Content | PRICE WITHOUT V.A.T.
Technical Specifications
Digital Inpits and Outputs |
Connectors |
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RCA Phono (S/PDIF) |
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Formats |
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S/PDIF (24 bit), EIAJ CP-340, IEC 958 |
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Output Dither |
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HPF/TPDF dither 24/20/16/8 bit |
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Sample Rates |
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44.1 kHz, 48 kHz |
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Processing Delay |
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0.1 ms @ 48 kHz |
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Frequency Response DIO |
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DC to 23.9 kHz ± 0.01 dB @ 48 kHz |
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Impedance, Bal / Unbal |
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21 kOhm / 13 kOhm |
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Min. Input Level for 0 dBFS |
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0 dBu |
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Sensitivity @ 12 dB headroom |
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-12 dBu to +12 dBu |
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A to D Conversion |
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24 bit, 128 x oversampling bitstream |
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A to D Delay |
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0.65 ms / 0.70 ms @ 48 kHz / 44.1 kHz |
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Dynamic Range |
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100 dB typ, 20 Hz - 20 kHz |
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Frequency Response |
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+0/-0.1 dB @ 48 kHz, 20 Hz to 20 kHz |
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| Outline FSC1 Processor-2nd Hand-
FEATURING
Customized functions
FOC1 dedicated controller for Flyone loudspeaker system
SC1 dedicated controller for Spectra loudspeaker system
NC1 dedicated controller for Integra loudspeaker system
MEC1 dedicated controller for Media loudspeaker system
FSC1 dedicated controller for Formula Stack louds. System
TFC1 dedicated controller tor Topfly loudspeaker system
MRC1 dedicated controller for Road loudspeaker system
TLC1 : dedicated controller for Tripla loudspeaker system
Dynamically invariant filter transfer function
RMS limiters on each output
Subwoofer dedicated output
Adjustable band gain
Polarity inversion switches
Muting switches
DESCRIPTION
Designed with the most advanced audio technologies the Outline Controller Series are true professional active dedicated control units for some Outline loudspeaker system models. Developed to meet the most demanding requirements of the sound reinforcement applications, the Outline Controller Series provides nonstop operation with absolute stability and reliability. Only IEC approved components and parts are used in these active controllers and they are manufactured to satisfy and to be in according with safety objects stated for “electrical device” working within the limits of pertinent CE, European Community directive.
Based on a plugin filter card design, the Outline Controller Series allows the operation to those Outline loudspeaker systems that needs this kind of external assistance to perform of its best.
The Outline FOC1, SC1, MEC1, NC1 two ways with subbass output controllers, are designed for the Outline Flyone, Spectra, Media, Integra loudspeaker system.
The Outline FSC1, TFC1, MRC1, TLC1, three ways with subbass output are designed for the Outline FormulaStack, TopFly, RoadSystem, Tripla loudspeaker system.
All models have customized band splitting, filter transfer function and signal time alignment tailored to the loudspeaker system for which are designed.
All models have dynamic control with loudspeaker protection purposes, obtained with RMS limiters with adjustable threshold that are available on each output.
All models have a very low frequency output that can be used to drive the Outline Bass Series or Sub Series low frequency units.
All models have level control on each output, polarity inverters, muting switches, subsonic filters, RMS limiters and active balanced input and outputs with XLR connectors. Perspex security cover are included.
Dimensions of all models are 483mm width, 44mm height, 210mm depth.
SPECIFICATIONS
Product name:
Outline FOCI, SC1, NCI, MEC1, FSC1, TFC1, MRC1, TLC1
Product type: Dedicated active controller
Channels: 1
Ways:
FOCI: 2 ways + subwoofer
SC1: 2 ways + subwoofer
NCI: 2 ways + subwoofer
MEC1 : 2 ways + subwoofer
FSC1: 3 ways + subwoofer
TFC1: 3 ways + subwoofer
MRC1: 3 ways + subwoofer
TLC1: 3 ways + subwoofer
Crossover frequencies: fixed customized
Filter slope: fixed customized
Filter transfer function: fixed customized
Input impedance: 20 kΩ balanced
Frequency response: 20-20000 Hz ± 0.3 dB
Output impedance: 600Ω balanced
Total harmonic distortion (THD): <0.01%
Total intermodulation distortion (SMPTE): <0.01%
Signal to noise ratio: > 100dBA
Subsonic filter: Butterworth 18 Hz, 18 dB octave
Controls:
Front panel: Power on, output level, polarity, output mute, limiting threshold, input gain adjust
Rear panel switches: Balanced/unbalanced input and outputs, limiters on
Display:
Front panel: Power on, signal present, limiting action, input overloading
Connectors: XLR, Pin 1 ground, Pin 2 hot, Pin 3 cold
Power supply: AC from 100 -to 240V/50-60 Hz
Power consumption: 20W
Dimensions and net weight: Front panel Standard EIA 19" 1 U
483mm width, 44mm height, 210 mm depth, all models 3.3 net weight.
Dimensions volume and gross weight: all models, 55cm width, 8cm height, 30cm depth, volume 0.01 m3, 4.3 gross weight.
| PRICE WITHOUT V.A.T.
BSS Opal FCS-966 Constant Q Graphic Eq
Graphic equalisers are found in just about every sound application, from room contouring to feedback control and general audio sweetening.
Traditionally, much general eq'ing takes place on the faders alone, but this restricts the use of the faders at each end of the scale for further precision eq work. So we provided the Opal FCS-966 with separate LF and HF contour filters which can change an overall sound balance without disturbing a detailed room or loudspeaker response.
These filters are very musical gentle boost and cut shelving filters which can be used to add (or remove) room effects that change with temperature, audience numbers or humidity.
All these effects can be easily made without disturbing the critical fader settings already made.
Constant Q Filters
The modern generation of graphic eq's
uses the Constant Q topology, pioneered by BSS Audio, which means that the filter width is constant whatever the fader gain setting.
Compared to the earlier 'gyrator' style of filters, Constant Q filters provide a smoother and more predictable interaction between adjacent faders and the resulting eq curve more closely resembles the actual fader positions.
More Gain Control Per Filter
Each eq fader has +/-15dB of adjustable gain, more than many competitive graphic eq's. The faders are long-throw 45mm types for precision control.
High Pass Filter
Also provided on the FCS-966 is a sweepable high-pass filter which can be used very effectively to restrict the low-energy output for better amplifier and loudspeaker performance. Stage monitors also benefit from the application of a high-pass filter to remove bass signals e.g. from vocal-only wedges.
Metering
BSS Audio believes in providing engineers with information, and the FCS-966's 8-segment led meter shows output level and warns of signal clipping within the eq. When the unit is switched to bypass, the meter will read the input level, allowing accurate matching of the 'dry' and equalised signals using the gain control.
Centre Bypass
When any eq fader is in its centre detent position, the filter is automatically bypassed, for optimum performance.
Input/Outputs
All the inputs and outputs of the FCS-966 are electronically balanced, with optional transformer balancing. To make installation of the FCS-966 easier, we've provided three differerent interface connectors: XLR-type, 1/4" TRS jack and Phoenix/Combicon screw terminals.
Relay Bypass
The EQ IN buttons switch the EQ path
into circuit. When switched out, or power fails, a high-quality relay switches the input signal directly to the output connectors.
Control Descriptions
Faders
30 EQ filter faders on ISO centres, each with nominal +/-15dB of gain. Positive centre-detent on 45mm long-throw precision faders.
HP Filter
Sweepable high pass filter, frequency adjustable from OUT (flat) up to 250Hz.
LF Contour
Smooth shelving filter, +/-6dB of gain at 50Hz
HF Contour
Smooth shelving filter, +/-6dB of gain at 14kHz.
GAIN
Used for overall unity gain adjustment. Adjustable from - infinity to +10dB.
CLIP
Triple-point clip detector that indicates red when the internal signal is clipping at any one of three critical points.
LED Meter
Shows output signal level (input signal when eq is bypassed) from -24dBu to +18dBu in 8 steps. |
USED IN GOOD CONDITION.
Price does not include vat
The S com 4 is a compact and versatile single-rack space device that provides four channels of high quality dynamics processing with an Expander/Gate and Compressor/Limiter on each channel. The four channels operate independently or in stereo pairs. Its multi-segment LED metering displays input/output level as well as gain reduction. The Expander/Gate section features a continuously variable Threshold control as well as a switch for fast or slow release times. The Compressor/Limiter section includes variable Threshold, Ratio and Output levels. S com 4\'s Enhancer switch restores high frequencies that are sometimes diminished by heavy compression. This wide-ranging combination of features makes the S com 4 an efficient and versatile audio tool for a wide variety of applications. Its clean and quiet audio characteristics make it ideal where high sonic integrity is imperative. FEATURES:
4 Channel Compressor/Limiter, Expander/Gate with Enhancer Linkable in two Stereo pairs Expander/Gate with variable Trigger control and switchable Fast/Slow Release 5 Segment LED meters for Input/Output levels and Gain Reduction on each channel Advanced circuit design utilizing Low Noise Operational Amplifiers and High Quality VCA\'s Servo Balanced Inputs and Outputs on XLR and 1/4" connectors SKD (Smart Knee Detector) circuit automatically switches from soft to hard knee based on the level of Input signal applied Individual Threshold and Ratio controls on each channel Three-year extended warranty | PRICE DOES NOT INCLUDE VAT
Features
Advanced Hardware for Superior Sound
The latest 20-bit analog-to-digital and digital-to-analog conversion technology-sampling at 44.1kHz. Frequency response extends all the way from 20 Hz to 20 kHz; dynamic range is an extraordinary 106dB; noise and distortion are neglible.
Stereo Configuration with Balanced Inputs and Outputs
A true 2-in/2-out stereo configuration that allows stereo sources to be processed without disrupting the original stereo image. Stereo inputs and outputs are all electronically balanced, with XLR and TRS phone jack connectors.
Preset, Internal, and Card Memory
180 memory locations "on board“. 80 of these are read-only memory. The remaining 100 are writable memory locations. Plug-in memory cards hold an extra 100 effect programs each.
Three-stage Effect Configuration
In addition to the main effects, the SPX990 provides programmable pre and post effects that can be used to refine and polish your sound.
In-depth Programming Power
The SPX990 has 4 programmable pre effects, 36 programmable main effects, and 3 programmable post effects.
Tempo-based Delay Time Programming
Delay time parameters can be programmed in terms of tempo or note length. Delay time can also be entered via a footswitch or MIDI clock data.
Superior Pitch Precision
The SPX990 achieves faultless pitch tracking through a new dynamic waveform analysis technique. In addition to the simple parallel pitch tracking the SPX990's "intelligent" pitch change creates appropriate harmony based on a specified key and scale type.
External Parameter Control
The SPX990 allows two selected parameters from each program to be assigned to two external MIDI controllers.
MIDI Control
The SPX990 allows MIDI selection of all programs, and real-time control of up to two selected effect parameters at the same time.
4 Pre-Effects
1. 3-band PEQ *1, 2. Compressor *1, 3. Harmonic Driver *1, 4. Compressor, Dist. and EQ *3 *1= 2 IN - 2 OUT, *2 = 1 IN - 2 OUT, *3 = 1 IN, 1 OUT
36 Main Effects: Reverb, Early Reflections, Delay and Echo, Modulation
REVERB: Reverb *2, Filtered Reverb *2, Stereo Reverb *1, Echo Room *2; EARLY REFLECTIONS: Thin Early Reflection *2, Fat Early Reflection *2, Gate Reverb *2, Reverse Gate *2; DELAY and ECHO: Delay L, C, R *2, Echo *2, Multi Tap Delay *2, Stereo Echo *1, Tempo Mono Echo *2, Tempo Stereo Echo *1, Tempo Quad Echo *1; MODULATION: Flanger *1, Dual Flanger *1, FM Chorus *1, AM Chorus *1, Phaser *1, Symphonic *1 *1= 2 IN - 2 OUT, *2 = 1 IN - 2 OUT, *3 = 1 IN, 1 OUT
Main Effects continued: Pitch Change, Pan, Complex Effects, Freeze
PITCH CHANGE: Mono Pitch Change *3, Dual Pitch Chance *2, Triple Pitch Chance *2, Stereo Pitch Change *1; PAN: Auto Pan *2, Triggered Pan *2; COMPLEX EFFECTS: Chorus and Reverb *2, Symphonic and Reverb *2, Flanger and Reverb *2, Reverb (L) / Reverb (R) *1, ER (L)/ Reverb (R) *1, Echo (L) / Reverb (R) *1, Chorus (L) / Reverb (R) *1, Pan (L) / Pan (R) *1; FREEZE: Freeze *3 *1= 2 IN - 2 OUT, *2 = 1 IN - 2 OUT, *3 = 1 IN - 1 OUT
3 Post Effects
1. 3-band PEQ *1; 2. Compressor *1, Harmonic Driver *1 *1 = 2 IN - 2 OUT
Specifications
Frequency Response |
20 Hz - 20kHz +/-0.5 dB |
CD Player
Dynamic Range |
Above 100 dB (typical 106dB) |
Specifications
Hum and Noise |
Below -82 dBm (Typical -88dBm) |
Distortion |
Below 0.005% at max. level 1 kHz |
Input/ Number of Channel |
2 (Phone Jack) |
Input/ Nominal Level |
+4/-20dBm (Switchable) |
Input/ Highest Input |
+24dBm (Switchable at +4dB) |
Input/ Impedance |
20 k ohm |
Output/ Number of Channel |
2 (Phone Jack) |
Output/ Nominal Level |
+4/-20dBm (Switchable) |
Output/ Highest Output |
+18dBm (Switchable at +4dB) |
Output/ Impedance |
150 ohm |
A/D Conversion |
20 bits |
D/A Conversion |
20 bits |
Sampling Freq. |
44.1kHz |
Preset Program |
1 - 80 |
User Memory Program |
1 - 99,00 |
Optional Memory Card |
1 - 99,00 |
Front Panel/ Control |
Input Level (L,R), Data Entry |
Front Panel/ Keys |
Function Key x 6, Page Select Key x 2, Memory, Store, Edit, Bypass |
Front Panel/ Display |
2 ch. 8 segment LED (Level Meter) 6 segment LED (Mode Indicator) 7 segment LED (Memory No.) Memory, Edit, Bypass indicators 24 chara x 2 Line LCD |
Front Panel/ Slot |
Memory Card |
Rear Panel/ Connectors |
Input L/R (XLR x 2, Phone jack x 2 Output L/R (XLR x 2, Phone jack x 2) MIDI In, Thru/Out (DIN 5P x 2) Trigger (Phone Jack x 1) Bypass or INC/DEC (Phone Jack x 1) |
Rear Panel/ Switch |
In/Out Level Switch (+4dB/ -20dB x 2) MIDI Thru/ Out Switch |
Power Requirements |
US and Canadian Models: 120V, 60Hz British Model:240V, 50Hz General Model:230V, 50Hz |
Power Consumption |
25W |
Dimensions |
480 x 46 x 324.4 mm |
(W x H x D) |
(18-7/8" x 1-13/16" x 12-3/4“) (including attachments) |
Weight |
4.6 kg (10lbs. 2oz) |
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