching connector | Microphone: DIN 8F, Power Supply: XLR 3F | | Weight | 460 g | | Diameter | 57 mm | | Length | 142 mm |
| A/B, X/Y, and M/S stereo recording
Ambience recording
Grand piano, woodwind and brass instruments
Percussions
Drums
Classical music recording
Studio applications
- Back-to-back large-diaphragm multi-pattern transducer
- True condenser technology
- High sensitivity and 155 dB maximum SPL capability
- Switchable 20 dB preattenuation pad
- Switchable bass cut filter
- Legendary, pristine AKG sound quality
- Complete with spider-type shock mount and aluminium carrying case
| Type |
Dual-capsule,1-inch large-diaphragm, true condenser pressure-gradient microphone |
| Polar pattern |
Cardioid, omnidirectional, figure-eight |
| Frequency range |
20 to 20,000 Hz |
| Sensitivity |
28 mV/Pa (-31 dBV) |
| Max. SPL |
135/155 dB SPL (0/-20 dB) for 0.5% THD |
| Equivalent noise level |
16 dB-A (IEC 60268-4) |
| Signal/noise ratio (A-weighted) |
78 dB |
| Preattenuation pad |
0 dB, -20 dB |
| Bass filter |
12 dB/octave, 300 Hz |
| Impedance |
=1000 ohms |
| Current consumption |
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KSM44A Multi-Pattern Dual Diaphragm Microphone
Premium microphone with three polar pattern options (cardioid, omnidirectional, bidirectional).
Features - Prethos® Advanced Preamplifier Technology: Class A, discrete, transformerless preamplifier provides transparency, extremely fast transient response and no crossover distortion. Minimizes harmonic and intermodulation distortions.
- Groundbreaking specifications: 4dB of self-noise and max SPL of 131 dB for a total dynamic range of 127 dB – an increase of 7 dB that defines the new standard for cleanly nuanced audio capture
- Multiple polar patterns–cardioid, omnidirectional and bidirectional–for maximum flexibility in a wide variety of recording applications
- Dual 1 inch, externally biased, ultra-thin, 2.5 μm, 24 Karat gold-layered, low mass diaphragms provide superior frequency response
- Premium electronic components and gold-plated internal and external connectors
- Subsonic filter eliminates rumble from mechanical vibration below 17 Hz.
- Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
- 3-position switchable low-frequency filter helps reduce unwanted stand vibration noise or counteract proximity effect
- Integrated three-stage "pop” protection grille reduces plosives and other breath noise
| Type | Condenser (externally biased) | | Frequency Response | 20 to 20,000 Hz | | Polar Pattern | Cardioid, Omnidirectional, Bidirectional | | lmpedance | 50 ohms | | Phantom power required? | 11–52 V DC phantom power (IEC-61938) 5.8 mA, maximum |
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