Denon Professional DN-500R SD and USB Recorder

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The Denon Professional DN-500R SD and USB Recorder is a 1U rack mountable recorder and audio playback device designed for installed sound applications such as houses of worship, education, and more. The unit can record to both SD/SDHC cards and USB media either one at a time for longer recording times or simultaneously to both mediums for backup.

The front panel of the recorder features an OLED display for showing information such as time, sample rate, and file name. A set of rubberized buttons control basic functions such as record, stop, pause, play, forward, back, as well as menu control and file management functions such as move, copy, combine, divide, and undo. A shift button changes these buttons to functions such as dimming the display, marking files, record monitoring, switching to frame mode, and adjusting pitch. A rotary knob button controls recording level, recording balance, and navigates the menu settings. The front of the unit has an SD/SDHC card slot for inserting recording media with ejection button, as well as a USB female type A port for plugging in USB media such as thumb drives and external USB hard drives. A second USB female type A port allows you to plug in a USB QWERTY keyboard for entering file information while recording. The unit also includes a 1/4" headphone out and headphone level control knob for monitoring while recording or listening to recorded tracks.

For I/O, the back of the unit features left and right balanced analog 3-pin XLR female inputs, left and right unbalanced analog RCA inputs, a balanced digital 3-pin XLR AES/EBU input, an unbalanced digital coaxial SPDIF input, left and right balanced analog 3-pin XLR male outputs, left and right unbalanced analog RCA outputs, a balanced digital 3-pin XLR AES/EBU output, and an unbalanced coaxial SPDIF output. For remote control, the unit features both an RS-232C and a 25-pin parallel port. The included rack ears are removable for tabletop operation.

The new Fostex FR-2 has been designed specifically for location sound recording; high quality sound effects acquisition; TV & radio documentary; in fact any application where quality audio recording is required.
With excellent quality (up to 24-bit / 192KHz recording - a first for a CF recorder), huge feature list and a cost-effective price point, the FR-2 offers users of portable DAT and other formats the opportunity to make the switch to a more flexible, higher quality audio acquisition machine without sacrificing features.

• Recording industry standard, PC-compatible BWF files (stereo/mono) on a FAT32 media format
• Up to 24-bit/192kHz uncompressed recording
• Includes a unique 22.05kHz sampling frequency setting for extended recording
• Records to both Type I & II CompactFlash cards and PCMCIA 1.8” hard disk drives*1
• Fostexʼs "File per Take” system with auto scene & take naming/increment
• Two balanced XLR microphone inputs with switchable phantom power and top quality, high headroom mic pre-amps
• 132 x 64 dot matrix LCD screen for ease of use & high visibility in the field
• Uses AA-sized rechargeable NiMH batteries which are widely available due to the popularity of digital cameras. 8 AA cells will provide approximately 2.5 hours operation when recording to a CF card
• Easy file transfer to PC/Mac via PCMCIA, CF adaptor or standard on-board USB connection for data editing and/or backup*2
• Quick and easy on-board file naming or via external keyboard through standard USB keyboard port
• “Pre-record” loop buffer of approximately 10 seconds*3
• Easy software update via CF or PCMCIA card with downloads from the internet
• Optional timecode generator / reader card
  
  Notes
  *1 May require software update for PCMCIA HD operation
  *2 Complies with Windows ME/2000/XP, Mac OS 10.2 or higher
  *3 Varies depending on sampling frequency“

• GENERAL
  Recording Media CompactFlash card, PCMCIA HD
  Recording Format BWF
  Number of Channels Stereo / Mono
  Sampling Frequency 22.05 / 44.1 / 48 / 88.2 / 96 / 176.4 / 192kHz
  Quantization 16 bit (22.05 - 48kHz), 24 bit (44.1 - 192kHz)
  
• PHYSICAL
  Power Requirement 8 x AA type dry cell (NiMH recommended)
  AC adaptor (optional)
  DC 12V
  Power Consumption approx. 5W
  Dimension 250(W) x 77(H) x 220(D) mm
  Weight 1.5kg (w/out battery)
  
• PERFORMANCE
  R/P Frequency Response 20Hz to 10kHz +/-1dB (fs: 22.05kHz)
  20Hz to 20kHz +/-1dB (fs: 44.1 / 48kHz)
  20Hz to 40kHz +/-2dB (fs: 88.2 / 96kHz)
  20Hz to 80kHz +/-3dB (fs: 176.4 / 192kHz)
  S/N (ADC-DAC, 24-bit, ref: -20dB, fs:48kHz)
  Line (input gain: +4dBu): 100dB (typical)
  Mic: (input gain: -60dBu): 87dB (typical)
  Dynamic Range 100dB (ADC-DAC, 24bit, ref:-20dB, fs:48kHz) typical
  T.H.D. (ADC-DAC, 24-bit, ref:-20dB, fs:48kHz)
  Line (input gain: +4dBu): Less than 0.005% (at 1kHz, -1dB typical)
  Mic (input gain: -60dBu): Less than 0.008% (at 1kHz, -1dB typical)
  Power Life approx. 2 hours 30 min. (8 x AA NiMH type/2300mAH)
  
• INPUT / OUTPUT CONNECTORS
  ANALOG AUDIO INPUT L/R
  Connector XLR-3-31 type (Pin2: Hot)
  Line Input Impedance : More than 6k ohm
  Reference Input Level +4dBu
  Maximum Input Level +24dBu (Trim: +4dBu, at the prefader stage)
  MIC
  Input Impedance More than 6k ohm
  Input Level -60dBu
  Maximum Input Level -40dBu (Trim: +4dBu, at the prefader stage)
  Phantom Power P48
  ANALOG AUDIO OUTPUT L(Mono)/R
  Connector RCA pin type
  Output Load Impedance more than 10k ohm
  Nominal Output Level +4dBu
  HEADPHONE OUTPUT 50 + 50mW (32 ohm)
  Max Speaker Output Level 1W
  DIGITAL INPUT/OUTPUT (except for 176.4, 192kHz)
  Connector XLR
  Input Format S/P DIF / AES/EBU automatic
  Output Format S/P DIF / AES/EBU switchable
  USB x 2 (keyboard / PC only)
  TIMECODE CARD (OPTIONAL, T.B.A.)
  LTC Input/Output LEMO
  Frame Rate 23.976/24/25/29.97DF/29.97ND/30DF/30ND
  Gen Mode 24H RUN / REC RUN / FREE RUN / EXT RUN

When inspiration hits, the last thing you need is a user interface that gets in the way. Slows you down. Turns you off. No fear of that. 25 knobs and 13 sliders get you immediate access to where the action is.

Unique to the MR16HD are 33 stellar EQ presets available to each input and 2 AUX sends for connecting to external gear. Add to this the convenience of WAV file recording, digital effects, mastering effects, analog guitar distortion and mic simulation and youʼve got just about the slickest, highest quality and downright easiest to use 16 track available on the market.

Features:
16 recording tracks to hard drive 16-bit resolution at 44.1 kHz -- no compression

4 track simultaneous recording -- great for capturing multiple instruments/vocal parts

4 XLR inputs With phantom power and trim control

Extended recording time -- more than 7.5 hours of 16-track recording at CD quality

Full 16-track bouncing Mix-down -- all tracks in stereo

FAT32 Disc Format and WAV Recording Plus USB port for easy transfer of recordings to PC

2 x AUX For connection to outboard gear

S/P DIF Digital Out For digital mastering to external CD recorder, MD etc.

Input EQ Library 33 sound shaping presets available for all inputs

Fantastic Built-In Digital FX Reverbs, guitar amp simulations etc. (see MR-8HD)

Analog Guitar Distortion Awesome distortion (see MR-8HD)

Direct CD-RW Connection via USB Master direct to USB CD-RW (no PC required)

MR16HD/CD model Features as above with in-built CD-RW

WavManager(Windows) ver 2.01 WAV Manager is a utility software application that enables you to import each audio track from a song created using the MR-8, MR-8mk2, MR-8HD, and MR16HD (hereinafter called MR-8/HD) Multitrackers into your PC as a standard mono WAV file (eight files for an 8-track song). In addtion, WAV file data created and edited on the PC can be exported to MR-8/HD.

The New Version 2.01 Now Features:
CD Writing function (now you can burn a CD from your MR-8/HD using the CD-R/RW drive in your computer

A-B part Import Function

New Song Creating Function.

WavManager (Mac OS) ver 2.0 WAV Manager for Mac is a utility software application that enables you to import each audio track from a song created by the MR-8 and MR-8HD (hereinafter called MR-8/HD) into the Mac as a standard mono WAV file (eight files for an 8-track song). Also, WAV file data created and edited in the Mac can be exported to MR-8/HD.

Optional MR16HDCD Recording Studio Pack Contents:
1 x Stoppit Microphone Pop Filter/Popper Stopper

2 x CBI American-Made Instrument Cable GA-1 (10 foot)

1 x On Stage 7701B Tripod Boom Mic Stand

1 x Audio-Technica AT2020 Side Address Studio Microphone

1 x Memorex CDR80 50-Pack Spindle (52x, 700MB)

1 x Fostex PM05MKII Powered Nearfield Monitors (Pair)

1 x CBI MLC20 Mic Cable (20 Foot)

Optional MR16HD Recording Studio Pack Contents:
1 x Hosa CPP203 Dual 1/4 in. To Dual 1.4 in. Cable (9.75 Foot)

1 x RaXXess Stoppit Microphone Pop Filter/Popper Stopper

1 x OnStage 7701B Tripod Boom Mic Stand

1 x Whirlwind MC20 XLR Microphone Cable (20 Foot)

1 x Fostex PM05MKII Powered Nearfield Monitors (Pair)

1 x Audio-Technica AT2020 Side Address Studio Microphone

1 x Memorex CDR80 50-Pack Spindle (52x, 700MB)

The Tascam iM2X turns an Apple iPhone 4, iPad or iPod Touch 4G into a powerful PCM audio recorder for CD-quality recordings. It consists of a pair of condenser microphones and a high-quality preamp and plugs into the dock connector of the iOS device. The microphone elements are XY oriented for clear stereo definition and minimal phase differences. Moreover, they are adjustable over 180 degrees for the best sound placement.

Unlike mics that use the iOS deviceʼs built-in preamp, the iM2X with its internal A/D converter ensures low noise and better linearity in frequency response. The microphone elements also used in Tascam DR series recorders can handle sound pressure levels up to 125 dB to capture the loudest concerts and instruments without distortion. Thanks to an input level control and a two-colour level meter, level adjustment is very simple. A switchable limiter also contributes to this by reducing sudden peaks and protecting against unforeseen overload.

The iM2X powered through the dock connector, so no battery is required. A USB input is provided to charge the iOS device for long recordings, either through a computer or a USB charger.

An appropriate 2-track recording application (Tascam PCM Recorder) for iOS devices can be downloaded from AppStore at no charge.

Main Features

Turns your Apple iPhone 4, iPad or iPod Touch 4G into a high-grade PCM audio recorder
Stereo condenser microphone in XY orientation for clear stereo definition and minimal phase differences
Accepts sound pressure level up to 125 dB SPL
Microphone can be swivelled by 180 degrees to capture sound sources in front or behind the unit
Allows recordings in CD quality (44.1kHz/16-bit)
Input level rotary control
Input level indicator (green/red)
Switchable limiter to avoid distorted recordings
Power supply via dock connector, no battery required
USB connector available for recharging the iOS device
Easy setup (attaches to the deviceʼs dock connector)
Tascam 2-track recording app can be downloaded from the Apple AppStore at no charge
Specifications

General
Microphone type        Cardioid condenser (stereo)
Maximum input level        125 dB SPL
Input level adjustment range        0–40 dB
Frequency range        10 Hz – 20 kHz
Sampling frequency        44.1 kHz
Bit rate        16 bit
iOS device recharging port        USB Mini-B connector
iOS device connector        30-pin dock connector
Device support        iPhone 4S, iPhone 4, iPad (3rd generation), iPad 2, iPad or iPod touch (4th generation)
Power supply and other specifications
Power supply        Provided through the iOS device connector
Power consumption        90 mW
Dimensions (W x H x D)        56 mm x 57 mm x 22 mm (including connector)
Weight        30 g
Operating temperature range        5–35 °C
Design and specifications subject to change without notice.