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The X1 A: It could be your first mic, but it's one you'll want to keep forever.
There's a new entry point to sE's acclaimed X1 Series, and it's breaking the performance barrier (again) for every mic in its class.
When it was introduced in 2011, the X1 brought a new level of quality to its price point, competing easily with microphones costing several times as much. But that didn't stop sE from trying to outdo themselves again.
With a newly-developed condenser capsule and an exterior based on the rugged metal chassis of the X1, the X1 A offers first-class sound & specifications at an even better "home studio" cost, featuring an extremely natural frequency response, massive SPL-handling capabilities (150dB!), switchable attenuation and low-cut filters, and a perfectly balanced sensitivity level - so it's at home on absolutely any source.
In the box:
- X1 A microphone
- swivel mic clip
- mic stand thread adapter
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Weighing only 18 grams (0.6 oz.), this ultra-light condenser pickup is ideal for acoustic guitar, mandolin, violin, and most other stringed instruments. The C 411 will give a clear and uncolored sound without changing the balance of the instrument. Attaching the C 411 on or near the bridge or anywhere else on the instrument is easy with the included non-marring, reusable, solventfree adhesive compound.
C 411 PP: For hardwire applications, with standard XLR connector for phantom powering. |
The ME 67 is a long gun microphone head designed for use with the K6 and K6P powering modules. A highly directional microphone, it can be used where the microphone must be placed at a distance from the sound source. Matt black, anodised, scratch-resistant finish.
Pick-up pattern : lobar
Sensitivity in free field, no load (1kHz) : 50 mV/Pa +- 2,5 dB
Nominal impedance : 200 Ohm (K6)
Min. terminating impedance : 1000 Ohm (K6)
Equivalent noise level : 10 dB
Dimensions : d 22,5 x 343 mm
Weight : 100 g
| This new mic is a performance / price breakthrough. It has an acoustically identical version of the legendary CK1 capsule that is permanently mounted. This combination can handle high output transients as well as subtle harmonics. Also included are switchable 75 and 150Hz 12dB per octave rolloff, and switchable -10 & -20 dB input pad. It is a single pattern (cardioid), and has a frequency response of 20 to 20kHz with 135 dB SPL. Requires 12 to 48V phantom power. Kit comes with bag, windscreen and clip.
For more than twenty years, the AKG C 451 with the CK 1 condenser capsule was a standard item on tour riders for sound companies and required by leading engineers for studio projects. When it was discontinued in 1993, there was still a big demand for this microphone. AKG now has an updated version of this classic microphone.
The new C 451B provides the same frequency response as the legendary CK 1 with the same slight high-end rise that was the signature of the original. This characteristic makes the C 451B an ideal tool for capturing signals rich in transients such as acoustic guitars, snare drums, hi-hats and for overhead micing of drum kits. The C 451B?s response eliminates the need for heavy EQ on these instruments.
The new C 451B has also benefited from newer electronic technology with machine soldering and surface-mount components that improve noise performance and make the microphone much more reliable than the original.
Other special features include switchable 10 dB and 20 dB preattenuation pads and switchable low cut filters at 75 Hz or 150 Hz. Standard accessories included are an SA 40 stand adaptor, W 90 windscreen and a rugged zippered bag. Each C 451B also comes with an individual frequency response printout.
Three-year warranty.
Specification
Polar pattern: cardioid
Frequency range: 20?20,000 Hz
Sensitivity: 9 mV/Pa (-41 dBV re 1 V/Pa)
Max. SPL for 0.5 % THD: 135/145/155 dB SPL (-0/-10/-20 dB)
Equivalent noise level: 18 dB-A to DIN 45 412
Signal/noise ratio (A-weighted): 76 dB
Preattenuation pad: switchable, 0, -10,-20 dB Bass cut filter: switchable to flat or 12 dB/octave at 75 Hz or 150 Hz
Electrical impedance: Recommended load impedance: >1.000 Ohms
Power requirement: 9?52 Volt phantom power to DIN 45 596/IEC 268-15
Current consumption: Connector: 3-pin male XLR
Finish: satin nickel plated
Size: dia.: 190 mm (0.7 in.); length: 160 mm (6.3 in.)
Net/shipping weight: 125/760 g (4.4 oz./1.7 lbs.)
Standard accessories: W 90 windscreen, SA 40 stand adapter |
The ME 65 is a super-cardioid microphone head designed for use with the K6 and K6P powering modules. It is especially suited to vocal and speech applications. Matt black, anodised, scratch-resistant finish.
- Pick-up pattern : super-cardioid
- Sensitivity in free field, no load (1kHz) : 10 mV/Pa +- 2,5 dB
- Nominal impedance : 200 Ohm (K6)
- Min. terminating impedance : 1000 Ohm (K6)
- Equivalent noise level : 20 dB
- Dimensions : d 44 x 131 mm
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Weight :
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C 568 B
Compact, short shotgun microphone
Integrated, switchable bass cut filter minimizes mechanical noise
Operates on phantom power
High directivity and wide frequency response in a relatively short shotgun make this
microphone a perfect tool for theater, sound reinforcement, and film/TV applications.
Due to its compact and lightweight design, the C 568 B is ideal for camera mount
applications. Below 500 Hz it functions as a hypercardioid microphone; above 500 Hz
the acoustic interference tube introduces increasing directivity. A switchable 12 dB/
octave 120 Hz bass cut filter effectively suppresses rumble and wind noise. The rugged,
all-metal body contains the built-in preamp. Phantom powering (9?52 V) required; foam
windscreen and stand adapter included.
SPECIFICATIONS:
Polar pattern hypercardioid/directional
Frequency range 20 to 20,000 Hz
Sensitivity 11 mV/Pa (-39 dBV)
Max. SPL 128 dB
Equivalent noise level (CCIR 468-3) 29 dB
Equivalent noise level 18 dB-A
Signal/noise ratio 76 dB
Bass filter 12 dB/octave at 120 Hz
Impedance 600 ohms
Recommended load impedance >2000 ohms
Supply voltage 9 to 52 V phantom power to DIN 45596
Current consumption |
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