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Features Vocal Studio Pro II - M-Track USB Audio Interface
- (2) XLR+1/4” combo inputs with phantom power for recording vocals, guitars, bass, and more
- Zero-latency monitoring with USB/Analog Direct Balance control
- (2) Balanced 1/4” main outputs with dedicated level control
- Channel-specific LED VU meters provide real-time visual feedback of the audio signal
- Headphone out with independent level control for private recording and mixing
- USB-powered connectivity and solid metal construction for on-the-go use
- Studio-quality audio recording with up to 24-bit/48kHz resolution
- Includes Ableton Live Lite for recording, mixing, and producing music with your Mac or PC
- Use the included Waves plugin bundle (AudioTrack, Eddie Kramer Effects Channel, and TrueVerb) to add a professional finish to your production
- Large-Diaphragm Condenser Microphone
- Top quality condenser transducer
- High sensitivity and low self noise
- Built-in pre-amplifier circuitry for unrivaled sound performance
- Wide frequency response range
- Studio Headphones
- Large 50mm neodymium drivers for accuracy
- Earcups rotate on two axes for optimal fit
- Padded headband for comfort
- 9.9-foot (3m) single-sided, coiled cable
- Right-angle, 1/8" gold-plated, threaded mini-plug connector
- Gold-plated, threaded 1/4" connector also included
- Built-in cable strain relief for long life
Specifications - M-Audio Large Capsule Condenser Microphone
- Transducer Principle: Back Electret Condenser
- Directivity Characteristic: Cardioid
- Frequency Response: 30Hz - 20kHz
- Sensitivity: -38dB ±2dB (0dB=1V/Pa at 1kHz)
- Output Impedance: 200Ω ±30% (at 1kHz)
- Load Impedance: ≥1000Ω
- Equivalent Noise Level: ≤22dB A (IEC 581-5)
- Max. Input SPL: 140dB (THD ≤1.0ï¼… at 1kHz)
- Power Requirements: 48V DC Phantom Power
- Body Dimensions: Ø54 x 128mm
- Net Weight: 371 g
- M-Track Two-Channel USB Audio Interface
- Mic Inputs 1–2 (balanced XLR)
- Frequency Response: 20 Hz – 20 kHz (+/-0.1 dB)
- Dynamic Range: 104 dB (A-weighted)
- Signal-to-Noise Ratio: 104 dB (1 kHz, +1.4 dBu, A-weighted)
- THD+N: 0.003% (1 kHz, +2 dBu input, -0.8 dBFS)
- Preamp EIN:
- -133 dBu (max gain, 40 Ω source, A-weighted)
- -126 dBu (max gain, 150 Ω source, unweighted)
- Sensitivity: -53 dBu
- Gain Range: 55 dB
- Line Inputs 1–2 (balanced 1/4" [6.35 mm] TRS)
- Frequency Response: 20 Hz – 20 kHz (+/-0.1 dB)
- THD+N: 0.004% (1 kHz, -1 dBFS)
- Sensitivity: -43 dBu
- Gain Range: 55 dB
- Inst Input 2 (unbalanced 1/4" [6.35 mm] TS)
- Frequency Response: 20 Hz – 20 kHz (+/-0.1 dB)
- THD+N: 0.022% (1 kHz, -1 dBFS)
- Sensitivity: -47 dBu
- Input Impedance: 1 MΩ
- Gain Range: 55 dB
- Main Outputs, L and R (impedance-balanced 1/4" [6.35 mm] TRS)
- Frequency Response: 20 Hz – 20 kHz (+/-0.3 dB)
- Dynamic Range / Signal-to-Noise Ratio: 102 dB (A-weighted)
- THD+N: 0.008% (1 kHz, -1 dBFS)
- Max Output Level: +2.86 dBu
- Power: USB-bus-powered
- Size (H x W x D): 2.07 x 9.4 x 4.85 inches (52.58 x 238.76 x 123.19 mm)
- Weight: 2.29 lbs (1.04 kg)
- M-Audio Studio Headphones
- 32Ω impedance
- 1,000mW power-handling capacity
- Sensitivity: 102 ±3dB
- THD:
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K2 - ?It cant be done?? Precision Variable Pattern Dual 1? Condenser Valve Microphone.
The R?DE K2 is the result of designing and building 1000?s of valve microphones. The
K2?s HF-1 capsule is the pinnacle of transducer technology. The sound quality combines
modern high-end specifications with the character and subtleties of the legendary 50?s mics.
Infinitely variable control of the K2?s polar patterns provides the freedom and flexibility to
excel in any recording situation. The K2 is another example of R?DE?s commitment to
building quality studio microphones to meet the exacting standards demanded by today?s
professionals.At the 2004 Frankfurt Music Messa, 56 of the most prestgious music industry
magazines voted the K2 the ?Best Studio Microphone of 2004?.
SPECIFICATIONS:
Features:
? New large capsule with gold sputtered diaphragm. ? Ultra low noise.
? Wide dynamic range. ? Class ?A? valve circuitry. ? Hand-selected and
graded 6922 twin-triode valve. ? Dedicated Power Supply. ? High strength
welded and heat-treated steel mesh head. ? Durable satin nickel finish.
? Internal capsule shock mounting. ? High level of RF rejection. ? Supplied
complete with SM2 Shock Mount and RC2 Custom Carry Case.
? Continuously variable polar patterns. From omni, through cardiod to
figure 8, controlled at the power supply.
Operation power:
The K2 is designed to operate from a dedicated power supply (110 - 120 V/220 - 240 V, 50/60 Hz)
Acoustic principle: Externally polarized 25 mm(1?) condenser.
Directional pattern:
Continuously variable multi pattern -Omni, through Cardioid to figure 8.
Frequency range: 20 Hz - 20 kHz
Output impedance:
Valve impedence converter with bipolar output buffer.
Signal noise ratio din iec 651:
> 81 dB (1kHz relative to 1 Pa; per IEC651,IEC268-15).
Equvalent noise: 10 dBA SPL (per IEC651, IEC268-15).
Maximum spl: 162 dB (@ 1% THD into 1k).
Sensitivity:
-36 dB re 1 Volt/Pascal (16 mV @ 94 dB SPL) +/- 2 dB.
Power supply voltage:
Dedicated Power Supply(110 - 120 V/220 - 240 V, 50/60 Hz).
Weight: 815 gms
Dimensions width: 208.5 mm
Dimensions depth: 55 mm
Dimensions height: 55 mm
Maximum output voltage: > +30 dBu (@ 1% THD into 1 k).
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Acoustical operating principle | Pressure gradient transducer | Directional pattern | Cardioid | Frequency range | 20 Hz ... 20 kHz | Sensitivity at 1 kHz into 1 kohm | 13 mV/Pa | Rated impedance | 50 ohms | Rated load impedance | 1000 ohms | Equivalent noise level, CCIR1) | 23 dB | Equivalent noise level, A-weighted1) | 12 dB-A | Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) | 71 dB | Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) | 82 dB | Maximum SPL for THD | 110 dB | Maximum SPL for THD | 129 dB | Maximum output voltage for THD | -1 dBu | Dyn. range of the mic. amplifier /A-weighted, 0.5 %2)) | 98 dB | Dyn. range of the mic. amplifier /A-weighted, 5 %2)) | 117 dB | Supply voltage (P48, IEC 61938) | 48 V ± 4 V | Current consumption (P48, IEC 61938) | 3.2 mA | Matching connector | XLR 3F | Weight | 825 g | Diameter | 78 mm | Length | 165 mm |
1) According to IEC 60268-1; CCIR-weighting according to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS
2) Measured as equivalent el. input signal |
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Acoustical operating principle | Pressure gradient transducer | Directional pattern | Cardioid | Frequency range | 20 Hz ... 20 kHz | Sensitivity at 1 kHz into 1 kohms | 18 mV/Pa | Rated impedance | 50 ohms | Rated load impedance | 1000 ohms | Equivalent SPL CCIR 468-3 | 21 dB | Equivalent SPL DIN/IEC 651 | 10 dB-A | S/N ratio CCIR 468-3 | 73 dB | S/N ratio DIN/IEC 651 | 84 dB | Maximum SPL for THD 0.5% | 140 dB | Maximum output voltage | 13 dBu | Dynamic range of the microphone amplifier DIN/IEC 651 | 130 dB | Supply voltage | 48 V ± 4 V | Current consumption | 3 mA | Matching connectors | XLR 3F | Weight | 480 g | Diameter | 49 mm | Length | 175 mm |
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NT2-A - ?The Legend Continues? Multi Pattern 1? Condenser Microphone.
The new NT2-A carries on the tradition forged by the now legendary R?DE NT2.
A professional large capsule (1?) studio microphone incorporating three-position
pick-up patterns, pad and high pass filter switches conveniently located on the
mic body.
At the heart of the NT2-A is the Australian designed and manufactured HF1 dual
diaphragm capsule. The frequency and transient response of this new transducer
has been voiced to complement today?s modern recording techniques, and yet still
evoke the silky smooth character of the legendary microphones of the 50?s and 60?s.
These features provide the flexibility and superlative audio characteristics that make
the NT2-A one of the most versatile condenser mics available.
The NT2-A?s variable controls allow switching between Omni, Figure 8, and Cardioid
polar patterns. The three position high-pass filter provides a flat response or an 80Hz
and 40Hz high pass filter to be selected. Finally the microphones Pad can be switched
between 0 dB, -5dB and -10dB. The NT2-A comes in a soft pouch with an M2 stand mount.
SPECIFICATIONS:
Features:
The Australian designed and manufactured HF1 1? edge terminated, gold sputtered, dual
5 um diaphragm capsule. 3-position variable polar pattern: Omni, Cardioid & Figure 8; all
controlled on the mic. 3-position variable high-pass filter: Flat, 80 Hz or 40 Hz. 3-position
variable pad: 0 dB, -5 dB or -10 dB. Ultra low noise, transformerless SMT circuitry. Wide
dynamic range. High strength heat-treated steel mesh head. Durable satin nickel finish.
Internal capsule shock mounting. Supplied complete with soft pouch and clip. Designed
and manufactured in Sydney, Australia.
Operation power:
The NT2-A is designed to operate from phantom power to the P48 standard. The NT2-A will
operate between 44V and 52V applied with positive polarity to pin 2 and pin 3 of the output
XLR connector.
Operation output impedance:
The NT2-A will operate satisfactorily into a load impedance as low as 1 kΩ. If a load below this
is used, the output signal level will be reduced. The NT2-A output is balanced between pin 2 (hot)
and pin 3 (cold). Pin 1 is ground.
Acoustic principle: Externally polarized 25 mm (1?) dual diaphragm.
Directional pattern: Multi-pattern
Frequency range: 20 Hz ~ 20 000 Hz
Output impedance: 200 Ω
Signal noise ratio din iec 651:
87 dB (1 kHz rel 1 Pa; per IEC651, IEC268-15)
Equvalent noise: 7 dBA SPL (per IEC651, IEC268-15)
Maximum spl:
147 dB (@ 1% THD into 1 kΩ); 157 dB (@ 1% THD into 1 kΩ) - pad at maximum
Sensitivity: -36 dB re 1 Volt/Pascal; (16 mV @ 94 dB SPL) +/-2 dB
Dynamic range din iec 651: 140 dB (per IEC651, IEC268-15)
Power supply voltage: 48 Volts (P48)
Output connection:
3 pin XLR, balanced output between; pin 2(+) and pin 3(-); Pin 1 ground
Weight with battery: 860 grm | Behringer C-1 Studio Condenser Microphone
Behringer C-1 Studio Condenser Microphone
The C-1 Studio Condenser Microphone from Behringer offers a cardioid pickup pattern for maximum sound source separation and feedback rejection. This low noise microphone is suitable for a wide range of recording scenarios, including project, professional, and home studio applications. There is a pressure gradient transducer and a shock-mounted large diaphragm capsule for open, transparent sound with high-quality transient response. It is constructed of a die-cast metal body for durability and features an LED light to indicate when the microphone is receiving phantom power. The C-1 includes a swivel mount and custom case.
- Professional large-diaphragm condenser microphone for unsurpassed audio quality
- Ideal as main and support microphone for studio and live applications
- Exceptionally flat frequency response and ultra-high sound resolution
- Cardioid pickup pattern for outstanding sound source separation and feedback rejection
- Ultra low-noise transformerless FET input circuitry
- LED indicates phantom power operation
- Gold-plated 3-pin XLR output connector for perfect signal transmission
- Ultra-rugged construction with die-cast body
- Swivel stand mount and carrying case included
Operating Principle |
Pressure Gradient |
Capsule |
Condenser |
Diaphragm |
0.63" / 16.0 mm |
Polar Pattern |
Cardioid |
Performance
Frequency Range |
40 Hz to 20 kHz |
Maximum SPL |
136 dB SPL |
Impedance |
100 Ohms |
Load Impedance |
1000 Ohms |
Sensitivity |
-33 dB |
THD |
1% |
Connectivity
Output Connectors (Analog) |
1 x XLR 3-Pin |
Power
Operating Voltage |
36 to 52 V |
Operating Current Consumption |
2.5 µA |
Physical
0.93 lb / 0.42 kg
Dimensions |
ø: 2.13 x L: 7.09" / ø: 54 x L: 180 mm |
Weight |
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