M-AUDIO Vocal Studio Pro 2 Recording pack

Discontinued

200.62 incl. GR VAT

Out of stock

CompareAdd to wishlist Submit Better Price
Features Vocal Studio Pro II M-Track USB Audio Interface (2) XLR+1/4” combo inputs with phantom power for recording vocals, guitars, bass, and more Zero-latency monitoring with USB/Analog Direct Balance control (2) Balanced 1/4” main outputs with dedicated level control Channel-specific LED VU meters provide real-time visual feedback of the audio signal Headphone out with independent […]

 

Read more

Features Vocal Studio Pro II

  • M-Track USB Audio Interface
    • (2) XLR+1/4” combo inputs with phantom power for recording vocals, guitars, bass, and more
    • Zero-latency monitoring with USB/Analog Direct Balance control
    • (2) Balanced 1/4” main outputs with dedicated level control
    • Channel-specific LED VU meters provide real-time visual feedback of the audio signal
    • Headphone out with independent level control for private recording and mixing
    • USB-powered connectivity and solid metal construction for on-the-go use
    • Studio-quality audio recording with up to 24-bit/48kHz resolution
    • Includes Ableton Live Lite for recording, mixing, and producing music with your Mac or PC
    • Use the included Waves plugin bundle (AudioTrack, Eddie Kramer Effects Channel, and TrueVerb) to add a professional finish to your production
  • Large-Diaphragm Condenser Microphone
    • Top quality condenser transducer
    • High sensitivity and low self noise
    • Built-in pre-amplifier circuitry for unrivaled sound performance
    • Wide frequency response range
  • Studio Headphones
    • Large 50mm neodymium drivers for accuracy
    • Earcups rotate on two axes for optimal fit
    • Padded headband for comfort
    • 9.9-foot (3m) single-sided, coiled cable
    • Right-angle, 1/8″ gold-plated, threaded mini-plug connector
    • Gold-plated, threaded 1/4″ connector also included
    • Built-in cable strain relief for long life

    Specifications

  • M-Audio Large Capsule Condenser Microphone
    • Transducer Principle: Back Electret Condenser
    • Directivity Characteristic: Cardioid
    • Frequency Response: 30Hz – 20kHz
    • Sensitivity: -38dB ±2dB (0dB=1V/Pa at 1kHz)
    • Output Impedance: 200Ω ±30% (at 1kHz)
    • Load Impedance: ≥1000Ω
    • Equivalent Noise Level: ≤22dB A (IEC 581-5)
    • Max. Input SPL: 140dB (THD ≤1.0ï¼… at 1kHz)
    • Power Requirements: 48V DC Phantom Power
    • Body Dimensions: Ø54 x 128mm
    • Net Weight: 371 g
  • M-Track Two-Channel USB Audio Interface
    • Mic Inputs 1–2 (balanced XLR)
      • Frequency Response: 20 Hz – 20 kHz (+/-0.1 dB)
      • Dynamic Range: 104 dB (A-weighted)
      • Signal-to-Noise Ratio: 104 dB (1 kHz, +1.4 dBu, A-weighted)
      • THD+N: 0.003% (1 kHz, +2 dBu input, -0.8 dBFS)
      • Preamp EIN:
        • -133 dBu (max gain, 40 Ω source, A-weighted)
        • -126 dBu (max gain, 150 Ω source, unweighted)
      • Sensitivity: -53 dBu
      • Gain Range: 55 dB
    • Line Inputs 1–2 (balanced 1/4″ [6.35 mm] TRS)
      • Frequency Response: 20 Hz – 20 kHz (+/-0.1 dB)
      • THD+N: 0.004% (1 kHz, -1 dBFS)
      • Sensitivity: -43 dBu
      • Gain Range: 55 dB
    • Inst Input 2 (unbalanced 1/4″ [6.35 mm] TS)
      • Frequency Response: 20 Hz – 20 kHz (+/-0.1 dB)
      • THD+N: 0.022% (1 kHz, -1 dBFS)
      • Sensitivity: -47 dBu
      • Input Impedance: 1 MΩ
      • Gain Range: 55 dB
    • Main Outputs, L and R (impedance-balanced 1/4″ [6.35 mm] TRS)
      • Frequency Response: 20 Hz – 20 kHz (+/-0.3 dB)
      • Dynamic Range / Signal-to-Noise Ratio: 102 dB (A-weighted)
      • THD+N: 0.008% (1 kHz, -1 dBFS)
      • Max Output Level: +2.86 dBu
    • Power: USB-bus-powered
    • Size (H x W x D): 2.07 x 9.4 x 4.85 inches (52.58 x 238.76 x 123.19 mm)
    • Weight: 2.29 lbs (1.04 kg)
  • M-Audio Studio Headphones
    • 32Ω impedance
    • 1,000mW power-handling capacity
    • Sensitivity: 102 ±3dB
    • THD:
Weight 4.00 kg

Reviews

There are no reviews yet.

Be the first to review “M-AUDIO Vocal Studio Pro 2 Recording pack”

Your email address will not be published. Required fields are marked *

Quick Comparison

M-AUDIO Vocal Studio Pro 2 Recording pack removeBEHRINGER C-2 - 2 Matched Studio Condenser Microphones removeAKG C414-XLS - Large Diaphragm Condenser Microphone with Five P removeNEUMANN U-87 Ai Studio Set Condenser studio microphone removeAKG PERCEPTION 420 large-diaphragm condenser microphone removeRODE NT-2000 LARGE-DIAPHRAGM CONDESER MICROPHONE remove
NameM-AUDIO Vocal Studio Pro 2 Recording pack removeBEHRINGER C-2 - 2 Matched Studio Condenser Microphones removeAKG C414-XLS - Large Diaphragm Condenser Microphone with Five P removeNEUMANN U-87 Ai Studio Set Condenser studio microphone removeAKG PERCEPTION 420 large-diaphragm condenser microphone removeRODE NT-2000 LARGE-DIAPHRAGM CONDESER MICROPHONE remove
Image
SKUVocal Studio Pro 2E005251C414-XLSH11NE00046PERCEPTION 420H11RD00003
Rating
Price 200.62 incl. GR VAT67.00 incl. GR VAT1,116.00 incl. GR VAT 2,849.00 incl. GR VAT 222.00 incl. GR VAT 529.00 incl. GR VAT
Stock

Out of stock

Only 1 left in stock (can be backordered)

Available on backorder

In stock

Only 1 left in stock

In stock

AvailabilityOut of stockOnly 1 left in stock (can be backordered)Available on backorderIn stockOnly 1 left in stockIn stock
Add to cart

Read more

Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Description
Content

Features Vocal Studio Pro II

  • M-Track USB Audio Interface
    • (2) XLR+1/4” combo inputs with phantom power for recording vocals, guitars, bass, and more
    • Zero-latency monitoring with USB/Analog Direct Balance control
    • (2) Balanced 1/4” main outputs with dedicated level control
    • Channel-specific LED VU meters provide real-time visual feedback of the audio signal
    • Headphone out with independent level control for private recording and mixing
    • USB-powered connectivity and solid metal construction for on-the-go use
    • Studio-quality audio recording with up to 24-bit/48kHz resolution
    • Includes Ableton Live Lite for recording, mixing, and producing music with your Mac or PC
    • Use the included Waves plugin bundle (AudioTrack, Eddie Kramer Effects Channel, and TrueVerb) to add a professional finish to your production

  • Large-Diaphragm Condenser Microphone
    • Top quality condenser transducer
    • High sensitivity and low self noise
    • Built-in pre-amplifier circuitry for unrivaled sound performance
    • Wide frequency response range

  • Studio Headphones
    • Large 50mm neodymium drivers for accuracy
    • Earcups rotate on two axes for optimal fit
    • Padded headband for comfort
    • 9.9-foot (3m) single-sided, coiled cable
    • Right-angle, 1/8" gold-plated, threaded mini-plug connector
    • Gold-plated, threaded 1/4" connector also included
    • Built-in cable strain relief for long life
    Specifications
  • M-Audio Large Capsule Condenser Microphone
    • Transducer Principle: Back Electret Condenser
    • Directivity Characteristic: Cardioid
    • Frequency Response: 30Hz - 20kHz
    • Sensitivity: -38dB ±2dB (0dB=1V/Pa at 1kHz)
    • Output Impedance: 200Ω ±30% (at 1kHz)
    • Load Impedance: ≥1000Ω
    • Equivalent Noise Level: ≤22dB A (IEC 581-5)
    • Max. Input SPL: 140dB (THD ≤1.0ï¼… at 1kHz)
    • Power Requirements: 48V DC Phantom Power
    • Body Dimensions: Ø54 x 128mm
    • Net Weight: 371 g

  • M-Track Two-Channel USB Audio Interface
    • Mic Inputs 1–2 (balanced XLR)
      • Frequency Response: 20 Hz – 20 kHz (+/-0.1 dB)
      • Dynamic Range: 104 dB (A-weighted)
      • Signal-to-Noise Ratio: 104 dB (1 kHz, +1.4 dBu, A-weighted)
      • THD+N: 0.003% (1 kHz, +2 dBu input, -0.8 dBFS)
      • Preamp EIN:
        • -133 dBu (max gain, 40 Ω source, A-weighted)
        • -126 dBu (max gain, 150 Ω source, unweighted)

      • Sensitivity: -53 dBu
      • Gain Range: 55 dB

    • Line Inputs 1–2 (balanced 1/4" [6.35 mm] TRS)
      • Frequency Response: 20 Hz – 20 kHz (+/-0.1 dB)
      • THD+N: 0.004% (1 kHz, -1 dBFS)
      • Sensitivity: -43 dBu
      • Gain Range: 55 dB

    • Inst Input 2 (unbalanced 1/4" [6.35 mm] TS)
      • Frequency Response: 20 Hz – 20 kHz (+/-0.1 dB)
      • THD+N: 0.022% (1 kHz, -1 dBFS)
      • Sensitivity: -47 dBu
      • Input Impedance: 1 MΩ
      • Gain Range: 55 dB

    • Main Outputs, L and R (impedance-balanced 1/4" [6.35 mm] TRS)
      • Frequency Response: 20 Hz – 20 kHz (+/-0.3 dB)
      • Dynamic Range / Signal-to-Noise Ratio: 102 dB (A-weighted)
      • THD+N: 0.008% (1 kHz, -1 dBFS)
      • Max Output Level: +2.86 dBu

    • Power: USB-bus-powered
    • Size (H x W x D): 2.07 x 9.4 x 4.85 inches (52.58 x 238.76 x 123.19 mm)
    • Weight: 2.29 lbs (1.04 kg)

  • M-Audio Studio Headphones
    • 32Ω impedance
    • 1,000mW power-handling capacity
    • Sensitivity: 102 ±3dB
    • THD:
Behringer C-2 2 Matched Studio Condenser Microphones 2 Matched Studio Condenser Microphones
  • 2 matched condenser microphones for stereo studio recording and live applications
  • Ideal as main and support microphones for studio and live applications
  • Cardioid pickup pattern for effective feedback elimination
  • Low-mass diaphragm for ultra-wide frequency response and ultimate sound reproduction
  • Switchable low-frequency roll-off and input attenuation
  • Ultra low-noise transformerless FET input eliminates low-frequency distortion
Excellent Source Isolation Our C-2 mics also feature a low-frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10 dB input pad to accommodate hot signals, such as a really loud vocalist or overzealous cellist. The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort! Sound That Astounds Every stitch of these mics is designed to deliver beautiful sound. Beginning with the gold-plated 3-pin XLR connector, you get the highest signal integrity. Once connected to your system, youʼll notice these twin pro-caliber microphones have a 4 dB boost in the 1 kHz - 8 kHz range. For those of you new to condenser mics, this basically means youʼll get a slightly brighter sound that will give the perfect shape to cymbals and overhead miking. Acoustic pianos and choirs also benefit greatly from this type of frequency response. Excellent Source Isolation The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort! Our C-2 mics also feature a low-frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10 dB input pad to accommodate hot signals, such as a really loud vocalist or overzealous cellist. You Are Covered We always strive to provide the best possible Customer Experience. Our products are made in our own MUSIC Group factory using state-of-the-art automation, enhanced production workflows and quality assurance labs with the most sophisticated test equipment available in the world. As a result, we have one of the lowest product failure rates in the industry, and we confidently back it up with a generous 3-Year Warranty program.
The C 414 B/XLS has been carefully designed to maintain the legendary sonic character of the C 414 family while integrating new features and performance enhancements made possible by new technology. The C 414B/XLS is designed to deliver accurate pickup of all acoustic instruments and voices. The microphone's 5 pickup patterns are easily selectable via an electronic switch with LED indication and offer the selection of omnidirectional, cardioid, wide cardioid, hypercardioid and figure-eight patterns. The pickup pattern selector switch utilizes a dual-color LED indicator that provides visual indication of the pattern selected and also changes from green to red to indicate if the microphone's output electronics are being overloaded. The pattern selector can also be used to "lock" the microphone's switch settings by pressing and holding it for 3 seconds. On the rear of the microphone, an electronic switch allows the selection of -6 dB, -12 dB and -18 dB pre-attenuation levels which are accomplished by changing the polarization voltage to the capsule. The C 414 B/XLS has switchable bass cut filters of 12 dB-per-octave at 40 Hz and 80 Hz, and a 6-dB-per-octave filter at 160 Hz for control of proximity effect. On-axis sensitivity for all patterns is 23 mV/Pa and its self-noise is an extremely low 6 dB-A. The C 414 B/XLS has a transformerless output and all-metal chassis, making it immune to electrical interference and RF from digital equipment, video monitors and wireless systems. It comes complete in an all-metal road case with the AKG H-85 shock mount, a PF80 external two-stage pop filter, a W414X external windscreen and an individually-measured chart showing the response curve of the microphone. It is also available in factory-matched stereo pairs packaged with a H50 stereo bar instead of the external pop filter. The C 414B/XLS is built in Vienna, Austria and comes with a three-year limited parts and labor warranty. Features High sensitivity and extremely low self noise Five switchable polar patterns for placement and application flexibility Two-color LEDs provide quick visual indication of selected polar pattern and output overload Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration H 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen High sound pressure level capability and wide dynamic range Completely immune to electrostatic and electro-magnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stage Three switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indication All switchable components operate in low impedance circuits for ultra-high relability even in extremely humid conditions Optional R 414 remote control unit (available by the end of 2004) offers full control of all switchable parameters via standard microphone cable and 3-pin XLR-type connectors Specifications Type: 1" large diaphragm pressure gradient microphone Polar Patterns: Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight Frequency Range: 20 to 20,000 Hz Sensitivity: 23 mV/Pa (-33 dBV) +/-0.5 dB Max. SPL: 140/146/152/158 dB SPL (at 0/-6/-12/-18 dB) Preattenuation Pad: -6, -12,-18 dB, switchable Bass Cut Filter Scope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz Power Requirements: 48 V phantom power to DIN/IEC Connector: 3-pin XLR Dimensions: 2" x 1.5" x 6.3“ Net Weight: 10.6 oz Shipping Weight: 5 lbs (2.27 kg)
Variable large diaphragm microphone
Pressure-gradient transducer with double membrane capsule
The studio microphone classic
Three directional characteristics: omni, cardioid, figure-8
Switchable low frequency roll-off
Switchable 10 dB pre-attenuation

Ideal as main and as support microphone in the most differing recording situations

 

Acoustical operating principle Pressure gradient transducer
Directional pattern Omnidirectional, cardioid, figure-8 plus
Frequency range 20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm 20/28/22 mV/Pa1)
Rated impedance 200 ohms
Rated load impedance 1 kohms
Equivalent noise level, CCIR2) 26/23/25 dB1)
Equivalent noise level, A-weighted2) 15/12/14 dB-A1)
Signal-to-noise ratio, CCIR2) (rel. 94 dB SPL) 68/71/69 dB1)
Signal-to-noise ratio, A-weighted2) (rel. 94 dB SPL) 79/82/80 dB1)
Maximum SPL for THD 0.5%3) 117 dB (cardioid)
Maximum SPL for THD 0.5% with preattenuation3) 127 dB
Maximum output voltage 390 mV
Dynamic range of the microphone amplifier (A-weighted) 105 dB
Supply voltage (P48, IEC 61938) 48 V ± 4 V
Current consumption (P48, IEC 61938) 0.8 mA
Matching connectors XLR3F
Weight 500 g
Diameter 56 mm
Length 200 mm

 

A/B, X/Y, and M/S stereo recording Ambience recording Grand piano, woodwind and brass instruments Percussions Drums Classical music recording Studio applications
  • Back-to-back large-diaphragm multi-pattern transducer
  • True condenser technology
  • High sensitivity and 155 dB maximum SPL capability
  • Switchable 20 dB preattenuation pad
  • Switchable bass cut filter
  • Legendary, pristine AKG sound quality
  • Complete with spider-type shock mount and aluminium carrying case
Type Dual-capsule,1-inch large-diaphragm, true condenser pressure-gradient microphone
Polar pattern Cardioid, omnidirectional, figure-eight
Frequency range 20 to 20,000 Hz
Sensitivity 28 mV/Pa (-31 dBV)
Max. SPL 135/155 dB SPL (0/-20 dB) for 0.5% THD
Equivalent noise level 16 dB-A (IEC 60268-4)
Signal/noise ratio (A-weighted) 78 dB
Preattenuation pad 0 dB, -20 dB
Bass filter 12 dB/octave, 300 Hz
Impedance =1000 ohms
Current consumption

NT2000 - ?Explore, Control, Create?? Seamlessly Variable Dual 1? Condenser Microphone.

The world's first large diaphragm condenser studio microphone with seamlessly variable Polar
Patterns, Filter and Pad located conveniently on the microphone body. The NT2000?s state of
the art surface-mount electronics combined with the new Australian designed and manufactured
HF1 Capsule, provide extremely low self-noise (7 dBA) and a maximum SPL of 147 dB (157 dB
with pad fully engaged) ensuring exceptional results and the ultimate in recording creativity.
The NT2000 is supplied with the SM2 Shock Mount, together in a durable custom carry case.

SPECIFICATIONS:
Acoustic principle:
Externally polarised 25 mm (1?) dual diaphragm condenser
Directional pattern: Multipattern
Frequency range:  20Hz - 20KHz
Output impedance: 200 ohms
Signal noise ratio din iec 651:  87 dB (1kHz rel 1Pa)
Equvalent noise: 7 dBA SPL (per IEC651, IEC268-15)
Maximum spl:
147 dB (@ 1% THD into 1K ohm) 157dB (@ 1% THD into 1K ohm) with pad set to maximum
Sensitivity:
-36 db re 1 Volt/Pasca (16 mv @94db SPL) +/- 2 dB
Dynamic range din iec 651: 140 dB (per IEC651, IEC268-15)
Power supply voltage: Phantom P48
Weight without battery: 831 gm
Weight with battery:  2.6 kg
 

Weight4.00 kg0.90 kg2.27 kg2.00 kg2.00 kg3.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 4.00 kg
Weight 0.90 kg
Weight 2.27 kg
Weight 2.00 kg
Weight 2.00 kg
Weight 3.00 kg