BEHRINGER Xenyx 802 Premium 8-Input 2-Bus Mixer

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The Behringer XENYX 802 is a mixer that offers clear and natural sound in a small and portable format. With eight inputs and two high-quality XENYX mic preamps, this versatile mixer is well suited for mixing and recording solo gigs at the local coffee shop, small corporate events, songwriting projects, and more. The XENYX 802 […]

 

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The Behringer XENYX 802 is a mixer that offers clear and natural sound in a small and portable format. With eight inputs and two high-quality XENYX mic preamps, this versatile mixer is well suited for mixing and recording solo gigs at the local coffee shop, small corporate events, songwriting projects, and more.

The XENYX 802 is quick to set up and operate with all the connections and controls easily reachable on the top of the unit. The first two input channels feature XENYX mic preamps on two XLR connectors, as well as two 1/4″ inputs for line-level signals. Switchable, onboard 48V phantom power allows you to plug in both dynamic and studio-grade condenser microphones. A gain knob lets you adjust the input level, and a clip LED alerts you if you are overdriving the input. British-style 3-band EQs provide warm and musical tone corrections for your vocals and instruments.

The two sets of stereo inputs enable you to connect stereo keyboards or playback devices to the mixer. Pan (balance) and level controls are included for all inputs. Each channel is equipped with a post-fader FX send for sending signal to an external processor of your choice. There is also a stereo aux return, which can be used to return effects or as a separate stereo input.

The 2-Track section provides an easy way to connect an external 2-track recorder and/or playback device. The 2-Track inputs are assignable to either the main mix or to the control room/phones outputs. The main mix knob controls the signal at both the main outs and 2-Track outputs, while a dedicated knob adjusts the volume for the phone/control room outputs.

  • Compact and versatile 8-channel analog mixer for solo gigs or small corporate events
  • Two quality XENYX microphone preamps with 130 dB of dynamic range
  • Switchable 48V phantom power
  • Two balanced mono line inputs
  • Two balanced stereo pairs of line inputs
  • Neo-classic, British-style 3-band EQs for warm and musical sound
  • One mono post-fader FX-send knob per channel for sending signal to external processor
  • Stereo aux return for FX applications or as a separate stereo input
  • Main mix outputs and separate control room, phones, and stereo 2-Track outputs
  • 2-Track inputs assignable to main mix or control room/phones outputs
  • Mic channels with low-noise and distortion-free circuitry for natural sound reproduction
  • Designed and engineered in Germany
Microphone Inputs 2 x XLR, electronically balanced, discrete input circuit

XENYX microphone preamps with 48 V phantom power (switchable)

Microphone EIN (EIN 20 Hz to 20 kHz)

At 0 Ohm Source Resistance: -134 dB / 135.7 dB A-weighted
At 50 Ohms Source Resistance: -131 dB / 133.3 dB A-weighted
At 150 Ohms Source Resistance: -129 dB / 130.5 dB A-weighted

Frequency Response:
Frequency Response:
Gain Range: +10 to +60 dB

Maximum Input Level: +12 dBu at +10 dB gain

Impedance: 2.6 kOhms, balanced (approximately)

Signal-to-Noise Ratio: 110 dB / 112 dB A-weighted (0 dBu In at +22 dB gain)

Distortion (THD+N): 0.005% / 0.004% A-weighted

Line Inputs 2 x 1/4″ / 6.3 mm TRS, electronically balanced

Impedance: 20 kOhms balanced / 10 kOhms unbalanced (approximately)

Gain Range: -10 to +40 dB

Maximum Input Level: +22 dBu at 0 dB gain

Stereo Line Inputs 2 x pairs of 1/4″ / 6.3 mm TRS, electronically balanced

Impedance: 20 kOhms (approximately)

Maximum Input Level: +22 dBu

Fade-Out/Crosstalk Attenuation Main Fader Closed: 90 dB

Channel Muted: 89.5 dB

Channel Fader Muted: 89 dB

Frequency Response Microphone Input to Main Out:
Equalization Low: 80 Hz (±15 dB)
Mid: 2.5 kHz (±15 dB)
High: 12 kHz (±15 dB)
FX Send 1 x 1/4″ / 6.3 mm TS, unbalanced

Impedance: 120 Ohms (approximately)

Maximum Output Level: +22 dBu

Stereo Aux Returns 1 x pair of 1/4″ / 6.3 mm TRS, electronically balanced

Impedance: Approximately 20 kOhms (balanced), 10 kOhms (unbalanced)

Maximum Input Level: +22 dBu

Main Outputs 2 x 1/4″ / 6.3 mm TRS, unbalanced

Impedance: 120 Ohms (approximately)

Maximum Output Level: +22 dBu

Control Room Outputs 2 x 1/4″ / 6.3 mm TS, unbalanced

Impedance: 120 Ohms (approximately)

Maximum Output Level: +22 dBu

Headphone Output 1 x 1/4″ / 6.3 mm TRS, stereo, unbalanced

Maximum Output Level: +19 dBu / 150 Ohms (+25 dB)

2-Track I/O 1 x pair RCA, stereo, unbalanced CD/tape inputs

1 x pair RCA, stereo, unbalanced tape outputs

Noise Main Mix at -∞, Channel Fader at -∞: -106 dB / -109 dB A-weighted

Main Mix at 0 dB, Channel Fader at -∞: -95 dB / -98 dB A-weighted

Main Mix at 0 dB, Channel Fader at 0 dB: -84 dB / -87 dB A-weighted

AC Adapter Input: 120 V, 60 Hz

Power Consumption: 13 W

Dimensions (H x W x D) 1.9 x 7.4 x 8.7″ / 47 x 189 x 220 mm
Weight 3.5 lb / 1.6 kg

 

Weight 2 kg

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BEHRINGER Xenyx 802 Premium 8-Input 2-Bus Mixer removeSOUNDCRAFT LX7 16CH MKII MIXING DESK removeSOUNDCRAFT RZ-2701 200M OPTICAL FIBRE CABLE removeSOUNDCRAFT EFX-8 Mixing Desk 8CH mono & 2CH stereo removeSOUNDCRAFT GB2 16 16-Channel Multi-Purpose Mixing Console removeSOUNDCRAFT GB2R 16-Channel Rackmount MIXING CONSOLE remove
NameBEHRINGER Xenyx 802 Premium 8-Input 2-Bus Mixer removeSOUNDCRAFT LX7 16CH MKII MIXING DESK removeSOUNDCRAFT RZ-2701 200M OPTICAL FIBRE CABLE removeSOUNDCRAFT EFX-8 Mixing Desk 8CH mono & 2CH stereo removeSOUNDCRAFT GB2 16 16-Channel Multi-Purpose Mixing Console removeSOUNDCRAFT GB2R 16-Channel Rackmount MIXING CONSOLE remove
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Description
ContentThe Behringer XENYX 802 is a mixer that offers clear and natural sound in a small and portable format. With eight inputs and two high-quality XENYX mic preamps, this versatile mixer is well suited for mixing and recording solo gigs at the local coffee shop, small corporate events, songwriting projects, and more. The XENYX 802 is quick to set up and operate with all the connections and controls easily reachable on the top of the unit. The first two input channels feature XENYX mic preamps on two XLR connectors, as well as two 1/4" inputs for line-level signals. Switchable, onboard 48V phantom power allows you to plug in both dynamic and studio-grade condenser microphones. A gain knob lets you adjust the input level, and a clip LED alerts you if you are overdriving the input. British-style 3-band EQs provide warm and musical tone corrections for your vocals and instruments. The two sets of stereo inputs enable you to connect stereo keyboards or playback devices to the mixer. Pan (balance) and level controls are included for all inputs. Each channel is equipped with a post-fader FX send for sending signal to an external processor of your choice. There is also a stereo aux return, which can be used to return effects or as a separate stereo input. The 2-Track section provides an easy way to connect an external 2-track recorder and/or playback device. The 2-Track inputs are assignable to either the main mix or to the control room/phones outputs. The main mix knob controls the signal at both the main outs and 2-Track outputs, while a dedicated knob adjusts the volume for the phone/control room outputs.
  • Compact and versatile 8-channel analog mixer for solo gigs or small corporate events
  • Two quality XENYX microphone preamps with 130 dB of dynamic range
  • Switchable 48V phantom power
  • Two balanced mono line inputs
  • Two balanced stereo pairs of line inputs
  • Neo-classic, British-style 3-band EQs for warm and musical sound
  • One mono post-fader FX-send knob per channel for sending signal to external processor
  • Stereo aux return for FX applications or as a separate stereo input
  • Main mix outputs and separate control room, phones, and stereo 2-Track outputs
  • 2-Track inputs assignable to main mix or control room/phones outputs
  • Mic channels with low-noise and distortion-free circuitry for natural sound reproduction
  • Designed and engineered in Germany
Microphone Inputs 2 x XLR, electronically balanced, discrete input circuit XENYX microphone preamps with 48 V phantom power (switchable)
Microphone EIN (EIN 20 Hz to 20 kHz) At 0 Ohm Source Resistance: -134 dB / 135.7 dB A-weighted At 50 Ohms Source Resistance: -131 dB / 133.3 dB A-weighted At 150 Ohms Source Resistance: -129 dB / 130.5 dB A-weighted Frequency Response: Frequency Response: Gain Range: +10 to +60 dB Maximum Input Level: +12 dBu at +10 dB gain Impedance: 2.6 kOhms, balanced (approximately) Signal-to-Noise Ratio: 110 dB / 112 dB A-weighted (0 dBu In at +22 dB gain) Distortion (THD+N): 0.005% / 0.004% A-weighted
Line Inputs 2 x 1/4" / 6.3 mm TRS, electronically balanced Impedance: 20 kOhms balanced / 10 kOhms unbalanced (approximately) Gain Range: -10 to +40 dB Maximum Input Level: +22 dBu at 0 dB gain
Stereo Line Inputs 2 x pairs of 1/4" / 6.3 mm TRS, electronically balanced Impedance: 20 kOhms (approximately) Maximum Input Level: +22 dBu
Fade-Out/Crosstalk Attenuation Main Fader Closed: 90 dB Channel Muted: 89.5 dB Channel Fader Muted: 89 dB
Frequency Response Microphone Input to Main Out:
Equalization Low: 80 Hz (±15 dB) Mid: 2.5 kHz (±15 dB) High: 12 kHz (±15 dB)
FX Send 1 x 1/4" / 6.3 mm TS, unbalanced Impedance: 120 Ohms (approximately) Maximum Output Level: +22 dBu
Stereo Aux Returns 1 x pair of 1/4" / 6.3 mm TRS, electronically balanced Impedance: Approximately 20 kOhms (balanced), 10 kOhms (unbalanced) Maximum Input Level: +22 dBu
Main Outputs 2 x 1/4" / 6.3 mm TRS, unbalanced Impedance: 120 Ohms (approximately) Maximum Output Level: +22 dBu
Control Room Outputs 2 x 1/4" / 6.3 mm TS, unbalanced Impedance: 120 Ohms (approximately) Maximum Output Level: +22 dBu
Headphone Output 1 x 1/4" / 6.3 mm TRS, stereo, unbalanced Maximum Output Level: +19 dBu / 150 Ohms (+25 dB)
2-Track I/O 1 x pair RCA, stereo, unbalanced CD/tape inputs 1 x pair RCA, stereo, unbalanced tape outputs
Noise Main Mix at -∞, Channel Fader at -∞: -106 dB / -109 dB A-weighted Main Mix at 0 dB, Channel Fader at -∞: -95 dB / -98 dB A-weighted Main Mix at 0 dB, Channel Fader at 0 dB: -84 dB / -87 dB A-weighted
AC Adapter Input: 120 V, 60 Hz Power Consumption: 13 W
Dimensions (H x W x D) 1.9 x 7.4 x 8.7" / 47 x 189 x 220 mm
Weight 3.5 lb / 1.6 kg
 

The LX7 combines the essential Soundcraft live mixer qualities
with basic recording-oriented features, in a compact frame that's
light enough for one person to carry yet easy to configure and use.
This makes it especially suitable for multi-purpose use in venues
such as small halls and community centres, while its direct channel
outputs make the LX7 an ideal choice for bands who need a live desk
that can double up in the studio.

Housed in a choice of 16, 24 or 32 channel frame, LX7 provides 24,
32 or 40 inputs - with no less than 7 separate bus outputs including
mix, 4 groups and a dedicated mono bus for centre speaker clusters,
side or rear fills. The output count rises to 29 with the inclusion of direct
outs on the first 16 mono inputs and six auxiliary busses.

LX7's balanced mic inputs all use patented Ultramic preamps,
providing 60dB of gain range and 22dBu of headroom. Each input
also includes 4 band EQ with two swept mid frequency controls.
In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter,
allow effective audio control in difficult venues whilst the six auxiliary sends
are pre-post switchable in pairs from each channel, providing a maximum of
4 pre-fader and six post-fader. This makes LX7 equally applicable
for foldback - heavy performance or in situations where more effects are required.

LX7's groups section houses two further stereo inputs - with EQ, auxiliaries
for keyboards or stereo recording devices - as well as two FX returns. All four
groups are routable to mix and include 12 segment bargraph metering for
accurate monitoring and inserts. Six auxiliary masters on rotary controls also
included AFL soloing.

In the master section there is talkback provision to all pre-fade auxiliaries and
the mix. Global phantom power and a two track return for pre-show music are
also present. A "two-track" to mix switch allows the engineer to play CD's over
the main PA whilst back-stage set-up is going on, with one press of a button.
The mix is also routable to the separate mono bus if mono PAs are required.

LX7 is built in a rugged wedge-shaped steel chassis with an internal power supply,
professional all-metal jackfield and connectors on the rear of the console. All inputs and outputs are balanced.

Applications:

    * Gigging Bands
    * Small installations
    * Small venues
    * Theatres
    * Houses of Worship
    * Live and studio recording

 
    *  100mm faders
    * +48V phantom power
    * 16, 24 or 32 channel frame sizes
    * Up to 40 inputs (including stereo inputs and returns)
    * 18dB/octave high-pass filter
    * 6 aux sends, 4 of them pre/post switchable
    * Group and mix inserts
    * 12-segment LED metering
    * Integral PSU

Soundcraft EFX



(EFX8, EFX12)

The Soundcraft EFX™ Series combines all the features of the popular Soundcraft EPM™ mixer with a built-in 24-bit, digital Lexicon® effects processor, expanding the Soundcraft low-cost, multipurpose compact range.

The Soundcraft EFX mixer uses the same AudioDNA® processor featured in many of the Digitech® and Lexicon outboard equipment including the highly respected Lexicon MX400 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.

The Effects section fits neatly into the mixers compact framework which is available in 8 or 12 mono input variants, both with 2 stereo channels and an effects send on each channel. There are 32 effects to choose from with a tap tempo function, 3 effects parameter controls and a user effects setting store facility. An effects channel level clip LED and Mute function gives the user even more flexibility.

The emphasis with the Soundcraft EFX is very firmly on quality build and audio performance, with an easy to understand control surface in line with the Soundcraft professional range. The Soundcraft EFX uses the highly-transparent GB30 Mic amp (designed by Graham Blyth for the companyʼs 30th anniversary, and also used on the larger LX7ii and GB Series professional consoles).The Soundcraft EFX also offers all the features of the Soundcraft EPM most notably a configurable aux send, XLR and ¼" metal jack connector sockets, RCA phono stereo playback inputs and record outputs, 3-band EQ with a swept mid on the mono inputs, 3-band EQ on the 2 stereo inputs, TRS insert sockets, inserts on all mono inputs, ten-segment LED output metering and a headphone

Key Features:
  • 8+2 channel frame sizes
  • Built-in 24 bit Lexicon digital effects processor
  • 32 FX settings
  • Tap Tempo and FX setting store function
  • 1 FX send on each channel
  • 1 configurable auxiliary bus
  • XLR-type and ¼” metal jack connector sockets
  • RCA phono stereo playback inputs and record outputs
  • 3-band EQ with a swept mid on mono inputs
  • 3-band EQ on stereo inputs
  • TRS insert sockets and inserts on all mono inputs
  • Ten-segment LED output metering
  • Intuitive and comprehensive solo system
  • Headphone output
  • Easily rack mountable
The Soundcraft EFX will find itself in many applications including live music, recording, houses of worship and multi-speaker installations.

The Soundcraft GB2 16 is the latest addition to the Soundcraft GB Series, featuring 4 group busses configured as 2 stereo subgroups and an integral 6 x 2 matrix.

Intended for installed-sound and Audio-Visual applications the Soundcraft GB2 16 comes with 16 mono inputs and 2 stereo inputs as standard. Each input features the high-performance GB30 Mic Pre and GB30 Equaliser designs of the GB4 and GB8, along with 6 Aux buses.

Soundcraftʼs legendary 4-band EQ has also been improved further with the addition of elements derived from Soundcraftʼs highly successful MH Series consoles. This new design delivers the sound of the classic ʽBritish EQʼ enhanced even further with more focused HF and LF shelving sections

Four Subgroups are provided as two stereo pairs, with a unique facility for adjusting the width of the stereo signal across the stereo mix. The channel pan settings are retained on the group outputs, while the degree of stereo separation to the mix bus is independently adjustable from full stereo through to mono.

The GB2 16 also features two stereo input channels, with separate mic and line inputs. In normal use, the mic inputs are routed to the local channel and the line inputs act as a stereo return to the mix bus. Selecting the LINE input to the local channel overrides the Mic inputs.

Soundcraft GB2 16 main features include:

  • Frequency Response Mic/Line Input to any output, 20Hz - 20kHz

16 mono inputs to a stereo mix output. Rackmount version of the GB2.

The highly-acclaimed and successful Soundcraft GB Series has gained another new member, the Soundcraft GB2R. This 19 inch rack-mountable mixer is designed specifically for smaller installations in churches and performance venues, or for small portable PA systems. It will also find friends in Broadcast where its high quality and feature set will be very appealing.

Features
19 inch Rackmountable console

16 channel version, with 16 mono inputs, Stereo Mix and Mono Sum Outputs and 6 Aux Outputs. - Total Inputs to Mix: 22

12.2 channel version, with 12 mono inputs and 2 stereo inputs, 1 Stereo Sub Group Output, Mix and Mono Sum Outputs, and 6 Aux Outputs - Total Inputs to Mix: 26 (when Mics used on stereo input)

Rotatable connector pod for top or rear cable entry

8 (GB2R-16) or 10 (GB2R-12.2) busses

2 full feature stereo inputs (GB2R-12.2 version)

GB30 Mic preamp and precision EQ on inputs

Switchable +48V phantom power on every mic input

100Hz Hi-pass filter

Direct outputs on every channel

100mm faders

Stereo Mix Output and separate Mono Sum output

Record output

Internal Universal switched mode PSU

Available in two variants, the GB2R offers either 16 mono inputs to a stereo mix output, or a 12.2 version with 12 mono inputs, two full-feature stereo inputs and 2 group busses, each model having 6 auxiliary sends.

As always with Soundcraft consoles, emphasis has been placed on operational simplicity, clear and intuitive layout and the highest possible audio performance. The Soundcraft GB2R inherits both the GB30 Mic preamplifier and GB30 Equaliser designs from the GB4 and GB8.

For ease of installation, the connector section is contained in a rotatable pod, allowing cable access from the top of the mixer if sat on a table-top, or from the rear when mounted in a 19 inch rack.

On the stereo inputs on the 12.2 model, connectors are provided for both Mic and Line inputs. With Mic signals routed to the local channel, the Line inputs are available as stereo returns to the main mix bus. Two stereo returns and a 2-track (for example CD replay) input are provided, which means that the GB2R-12.2 model can offer up to 26 inputs to mix in a mixer just 19" (485mm) wide.

Every input has a pre/post switchable direct output for recording or effects sends, while an internal universal voltage PSU avoids external power supply connections.

The whole GB Series carries the high quality hallmark with which Soundcraft is synonymous, with engineering and design as you'd expect from this high-end manufacturer. Careful attention has been given to the mechanical construction, to ensure reliability and ruggedness under strenuous conditions, with all input modules being constructed with individual vertically-mounted pcb's, fitted to the steel chassis front panel with individually-nutted potentiometers.

Weight2 kg18.20 kg1.00 kg3.00 kg32.00 kg5.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2 kg
Weight 18.20 kg
Weight 1.00 kg
Weight 3.00 kg
Weight 32.00 kg
Weight 5.00 kg