SHARK FBQ100 Automatic Feedback Destroyer with Integrated Microphone Preamp, Delay Line, Noise Gate and Compressor High performance single channel Feedback Destroyer with integrated microphone preamp, delay line, noise gate and compressor Automatically and “intelligently” locates and destroys up to 8 feedback frequencies Narrow FBQ filters for extremely effective feedback suppression, while keeping highest sonic quality […]
SHARK FBQ100
Automatic Feedback Destroyer with Integrated Microphone Preamp, Delay Line, Noise Gate and Compressor
High performance single channel Feedback Destroyer with integrated microphone preamp, delay line, noise gate and compressor
Automatically and “intelligently” locates and destroys up to 8 feedback frequencies
Narrow FBQ filters for extremely effective feedback suppression, while keeping highest sonic quality
Ultra-low noise Mic/Line input with Gain control and +48 V phantom power
Delay line with up to 2.5 seconds of delay, adjustable in meters, feet and msec
Noise gate with automatic and manual parameter settings
Automatic compressor with variable density
Subsonic filter with adjustable cut-off frequency
Balanced inputs and servo-balanced outputs with ¼” TRS and gold-plated XLR connectors
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
Weight
0.38 kg
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SHARK FBQ100
Automatic Feedback Destroyer with Integrated Microphone Preamp, Delay Line, Noise Gate and Compressor
High performance single channel Feedback Destroyer with integrated microphone preamp, delay line, noise gate and compressor
Automatically and "intelligently" locates and destroys up to 8 feedback frequencies
Narrow FBQ filters for extremely effective feedback suppression, while keeping highest sonic quality
Ultra-low noise Mic/Line input with Gain control and +48 V phantom power
Delay line with up to 2.5 seconds of delay, adjustable in meters, feet and msec
Noise gate with automatic and manual parameter settings
Automatic compressor with variable density
Subsonic filter with adjustable cut-off frequency
Balanced inputs and servo-balanced outputs with ¼'' TRS and gold-plated XLR connectors
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
FEEDBACK DESTROYER FBQ1000
Automatic and Ultra-Fast Feedback Destroyer/Parametric EQ with 24 FBQ Filters
High-performance 2-channel Feedback Destroyer and Parametric EQ
Automatically and "intelligently" locates and destroys up to 24 frequencies
Ultra-narrow FBQ filters for extremely effective feedback suppression, while keeping highest sonic quality
"Set-and-forget" default setting enables immediate and super-easy Feedback Destroyer performance
Auto mode continuously monitors the mix and automatically sets filters
Single-Shot mode automatically detects and destroys feedback plus locks the filter until you reset it manually
Manual mode allows setting of up to 24 fully parametric filters with individual frequency, bandwidth and gain parameters
Extensive MIDI implementation and user preset memories for instant program recalls
Balanced inputs and servo-balanced outputs with ¼'' TRS and gold-plated XLR connectors
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
BEHRINGER FEEDBACK DESTROYER FBQ1000
Bring a more professional sound to your mix
Adding a dbx® 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments.
dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.
Features
Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
New gate timing algorithms ensure the smoothest release characteristics
Program-adaptive expander/gates
Great sounding dynamics control for any type of program material
Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
Stereo or dual-mono operation
Balanced inputs and outputs on 1/4" TRS and XLR connectors
>+21dBu balanced/unbalanced into 2kΩ or greater; >+18dBm balanced/unbalanced (into 600Ω)
Sidechain
1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return)
Sidechain Impedance
Tip = >10kΩ (Input), Ring = 2kΩ (Output)
Sidechain Max Input Level
Tip = >+22dBu (Input)
Sidechain Max Output Level
Ring = >+20dBu (Output)
Compressor Threshold Range
-40dBu to +20dBu
Compressor Threshold Characteristic
Selectable OverEasy® or hard knee
Compressor Ratio
1:1 to Infinity:1
Compressor Attack Time
Scalable Program-Dependent AutoDynamic™
Compressor Release Time
Scalable Program-Dependent AutoDynamic™
Expander/Gate Threshold Range
-60dBu to +15dBu
Expander/Gate Ratio
1:1 to 4:1
Expander/Gate Attack Time
The latest addition to the 10 Series product line, the dbx® 1074 QuadGate™, is the perfect companion to the 1066 and 1046. The 1074 offers 4 channels of gating with threshold, depth and release controls on each channel. The 1074, like the rest of the products in dbx 10 Series, is based on the legendary dbx V2 VCA and offers XLR inputs and outputs, and 1/4” side-chain input. In addition to an external key input per channel, the 1074 also has an internal filter that can be independently activated and controlled on a channel-per-channel basis. This filter allows the 1074 to not only clean up tracks, but gives you frequency selective control on each gate, to open exactly when you want it to. These features combined, make the 1074 an absolute must for those who require quad gating on applications including: Gating dry and percussive sounds such as snare drum and kick drum,gating sounds that have longer decay times such as cymbals and Pianos, gating hum or buzz from live instruments or recorded tracks or eliminating Headphone leakage into microphones. Gating instrument microphones to eliminate amplifier bleed.
From the company that has been redefining the standard of signal processing for more than 30 years, dbx® Professional Products comes a bulletproof product that caters to the scrutinizing needs of those who require the precision noise gating capabilities. Once again, the engineering staff at dbx® Professional Products have taken technology that has been over three decades in the making and have created a product that is flexible, versatile and rock solid in construction design. The 1074ʼs independent channel design with key filtering capabilities make it the perfect tool for countless applications.
Four independent channels of gating
Independent key filtering
Independent Threshold and Release controls
Differentially balanced gold-plated XLR and 1/4" inputs and outputs
0.008% typical at +4 dBu (1 kHz unity gain), 0.08% typical at +20 dBu (1 kHz unity gain),
Interchannel Crosstalk
Stereo Coupling
True RMS Power Summing
Operating Voltage
100-120 VAC 50-60 Hz or 200-240 VAC 50/60 Hz
Power Consumption
30 Watts
Fuse
100-120 VAC:250 mA Slow Blow, 200-240 VAC:125 mA Type T
Power Connector
IEC receptacle
Unit Weight
6.9 lbs.
Shipping Weight
9.3 lbs.
Features Enhance switch to restore spectral balance of compressed signal Switchable Mode - Dual Channel or Stereo linked Above or Below Threshold LEDs Balanced XLR and Jack Inputs and Outputs Intuitive, user friendly layout Flawless performance
Innovation The ARX COMPO? is a unique compressor/limiter designed for use in any professional audio dynamics control application, packaged in a compact 1 RU chassis.The COMPO operates as two independent compressor/limiters, with 'industry standard' variable Threshold, Ratio and Output gain controls. A Stereo Link switch on the front panel lets both channels track as a stereo pair in a Master/Slave configuration. Enhance Switch The COMPO features an 'Enhance' switch, which provides frequency restoration to preserve the spectral balance of the audio signal, compensating for the sagging Low and High frequency response of compressed program material. The best way to think of it is as a 'smart' loudness control. Wide Scale metering There is comprehensive LED indication of all operating functions and status. Above or Below Threshold LEDs on each channel give you instant visual confirmation of compressor activity, as well as easy to read LED Gain Reduction meters. Balanced Inputs and Outputs On the rear panel, each channel has true differential Balanced inputs and outputs, on both XLR and TRS jack connectors. Other features include an Active/Bypass switch for each channel, and passive RFI filters on the inputs. Universal AC Power AC power range is a universal 100 to 120V or 220 to 240V AC, and is connected to the unit via a removable power lead and standard 3 pin IEC connector, with built-in fuse and voltage change switch. ARX Quality With its smooth compression, intuitive user friendly layout, high density precision circuitry, and extensive user-variable operating parameters, the ARX COMPO is the ideal installation 'set and forget' compressor, and is also equally at home in Studio, Broadcast and Sound Reinforcement environments.
Every day, ARX Audio interface products solve audio problems for thousands of people around the world.
T E C H N I C A L S P E C I F I C A T I O N S Input Impedance Balanced 20 Kohms, Unbalanced 10 Kohms Input Headroom + 22 dB CMRR >60 dB, 20 Hz-20 KHz Output Impedance Balanced 300 ohms, Unbalanced 150 ohms Output Level (Max) + 22 dB Frequency Response 20Hz to 20KHz ±0.4dB Signal to Noise ratio -85 dB Unweighted, -99 dB 'A' weighted Distortion .02% THD @ 0dB,1KHz Dynamic Range 107 dB Enhance Section Low Enhance 50 Hz, High Enhance 10 KHz Power Requirements 100/120 V AC, 220/240 V AC Weight 5 lbs/2.2 Kg Dimensions 19“W x 1?“H x 6“D, 482 x 44 x 155mm Input/OutputConnector type XLR, Balanced Jack
Front Panel Controls Channel A Active/Bypassed IN/OUT switch Threshold, Ratio and Output Gain controls Numbered marker panel for labelling compressor assigns 5 segment LED Gain Reduction display Above/Below Threshold status LEDs Enhance switch and status LED Stereo link switch and status LED Channel B controls identical to Channel A Rear Panel Connectors Balanced XLR Input and Output connectors. Balanced TRS jack Input and Output connectors. AC input connector, with voltage switch and fuse.
Features
Unique High Density design puts SIX gates in
minimum rack space
Intuitive, 'user friendly' layout
Balanced Inputs and Outputs
Fast, low noise opto-coupler circuitry
Sidechain/Key Input points on each channel
Hardwire Bypass switch on each gate
Flawless performance in any audio environment
The sheer amount of effects and signal processors required for today's
standards of audio production puts a great strain on the available space
in equipment racks, both in the studio and on the road.
So, in order to give engineers more control in less space, we've created
the ARX Sixgate; Six full function noise gates neatly housed in a compact,
all steel 1 RU package, without sacrificing features or quality.
Why Six gates?
Research shows that the majority of noise gates get used on drum kits,
which means using typically 5 to 6 gate channels. Compare this to the
two or maybe 4 channels that most other units have, and you'll see the
reason for the Sixgate's success.And, by using a minimalist approach to
drum gates, the ARX Sixgate has enough gates left over for backing vocals
and other instruments.
Industry Standard controls
Front panel controls for each gate consist of the 'Industry Standard' controls
for Release, Depth and Threshold, plus Red and Green LED displays to indicate
Gate Open or Closed status, and an IN/OUT hardwire bypass switch.
In addition to this, each gate has a blank panel to write on for easy confirmation
of gate assigns. No more pieces of masking tape stuck everywhere!
Ultra Low Noise
Internally, each gate has proprietary ARX ultra low noise high-speed opto-coupler
circuitry with program dependent Attack time, which tracks the incoming signal to
automatically determine optimum gate response.
Balanced Inputs and Outputs
The rear panel features true differential Balanced Inputs and Outputs for each gate,
on insulated TRS jack connectors.Each gate channel also has Individual Key Inputs/
Sidechain access insert points which can be used either for gate control by an external
signal, or for frequency sensitive gating (when used in conjuction with an external
equalizer such as the ARX EQ260).
Universal AC Power
AC power range on the Sixgate is a universal 100 to 120V or 220 to 240V, and is
connected to the unit via a standard 3 pin IEC connector, with built-in fuse and voltage
switch.
The Sixgate's unique combination of High Density design, intuitive 'user friendly' controls,
and clean uncluttered layout make it a truly useful audio tool for all applications.
T E C H N I C A L S P E C I F I C A T I O N S
Input Impedance
Balanced 20 Kohms, Unbalanced 10 Kohms
Input Headroom + 22 dB
CMRR >60 dB, 20 Hz-20 KHz
Output Impedance
Balanced 300 ohms, Unbalanced 150 ohms
Output Level (Max) + 20 dB
Frequency Response 20Hz to 20KHz ±0.2dB
Signal to Noise Ratio
Gate Closed: -95 dB Unweighted, -105 dB 'A' weighted
Gate Open, Depth Minimum: -93.5 dB Unweighted -98dB
'A' weighted
Distortion 0 .01% THD @ 0dB,1KHz
Dynamic Range 125 dB
Attack Time Program dependent using high-speed
opto-couplers
Release Time User variable
Input and Output Connector type Balanced Jack
Sidechain Insert Connector TipRingSleeve Jack
Sidechain Insert Impedance 10 Kohm
Power Requirements 100/120 V AC, 220/240 V AC
Weight 5 lbs/2.2 Kg
Dimensions
19“Wide x 13/4“High x 6“Deep; 482 x 44 x 155mm
Front Panel Controls
Individual Release, Depth and Threshold controls
Hardwire bypass IN/OUT switch
Open/Closed gate status LED
Marker panel for labelling gate assigns
Rear Panel
Balanced Inputs and Outputs, on Balanced jack
connectors
Sidechain Insert/Key Input TipRingSleeve jack on
each channel
AC input connector, with voltage switch and fuse
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