The U-PHORIA UMC22 2×2 USB Audio Interface from Behringer is a 2×2 audio interface that is capable of tracking your audio with sampling rates up to 48 kHz. It features a single Midas-designed combo XLR/TRS microphone preamplifier with selectable 48-volt phantom power. Additionally, the UMC22 has a front-panel 1/4″ instrument input. Its I/O is rounded up by 2 rear-panel 1/4″ outputs and a front-panel 1/4″ headphone output.
The UMC22 has selectable direct monitoring, and is housed in a metal chassis designed to be impact resistant. Behringer provides a free download of Tracktion 4 Audio Production software with registration.
Midas-Design Preamp
Behringer’s sister company, Midas, developed the preamps for the UMC202 interface. Thanks to the available +48 V phantom power, you can even use condenser mics to create tracks
Monitoring
All U-PHORIA models provide headphone output with level control and direct monitor select, status, signal and clip LEDs, and are powered via your computer’s USB port so they’re ready to go wherever you go
Tracktion 4 Software Download
When you register your UMC22, Behringer provide you with a complimentary download code for the full version of Tracktion 4 digital audio workstation software, with 150 instrument/effect plug-ins
Up to 48 kHz resolution
Compatible with recording software including Avid Pro Tools, Ableton Live, Steinberg Cubase, and others
Streams 2 inputs / 2 outputs with low latency to your computer, supporting Mac OS X and Windows XP or higher
USB port for connection and power
Impact-resistant metal chassis
Behringer UMC 22 Specs
Interface
Channels of I/O
2 Inputs / 2 Output
Max Sample Rate/Resolution
48 kHz / 24-Bit
Display and Indicators
2 x LED (Signal) 2 x LED (Clip) 1 x LED (+48V) 1 x LED (Power)
Connectivity
Host Connection
1 x USB Type-B (USB 2.0)
Analog I/O
1 x Combo XLR-1/4″ Mic/Line Input 1 x 1/4″ Hi-Z Input 2 x 1/4″ TRS Monitor Output 1 x 1/4″ TRS Headphone Output
Phantom Power
+48 V, Selectable On/Off
Digital I/O
None
MIDI I/O
None
Memory Card Slot
None
Performance
Frequency Response
Inputs, Outputs:
10 Hz to 30 kHz +0/-0.5 dB Interface:
10 Hz to 30 kHz +0/-3 dB
Max Input Level
Mic Inputs:
+2 dBu Line Inputs:
+22 dBu Hi-Z Inputs:
+2 dBu
Max Output Level
0 dBu
Dynamic Range
100 dBA
Impedance
Mic Inputs:
3 Kilohms Hi-Z Inputs:
1 Megohm
Digital Audio
Sample Rates
32, 44.1, 48 kHz
Latency
Zero-Latency Direct Monitoring
Compatibility
OS Compatibility
macOS 10 or Later
Windows XP or Later
Power
Power Requirements
USB Bus-Power
Power Consumption
2.5 W (Maximum)
Physical
Anti-Theft Features
Kensington Security Slot
Dimensions
6.4 x 4.9 x 1.8″ / 162.56 x 124.46 x 45.72 mm
Weight
1.1 lb / 0.5 kg
Weight
1.00 kg
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The U-PHORIA UMC22 2x2 USB Audio Interface from Behringer is a 2x2 audio interface that is capable of tracking your audio with sampling rates up to 48 kHz. It features a single Midas-designed combo XLR/TRS microphone preamplifier with selectable 48-volt phantom power. Additionally, the UMC22 has a front-panel 1/4" instrument input. Its I/O is rounded up by 2 rear-panel 1/4" outputs and a front-panel 1/4" headphone output.
The UMC22 has selectable direct monitoring, and is housed in a metal chassis designed to be impact resistant. Behringer provides a free download of Tracktion 4 Audio Production software with registration.
Midas-Design Preamp
Behringer's sister company, Midas, developed the preamps for the UMC202 interface. Thanks to the available +48 V phantom power, you can even use condenser mics to create tracks
Monitoring
All U-PHORIA models provide headphone output with level control and direct monitor select, status, signal and clip LEDs, and are powered via your computer's USB port so they're ready to go wherever you go
Tracktion 4 Software Download
When you register your UMC22, Behringer provide you with a complimentary download code for the full version of Tracktion 4 digital audio workstation software, with 150 instrument/effect plug-ins
Up to 48 kHz resolution
Compatible with recording software including Avid Pro Tools, Ableton Live, Steinberg Cubase, and others
Streams 2 inputs / 2 outputs with low latency to your computer, supporting Mac OS X and Windows XP or higher
USB port for connection and power
Impact-resistant metal chassis
Behringer UMC 22 Specs
Interface
Channels of I/O
2 Inputs / 2 Output
Max Sample Rate/Resolution
48 kHz / 24-Bit
Display and Indicators
2 x LED (Signal)
2 x LED (Clip)
1 x LED (+48V)
1 x LED (Power)
Connectivity
Host Connection
1 x USB Type-B (USB 2.0)
Analog I/O
1 x Combo XLR-1/4" Mic/Line Input
1 x 1/4" Hi-Z Input
2 x 1/4" TRS Monitor Output
1 x 1/4" TRS Headphone Output
Phantom Power
+48 V, Selectable On/Off
Digital I/O
None
MIDI I/O
None
Memory Card Slot
None
Performance
Frequency Response
Inputs, Outputs:
10 Hz to 30 kHz +0/-0.5 dB
Interface:
10 Hz to 30 kHz +0/-3 dB
Max Input Level
Mic Inputs:
+2 dBu
Line Inputs:
+22 dBu
Hi-Z Inputs:
+2 dBu
Max Output Level
0 dBu
Dynamic Range
100 dBA
Impedance
Mic Inputs:
3 Kilohms
Hi-Z Inputs:
1 Megohm
Digital Audio
Sample Rates
32, 44.1, 48 kHz
Latency
Zero-Latency Direct Monitoring
Compatibility
OS Compatibility
macOS 10 or Later
Windows XP or Later
Power
Power Requirements
USB Bus-Power
Power Consumption
2.5 W (Maximum)
Physical
Anti-Theft Features
Kensington Security Slot
Dimensions
6.4 x 4.9 x 1.8" / 162.56 x 124.46 x 45.72 mm
Weight
1.1 lb / 0.5 kg
The UA-1G is a compact 1 x 1 USB Audio Interface that offers excellent-quality sound via multiple connection options and a simple, user-friendly design.
Stereo input and output at 24-bit/96kHz audio quality
High-end A/D and D/A converters for accurate recording and playback
Large Input Level knob for easy control while recording
1/4" jack with Hi-Z option for recording electric guitar or bass
Electret condenser mic input
RCA phono type and optical-digital audio I/O
Headphone output
USB powered – no AC adapter required
SONAR LE for music recording, editing, and publishing on PC
Low-latency ASIO 2.0 (PC); WDM (Windows Vista, Windows XP) and Core Audio (Mac OS X) support
Number of Audio Record/Playback Channels
Record: 1 pair of stereo
Play: 1 pair of stereo
REC SOURCE switch = ANALOG: Full duplex (except for 96 kHz setting)
REC SOURCE switch = DIGITAL: Recording only
Digital output: 32/44.1/48/96 kHz
Digital input: 32/44.1/48/96 kHz
AD/DA Conversion: 32/44.1/48/96 kHz
* ADVANCE DRIVER switch = OFF: 32/44.1/48 kHz
Nominal Input Level
Line input jacks: -10 to +4 dBu
Guiter input jakcs: -30 to -16dBu
Mic input jack: -40 to -26 dBu
Nominal Output Level
Line output jacks: -10 dBu
Interface
USB Digital input (Optical mini type)
* The same jack serves as both the Mic Input jack and digital input connector.
Digital output (Optical mini type)
* The same jack serves as both the headphones jack and digital output connector.
* conforms to IEC60958 consumer format.
USB Connector (B type)
Line Input jacks (L, R) (RCA phono type)
Line Output jacks (L, R) (RCA phono type)
Guiter/Mic Input jack: （1/4 inch phone type)
Mic Input jack (Plug-in powered miniature phone type)
Digital Intput connector (Optical mini type)
* The same jack serves as both the headphones jack and digital output connector.
Headphones jack (Stereo miniature phone type)
Digital Output connector (Optical mini type)
* The same jack serves as both the Mic Input jack and digital input connector.
Power Supply
Supplied from the computer
Current Draw
200 mA
Accessories
Ownerʼs Manual, UA-1G CD-ROM, SONAR LE CD-ROM
Size and Weight
Width
160 mm
6-5/16 inches
Depth
58 mm
2-5/16 inches
Height
28 mm
1-1/8 inches
Weight
165 g
0 lbs. 6 oz.
U-CONTROL UCA222 Ultra-Low Latency 2 In/2 Out USB Audio Interface with Digital Output and Massive Software Bundle
Behringer U-Control UCA202
2 In/2 Out USB Audio Interface
Mac or PC, no drivers required
16-bit/48kHz converters
Low latency
Headphone output
S/PDIF optical out
USB powered
Free Software
Ultra-flexible audio interface connects your instruments, mixer, etc. with your computer for recording and playback
Revolutionary energyXT2.5 Compact music production software included with feature-rich audio/MIDI sequencer that loads almost instantaneously on all computer platforms
Massive software bundle includes Audacity audio editor, comprehensive podcasting software and over 150 virtual instruments and effect plug-ins
Works with your PC or Mac computer—no setup or drivers required
High-resolution 48 kHz converters for high-end audio quality
Stereo Headphone output with dedicated Level control lets you monitor both input and output
Additional S/PDIF optical output for direct digital conversion
Powered via USB—no external power supply needed
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
The Smallest, Most Portable 2x2 USB Interface Around!Are you looking for a simple upgrade to your computer's stock audio hardware? Do you want to record high-quality stereo audio to your laptop? Are you searching for the most affordable audio interface for computer DJ applications? The Behringer UCA222 USB Audio Interface does all this and more in one of the smallest, simplest, and lowest-priced packages around. It's a quick, simple, reliable solution for a wide range of audio applications.
High-Quality, Industry Standard ConnectionsLook at your computer's audio output. What is it? A 1/8-inch mini stereo jack, most likely. That's fine for plugging in headphones, but a terrible way to connect to external sound systems, stereos, PAs, mixing boards, or any other audio hardware. The UCA222 easily connects to your outboard pro audio gear, and you even get an optical S/PDIF digital output for connecting to high-end digital equipment. Now, take a look at your computer's input. If it has one at all, it's most likely the same deal -- 1/8-inch mini-jack. Again, the Behringer UCA222 provides universally recognized RCA inputs for bringing a wide variety of audio sources and equipment into your computer for pristine recording. You also get a dedicated headphone output for direct monitoring of both the ins and the outs on the UCA222.
Greatly Improved AudioYou computer's built-in audio system has a number of limitations, especially if your computer is a laptop. Machine noise and other electrical interference can disrupt, distort, or otherwise ruin recording and critical listening and playback situations. The Behringer UCA222 solves this problem by placing your sound card at the end of a USB cable run far from your machine's noisy electrical components. It seems like a such a simple solution, but this arrangement greatly reduces interference and provides a wonderfully low noise-floor for recording and professional playback. The UCA202 provides analog-to-digital audio conversion at 48 kHz or 44.1 kHz sampling rates and 16-bit resolution.
Super Simple Setup
As a USB device, the UCA222 is the textbook example of a Plug-N-Play device. Compatible with both Windows and Mac systems, the UCA222 requires no additional software drivers to work. Relying on your operating system's sound architecture, the UCA222 is instantly compatible with just about every audio software on the market, from multitrack DAWs like Logic and Cubase to audio editing programs like BIAS to DJ software like Itch. Spend time making music, not troubleshooting your hardware.
The applications for the Behringer UCA222 USB Audio Interface are practically limitless. Whether you're an electronic music producer, latptop DJ, mix engineer, audio archivist, or just a lover of music, the Behringer UCA222 is just about the easiest way to add a professional audio interface to your computer.
The 828mk3 is MOTU's most advanced FireWire audio interface. Once again it raises the bar with innovative new features, enhanced standard features that remain unique, superb sound and reliable performance.
The 828mk3 provides ten channels of pristine 192 kHz analog recording and playback, combined with sixteen channels of ADAT digital I/O and stereo S/PDIF. Expand your system by connecting additional MOTU FireWire audio interfaces or the 8pre mic input expander.
The 828mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 828mk3 provides 28 separate inputs and 30 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.
Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven compression, EQ and reverb to every input and output, independent of your host computer. When recording from the mic/guitar inputs, the 828mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no digital clipping or harsh artifacts.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
After programming the on-board mixing in the studio, unplug the 828mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.
The 828mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
The SONAR REAC Recording System when used in conjunction with the RSS V-Mixing System or RSS Digital Snakes provides the most comprehensive live recording, mixing, mastering and delivery product available. This is the next phase in product development of the REAC driver, which Cakewalk engineered for Roland as a way for users to record from their Digital Snake/V-Mixer System directly into SONAR. The SONAR REAC Recording System includes:
The REAC protocol provides up to 40 channels of audio to be sent via a single CAT5e Ethernet or fiber optic cable. The REAC driver, developed by Cakewalk, allows the REAC output from the RSS V-Mixer or RSS Digital Snake to connect directly into a PC using a single Ethernet cable.
SONAR 8 Producer gives you what you need for recording, composing, editing, mixing, and mastering. Get innovations that matter, from exclusive features to ignite creativity and perfect your tracks, to groundbreaking technologies that always keep you in control, all backed by the industry's leading 64-bit audio quality. And SONAR 8 Producer delivers the go-to production tools you want with the best collection of virtual instruments, mixing, and mastering effects found in any DAW.
With unlimited tracks, amazing creative tools, inspiring virtual instruments, the freedom to work with any audio interface or control surface, and the most complete delivery capability for collaboration with users of other DAWS, award-winning SONAR Producer is your best choice in a digital audio workstation.
SONAR 8 is the only DAW that offers one-of-a-kind music creation tools that actually help in the songwriting process. Whether you are searching for new ideas or looking to add musical parts to existing songs, SONAR 8 can help you break through those creative blocks.
SONAR 8 provides the most comprehensive recording features of any DAW on the market today. It's designed to meet the needs of even the most demanding professional—whether recording a solo performance, a band, or even an orchestra.
Recommended System Requirements:
* Operating System: Windows XP (32 bit), Windows Vista (32 bit or 64 bit) * Processor Speed: Intel Core 2 Duo 2GHz or higher * RAM: 3 GB for 40 Channel Recording * Ethernet Port Speed: Gigabit Ethernet/CAT5e Only * Graphics: 1280 x 960, 24-bit color or higher * Audio Hard Drive Size: 30 GB * Audio Hard Disk Type: RAID 0 with (2) SATA drives * Audio Interface: SPS/FA-66 FireWire Audio Interface or Cakewalk VS-700 R * Media Drive: DVD-ROM, DVD+/-R or DVD+/-RW * Other Hardware: RSS Digital Snake or V-Mixing System, Roland CAT5e Cables (supplied with Digital Snakes), Gigabit Ethernet Switch (optional) * Other Software: Adobe Acrobat
Features:
USB 2.0 Desktop Recording Studio
44.1kHz to 96kHz sample rates, 24-bit resolution
Pantheon II VST/AU reverb plug-in with 6 legendary Lexicon reverbs
dbx® 60V high-voltage, ultra-low noise microphone preamps
Superior sonic performance
2 analog combi-jacks for mic/line inputs
2 analog 1/4" TRS balanced outputs
Zero latency monitoring
Low latency ASIO drivers
Streamlined monitor form factor puts all recording controls at your fingertips
Separate level meters and gain control per channel
1 side panel 1/4" instrument input
1 side panel headphone output with dedicated volume adjustment
MIDI in and out
Technical Specifications
Microphone Inputs: Female XLR Pin 2 Hot
Input Impedance: 3kΩ balanced
Phantom Power: +48 Volts
Maximum gain: +58 dB
E.I.N. (at max gain): -125 dBu @ 58dB gain typical (150Ω source) -129 dBu @ 58dB gain typical A-weighted (150Ω source)
Maximum Input Level: +21 dBu at minimum gain
Frequency Response: +0/-1 dB, 20Hz - 20kHz
THD+N: +18 dBu maximum
Impedance: 32Ω Balanced, 16Ω Unbalanced
Headphone Output: 1/4" stereo jack 350mW per channel at 50Ω
MIDI Interface: 5 pin DIN connectors for MIDI in and MIDI out (5 volt signal)
Sample Rate: 44.1, 48, 88.2, or 96 kHz (determined by computer application)
Dynamic Range: A/D (24 Bit) 108 dB typical, A-weighted, 20Hz - 20kHz
(44.1 kHz sample rate)
D/A (24 Bit) 110 dB typical, A-weighted, 20Hz - 20kHz
A/D/A (24 Bit) 102 dB typical, A-weighted, 20Hz - 20kHz
Power Requirements: 12W 9VAC
Power adaptors available for:
US and Canada: 120 VAC, 60 Hz Adapter: PS0913B - 120
Japan: 100 VAC, 50/60 Hz Adapter: PS0913B - 100
Europe: 230 VAC, 50 Hz Adapter: PS0913B - 230
UK: 240 VAC, 50 Hz Adapter: PS0913B - 240
Australia: 240 VAC, 50 Hz Adapter: PS0913B - 240-AU
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