BEYERDYNAMIC OPUS 67 SUPERCARDIOID DYNAMIC MICROPHONE

Discontinued

78.93 incl. GR VAT

Out of stock

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Dynamic clip microphone for drum miking The Opus 67 dynamic microphone has been designed for closemiking of drums such as Toms and Congas. The new patented microphone clamp allows easy mounting to the instrument.The flexible gooseneck ensures optimal positioning to suit both musician and sound engineer Features:Dynamic microphone for Toms and CongasVery high gain-before-feedbackHigh SPL […]

 

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Dynamic clip microphone for drum miking

The Opus 67 dynamic microphone has been designed for closemiking of drums such
as Toms and Congas. The new patented microphone clamp allows easy mounting to
the instrument.
The flexible gooseneck ensures optimal positioning to suit both musician and sound
engineer

Features:
Dynamic microphone for Toms and Congas
Very high gain-before-feedback
High SPL capability
Unique double-spring clamp system
Flexible gooseneck for optimum positioning
Small, rugged construction for on-tour applications
Supplied with storage bag

Technical Specifications: 
Transducer type: Dynamic 
Operating principle: Pressure gradient 
Polar pattern: Hypercardioid 
Open circuit voltage at 1 kHz: (0dB = 1V/Pa) 1.5 mV/Pa = -56 dBV 
Nominal impedance: 200 Ω 
Load impedance: > 1 kΩ 
Connector: 3-pin XLR male 
Length: 72 mm Gooseneck length 
Weight without cable: 140 g 
Frequency response: 40 – 12,000 Hz

Weight 0.20 kg

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BEYERDYNAMIC OPUS 67 SUPERCARDIOID DYNAMIC MICROPHONE removeSENNHEISER E-604 CARDIOID DYNAMIC MICROPHONE removeSENNHEISER E-906 SUPER-CARDIOID DYNAMIC MICROPHONE removeSHURE Beta-56a - Snare-Tom Microphone 50Hz to 16kHz removeSHURE KSM-141SL - Dual Pattern Instrument Microphone 20Hz to 20k removeSHURE PGA52-XLR - Kick Drum Microphone 30Hz to 13kHz remove
NameBEYERDYNAMIC OPUS 67 SUPERCARDIOID DYNAMIC MICROPHONE removeSENNHEISER E-604 CARDIOID DYNAMIC MICROPHONE removeSENNHEISER E-906 SUPER-CARDIOID DYNAMIC MICROPHONE removeSHURE Beta-56a - Snare-Tom Microphone 50Hz to 16kHz removeSHURE KSM-141SL - Dual Pattern Instrument Microphone 20Hz to 20k removeSHURE PGA52-XLR - Kick Drum Microphone 30Hz to 13kHz remove
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SKUOPUS 67H10SE00051H10SE00105BETA 56AKSM141SLPGA52-XLR
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Price 78.93 incl. GR VAT 115.00 incl. GR VAT 189.00 incl. GR VAT 196.80 incl. GR VAT 515.99 incl. GR VAT 165.12 incl. GR VAT
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Description
Content

Dynamic clip microphone for drum miking

The Opus 67 dynamic microphone has been designed for closemiking of drums such
as Toms and Congas. The new patented microphone clamp allows easy mounting to
the instrument.
The flexible gooseneck ensures optimal positioning to suit both musician and sound
engineer

Features:
Dynamic microphone for Toms and Congas
Very high gain-before-feedback
High SPL capability
Unique double-spring clamp system
Flexible gooseneck for optimum positioning
Small, rugged construction for on-tour applications
Supplied with storage bag

Technical Specifications: 
Transducer type: Dynamic 
Operating principle: Pressure gradient 
Polar pattern: Hypercardioid 
Open circuit voltage at 1 kHz: (0dB = 1V/Pa) 1.5 mV/Pa = -56 dBV 
Nominal impedance: 200 Ω 
Load impedance: > 1 kΩ 
Connector: 3-pin XLR male 
Length: 72 mm Gooseneck length 
Weight without cable: 140 g 
Frequency response: 40 - 12,000 Hz

The e 604 is a cardioid microphone especially suitable for use with drums and brass instruments. Features Rugged reinforced glass-fibre body Low sensitivity to impact and handling noise Very high sound pressure handling capability Low distortion microphone Hum compensating coil Easy to position due to compact design Integral stand mount Delivery Includes 1 e 604 1 drum clip 1 pouch Technical Data Frequency Response  40.....18000 Hz Sensitivity in free field, no load (1kHz)  1,8 mV/Pa Min. terminating impedance  1000 Ohm Dimensions  d 33 x 59 mm Weight w/o cable  60 g

The supercardioid e 906 instrument microphone was especially designed for
guitar amplifiers, but it is also an excellent choice for percussion and brass
instruments.

Features
Lively, full sound
Very fast attack
Flat shape of microphone body perfect for guitar amps 
Three adjustable sound characteristics (bright, normal, smooth)
Hum compensating coil
Rugged metal body
Delivery Includes
e 906 microphone
MZQ 100 clamp
Pouch
User manual

Technical Data
Pick-up pattern  supercardioid 
Frequency response  40...18000 Hz 
Sensitivity in free field, no load (1kHz)  2,2 mV/Pa 
Nominal impedance  350 Ohm 
Min. terminating impedance  1000 Ohm 
Dimensions  55 x 34 x 134 mm 
Weight  140 g 

 

NEW Wider mounting base capable of accommodating a larger range of microphone stands. Even works with the LP Claw.

Specifically engineered for drum and instrument applications, the Beta 56A's compact, pivoting design makes it the ideal choice for these applications.

Its extremely uniform supercardioid pickup pattern provides high gain before feedback and excellent rejection of unwanted noise. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.

  • Built-in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility
  • Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
  • Compact design reduces stage clutters
  • Hardened steel mesh grille resists wear and abuse
  • Neodymium magnet for high signal-to-noise ratio output
  • Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
  • Frequency response: 50 to 16,000 Hz
The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments. Features
  • A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications
  • Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
  • Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
  • Premium electronic components, including gold-plated internal and external connectors
  • Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
  • Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect
Performance Characteristics
  • Extended frequency response
  • Low self noise
  • Exceptional reproduction of low-frequency sounds
  • Can withstand high sound pressure levels (SPL)
  • High output level
  • No crossover distortion
  • Uniform polar response
  • Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.
  • Acoustic instruments -- such as piano, guitar, drums, percussion, strings
  • Wind instruments -- brass and woodwind
  • Low frequency instruments -- such as double bass, electric bass, kick drum
  • Overhead miking -- drums or percussion
  • Ensembles -- choral or orchestral
  • Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application. Suggested Applications Acoustic Guitar Acoustic Bass Cymbals Brass/Woodwinds Orchestra Ensemble Vocals Piano Strings Room Ambience Live Recording

OVERVIEW

Cardioid dynamic kick drum mic with swivel mount and cable.

The PGA52 is a professional quality kick drum microphone with an updated industrial design that features a black metallic finish and grille offering an unobtrusive visual presence. Legendary Shure quality construction ensures exceptional performance in rigorous environments.

Additional design highlights include a swivel joint featuring a quick-release latch similar to bicycle component-locking technology for extremely quick and easy positioning.

FEATURES
  • Mountable microphone featuring swivel joint with quick-release latch for kick drum
  • Dynamic cartridge (does not require phantom power) with cardioid polar pattern
  • Tailored cartridge design for low-frequency clarity, including on bass amps
  • Includes PGA52, zipper pouch and user guide
  • XLR to XLR mic cable included
Weight0.20 kg0.10 kg0.32 kg0.80 kg0.50 kg0.80 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.20 kg
Weight 0.10 kg
Weight 0.32 kg
Weight 0.80 kg
Weight 0.50 kg
Weight 0.80 kg