Focusrite quality – for your iPad, Mac and PC iTrack Solo provides the best solution for recording your instruments and vocals using an iPad. Featuring a Focusrite microphone pre-amplifier and an input to record directly from electric and bass guitars, iTrack Solo is the perfect way to expand the audio capabilities of your iPad using […]
iTrack Solo provides the best solution for recording your instruments and vocals using an iPad. Featuring a Focusrite microphone pre-amplifier and an input to record directly from electric and bass guitars, iTrack Solo is the perfect way to expand the audio capabilities of your iPad using Garageband or any other music-making app.
Although it is an Apple certified “Made for iPad” device, iTrack Solo is also fully compatible with your PC or Mac computer and comes with a host of free music making software including Ableton Live Lite and the Focusrite Scarlett Plug-in Suite.
Specifications
2 in / 2 out USB audio interface
96 KHz, 24-bit conversion
1 Focusrite microphone preamplifier
Silver “soft-touch” aluminium unibody chassis
Front panel
1 microphone input – XLR
1 Instrument input – ¼’ unbalanced
2 Gain knobs
2 Gain halo signal indicators
48V Phantom power switch
Direct monitor switch
Large monitor level dial (controls headphone and line level outputs)
USB Connection LED indicator
Headphone output – ¼” TRS Jack
Rear panel
2 unbalanced monitor outputs – RCA Phono
DEVICE LINK port (to connect iTrack Solo to iPad)
USB 2.0 Port
Kensington Lock slot
Included software
Ableton Live Lite 8 – professional music making software to use your iTrack Solo with a Mac or PC.
Focusrite Scarlett plug-in suite – collection of software plug-ins bringing effects to your music software (like Ableton Live for example).
Analogue Input Performance
Mic
Frequency Response
20Hz – 20kHz +/- 0.2 dB
THD+N
Equivalent Input Noise (EIN)
Gain Range
+10dB to +55dB
Max Input Level
-3dBu
Instrument
Frequency Response
20Hz – 20kHz +/- 0.2dB
THD+N
0.003% (measured with -1dBFS input and 22Hz/22kHz bandpass filter)
Noise
-87dBu (22Hz/22kHz bandpass filter)
Gain Range
-10dB to +55dB
Max Input Level
-3dBu
Analogue Output Performance
Nominal Output Level
0dBFS = +9dBu, unbalanced
Frequency Response
20Hz – 20kHz +/- 0.2dB
Noise
-87dBu (22Hz/22kHz bandpass filter)
Gain Range
+10dB to +55dB
Max Input Level
-3dBu
Analogue Output Performance
Nominal Output Level
0dBFS = 10dBu, balanced
Frequency Response
20Hz – 20kHz +/- 0.2dB
THD+N
Digital Performance
Clock sources
Internal clock only
A-D Dynamic Range
105dB ‘A-weighted’ (all inputs). Converter chipset A-D dynamic range 114dB
D-A Dynamic Range
105dB ‘A-weighted’ (all outputs). Converter chipset D-A dynamic range 114dB
Supported sample rates
44.1 KHz, 48 KHz, 88.2 KHz, 96 KHz – Mac and PC
44.1 KHz, 48 KHz – iPad
Crosstalk
Input to Input
Better than 90dB
Output to Output
Better than 90dB
Input to Output
Better than 85dB
Input Metering
Ring LED lit Green
Signal present (-24 dBFS)
Ring LED lit Red
Signal overload (0dBFS), peak held for approximately 1 second
Weight and Dimensions
Height
45 mm / 1 ¾ “
Width
150 mm / 6“
Depth
100 mm / 4“
Weight
500 g / 1 lb
Weight
0.50 kg
Reviews
There are no reviews yet.
Be the first to review “FOCUSRITE ITRACK SOLO LIGHTING USB Audio Interface for iPad, Mac & PC” Cancel reply
iTrack Solo provides the best solution for recording your instruments and vocals using an iPad. Featuring a Focusrite microphone pre-amplifier and an input to record directly from electric and bass guitars, iTrack Solo is the perfect way to expand the audio capabilities of your iPad using Garageband or any other music-making app.
Although it is an Apple certified "Made for iPad" device, iTrack Solo is also fully compatible with your PC or Mac computer and comes with a host of free music making software including Ableton Live Lite and the Focusrite Scarlett Plug-in Suite.
Specifications
2 in / 2 out USB audio interface
96 KHz, 24-bit conversion
1 Focusrite microphone preamplifier
Silver "soft-touch" aluminium unibody chassis
Front panel
1 microphone input - XLR
1 Instrument input - ¼' unbalanced
2 Gain knobs
2 Gain halo signal indicators
48V Phantom power switch
Direct monitor switch
Large monitor level dial (controls headphone and line level outputs)
USB Connection LED indicator
Headphone output - ¼" TRS Jack
Rear panel
2 unbalanced monitor outputs - RCA Phono
DEVICE LINK port (to connect iTrack Solo to iPad)
USB 2.0 Port
Kensington Lock slot
Included software
Ableton Live Lite 8 - professional music making software to use your iTrack Solo with a Mac or PC.
Focusrite Scarlett plug-in suite - collection of software plug-ins bringing effects to your music software (like Ableton Live for example).
Analogue Input Performance
Mic
Frequency Response
20Hz - 20kHz +/- 0.2 dB
THD+N
Equivalent Input Noise (EIN)
Gain Range
+10dB to +55dB
Max Input Level
-3dBu
Instrument
Frequency Response
20Hz - 20kHz +/- 0.2dB
THD+N
0.003% (measured with -1dBFS input and 22Hz/22kHz bandpass filter)
Noise
-87dBu (22Hz/22kHz bandpass filter)
Gain Range
-10dB to +55dB
Max Input Level
-3dBu
Analogue Output Performance
Nominal Output Level
0dBFS = +9dBu, unbalanced
Frequency Response
20Hz - 20kHz +/- 0.2dB
Noise
-87dBu (22Hz/22kHz bandpass filter)
Gain Range
+10dB to +55dB
Max Input Level
-3dBu
Analogue Output Performance
Nominal Output Level
0dBFS = 10dBu, balanced
Frequency Response
20Hz - 20kHz +/- 0.2dB
THD+N
Digital Performance
Clock sources
Internal clock only
A-D Dynamic Range
105dB 'A-weighted' (all inputs). Converter chipset A-D dynamic range 114dB
D-A Dynamic Range
105dB 'A-weighted' (all outputs). Converter chipset D-A dynamic range 114dB
Supported sample rates
44.1 KHz, 48 KHz, 88.2 KHz, 96 KHz - Mac and PC
44.1 KHz, 48 KHz - iPad
Crosstalk
Input to Input
Better than 90dB
Output to Output
Better than 90dB
Input to Output
Better than 85dB
Input Metering
Ring LED lit Green
Signal present (-24 dBFS)
Ring LED lit Red
Signal overload (0dBFS), peak held for approximately 1 second
Weight and Dimensions
Height
45 mm / 1 ¾ "
Width
150 mm / 6“
Depth
100 mm / 4“
Weight
500 g / 1 lb
8 channels of premium 24-bit 192K AD/DA conversion
4 digitally controlled 75db microphone preamps
2 fully balanced inserts on mic pre channels
4 Hi-Z instrument inputs capable of handling high level instruments
2 individual, controllable and assignable high level headphone outputs
2, 6 or 8 channel monitor outputs
8 channels of ADAT I/O
FireWire 400 I/O, compatible with OS X Core Audio (no driver required)
2 channels of SPDIF I/O
“Soft Limit” for maximum digital input level without overs
“UV22HR” for superior dither of 24 bit resolution down to 16-bit
Advanced, dual-stage "Intelliclock”
Complete integration and control with Appleʼs Logic Pro Software
Compatibility with any CoreAudio software applications
Apogeeʼs Maestro Software for advanced control and routing outside of Logic Pro
Computer Based Recording Packages
Computer-Based Recording Packages For All Players Of Musical Instruments
The AUDIOGRAM Series has been carefully designed to make setting up your computer-based recording environment an absolute breeze. Coming as a complete kit, the AUDIOGRAM6 and AUDIOGRAM3 each bundle together a hardware interface that adds audio inputs and outputs to your computer, software for recording and producing music, and a USB cable for connecting the audio interface. As such, either package will instantly turn your computer into a powerful yet intuitive tool for recording and editing audio from virtually any microphone or audio input device. What's more, setup is as easy as installing the bundled music-production application, CUBASE AI, on your computer and connecting the audio interface using the USB cable provided! You're then ready to connect instruments, microphones, CD players, MP3 players, and even old record or tape players for recording straight into CUBASE AI.
Size/Weight
Dimensions
Width
170mm (6-3/4“)
Height
59mm (2-3/8“)
Depth
192mm (7-5/8“)
Weight
Weight
770g (1.7 lbs.)
General Specifications
Sampling Frequency Rate
USB AUDIO 1.1, 16bit/44.1kHz
Effects
Types
Dynamic
1-knob Compressor (COMP) x 2
Storage and Connectivity
Connectivity
Headphones
Stereo Phone connector x 1
Microphone
Mic/Hi-Z input x 2
LINE IN
Phone connector x 4 (L/MONO x 2, R x 2)
LINE OUT
Phone connector x 2 (L, R)
USB TO HOST
USB (TO HOST)
Power Supply
Power Supply
USB powered
System Requirements
Windows
PC
Windows-based computer with built-in USB interface Windows-based computer with built-in USB interface
Windows Vista / Windows XP Professional / XP Home Edition
Memory
More than 1 GB More than 128 MB
Macintosh
PC
Macintosh computer with built-in USB interface
CPU
Intel CPU / Macintosh G3 processor 300 MHz or better
Support OS
Mac OS X 10.3.3 or higher
Memory
More than 128 MB
Accessories
Included Accessories
Cable
USB Cable
Others
CUBASE AI DVD, Owners Manual
The SONAR REAC Recording System when used in conjunction with the RSS V-Mixing System or RSS Digital Snakes provides the most comprehensive live recording, mixing, mastering and delivery product available. This is the next phase in product development of the REAC driver, which Cakewalk engineered for Roland as a way for users to record from their Digital Snake/V-Mixer System directly into SONAR. The SONAR REAC Recording System includes:
The REAC protocol provides up to 40 channels of audio to be sent via a single CAT5e Ethernet or fiber optic cable. The REAC driver, developed by Cakewalk, allows the REAC output from the RSS V-Mixer or RSS Digital Snake to connect directly into a PC using a single Ethernet cable.
SONAR 8 Producer gives you what you need for recording, composing, editing, mixing, and mastering. Get innovations that matter, from exclusive features to ignite creativity and perfect your tracks, to groundbreaking technologies that always keep you in control, all backed by the industry's leading 64-bit audio quality. And SONAR 8 Producer delivers the go-to production tools you want with the best collection of virtual instruments, mixing, and mastering effects found in any DAW.
With unlimited tracks, amazing creative tools, inspiring virtual instruments, the freedom to work with any audio interface or control surface, and the most complete delivery capability for collaboration with users of other DAWS, award-winning SONAR Producer is your best choice in a digital audio workstation.
SONAR 8 is the only DAW that offers one-of-a-kind music creation tools that actually help in the songwriting process. Whether you are searching for new ideas or looking to add musical parts to existing songs, SONAR 8 can help you break through those creative blocks.
SONAR 8 provides the most comprehensive recording features of any DAW on the market today. It's designed to meet the needs of even the most demanding professional—whether recording a solo performance, a band, or even an orchestra.
Recommended System Requirements:
* Operating System: Windows XP (32 bit), Windows Vista (32 bit or 64 bit) * Processor Speed: Intel Core 2 Duo 2GHz or higher * RAM: 3 GB for 40 Channel Recording * Ethernet Port Speed: Gigabit Ethernet/CAT5e Only * Graphics: 1280 x 960, 24-bit color or higher * Audio Hard Drive Size: 30 GB * Audio Hard Disk Type: RAID 0 with (2) SATA drives * Audio Interface: SPS/FA-66 FireWire Audio Interface or Cakewalk VS-700 R * Media Drive: DVD-ROM, DVD+/-R or DVD+/-RW * Other Hardware: RSS Digital Snake or V-Mixing System, Roland CAT5e Cables (supplied with Digital Snakes), Gigabit Ethernet Switch (optional) * Other Software: Adobe Acrobat
Behringer UFO202 USB Audio Interface
The Behringer U-Phono UFO202 is a high-quality USB audio interface with built-in phono preamp and massive software package for digitalizing your tapes and vinyl records.
Features
- High-quality USB audio interface connects your turntable, cassette player, etc. with your computer for recording and playback
- Transfer and restore your valuable vinyl records and tapes to your computer via a simple USB connection
- Massive software bundle includes Audacity vinyl restoration, noise-reduction, editing and recording software, comprehensive podcasting software and over 150 virtual instruments and effect plug-ins
- Revolutionary energyXT2.5 Compact music production software included with feature-rich audio/MIDI sequencer that loads almost instantaneously on all computer platforms
- Phono input switchable to line input source
- Stereo output allows easy connection and playback of computer audio files over your home sound system
- High-resolution 48 kHz converters for high-end audio quality
- Stereo Headphone output with dedicated Level control lets you monitor your input source
- Works with your PC or Mac computer -- no setup or drivers required
- Powered via USB--no external power supply needed
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany
Compact and Versatile
Equipped with RCA inputs and outputs, the U-Phono UFO202 can connect to a myriad of equipment such as tape decks, sound modules and active monitors, plus many more. Additionally, when you connect the UF202's outputs to your mixer's input channels, you have the ability to access EQ, Aux Sends and much more - allowing you to create extremely versatile mixes for your recording sessions.
48kHz Precision
The Behringer UFO202 provides pristine 48kHz resolution to ensure that your favourite vinyl records are recorded with the detail and quality your music deserves.
Audacity Audio Editor Software
The Behringer U-Phono UFO202 USB Audio Interface comes supplied with a free open source audio editor and multi-track recorder software - Audacity. Please visit the Behringer web page for download links here.
Specifications
Input Connector: RCA, Unbalanced
Input Impedance: Approx. 27kΩ
Maximum Input Level: 2dBV
Output Connector: RCA, Unbalanced
Output Impedance: Approx. 400Ω
Maximum Output Level: 2dBV
Digital Output: Toslink, Optical
Digital Output Format: S/PDIF
USB: Type A
Converter: 16-Bit
Sample Rate: 32kHz, 44.1kHz, 48kHz
Frequency Response: 10Hz - 20kHz ±1dB @ 44.1kHz Sample Rate
10Hz - 22kHz ±1dB @ 48kHz Sample Rate
Crosstalk: -77dB @ 0dBV, 1kHz
Power Supply: USB, 5V 100mA Maximum
Dimensions: 0.87" x 3.46" x 2.36" / 22mm x 88mm x 60mm (H x W x D)
Weight: 0.10kg
Hybrid FireWire/USB2 connectivity — connect to your computer via either bus-powered FireWire or hi-speed USB2.
CueMix FX™ — flexible 10 input/14 bus mixer with on-board DSP effects, including reverb with sends/returns, plus EQ and compression on every input and output.
10 inputs / 14 outputs — there's no channel sharing in the UltraLite-mk3 Hybrid; the mic inputs, S/PDIF I/O, headphone out and main outs are all handled as separate channels.
Classic Reverb™ — provides five different room types, three frequency shelves with adjustable crossover points, shelf filtering and reverb lengths up to 60 seconds.
Two forms of compression — a standard compressor with conventional threshold/ratio/attack/release/gain controls and the Leveler™, an accurate model of the legendary LA-2A optical compressor, which provides vintage, musical automatic gain control.
Modeled EQ — provides 7-band parametric EQ modeled after British analog console EQs, featuring 4 filter styles (gain/Q profiles) to effectively cover a wide range of audio material. LP and HP filters are also supplied with slopes that range from 6 to 36 dB.
CueMix FX cross-platform mixing software — attractive graphic mixing, graphic editing of parametric EQ and a convenient tabbed interface for quick access to all features in one window. Also provides full-screen real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis.
Front-panel control — access any setting in your entire UltraLite-mk3 Hybrid mix directly from the front panel.
“Reverb return" stream — allows users to record or mix UltraLite-mk3 Hybrid reverb output separately in their DAW. Effects can also be applied when the UltraLite-mk3 Hybrid is operating stand-alone (without a computer) as a complete stand-alone mixer.
Stand-alone operation — program your mixes at the studio and then bring the UltraLite-mk3 Hybrid to your gig — no computer needed. Just plug in the included power adapter and you are ready to go. Need to tweak the mix? Do it on site using the back-lit LCD and front-panel controls.
Multiple CueMix FX mixes — for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear — with no latency.
Two combo jacks provide hi-Z 1/4” guitar input or low-Z XLR mic input with phantom power, pad and plenty of gain.
Eight 24-bit 192kHz analog inputs and outputs on balanced/unbalanced 1/4" TRS jacks
Precision Digital Trim™ — Digitally controlled analog trim on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs) provides accurate adjustements in 1 dB increments. Fine-tune the balance of your analog inputs and then save/recall trim configurations.
Direct Digital Synthesis™ (DDS) — a DSP-driven phase lock engine and internal clock source that produces imperceptibly low jitter characteristics (below the noise floor), even when the UltraLite-mk3 Hybrid is resolved to an external clock source via SMPTE time code.
Time code support — directly resolves to (or generates) time code via any quarter-inch input or output, without the need for an extra synchronizer.
Sample-accurate MIDI — connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software.
Expandable — add additional interfaces for more I/O as your needs grow.
Separate TRS main outs with front panel volume control.
Stereo 24-bit 96kHz S/PDIF in/out.
Includes drivers for Mac & PC, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software.
100% compatible with all host-based effects processing in today's popular audio programs.
Includes AudioDesk full-featured sample-accurate workstation software for the Mac with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync.
Plug-and-play operation with your Mac or PC via FireWire or USB2.
Front panel volume control for monitoring. Stereo, Quad, 6.1, 7.1 and user-defined surround monitoring setups available.
Front panel headphone jack with volume control.
Bus-powered FireWire operation. No need for external power when operating as a FireWire interface connected to a computer. A power supply is included for stand-alone operation.
Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 9.5 x 7 x 1.75 inches (24.13 x 17.78 x 4.45 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits one half of a standard 19 inch (48.26 cm) rack at 1U high.
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Πολιτική χρήσης
Αυτός ο ιστότοπος χρησιμοποιεί cookies για να βελτιώσει την εμπειρία σας ενώ περιηγείστε στον ιστότοπο. Από αυτά τα cookies, κάποια cookie κατηγοριοποιούνται ως απαραίτητα να αποθηκεύονται στο πρόγραμμα περιήγησης σας, καθώς είναι απαραίτητα για τη λειτουργία βασικών λειτουργιών του ιστότοπου. Χρησιμοποιούμε επίσης cookies τρίτων που μας βοηθούν να αναλύσουμε και να κατανοήσουμε πώς χρησιμοποιείτε αυτόν τον ιστότοπο. Αυτά τα cookies θα αποθηκευτούν στο πρόγραμμα περιήγησης σας μόνο με τη συγκατάθεσή σας. Έχετε επίσης την επιλογή να εξαιρεθείτε από αυτά τα cookies. Ωστόσο, η εξαίρεση από ορισμένα από αυτά τα cookie μπορεί να επηρεάσει την εμπειρία περιήγησης σας.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.
Reviews
There are no reviews yet.