| Content | The Behringer XENYX 802 is a mixer that offers clear and natural sound in a small and portable format. With eight inputs and two high-quality XENYX mic preamps, this versatile mixer is well suited for mixing and recording solo gigs at the local coffee shop, small corporate events, songwriting projects, and more.
The XENYX 802 is quick to set up and operate with all the connections and controls easily reachable on the top of the unit. The first two input channels feature XENYX mic preamps on two XLR connectors, as well as two 1/4" inputs for line-level signals. Switchable, onboard 48V phantom power allows you to plug in both dynamic and studio-grade condenser microphones. A gain knob lets you adjust the input level, and a clip LED alerts you if you are overdriving the input. British-style 3-band EQs provide warm and musical tone corrections for your vocals and instruments.
The two sets of stereo inputs enable you to connect stereo keyboards or playback devices to the mixer. Pan (balance) and level controls are included for all inputs. Each channel is equipped with a post-fader FX send for sending signal to an external processor of your choice. There is also a stereo aux return, which can be used to return effects or as a separate stereo input.
The 2-Track section provides an easy way to connect an external 2-track recorder and/or playback device. The 2-Track inputs are assignable to either the main mix or to the control room/phones outputs. The main mix knob controls the signal at both the main outs and 2-Track outputs, while a dedicated knob adjusts the volume for the phone/control room outputs.
- Compact and versatile 8-channel analog mixer for solo gigs or small corporate events
- Two quality XENYX microphone preamps with 130 dB of dynamic range
- Switchable 48V phantom power
- Two balanced mono line inputs
- Two balanced stereo pairs of line inputs
- Neo-classic, British-style 3-band EQs for warm and musical sound
- One mono post-fader FX-send knob per channel for sending signal to external processor
- Stereo aux return for FX applications or as a separate stereo input
- Main mix outputs and separate control room, phones, and stereo 2-Track outputs
- 2-Track inputs assignable to main mix or control room/phones outputs
- Mic channels with low-noise and distortion-free circuitry for natural sound reproduction
- Designed and engineered in Germany
| Microphone Inputs |
2 x XLR, electronically balanced, discrete input circuit
XENYX microphone preamps with 48 V phantom power (switchable) |
| Microphone EIN |
(EIN 20 Hz to 20 kHz)
At 0 Ohm Source Resistance: -134 dB / 135.7 dB A-weighted
At 50 Ohms Source Resistance: -131 dB / 133.3 dB A-weighted
At 150 Ohms Source Resistance: -129 dB / 130.5 dB A-weighted
Frequency Response:
Frequency Response:
Gain Range: +10 to +60 dB
Maximum Input Level: +12 dBu at +10 dB gain
Impedance: 2.6 kOhms, balanced (approximately)
Signal-to-Noise Ratio: 110 dB / 112 dB A-weighted (0 dBu In at +22 dB gain)
Distortion (THD+N): 0.005% / 0.004% A-weighted |
| Line Inputs |
2 x 1/4" / 6.3 mm TRS, electronically balanced
Impedance: 20 kOhms balanced / 10 kOhms unbalanced (approximately)
Gain Range: -10 to +40 dB
Maximum Input Level: +22 dBu at 0 dB gain |
| Stereo Line Inputs |
2 x pairs of 1/4" / 6.3 mm TRS, electronically balanced
Impedance: 20 kOhms (approximately)
Maximum Input Level: +22 dBu |
| Fade-Out/Crosstalk Attenuation |
Main Fader Closed: 90 dB
Channel Muted: 89.5 dB
Channel Fader Muted: 89 dB |
| Frequency Response |
Microphone Input to Main Out: |
| Equalization |
Low: 80 Hz (±15 dB)
Mid: 2.5 kHz (±15 dB)
High: 12 kHz (±15 dB) |
| FX Send |
1 x 1/4" / 6.3 mm TS, unbalanced
Impedance: 120 Ohms (approximately)
Maximum Output Level: +22 dBu |
| Stereo Aux Returns |
1 x pair of 1/4" / 6.3 mm TRS, electronically balanced
Impedance: Approximately 20 kOhms (balanced), 10 kOhms (unbalanced)
Maximum Input Level: +22 dBu |
| Main Outputs |
2 x 1/4" / 6.3 mm TRS, unbalanced
Impedance: 120 Ohms (approximately)
Maximum Output Level: +22 dBu |
| Control Room Outputs |
2 x 1/4" / 6.3 mm TS, unbalanced
Impedance: 120 Ohms (approximately)
Maximum Output Level: +22 dBu |
| Headphone Output |
1 x 1/4" / 6.3 mm TRS, stereo, unbalanced
Maximum Output Level: +19 dBu / 150 Ohms (+25 dB) |
| 2-Track I/O |
1 x pair RCA, stereo, unbalanced CD/tape inputs
1 x pair RCA, stereo, unbalanced tape outputs |
| Noise |
Main Mix at -∞, Channel Fader at -∞: -106 dB / -109 dB A-weighted
Main Mix at 0 dB, Channel Fader at -∞: -95 dB / -98 dB A-weighted
Main Mix at 0 dB, Channel Fader at 0 dB: -84 dB / -87 dB A-weighted |
| AC Adapter |
Input: 120 V, 60 Hz
Power Consumption: 13 W |
| Dimensions (H x W x D) |
1.9 x 7.4 x 8.7" / 47 x 189 x 220 mm |
| Weight |
3.5 lb / 1.6 kg |
|
Expand Your MCU with More Faders !
The Mackie Control Extender Pro is a control surface extender that expands your Mackie Control Universal Pro unit with the addition of eight motorized, touch-sensitive Penny + Giles faders, plus V-Pot rotary encoders and push-buttons on every channel strip. The Mackie Control Extender Pro module attaches seamlessly to the Control Universal Pro unit, integrating with all the main control surface's functions and commands without the need for any external hardware. You can expand your MCU's ability to control your DAW even further with the addition of the Mackie Control Extender Pro.
The Mackie Control Extender Pro features the same 100mm touch-sensitive optical Penny + Giles motorized faders as the MCU Pro control surface. These smooth faders give you the tactile, responsive feel of an analog console while accurately commanding your state-of-the-art DAW software.
Each of the Mackie Control Extender Pro's eight channels features a multi-function V-Pot for fast and accurate control of panning, effects levels, and more. Also included on each channel strip are mute, solo, pan, send level, and record arm functions, as well as a full meter display.
The Mackie Control Extender Pro is literally the "right hand man" of the Mackie Control Universal Pro control surface. Once connected, it's seamlessly integrated into the system, so all parameters, automation, and other control commands are communicated in concert with the rest of the system - no external hardware required!
Features:
Eight-Fader Control Surface Extension for MCU Pro
Proprietary Mackie communication protocol for seamless software integration by DAW makers
100mm touch-sensitive optical Penny + Giles motorized faders
Multi-function V-Pots for fast control of panning, effects levels and more
Channel mute, solo, pan, send level and record arm functions
Full meter display with track names and parameters |
The LX7 combines the essential Soundcraft live mixer qualities
with basic recording-oriented features, in a compact frame that's
light enough for one person to carry yet easy to configure and use.
This makes it especially suitable for multi-purpose use in venues
such as small halls and community centres, while its direct channel
outputs make the LX7 an ideal choice for bands who need a live desk
that can double up in the studio.
Housed in a choice of 16, 24 or 32 channel frame, LX7 provides 24,
32 or 40 inputs - with no less than 7 separate bus outputs including
mix, 4 groups and a dedicated mono bus for centre speaker clusters,
side or rear fills. The output count rises to 29 with the inclusion of direct
outs on the first 16 mono inputs and six auxiliary busses.
LX7's balanced mic inputs all use patented Ultramic preamps,
providing 60dB of gain range and 22dBu of headroom. Each input
also includes 4 band EQ with two swept mid frequency controls.
In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter,
allow effective audio control in difficult venues whilst the six auxiliary sends
are pre-post switchable in pairs from each channel, providing a maximum of
4 pre-fader and six post-fader. This makes LX7 equally applicable
for foldback - heavy performance or in situations where more effects are required.
LX7's groups section houses two further stereo inputs - with EQ, auxiliaries
for keyboards or stereo recording devices - as well as two FX returns. All four
groups are routable to mix and include 12 segment bargraph metering for
accurate monitoring and inserts. Six auxiliary masters on rotary controls also
included AFL soloing.
In the master section there is talkback provision to all pre-fade auxiliaries and
the mix. Global phantom power and a two track return for pre-show music are
also present. A "two-track" to mix switch allows the engineer to play CD's over
the main PA whilst back-stage set-up is going on, with one press of a button.
The mix is also routable to the separate mono bus if mono PAs are required.
LX7 is built in a rugged wedge-shaped steel chassis with an internal power supply,
professional all-metal jackfield and connectors on the rear of the console. All inputs and outputs are balanced.
Applications:
* Gigging Bands
* Small installations
* Small venues
* Theatres
* Houses of Worship
* Live and studio recording
* 100mm faders
* +48V phantom power
* 16, 24 or 32 channel frame sizes
* Up to 40 inputs (including stereo inputs and returns)
* 18dB/octave high-pass filter
* 6 aux sends, 4 of them pre/post switchable
* Group and mix inserts
* 12-segment LED metering
* Integral PSU
|
SOUNDCRAFT-SPIRIT
LX-7 32 II
Soundcraft Spirit LX-7 32 II, livemixer 32 mono-, 2stereoinputs, 2 st.-returns, 4 subgroups, 3 master, 6aux., built-in-powersupply, 4 band EQ with 2 param. mids
Dimensions: 16.51H x 50.29D x 105.9W
Weight: 25.45kgs |
The Soundcraft GB-2 (2-bus) 32 Channel Console is designed for installed sound and A/V applications that donʼt require all the sophisticated functionality of the GB4 and GB8.
However the Soundcraft GB-2 32 Channel Console is a genuine GB Series console in every respect, with sound quality assured by GB30 Mic Pre and Equaliser designs, and reliability by the same rugged build quality that has made the GB4 and GB8 so dependable in demanding professional applications.
Along with six Aux busses and an integral 6 x 2 matrix, four subgroups are provided as two stereo pairs, with a unique facility for adjusting the width of the stereo signal across the stereo mix. The channel pan settings are retained on the group outputs, while the degree of stereo separation to the mix bus is independently adjustable from full stereo through to mono.
The GB2 also features two stereo input channels, with separate mic and line inputs. In normal use, the mic inputs are routed to the local channel and the line inputs act as a stereo return to the mix bus. Selecting the line input to the local channel overrides the mic inputs.
The Soundcraft GB-2 (2-bus) 32 Channel Console Main Features Include:
- 32 channel frame size
- 12 busses
- 2 full feature stereo channels
- 2 stereo returns (on stereo channels)
- 6 Aux sends
- 4 sub groups (paired)
- 6x2 output matrix
- GB30 mic preamp and precision equalisation circuitry
- Direct outputs on every channel
- Talkback facility
- 100mm faders
- Switchable 48V phantom powering on every channel
- 100Hz high pass filter
- 12-segment LED metering
- Record output
- Width: 1247mm (49.09“)
- Weight: 30kg (66.1lbs)
|
The LX7 combines the essential Soundcraft live mixer qualities
with basic recording-oriented features, in a compact frame that's
light enough for one person to carry yet easy to configure and use.
This makes it especially suitable for multi-purpose use in venues
such as small halls and community centres, while its direct channel
outputs make the LX7 an ideal choice for bands who need a live desk
that can double up in the studio.
Housed in a choice of 16, 24 or 32 channel frame, LX7 provides 24,
32 or 40 inputs - with no less than 7 separate bus outputs including
mix, 4 groups and a dedicated mono bus for centre speaker clusters,
side or rear fills. The output count rises to 29 with the inclusion of direct
outs on the first 16 mono inputs and six auxiliary busses.
LX7's balanced mic inputs all use patented Ultramic preamps,
providing 60dB of gain range and 22dBu of headroom. Each input
also includes 4 band EQ with two swept mid frequency controls.
In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter,
allow effective audio control in difficult venues whilst the six auxiliary sends
are pre-post switchable in pairs from each channel, providing a maximum of
4 pre-fader and six post-fader. This makes LX7 equally applicable
for foldback - heavy performance or in situations where more effects are required.
LX7's groups section houses two further stereo inputs - with EQ, auxiliaries
for keyboards or stereo recording devices - as well as two FX returns. All four
groups are routable to mix and include 12 segment bargraph metering for
accurate monitoring and inserts. Six auxiliary masters on rotary controls also
included AFL soloing.
In the master section there is talkback provision to all pre-fade auxiliaries and
the mix. Global phantom power and a two track return for pre-show music are
also present. A "two-track" to mix switch allows the engineer to play CD's over
the main PA whilst back-stage set-up is going on, with one press of a button.
The mix is also routable to the separate mono bus if mono PAs are required.
LX7 is built in a rugged wedge-shaped steel chassis with an internal power supply,
professional all-metal jackfield and connectors on the rear of the console. All inputs and outputs are balanced.
Applications:
* Gigging Bands
* Small installations
* Small venues
* Theatres
* Houses of Worship
* Live and studio recording
* 100mm faders
* +48V phantom power
* 16, 24 or 32 channel frame sizes
* Up to 40 inputs (including stereo inputs and returns)
* 18dB/octave high-pass filter
* 6 aux sends, 4 of them pre/post switchable
* Group and mix inserts
* 12-segment LED metering
* Integral PSU
|
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