M-AUDIO Vocal Studio Pro 2 Recording pack

Features Vocal Studio Pro II

• M-Track USB Audio Interface
  • (2) XLR+1/4” combo inputs with phantom power for recording vocals, guitars, bass, and more
  • Zero-latency monitoring with USB/Analog Direct Balance control
  • (2) Balanced 1/4” main outputs with dedicated level control
  • Channel-specific LED VU meters provide real-time visual feedback of the audio signal
  • Headphone out with independent level control for private recording and mixing
  • USB-powered connectivity and solid metal construction for on-the-go use
  • Studio-quality audio recording with up to 24-bit/48kHz resolution
  • Includes Ableton Live Lite for recording, mixing, and producing music with your Mac or PC
  • Use the included Waves plugin bundle (AudioTrack, Eddie Kramer Effects Channel, and TrueVerb) to add a professional finish to your production
  
  
• Large-Diaphragm Condenser Microphone
  • Top quality condenser transducer
  • High sensitivity and low self noise
  • Built-in pre-amplifier circuitry for unrivaled sound performance
  • Wide frequency response range
  
  
• Studio Headphones
  • Large 50mm neodymium drivers for accuracy
  • Earcups rotate on two axes for optimal fit
  • Padded headband for comfort
  • 9.9-foot (3m) single-sided, coiled cable
  • Right-angle, 1/8" gold-plated, threaded mini-plug connector
  • Gold-plated, threaded 1/4" connector also included
  • Built-in cable strain relief for long life
  Specifications
• M-Audio Large Capsule Condenser Microphone
  • Transducer Principle: Back Electret Condenser
  • Directivity Characteristic: Cardioid
  • Frequency Response: 30Hz - 20kHz
  • Sensitivity: -38dB ±2dB (0dB=1V/Pa at 1kHz)
  • Output Impedance: 200Ω ±30% (at 1kHz)
  • Load Impedance: ≥1000Ω
  • Equivalent Noise Level: ≤22dB A (IEC 581-5)
  • Max. Input SPL: 140dB (THD ≤1.0ï¼… at 1kHz)
  • Power Requirements: 48V DC Phantom Power
  • Body Dimensions: Ø54 x 128mm
  • Net Weight: 371 g
  
  
• M-Track Two-Channel USB Audio Interface
  • Mic Inputs 1–2 (balanced XLR)
    • Frequency Response: 20 Hz – 20 kHz (+/-0.1 dB)
    • Dynamic Range: 104 dB (A-weighted)
    • Signal-to-Noise Ratio: 104 dB (1 kHz, +1.4 dBu, A-weighted)
    • THD+N: 0.003% (1 kHz, +2 dBu input, -0.8 dBFS)
    • Preamp EIN:
      • -133 dBu (max gain, 40 Ω source, A-weighted)
      • -126 dBu (max gain, 150 Ω source, unweighted)
      
      
    • Sensitivity: -53 dBu
    • Gain Range: 55 dB
    
    
  • Line Inputs 1–2 (balanced 1/4" [6.35 mm] TRS)
    • Frequency Response: 20 Hz – 20 kHz (+/-0.1 dB)
    • THD+N: 0.004% (1 kHz, -1 dBFS)
    • Sensitivity: -43 dBu
    • Gain Range: 55 dB
    
    
  • Inst Input 2 (unbalanced 1/4" [6.35 mm] TS)
    • Frequency Response: 20 Hz – 20 kHz (+/-0.1 dB)
    • THD+N: 0.022% (1 kHz, -1 dBFS)
    • Sensitivity: -47 dBu
    • Input Impedance: 1 MΩ
    • Gain Range: 55 dB
    
    
  • Main Outputs, L and R (impedance-balanced 1/4" [6.35 mm] TRS)
    • Frequency Response: 20 Hz – 20 kHz (+/-0.3 dB)
    • Dynamic Range / Signal-to-Noise Ratio: 102 dB (A-weighted)
    • THD+N: 0.008% (1 kHz, -1 dBFS)
    • Max Output Level: +2.86 dBu
    
    
  • Power: USB-bus-powered
  • Size (H x W x D): 2.07 x 9.4 x 4.85 inches (52.58 x 238.76 x 123.19 mm)
  • Weight: 2.29 lbs (1.04 kg)
  
  
• M-Audio Studio Headphones
  • 32Ω impedance
  • 1,000mW power-handling capacity
  • Sensitivity: 102 ±3dB
  • THD:

• Large 1" (25mm) capsule with gold plated diaphragm
• Cardioid polar pattern
• Self noise of only 5dB (A)
• Ultra low noise, transformerless surface mount circuitry
• Wide dynamic range
• Gold plated output contacts
• True condenser (externally biased)
• Internal capsule shock mounting

NT2-A - ?The Legend Continues? Multi Pattern 1? Condenser Microphone.
 
The new NT2-A carries on the tradition forged by the now legendary R?DE NT2.
A professional large capsule (1?) studio microphone incorporating three-position
pick-up patterns, pad and high pass filter switches conveniently located on the
mic body.
At the heart of the NT2-A is the Australian designed and manufactured HF1 dual
diaphragm capsule. The frequency and transient response of this new transducer
has been voiced to complement today?s modern recording techniques, and yet still
evoke the silky smooth character of the legendary microphones of the 50?s and 60?s.
These features provide the flexibility and superlative audio characteristics that make
the NT2-A one of the most versatile condenser mics available.
The NT2-A?s variable controls allow switching between Omni, Figure 8, and Cardioid
polar patterns. The three position high-pass filter provides a flat response or an 80Hz
and 40Hz high pass filter to be selected. Finally the microphones Pad can be switched
between 0 dB, -5dB and -10dB. The NT2-A comes in a soft pouch with an M2 stand mount.
 
SPECIFICATIONS:
Features:
The Australian designed and manufactured HF1 1? edge terminated, gold sputtered, dual
5 um diaphragm capsule. 3-position variable polar pattern: Omni, Cardioid & Figure 8; all
controlled on the mic. 3-position variable high-pass filter: Flat, 80 Hz or 40 Hz. 3-position
variable pad: 0 dB, -5 dB or -10 dB. Ultra low noise, transformerless SMT circuitry. Wide
dynamic range. High strength heat-treated steel mesh head. Durable satin nickel finish.
Internal capsule shock mounting. Supplied complete with soft pouch and clip. Designed
and manufactured in Sydney, Australia.
Operation power:
The NT2-A is designed to operate from phantom power to the P48 standard. The NT2-A will
operate between 44V and 52V applied with positive polarity to pin 2 and pin 3 of the output
XLR connector.
Operation output impedance:
The NT2-A will operate satisfactorily into a load impedance as low as 1 kΩ. If a load below this
is used, the output signal level will be reduced. The NT2-A output is balanced between pin 2 (hot)
and pin 3 (cold). Pin 1 is ground.
Acoustic principle: Externally polarized 25 mm (1?) dual diaphragm.
Directional pattern: Multi-pattern
Frequency range:  20 Hz ~ 20 000 Hz
Output impedance: 200 Ω
Signal noise ratio din iec 651:
87 dB (1 kHz rel 1 Pa; per IEC651, IEC268-15)
Equvalent noise: 7 dBA SPL (per IEC651, IEC268-15)
Maximum spl:
147 dB (@ 1% THD into 1 kΩ); 157 dB (@ 1% THD into 1 kΩ) - pad at maximum
Sensitivity: -36 dB re 1 Volt/Pascal; (16 mV @ 94 dB SPL) +/-2 dB
Dynamic range din iec 651: 140 dB (per IEC651, IEC268-15)
Power supply voltage: 48 Volts (P48)
Output connection:
3 pin XLR, balanced output between; pin 2(+) and pin 3(-); Pin 1 ground
Weight with battery: 860 grm

Behringer B-5 Sputtered Diaphragm Studio Condenser Microphone

The B-5 is a professional gold-sputtered diaphragm condenser microphone featuring two interchangeable capsules for different pickup patterns (cardioid and omnidirectional). It is perfect for acoustic instruments, vocals and overhead miking. Its ultra low-noise transformerless FET input eliminates low frequency distortion. The -10 dB attenuator can be used with high volume signal sources, while the low-cut filter eliminates floor rumble. The microphone is delivered in a rugged hard case with stand adapter and windscreen.

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