| Content | X AIR XR16
16-Input Digital Mixer for iPad/Android Tablets with 8 Programmable MIDAS Preamps, 8 Line Inputs, Integrated Wifi Module and USB Stereo Recorder
- iPad*/Android* tablet controlled 16-input digital mixer for studio and live application
- 8 award-winning MIDAS-designed, fully programmable mic preamps for audiophile sound quality
- Built-In Tri-Mode Wifi router for direct operation—no need for external routers
- Revolutionary Dugan*-style Auto-Mixing automatically manages microphone gain sharing (future firmware)
- USB connector for file storage or uncompressed stereo WAV recording and playback
- Award-winning X32 effects rack featuring 4 stereo FX slots including high-end simulations such as Lexicon 480L* and PCM70*, EMT250* and Quantec QRS* etc.
|
Drawing on more than a decade of experience in the field of digital audio mixing, the Soundcraft® Si Expression exploits some of the newest DSP, component technology and manufacturing techniques to deliver our most powerful cost effective digital console ever! Each console in the range is identical in its feature set so your only choice is how many faders and local mic amps you want. With a range covering the super portable 19" rack mount Expression 1 to the mighty Si Expression 3 with its 30+2 faders and 32 mic/line inputs there is a model to meet all needs.
Taking the Si Expression 2 as a typical example, it features 24 recallable mic pre amps (32 on Si Expression 3 and 16 on Si Expression 1) plus 4 line inputs, 4 internal stereo FX returns, AES in, and a 64x64 expansion slot offering more than enough scope to use every one of the 66 input processing channels. Every input processing channel has dedicated processing for high pass filter, input delay, gate, compressor and four band EQ whilst keeping it under control is a comprehensive automation system augmented with four mute groups and FaderGlow™ to light the way so you are never lost.
All Si Expression consoles have busses, output processing and connectivity to match the versatility of the inputs; the 14 aux/group mixes can be configured as 14 mono mixes, 8 mono plus 6 stereo mixes or almost anything in between, whilst the 4 matrix mixes can be mono or stereo as needed. The bus and matrix mixes are complemented with four more mix busses dedicated to the internal Lexicon FX processors all in addition to the left, right and centre busses. Each bus mix features a compressor, 4 band EQ, BSS graphic EQ and delay always available all of the time. Output connectivity is comprehensive with all models featuring 16 balanced line outputs, headphone monitor out, AES out and of course the 64x64 option slot.
To complement the channel and bus processing all Si Expression consoles integrate four stereo Lexicon FX processors based on the MX400 providing a wealth of sounds, user adjustable parameters and dedicated tap-tempo keys. As the FX are hardware based, use of all the effects, even on the most demanding programmes does not affect other processing in any way and all dynamics, EQs, filters, delays, and GEQs remain available regardless what you are doing.
Flexible onboard and expansion I/O options ensure your Si Expression integrates effortlessly with other system components utilising any of the Si series option cards including AES, Firewire/USB/ADAT*1, AVIOM™, CobraNet™, BSS Digital Audio Bus (BLU Link)*1, Dante™*1 CAT5 or optical MADI. The MADI card, as well as being an interface to multi-track recording systems or plug-in systems like Waves, enables linking the Si Expression to any of the Soundcraft or Studer stageboxes to extend the I/O power and flexibility. Adding a stagebox to an Si Expression actually increases the number of channels you can mix at once not just how many inputs you have available to choose from! It is said ʽPower is nothing without controlʼ and here the Si Expression excels with a comprehensive but 'simple to use' control surface incorporating a dedicated control for every parameter, a row of global mode encoders and colour touch screen ensuring operation is quick and easy.
As you would expect from any Soundcraft digital mixer the facilities are extensive and include legendary audio quality courtesy of the latest generation EMMA™ DSP processor, the same DSP platform that has helped propel previous Soundcraft Si series consoles to fame. All this power united with reliability, flexibility and usability puts the Si Expression in a class of its own.
*1 Expected spring/summer 2013
Si Expression Highlights
• D.O.G.S. (Direct Out Gain Stabiliser) – Prevents manual change of a mic gain control affecting direct out levels, perfect when 2 consoles share a stagebox or when recording the channel direct outputs.
• Security Lockout – Lock the whole console or just selected elements, manage the security with the users and profile settings.
• Assignable Fader Layers – Customise each of the four fader layer pages to meet your needs or add/insert faders to accommodate that additional mic that was not in the patch list!
• Copy & Paste – Copy whole channels, busses, mixes, Lexicon™ effects, a single part such as the EQ or multiple parts like the channel gate and compressor.
• TOTEM™ – The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders.
• BSS® GEQ – With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you will never 'run out' of processing.
• 1 Control = 1 Function – With each control dedicated to a given function there is never any 'layering' of controls or navigating through screens; this allows the Si Expression controls to be labelled on the surface just as they would have been on an analogue mixer.
• Global Mode Controls – A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs allowing instant access to the core functions.
• Soundcraft FaderGlow® – Illuminates the fader slots according to function with clearly defined colours for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you'll never be lost again!
• Instant Access Keys – Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-4, TAP TEMPO and more negate the need to dive into screen & context menus.
• Function Focus – Whenever a control is moved or SELect key pressed the screen displays information about the channel identifying the absolute value of the controls and the channel name, number etc...
• Everything Everywhere – All channels and busses have a full complement of processing, nothing to assign or configure.
Key Features
24 (32 - Si Expression 3, 16 – Si Expression 1) mono mic inputs
4 line inputs
Colour touch screen interface
66 channels to mix possible
Pre/Post selection per input per bus
AES in and out
Global mode encoders
Soundcraft FaderGlow™
GEQ on every bus
20 sub-group / aux busses
4 FX busses
8 Matrix busses
LR and C Mix busses
4 Stereo Lexicon Effects engines
Delay on inputs and outputs
4 Mute Groups
Freely assignable insert loops
Harman HiQnet integration
64x64 channel option card slot
|
19-inch Digital Production Console for Professionals in the Studio or On the Road
Mixing performance and features directly inherited from the DM2000 and 02R96 in a rack-mount size console. Version 2 offers ESAM II support, Add-on Effects compatibility, and numerous other upgrades.
When the acclaimed Yamaha DM2000 console appeared on the production scene, it proved that true 24-bit/96 kHz performance, DAW integration, and surround production facilities were what the industry had been waiting for. With the introduction of the 02R96 the same benefits became available to a broader range of engineers and facilities, including project studios for music production. Now the Yamaha DM1000, like the DM2000, is designed especially for commercial post-production, audio for video, and broadcast applications. But extraordinary versatility and configurability mean that the DM1000 is also ideal for a wide range of sound reinforcement applications.
The DM1000 Digital Production Console distills the essence of the DM2000 into a remarkably compact console that delivers the same level of performance and key features. And with the supplied Studio Manager Application software, all mix data is interchangeable between the DM2000, DM1000 and 02R96. These consoles can be linked and cascaded interactively within a multi-room studio, or a tour engineer can do a basic console setup on his laptop computer anywhere, and then simply load the settings into the console at the venue.
Like its predecessor, the DM1000 delivers mixing power and performance that's way ahead of anything else on the market, and it even incorporates newly introduced software features such as 6.1 Surround, User Assignable Layer, and Global Recall Safe. Never has so much mixing power and versatility been available in a compact, rack-mountable console.
With the introduction of Version 2, the DM1000 evolves to an even higher level of refinement.
Outline | Mixing capability | Mixing channels | 48 | | GROUP | 8 | | AUX | 8 | | MAIN | Stereo | | Input channel functions | Gate, Attenuator, 4-band PEQ, 2x Compressor, Delay, Pan | | Output channel functions | Attenuator, 4-band PEQ, Compressor, Delay | | On-board processors | 4x SPX multi effectors | | I/O | Mic inputs | 16 | | Phantom power | +48V DC; ON/OFF per channel | | Line inputs | 4x Omni in | | AD converter | 24-bit; 128-time over sampling | | Line outputs | 12x Omni output | | DA converter | 24-bit; 128-time over sampling | | Digital I/O | 2x 2tr in/out | | Expansion slots | 2x Mini-YGDAI (16-in/16-out) | | Control and others | To Host(USB), Control(GPI), Remote, MIDI, Time code in (SMPTE), Word clock I/O | General specifications | Internal processing | 32bit, Accumulator: 58bit | | Sampling frequency rate | Internal | 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz | | External | 44.1kHz/88.2kHz (-10%) - 48kHz/96kHz (+6%) | | Signal delay | Less than 1.6ms (@48kHz), Less than 0.8ms (@96kHz) | | Total harmonic distortion | Less than 0.05% (20Hz-40kHz) | | Frequency response | 0, +0.5, -1.5dB 20Hz-40kHz | | Dynamic range | DA: 110dB; AD+DA: 106dB | | Hum & noise level | Equivalent input noise | -128dBu | | Residual output noise | -86dBu | | Crosstalk | -80dB | | Power requirements | AC100V, 120V, 220-240V 50/60 Hz | | Power consumption | 135W | | Dimensions | W | 436mm; 17-3/16in | | H | 200mm; 7-7/8in | | D | 585mm; 23-1/16in | | Net weight | 20kg; 44.1lbs | | Accessories | Owner's Manual, Studio Manager Installation Guide, AC power cord | | 18-Channel Digital Mixer
- Remote controlled via built-in router with Wi-Fi, Ethernet and multi-channel USB audio interface
- 16 Mic/Line XLR/Combo jack inputs
- Inputs: 2 x Line - 6.3 mm jack
- Outputs: Main XLR
- 6 AUX / Monitor sends
- 4 Integrated effects processors
- 100 Band Analyser
- Stereo headphone output
- Ultranet monitor connection
- MIDI in-/output
- iOS, Android and other software apps available free of charge
- 3 U
- Installation depth: 114 mm
- Dimensions with rack ears and protection bumpers (W x H x D): 333 x 140 x 150 mm
- Dimensions without rack ears and protection bumpers (B x H x T): 311 x 132 x 150 mm
- Weight: 3.2 kg
- Includes a rackmount chassis
Further Information
| Buses |
6 |
| Inputs |
18 |
| Channels (max. amount) |
18 |
| DCA (Digitally Contr. Amp.) |
Yes |
| Card Slot (external) |
No |
| Touchscreen |
No |
| Offline Editing |
Yes |
| Demountable Stagebox |
No |
| External Power Supply |
No |
| Port For Ext. Power Supply |
No |
| 19" Rack Unit |
Yes |
| Built in Audio player |
No |
|
The X32 Compact 40-Channel, 25-Bus Digital Mixing Console from Behringer provides a wealth of features in a compact design, ideal for professional live and recording applications. The mixer features 16 fully programmable MIDAS-designed mic preamps. The Main LCR (left, center, right) channels, 16 mix busses, and 6 independent matrix mix busses all have 6-band parametric EQs and integrated dynamics processing for excellent sonic tailoring capabilities.
The mixer has 16 analog XLR outputs, as well as 6 balanced line-level 1/4" Aux inputs and outputs, and two 1/4" headphone jacks. The talkback section allows you to communicate with the integrated mic or an external mic. The mixer also has a pair of AES50 ports that feature Klark Teknik SuperMAC networking capability for use with 48-channel digital snakes for ultra-low jitter and latency. The system also has an integrated expansion port that ships with a 32 x 32 XUF FireWire/USB audio card installed.
The built-in Virtual FX offers 8 true-stereo FX slots that deliver high-end simulations of popular processors, such as Lexicon 480L and PCM70, EMT250 and Quantec QRS, etc. The integrated high-power 40-bit floating-point DSP system delivers "unlimited" dynamic range, no internal overload, and near-zero latency between inputs and outputs for top-quality performance. The mixer also has 6 mute groups and 8 DCA groups.
The intuitive interface offers ease-of-use with a dedicated channel strip section that has direct-access controls. There is also a high-resolution 7" color TFT display with associated controls and individual RGB backlit graphic LCDs on every channel. The unit has 17 motorized 100mm faders for extensive user-definable control.
The system has a USB flash connector to provide file storage for uncompressed recordings, show presets, and system updates. There are also connections that support the P-16 personal monitoring system, AES/EBU stereo digital outputs, and MIDI. Adjustable line delays are available on all of the physical inputs and outputs.
Other features of the X32 Compact include networked remote control or show setups with the included remote editor software via USB and Ethernet ports. You can even conveniently handle the scene management duties of complex productions. All of these features are packed into a compact and durable enclosure to ensure a long life of professional use.
Free Control Software Applications
Behringer iPad and iPhone apps for professional remote operation are free downloads on the Apple App Store. All of the X32's features can be managed concurrently from various locations and instances of the XiQ, XiControl, and XControl apps.
Versatile and Expandable
The X32 Compact can act as the nucleus of a flexible and expandable audio system. The built-in 32 x 32 USB recording interface, 8 stereo effects engines, zero-latency monitoring and 100% total recall deliver the tools to handle a wide variety of projects.
| Number of Analog Input Channels |
40 |
| Number of Mic Preamps |
16 |
| Max I/O Capacity |
150 x Input / 160 x Output (with Optional Hardware) |
| Mix Routing |
1 x Main LRC
16 x Bus
6 x Matrix
8 x Aux Send
8 x FX Return |
| Presets |
100 x Scene |
| Display |
Main Display:
7" / 177.8 mm LCD Touchscreen
Channel Display:
LCD (Backlit) |
| Display Resolution/Color |
Main Display:
800 x 480 / 6-Bit Color
Channel Display:
128 x 64 / RGB Color |
| Meters |
3 x 24-Segment LED |
Signal Processing
| Internal Effects |
8 x Stereo
16 x Mono |
Digital Audio
| Sample Rates |
44.1 / 48 kHz |
| Bit Depth |
AD/DA Conversion:
24-Bit |
| DSP |
40-Bit Floating Point |
| Converter Dynamic Range |
A/D:
109 dB
D/A:
108 dB |
| Latency |
0.8 ms (Console Input to Main Output)
1.1 ms (Stagebox Input to Stagebox Output) |
Performance
| Frequency Response |
10 Hz to 22 kHz |
| Max Input Level |
1/4" TRS Input:
+16 dBu
Mic Input:
+23 dBu |
| Output Level |
1/4" TRS Output:
+4 dBu (Nominal)
+16 dBu (Max)
Headphone Output:
+25 dBm (Stereo)
XLR Output:
+4 dBu (Nominal)
+21 dBu (Max) |
| Analog Dynamic Range |
Input to Output:
106 dB |
| I/O Impedance |
1/4" Input:
40 Kilohms (Balanced)
20 Kilohms (Unbalanced)
Headphone Output:
40 Ohms
Mic Input:
5 Kilohms (Unbalanced)
10 Kilohms (Balanced)
XLR Output:
75 Ohms (Balanced/Unbalanced)
1/4" TRS Output:
300 Ohms (Balanced)
150 Ohms (Unbalanced) |
| Crosstalk |
Adjacent Channels:
100 dB at 1 kHz |
| CMRR |
> 70 dB at +20 dB Gain
> 80 dB at +40 dB Gain |
| EIN |
-128 dBu (Input Shorted) |
| Noise Floor |
-87 dBu A-Weighted |
| THD+N |
< 0.006% at +20 dB Gain (A-Weighted) |
Connectivity
| Analog Inputs |
1 x XLR Talkback Input
16 x XLR Balanced Mic/Line Input
6 x 1/4" TRS Aux Input
1 x 2RCA Line/Aux Input |
| Analog Outputs |
2 x 1/4" TRS Balanced Monitor Output
2 x 1/4" TRS Headphone Output
6 x 1/4" TRS Aux Output
1 x 2RCA Aux/Line Output
8 x XLR Balanced Line Output |
| Phantom Power |
+48 V (Selectable on Individual Inputs) |
| Digital I/O |
1 x RJ45 (Control)
1 x RJ45 Ultranet (Control)
1 x XLR AES3 Output
2 x etherCON AES50/SuperMAC |
| MIDI I/O |
1 x MIDI 5-Pin In
1 x MIDI 5-Pin Out |
| USB |
1 x USB Type-A (USB 2.0, Audio Playback, External Memory) |
| Expansion Ports |
1 x 32 x 32 I/O Card |
Power
| AC Input Power |
100 to 240 VAC, 50 / 60 Hz |
| Power Consumption |
120 W |
Physical
| Dimensions |
8.5 x 24.6 x 20" / 215 x 625 x 510 mm |
| Weight |
33.9 lb / 15.4 kg |
|
GLD-112 is a larger version of the popular GLD-80 mixer, with an extra bank of 8 control strips, increasing the channel count to 28 fader strips in 4 layers.
GLD is a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. A standard 32 input GLD system offers 28 XLR mic inputs with plug nʼ play I/O expanders allowing easy expansion up to 48 inputs (44 XLR mic inputs).
GLD-112 provides 48 input processing channels, 8 stereo FX returns fed by iLiveʼs acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise.
GLD-112 has an analogue-style channel processing control section complemented by a graphical 8.4 inch touch screen. A fully-customisable drag ʽn drop layout allows quick and easy assignment of inputs and mixes to fader strips. There are 28 fader strips in 4 layers, each with motorised fader, a channel LCD display which can be named and colour-coded, plus a rotary control for direct access to gain, pan and aux/FX sends. The mixerʽs local I/O comprises 4 XLR mic/line inputs, 4 XLR line outs, 4 RCA inputs, 2 RCA outputs, and digital outputs in SPDIF and AES3 formats.
GLD-112 connects to a range of plug ʽn play I/O racks to ʽbuildʼ 28, 36 or 44 mic input systems. A primary AR2412 rack (24 XLR inputs, 12 XLR outs) and up to two AR84 expander racks (8 XLR inputs, 4 XLR outs each) can be connected over 120m CAT5 runs using A&Hʼs dSNAKE protocol. dSNAKE provides control to the remote preamp, and all mic preamps are scene recallable. AR2412 also includes a connection for personal monitoring systems.
GLD has the ability to record and playback a stereo signal on a USB memory stick. Standard iLive audio I/O option cards for Dante, MADI, EtherSound and Allen & Heathʼs ACE protocols can be fitted, allowing multi-channel record/playback, FOH/monitor splits, and connection to A&H iLive systems, which can easily be configured using GLDʼs extensive soft-patching.
The GLD Remote app provides wireless control for GLD-112, giving the engineer the freedom to walk the room or stage and control the sound right where it is needed. GLD-112 and GLD Remote can work together to provide simultaneous control of independent functions, for example one engineer using the console to mix FoH sound and another using the iPad to mix monitors on stage.
- Compact digital mixer with scalable, remote I/O
- Systems from 4 to 44 mics
- Easy to use, quick to access, analogue style interface
- dSNAKE Cat5 digital snake—up to 120m cable length
- 8.4 inch colour touchscreen for graphical view and setup
- 28 faders, 4 layers, 112 channel strips in a freely customizable layout
- 48 input channels into 30 assignable buses (Aux, Group, Matrix, Main, FX Send) into 20 mix outputs
- 8 stereo RackFX engines* with dedicated ʽshortʼ returns with 4-band PEQ
- Full processing on all inputs including trim, polarity, HPF, insert, gate, 4-band PEQ, compressor and delay
- Full processing on all outputs including insert, PEQ, GEQ, compressor and delay
- LR, None (monitors), LR+M (sum), LR+M (bus), LCR main mix modes
- 16 DCAs / mute groups
- Built-in Talkback, RTA and Signal Generator
- I/O module options for FOH/Monitor split, multitrack recording, link to iLive and more
- MIDI In/Out and Ethernet Network port
- AviomTM Pro16 compatible Monitor port on main AudioRack
- High end 1dB step recallable mic/line preamps
- User definable channel names and colours
- Engineerʼs mono Wedge and stereo IEM strips
- Input, output and insert soft patchbays
- Quick copy, paste and reset of mixes and parameters
- Libraries, Scenes and Show memories with USB transfer
- Get started quickly with Template Shows
- 14 assignable SoftKeys for scene recall, DCA mutes and more
|
Reviews
There are no reviews yet.