Korg D-3200 Digital Recording Studio

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1,093.68 incl. GR VAT

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Korg D-3200 Digital Recording Studio A first-class recording studio Korg’s renowned D-series of digital recording studios welcomes the new D3200 Digital Recording Studio. The D3200 is the first in its class to provide up to 32 tracks of simultaneous playback and up to 12 tracks of simultaneous recording to support high channel-count projects ? such […]

 

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Korg D-3200 Digital Recording Studio

A first-class recording studio

Korg’s renowned D-series of digital recording studios welcomes the new D3200 Digital Recording Studio. The D3200 is the first in its class to provide up to 32 tracks of simultaneous playback and up to 12 tracks of simultaneous recording to support high channel-count projects ? such as recording a live band. The powerful mixer section includes 40 input channels plus a great set of high-quality effects that employ KORG’s renowned “REMS” modeling technology. Our completely new and interactive “Session Drums?” allow you to easily create a realistic and natural drum track for your entire song, simply by tweaking a few knobs. Packing powerful studio functionality into a portable package, the intuitive D3200 is the ideal choice when you need to create sophisticated, high-quality recordings.

Main Features
? The first 32-track digital recording studio designed to deliver professional quality at an affordable price.
? Exclusive Session Drums? feature works in conjunction with our Knob Matrix, allowing you to intuitively create realistic drum tracks.
? The recorder engine features uncompressed 24- or 16-bit recording / playback at 48 or 44.1 kHz, with up to 69-bit internal processing.
? Record up to 272 tracks (including 8 virtual tracks per track), all with sophisticated digital editing functionality.
? Record up to twelve tracks at once, using 12 balanced 1/4? inputs ? 8 are also equipped with XLR inputs and individual phantom power. A convenient guitar input jack is also provided for guitarists.
? The powerful, flexible 12 bus, 44-channel mixer offers a four-band EQ on channel 1 through 24, and a master four-band EQ as well.
? Automated mixing lets you record and play back fader, pan and other mixer events. In addition, 100 scene memories provide more detailed automation. Mixer parameters may also be controlled via MIDI.
? The Knob Matrix, ClickPoint?, and cursor keys provide quick and intuitive operation. The high-resolution 320 x 240 pixel tilt-up LCD uses four-level grayscale shading and backlit illumination for enhanced visibility, providing a clear and easily understandable display.
? A total of eleven high-quality effects can be used simultaneously as inserts, master, and final effects, and are easily controlled via the Knob Matrix.
? High-capacity 40 GB internal hard drive
? Built-in CD-RW, Master Track and Album CD Project features allow you to produce a production-ready CD with ease.
? USB 2.0 connectivity allows a smooth exchange of data with your computer-based DAW software. Use the PC drive partition on the internal hard disk to share data with your computer.

Professional quality sound at an affordable price
The new D3200 provides 16 and 24-bit uncompressed 44.1 or 48 kHz recording and playback. Up to 32 tracks of simultaneous playback and up to 16 tracks of simultaneous recording*1 are possible. By taking advantage of the eight virtual tracks provided for each track, you can record a total of up to 272*2 tracks. In the 24-bit mode, the digital data passing through the fader and EQ is recorded onto the internal hard drive as 32-bit data, ensuring even higher recording and playback quality. A 40 GB hard disk is standard, allowing approximately 119 hours*3 of recording. The internal processor uses 64-bit precision (maximum 69 bit), delivering professional-level audio quality.

With our new interactive Session Drums?,
your own studio drummer is always available
Create dynamic drum tracks quickly and easily with the D3200’s totally new, built-in Session Drums? feature. Using KORG?s exclusive Knob Matrix, simply twist the Group and Session knobs to choose the overall musical style, and use the Variation knob to select a pattern appropriate for your song. Breathe new life into your drum tracks by tweaking the Shuffle and Humanize knobs to produce subtle variations in the timing, accent, feel and volume of each drum hit. You can even customize the rhythm sounds themselves. With Session Drums?, you can create and record your original drum tracks ? without time-consuming programming and step-recording.

Sophisticated and versatile track editing tools
With a comprehensive suite of editing functions, you can perform advanced and non-destructive track editing without impairing the high-quality sound. In addition to auto and manual punch-in/out, the D3200 provides editing functions such as copy, erase, reverse, normalize and fade. Sophisticated editing functions such as time expansion/compression are also supported. In addition, a ?learning? noise reduction feature removes unwanted ambient noise without impairing the original sound, further improving the quality of your sound. Undo/Redo allows up to sixteen prior recording and editing operations to be undone, letting you continue editing until you are satisfied. Four locate points allow pinpoint editing of your song.

Versatile input section to accommodate nearly
any recording situation ? including live situations
The D3200 can record up to twelve tracks at once, and there are plenty of inputs to go around. An even dozen of 1/4? balanced inputs are teamed with eight XLR inputs jacks featuring high-quality mic preamps and +48V phantom power. Each of the eight phantom power supplies can be switched on/off independently, so you can mix and match your favorite condenser and dynamic mics to get the job done. At home in the digital world, the D3200 also features optical S/P DIF ins and outs. For those private moments of inspiration, there’s also a dedicated guitar jack so you can start recording immediately with a minimum of preparation. The large number of simultaneous recording tracks and the D3200?s wealth of inputs make it easy to record entire bands or even individually-mic?d drum sets.

Powerful automated mixer section provides
professional features and flexibility
The D3200’s mixer provides a total of 44 input channels (32 recorder channels and 12 sub-mixer channels). Recorder channels 1-24 are equipped with a versatile four-band EQ. Channels 25-32 provide a two-band shelving EQ, as does each of the 12 sub-mixer channels. For complete control of your sound, the master track features a separate four-band fully parametric EQ. Recording input channels and track playback channels feature separate EQs, so there?s no danger of applying duplicate EQ settings, as on some lesser recorders. This professional recording mixer offers a total of twelve buses (including two effect sends), giving you the flexibility to meet the needs of a wide range of situations. Fader, EQ, pan, and effect settings can be stored as a ?scene,? and up to 100 scenes can be saved and automatically recalled for each song, providing sophisticated automation. In addition, Dynamic Automation records and plays back individual fader and pan movements in real time, providing the freedom you need for creative mixing. Mixer parameters can also be controlled via MIDI.

An enhanced graphic display teamed with an
all-new interface provides fast, intuitive navigation
As the new standard for affordable digital recording studios, the D3200 brings ease of operation to a new level, with a full complement of fresh innovations such as the unique Knob Matrix and Korg?s exclusive ClickPoint. The Knob Matrix provides 16 real-time control knobs laid out in a 4 x 4 arrangement that can be used simultaneously to edit a variety of parameters such as the Session Drums? or the effect processors. It?s an extremely ?analog-feeling? interface that?s far more natural than accessing a parameter and editing its numerical value. The 3-axis ClickPoint provides fingertip control that is much more immediate and satisfying than using a mouse or a track ball. ClickPoint can also be used as a jog/shuttle function when you’re scrubbing through audio. The cursor keys and other panel keys efficiently access numerous shortcuts for the various modes. The 320 x 240 pixel four-level grayscale display uses immediately understandable icons and provides visual feedback of the many Knob Matrix functions.

High-quality effects deliver professional
sounding results
The D3200?s multiple effect processors use 56-bit internal processing to provide the highest audio quality, and include many of the acclaimed ?REMS? technology modeling effects. A total of eleven effects can be used at once; eight insert effects, two master effects applied to the master sends of each channel, and two final effects applied to the master L/R. You can instantly select from 128 effect programs created from 52 different effect algorithms. You can edit, create and store your own effect programs in the 128 user locations shared by the entire D3200, or in the 32 user effect program locations for each song.

Album CD Project and internal CD-RW
takes your musical ideas to completion
The D3200’s built-in CD-RW drive can be used to backup/restore songs and user data, to import WAV files, or to create finished audio CDs. When creating an audio CD, you can use the Album CD Project function to easily create a production-ready CD that specifies the song order and even the length of the gaps between songs. The internal hard drive can be partitioned so you can work on multiple album CD projects at once. The CD-RW can also be internally routed to the mixer inputs and used as a CD player.

Computer friendly
The D3200 automatically allocates part of its internal hard disk as a PC (USB) drive.*4 This area can be used to import/export WAV data between the D3200 and a computer DAW program via USB, and can also be used to load system data. D3200 user data transferred to your PC can be easily e-mailed or exchanged over the Internet. High-speed USB 2.0 is supported, so even large amounts of data can be transferred smoothly. In addition, back-up data created*5 by other Korg D-series models can also be loaded.*6 (D12, D16, D1200, D1600, D1200mkII, D1600mkII, D16XD, D32XD)

*1 When recording at 16-bit 44.1/48 kHz. A maximum of 16 tracks can be recorded simultaneously using 12 analog inputs, S/P DIF inputs and the outputs from Session Drums?. When using 24-bit 44.1/48 kHz recording, a maximum of 16 tracks can be played back and a maximum of 12 tracks can be recorded simultaneously.
*2 Thirty-two tracks plus a stereo master track for mixdown (all with 8 virtual tracks per) are provided.
*3 16-bit, one track.
*4 FAT32 is supported ? 2, 4 or 8 GB partitions are possible.
*5 Song data backed up to a CD (D12, D16, D1200, D1600, D1200mkII, D1600mkII, D32XD, D16XD) or to a PC (D1200, D1600, D1200mkII, D1600mkII, D32XD, D16XD).
*6 The following data can be loaded: audio data, song name, song protect setting, locate points (1–4), and marks (1–99). When backed-up song data is loaded into the PC drive, the song protect setting is ignored.

Recorder Section:
Number of Tracks:
272 tracks (including virtual tracks)
32 tracks simultaneous playback
12 tracks simultaneous recording @ 48 kHz / 44.1 kHz 16-bit, (16 tracks, using 12 analog inputs, S/P DIF and Session Drums?)
16 tracks simultaneous playback
12 tracks simultaneous recording @ 48 kHz / 44.1 kHz 24-bit
Recording Format:
24-bit / 16-bit uncompressed, 44.1 kHz / 48 kHz
Recording Time:
44.1 kHz, 16-bit: maximum 119 hours
*when using a 40 GB hard disk
Number of Songs:
100 songs per drive
Locate Points:
four per song
Mark Points:
100 per song (marks can be named)
Metronome / Drum Patterns:
660
MMC Functions:
Transmitted and received
CD-R/RW Functions:
Internal CD-R/RW, audio CD writing (Track At
Once, Disc At Once), backup / restore, audio file (WAV format) import (ISO 9660), system load
USB Functions:
Backup / restore, audio file (WAV format)
import / export (FAT16 / 32)
system load; USB2.0 supported
PC (USB) Drive Capacity:
2 / 4 / 8 GB
Track Editing:
Copy (overwrite / insert), erase, delete, swap, reverse, optimize, expand / compress, fade, normalize, erase punch noise, erase silence, noise reduction
Song Editing:
Copy, move, delete, rename, protect, save now
Display Format:
Calendar time, HDD remaining capacity, scene, mark, tempo map
Locate Format:
Hour / Min / Sec.ms
Hour / Min / Sec.Frame
Meas / Beat / Tick
MIDI Functionality:
MIDI Functionality:
Mixer control, effect control, MMC transmission / reception, MTC transmission / reception, MIDI Clock transmission
Mixer Section:
Internal Processing:
64-bit (maximum 69-bit)
Inputs:
44 channels (32 recorder channels, 12 sub-in)
Buses:
12 buses; 2 Eff Send buses, 2 AUX buses, 2 SOLO
buses (stereo), 2 CUE buses (stereo), 2 MASTER buses (stereo), 2 MONITOR buses (stereo)
Equalizer:
Recorder channels
1-24: 4-band full parametric EQ, Recorder channels
25-32: 2-band shelving EQ, Sub Mixer channels
1-12: 2-band shelving EQ,
Master track: 4-band full parametric EQ
Scene Memories:
100 scene per song
Effect Section:
Internal Processing:
56-bit
Structure:
8 Inserts (maximum), 2 Masters (maximum),
1 Final; All usable simultaneously at
44.1 kHz / 48 kHz
Programs:
128 presets, 128 users, 32 songs
Algorithms:
52
General:
Display:
320 x 240 pixel, four-level grayscale
movable LCD with backlight
Power Supply:
AC Local Voltage
Power Consumption:
47W
Dimensions:
21.54? (W) x 14.61? (D) x 4.53? (H) /
547 (W) x 371 (D) x 115 (H) mm
Weight:
17.20 lbs. / 7.8 kg
Principal Specifications:
Frequency Response:
10 Hz ? 20 kHz ± 1 dB @ fs 44.1 kHz,
+4dBu, 10 kOhm load
10 Hz ? 22 kHz + 1 dB/-2 dB @ fs 48 kHz,
+4 dBu, 10 kOhm load
S/N:
103 dB (typical)
Dynamic Range:
103 dB (typical)
THD+N:
0.02 % (typical) 20 Hz ? 20 kHz,
+16 dBu, 10 kOhm load
A/D Conversion:
24-bit 64 times oversampling
D/A Conversion:
24-bit 128 times oversampling
Sampling Frequency:
Internal 44.1 kHz / 48 kHz, external 44.1 kHz
± 6 %, 48 kHz ± 6 %
Record / Playback Bit:
16-bit, 24-bit
Analog / digital input and output specifications:
INPUT 1 ? 8:
Connectors:
XLR-3-31 type (+48 V phantom power, switchable), 1/4? TRS phone jacks (balanced)
Input Impedance:
4 kOhm (XLR-3-31), 10 kOhm (TRS phone jacks)
Nominal Level:
-60 dBu to ?22 dBu @ TRIM = max. ? min. PAD OFF
-34 dBu to +14 dBu @ TRIM = max. ? min. PAD ON
Maximum Level:
-48 dBu to ?10 dBu @ TRIM = max. ? min. PAD OFF
-22 dBu to +16 dBu @ TRIM = max. ? min. PAD ON
Source Impedance:
600 Ohm
INPUT 9 ? 12:
Connectors:
1/4? TRS phone jacks (balanced)
Input Impedance:
10 kOhm
Nominal Level:
-60 dBu to ?22 dBu @ TRIM = max. ? min. PAD OFF
-34 dBu to +4 dBu @ TRIM = max. ? min. PAD ON
Maximum Level:
-48 dBu to ?10 dBu @ TRIM = max. ? min. PAD OFF
-22 dBu to +16 dBu @ TRIM = max. ? min. PAD ON
Source Impedance:
600 Ohm
GUITAR INPUT:
Connector:
1/4? phone jack (unbalanced)
Input Impedance:
10 MOhm
Nominal Level:
-60 dBu to ?22 dBu @ TRIM = max. ? min. PAD OFF
-34 dBu to +4 dBu @ TRIM = max. ? min. PAD ON
Maximum Level:
-48 dBu to ?10 dBu @ TRIM = max. ? min. PAD OFF
-22 dBu to +16 dBu @ TRIM = max. ? min. PAD ON
Source Impedance:
600 Ohm
MASTER OUTPUT L/R:
Connectors:
1/4″ phone jacks (unbalanced)
Output Impedance:
150 Ohm
Nominal Level:
-10 dBu
Maximum Level:
+2 dBu
Load Impedance:
10 kOhm or higher
MONITOR OUTPUT L/R:
Connectors:
1/4″ phone jacks (unbalanced)
Output Impedance:
150 Ohm or higher
Nominal Level:
-10 dBu
Maximum Level:
+2 dBu
Load Impedance:
10 kOhm or higher
AUX OUTPUT 1, 2:
Connectors:
1/4? phone jacks (unbalanced)
Output Impedance:
150 Ohm
Nominal Level:
-10 dBu
Maximum Level:
+2 dBu
Load Impedance:
10 kOhm or higher
PHONES:
Connector:
1/4? stereo phone jack
Output Impedance:
100 Ohm
Maximum Level:
50 mW @ 32 Ohm
S/P DIF INPUT / OUTPUT:
Connectors:
optical
Format:
24-bit S/P DIF (IEC60958)
USB:
Connector:
Type B
Format:
Slave, USB 2.0 compliant
Supported OS:
Windows Me, Windows 2000 or later, Mac OS 9.0.4 or later*
MIDI IN / OUT:
Connectors:
DIN 5-pin x 2
FOOT SW:
Connector:
1/4? phone jack (use separately sold PS-1)
EXPRESSION PEDAL:
Connector:
1/4? stereo phone jack (use separately sold
XVP-10 or EXP-2)
Included Item:
AC cable
* If using the Windows 98, please refer to the KORG website or contact your KORG distributor.
Weight 8.00 kg

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Description
Content

Korg D-3200 Digital Recording Studio

A first-class recording studio

Korg's renowned D-series of digital recording studios welcomes the new D3200 Digital Recording Studio. The D3200 is the first in its class to provide up to 32 tracks of simultaneous playback and up to 12 tracks of simultaneous recording to support high channel-count projects ? such as recording a live band. The powerful mixer section includes 40 input channels plus a great set of high-quality effects that employ KORG's renowned "REMS" modeling technology. Our completely new and interactive "Session Drums?" allow you to easily create a realistic and natural drum track for your entire song, simply by tweaking a few knobs. Packing powerful studio functionality into a portable package, the intuitive D3200 is the ideal choice when you need to create sophisticated, high-quality recordings.

Main Features
? The first 32-track digital recording studio designed to deliver professional quality at an affordable price.
? Exclusive Session Drums? feature works in conjunction with our Knob Matrix, allowing you to intuitively create realistic drum tracks.
? The recorder engine features uncompressed 24- or 16-bit recording / playback at 48 or 44.1 kHz, with up to 69-bit internal processing.
? Record up to 272 tracks (including 8 virtual tracks per track), all with sophisticated digital editing functionality.
? Record up to twelve tracks at once, using 12 balanced 1/4? inputs ? 8 are also equipped with XLR inputs and individual phantom power. A convenient guitar input jack is also provided for guitarists.
? The powerful, flexible 12 bus, 44-channel mixer offers a four-band EQ on channel 1 through 24, and a master four-band EQ as well.
? Automated mixing lets you record and play back fader, pan and other mixer events. In addition, 100 scene memories provide more detailed automation. Mixer parameters may also be controlled via MIDI.
? The Knob Matrix, ClickPoint?, and cursor keys provide quick and intuitive operation. The high-resolution 320 x 240 pixel tilt-up LCD uses four-level grayscale shading and backlit illumination for enhanced visibility, providing a clear and easily understandable display.
? A total of eleven high-quality effects can be used simultaneously as inserts, master, and final effects, and are easily controlled via the Knob Matrix.
? High-capacity 40 GB internal hard drive
? Built-in CD-RW, Master Track and Album CD Project features allow you to produce a production-ready CD with ease.
? USB 2.0 connectivity allows a smooth exchange of data with your computer-based DAW software. Use the PC drive partition on the internal hard disk to share data with your computer.

Professional quality sound at an affordable price
The new D3200 provides 16 and 24-bit uncompressed 44.1 or 48 kHz recording and playback. Up to 32 tracks of simultaneous playback and up to 16 tracks of simultaneous recording*1 are possible. By taking advantage of the eight virtual tracks provided for each track, you can record a total of up to 272*2 tracks. In the 24-bit mode, the digital data passing through the fader and EQ is recorded onto the internal hard drive as 32-bit data, ensuring even higher recording and playback quality. A 40 GB hard disk is standard, allowing approximately 119 hours*3 of recording. The internal processor uses 64-bit precision (maximum 69 bit), delivering professional-level audio quality.

With our new interactive Session Drums?,
your own studio drummer is always available
Create dynamic drum tracks quickly and easily with the D3200's totally new, built-in Session Drums? feature. Using KORG?s exclusive Knob Matrix, simply twist the Group and Session knobs to choose the overall musical style, and use the Variation knob to select a pattern appropriate for your song. Breathe new life into your drum tracks by tweaking the Shuffle and Humanize knobs to produce subtle variations in the timing, accent, feel and volume of each drum hit. You can even customize the rhythm sounds themselves. With Session Drums?, you can create and record your original drum tracks ? without time-consuming programming and step-recording.

Sophisticated and versatile track editing tools
With a comprehensive suite of editing functions, you can perform advanced and non-destructive track editing without impairing the high-quality sound. In addition to auto and manual punch-in/out, the D3200 provides editing functions such as copy, erase, reverse, normalize and fade. Sophisticated editing functions such as time expansion/compression are also supported. In addition, a ?learning? noise reduction feature removes unwanted ambient noise without impairing the original sound, further improving the quality of your sound. Undo/Redo allows up to sixteen prior recording and editing operations to be undone, letting you continue editing until you are satisfied. Four locate points allow pinpoint editing of your song.

Versatile input section to accommodate nearly
any recording situation ? including live situations
The D3200 can record up to twelve tracks at once, and there are plenty of inputs to go around. An even dozen of 1/4? balanced inputs are teamed with eight XLR inputs jacks featuring high-quality mic preamps and +48V phantom power. Each of the eight phantom power supplies can be switched on/off independently, so you can mix and match your favorite condenser and dynamic mics to get the job done. At home in the digital world, the D3200 also features optical S/P DIF ins and outs. For those private moments of inspiration, there's also a dedicated guitar jack so you can start recording immediately with a minimum of preparation. The large number of simultaneous recording tracks and the D3200?s wealth of inputs make it easy to record entire bands or even individually-mic?d drum sets.

Powerful automated mixer section provides
professional features and flexibility
The D3200's mixer provides a total of 44 input channels (32 recorder channels and 12 sub-mixer channels). Recorder channels 1-24 are equipped with a versatile four-band EQ. Channels 25-32 provide a two-band shelving EQ, as does each of the 12 sub-mixer channels. For complete control of your sound, the master track features a separate four-band fully parametric EQ. Recording input channels and track playback channels feature separate EQs, so there?s no danger of applying duplicate EQ settings, as on some lesser recorders. This professional recording mixer offers a total of twelve buses (including two effect sends), giving you the flexibility to meet the needs of a wide range of situations. Fader, EQ, pan, and effect settings can be stored as a ?scene,? and up to 100 scenes can be saved and automatically recalled for each song, providing sophisticated automation. In addition, Dynamic Automation records and plays back individual fader and pan movements in real time, providing the freedom you need for creative mixing. Mixer parameters can also be controlled via MIDI.

An enhanced graphic display teamed with an
all-new interface provides fast, intuitive navigation
As the new standard for affordable digital recording studios, the D3200 brings ease of operation to a new level, with a full complement of fresh innovations such as the unique Knob Matrix and Korg?s exclusive ClickPoint. The Knob Matrix provides 16 real-time control knobs laid out in a 4 x 4 arrangement that can be used simultaneously to edit a variety of parameters such as the Session Drums? or the effect processors. It?s an extremely ?analog-feeling? interface that?s far more natural than accessing a parameter and editing its numerical value. The 3-axis ClickPoint provides fingertip control that is much more immediate and satisfying than using a mouse or a track ball. ClickPoint can also be used as a jog/shuttle function when you're scrubbing through audio. The cursor keys and other panel keys efficiently access numerous shortcuts for the various modes. The 320 x 240 pixel four-level grayscale display uses immediately understandable icons and provides visual feedback of the many Knob Matrix functions.

High-quality effects deliver professional
sounding results
The D3200?s multiple effect processors use 56-bit internal processing to provide the highest audio quality, and include many of the acclaimed ?REMS? technology modeling effects. A total of eleven effects can be used at once; eight insert effects, two master effects applied to the master sends of each channel, and two final effects applied to the master L/R. You can instantly select from 128 effect programs created from 52 different effect algorithms. You can edit, create and store your own effect programs in the 128 user locations shared by the entire D3200, or in the 32 user effect program locations for each song.

Album CD Project and internal CD-RW
takes your musical ideas to completion
The D3200's built-in CD-RW drive can be used to backup/restore songs and user data, to import WAV files, or to create finished audio CDs. When creating an audio CD, you can use the Album CD Project function to easily create a production-ready CD that specifies the song order and even the length of the gaps between songs. The internal hard drive can be partitioned so you can work on multiple album CD projects at once. The CD-RW can also be internally routed to the mixer inputs and used as a CD player.

Computer friendly
The D3200 automatically allocates part of its internal hard disk as a PC (USB) drive.*4 This area can be used to import/export WAV data between the D3200 and a computer DAW program via USB, and can also be used to load system data. D3200 user data transferred to your PC can be easily e-mailed or exchanged over the Internet. High-speed USB 2.0 is supported, so even large amounts of data can be transferred smoothly. In addition, back-up data created*5 by other Korg D-series models can also be loaded.*6 (D12, D16, D1200, D1600, D1200mkII, D1600mkII, D16XD, D32XD)


*1 When recording at 16-bit 44.1/48 kHz. A maximum of 16 tracks can be recorded simultaneously using 12 analog inputs, S/P DIF inputs and the outputs from Session Drums?. When using 24-bit 44.1/48 kHz recording, a maximum of 16 tracks can be played back and a maximum of 12 tracks can be recorded simultaneously.
*2 Thirty-two tracks plus a stereo master track for mixdown (all with 8 virtual tracks per) are provided.
*3 16-bit, one track.
*4 FAT32 is supported ? 2, 4 or 8 GB partitions are possible.
*5 Song data backed up to a CD (D12, D16, D1200, D1600, D1200mkII, D1600mkII, D32XD, D16XD) or to a PC (D1200, D1600, D1200mkII, D1600mkII, D32XD, D16XD).
*6 The following data can be loaded: audio data, song name, song protect setting, locate points (1--4), and marks (1--99). When backed-up song data is loaded into the PC drive, the song protect setting is ignored.

Recorder Section:

Number of Tracks:

272 tracks (including virtual tracks)
32 tracks simultaneous playback
12 tracks simultaneous recording @ 48 kHz / 44.1 kHz 16-bit, (16 tracks, using 12 analog inputs, S/P DIF and Session Drums?)
16 tracks simultaneous playback
12 tracks simultaneous recording @ 48 kHz / 44.1 kHz 24-bit

Recording Format:

24-bit / 16-bit uncompressed, 44.1 kHz / 48 kHz

Recording Time:

44.1 kHz, 16-bit: maximum 119 hours
*when using a 40 GB hard disk

Number of Songs:

100 songs per drive

Locate Points:

four per song

Mark Points:

100 per song (marks can be named)

Metronome / Drum Patterns:

660

MMC Functions:

Transmitted and received

CD-R/RW Functions:

Internal CD-R/RW, audio CD writing (Track At
Once, Disc At Once), backup / restore, audio file (WAV format) import (ISO 9660), system load

USB Functions:

Backup / restore, audio file (WAV format)
import / export (FAT16 / 32)
system load; USB2.0 supported

PC (USB) Drive Capacity:

2 / 4 / 8 GB

Track Editing:

Copy (overwrite / insert), erase, delete, swap, reverse, optimize, expand / compress, fade, normalize, erase punch noise, erase silence, noise reduction

Song Editing:

Copy, move, delete, rename, protect, save now

Display Format:

Calendar time, HDD remaining capacity, scene, mark, tempo map

Locate Format:

Hour / Min / Sec.ms
Hour / Min / Sec.Frame
Meas / Beat / Tick



MIDI Functionality:

MIDI Functionality:

Mixer control, effect control, MMC transmission / reception, MTC transmission / reception, MIDI Clock transmission



Mixer Section:

Internal Processing:

64-bit (maximum 69-bit)

Inputs:

44 channels (32 recorder channels, 12 sub-in)

Buses:

12 buses; 2 Eff Send buses, 2 AUX buses, 2 SOLO
buses (stereo), 2 CUE buses (stereo), 2 MASTER buses (stereo), 2 MONITOR buses (stereo)

Equalizer:

Recorder channels
1-24: 4-band full parametric EQ, Recorder channels
25-32: 2-band shelving EQ, Sub Mixer channels
1-12: 2-band shelving EQ,
Master track: 4-band full parametric EQ

Scene Memories:

100 scene per song

Effect Section:

Internal Processing:

56-bit

Structure:

8 Inserts (maximum), 2 Masters (maximum),
1 Final; All usable simultaneously at
44.1 kHz / 48 kHz

Programs:

128 presets, 128 users, 32 songs

Algorithms:

52

General:

Display:

320 x 240 pixel, four-level grayscale
movable LCD with backlight

Power Supply:

AC Local Voltage

Power Consumption:

47W

Dimensions:

21.54? (W) x 14.61? (D) x 4.53? (H) /
547 (W) x 371 (D) x 115 (H) mm

Weight:

17.20 lbs. / 7.8 kg

Principal Specifications:

Frequency Response:

10 Hz ? 20 kHz ± 1 dB @ fs 44.1 kHz,
+4dBu, 10 kOhm load
10 Hz ? 22 kHz + 1 dB/-2 dB @ fs 48 kHz,
+4 dBu, 10 kOhm load

S/N:

103 dB (typical)

Dynamic Range:

103 dB (typical)

THD+N:

0.02 % (typical) 20 Hz ? 20 kHz,
+16 dBu, 10 kOhm load

A/D Conversion:

24-bit 64 times oversampling

D/A Conversion:

24-bit 128 times oversampling

Sampling Frequency:

Internal 44.1 kHz / 48 kHz, external 44.1 kHz
± 6 %, 48 kHz ± 6 %

Record / Playback Bit:

16-bit, 24-bit



Analog / digital input and output specifications:



INPUT 1 ? 8:

Connectors:

XLR-3-31 type (+48 V phantom power, switchable), 1/4? TRS phone jacks (balanced)

Input Impedance:

4 kOhm (XLR-3-31), 10 kOhm (TRS phone jacks)

Nominal Level:

-60 dBu to ?22 dBu @ TRIM = max. ? min. PAD OFF
-34 dBu to +14 dBu @ TRIM = max. ? min. PAD ON

Maximum Level:

-48 dBu to ?10 dBu @ TRIM = max. ? min. PAD OFF
-22 dBu to +16 dBu @ TRIM = max. ? min. PAD ON

Source Impedance:

600 Ohm

INPUT 9 ? 12:

Connectors:

1/4? TRS phone jacks (balanced)

Input Impedance:

10 kOhm

Nominal Level:

-60 dBu to ?22 dBu @ TRIM = max. ? min. PAD OFF
-34 dBu to +4 dBu @ TRIM = max. ? min. PAD ON

Maximum Level:

-48 dBu to ?10 dBu @ TRIM = max. ? min. PAD OFF
-22 dBu to +16 dBu @ TRIM = max. ? min. PAD ON

Source Impedance:

600 Ohm

GUITAR INPUT:

Connector:

1/4? phone jack (unbalanced)

Input Impedance:

10 MOhm

Nominal Level:

-60 dBu to ?22 dBu @ TRIM = max. ? min. PAD OFF
-34 dBu to +4 dBu @ TRIM = max. ? min. PAD ON

Maximum Level:

-48 dBu to ?10 dBu @ TRIM = max. ? min. PAD OFF
-22 dBu to +16 dBu @ TRIM = max. ? min. PAD ON

Source Impedance:

600 Ohm

MASTER OUTPUT L/R:

Connectors:

1/4" phone jacks (unbalanced)

Output Impedance:

150 Ohm

Nominal Level:

-10 dBu

Maximum Level:

+2 dBu

Load Impedance:

10 kOhm or higher

MONITOR OUTPUT L/R:

Connectors:

1/4" phone jacks (unbalanced)

Output Impedance:

150 Ohm or higher

Nominal Level:

-10 dBu

Maximum Level:

+2 dBu

Load Impedance:

10 kOhm or higher

AUX OUTPUT 1, 2:

Connectors:

1/4? phone jacks (unbalanced)

Output Impedance:

150 Ohm

Nominal Level:

-10 dBu

Maximum Level:

+2 dBu

Load Impedance:

10 kOhm or higher

PHONES:

Connector:

1/4? stereo phone jack

Output Impedance:

100 Ohm

Maximum Level:

50 mW @ 32 Ohm

S/P DIF INPUT / OUTPUT:

Connectors:

optical

Format:

24-bit S/P DIF (IEC60958)

USB:

Connector:

Type B

Format:

Slave, USB 2.0 compliant

Supported OS:

Windows Me, Windows 2000 or later, Mac OS 9.0.4 or later*


MIDI IN / OUT:

Connectors:

DIN 5-pin x 2

FOOT SW:

Connector:

1/4? phone jack (use separately sold PS-1)

EXPRESSION PEDAL:

Connector:

1/4? stereo phone jack (use separately sold
XVP-10 or EXP-2)

Included Item:

AC cable

* If using the Windows 98, please refer to the KORG website or contact your KORG distributor.

Tuner + Metronome + Recorder - All in One Unit!
The TMR-50 - Your Ideal Practice Partner

Highlights:

  • Tuner, metronome, and recorder can be used simultaneously or independently.
  • Internal mic and speaker make it easy to record and play back your performance
  • Loop Play function lets you repeat a desired region of a recorded track
  • High-quality linear PCM recording/playback
  • Record up to 100 tracks (approximately total 20 minutes)
  • USB port lets you transfer recorded data and song files between the TMR-50 and your computer
  • Newly designed highly responsive LCD needle-type meter
  • Wide detection range from C1 to C8
  • The Sound Out function produces a reference tone in a three-octave range from the built-in speaker
  • The Sound Back function generates the reference tone that's closest to the input sound, while the meter indicates the pitch discrepancy between the reference and the input sound - a great function for ear training!
  • Calibration supports a range of concert pitches
  • Marks indicate pure major and minor third intervals
  • Wide tempo range of 30--252 beats per minute
  • 15 rhythm variations let you practice with a broad range of musical styles
  • Easy tempo settings with two types of tempo step patterns plus a tap tempo function
  • Large LCD with backlight brightness that's adjustable over two levels for enhanced visibility
  • Your choice of body color: black or pearl white
  • Convenient key layout, and newly designed stand and battery cover
  • Memory Backup and Auto Power Off

Korg's popular TM series of tuner/metronome units is loved by players who practice to perfect their musical skills. Now joining the lineup is the TMR-50, which adds recorder functionality to the already impressive list of features. An extremely valuable way to improve your playing ability is to identify the problem areas that need work, and then practice to improve those areas. With its built-in mic and speaker, the TMR-50 makes it easy to practice this way. It provides high-quality linear PCM recording and a USB port for convenient usage with your computer. The TMR-50 features equally robust capabilities for its tuner and metronome functionality that will help you improve your sense of pitch and rhythm. Two choices of color are available: black and pearl white. Whether you're in a brass band or an orchestra, the TMR-50 is the ideal partner for anyone who wants to improve their playing.

Specifications

Recording format:

PCM audio format, WAV format (extension: .wav) 44.1 kHz@16-bit

Available recording time:

Maximum approx. 20 minutes (Internal Memory size is 120 MB)

Total number of tracks:

Up to 100 tracks

Tuning:

12 note equal temperament

Detection range:

C1 (32.70 Hz) ~ C8 (4186 Hz), Using Sine Wave.

Reference tone:

            C3 (130.81 Hz) ~ C6 (1046.50Hz), 3 Octave.

Tuning Mode:

            Meter Mode (AUTO), Sound Out Mode (MANUAL), Sound Back Mode (AUTO)

Calibration range:

A4 = 410 ~ 480 Hz (1 Hz steps)

Detection accuracy:

+/- 1 cent

Sound precision:

+/-1 cent

Tempo range:

Quarter Note = 30 to 252 BPM

Tempo setting:

3 Types:       Pendulum Step

Full Step

Tap Tempo

Beat range:

            Total 10 beats: "0 to 9" as "Quarter-note" Rhythm

Rhythm pattern:

Duplets, triplets, triplets without the center beat, quadruplets, and quadruplets without the center beats

Tempo accuracy:

±0.3%

Terminals:

            Input (f6.3mm, Mono-Standard Jack type)

            Headphones (f3.5mm, Stereo-mini Jack type)           

            USB (mini-Type B)      

Internal Speaker:

            Dynamic Speaker (f28 mm)                                                             

Power (Battery):

AAA battery (3.0 V) x 2

Manganese batteries or alkaline batteries, Ni-MH: Nickel metal hydride

Battery Life:

Recorder ... Approximately 16/13/11 hours

(Backlight: off/soft/auto, using alkaline batteries. Maximum of 20 minutes per

recording.)

Tuner ... Approximately 24/22/20 hours

(Backlight: off/soft/auto, A4 continuous input, using alkaline batteries)

Metronome ... Approximately 18/16/14 hours

(Backlight: off/soft/auto, tempo 120, 4 beats, maximum volume, using alkaline batteries)

Dimensions (W x D x H):

111 x 82 x 18 mm / 4/37 x 3.23 x 0.71 inches

Weight:

119 g / 4.19 oz (Including battery)

Included items:

AAA battery (3.0 V) x 2 for verifying proper operation

USB Cable

Options:

            Contact Mic = CM-100L

Computer Requirements

Windows:

A computer that satisfies the operating requirements of Microsoft Windows XP/Windows Vista/Windows 7 and is equipped with a USB port

Macintosh:

            Mac OS X 10.5 or later

 


The HD-R1 Solid State Recorder is a two-channel, single rack-mount recording and playback device created with the sound contractor in mind.

Utilizing the highly reliable Compact Flash Card the HD-R1 records 44.1 to 96kHz, 16/24 bit PCM or MP3 files. The ability to control the HD-R1 remotely is provided via RS-232, Parallel, and RJ45 100Mbit Ethernet. File transfer can be accomplished via Ethernet and/or USB (type "A" connector).

To further enhance the HD-R1's feature set, Mic preamps (w/20dB pad) and Phantom Power (rear-panel selectable) have been included. The HD-R1 offers a variety of contractor-friendly I/O options; such as, Unbalanced (RCA), Balanced (XLR and Euroblock), and S/PDIF Digital (Coaxial and Optical).

And of course... the traditional source device features are Power-on-Play, Front Panel Rotary Input Level Controls, Headphone Jack with level control, and a variety of Playback Modes.

    * 1U Rack-mount Solid-State Recorder
    * Compact Flash Card
    * USB host interface for USB Flash Cards
    * Audio data formats: PCM (16/24 bit), MP3
    * Sampling rates supported: 44.1, 48, 88.2, 96kHz
    * Mic/Line XLR (with 20dB pad) balanced I/O
    * Phantom Power (rear panel switch and front LED indicator)
    * Euroblock terminal (Input and Output)
    * Unbalanced RCA (Input and Output)
    * Front panel rotary input level controls
    * RS-232 interface for control

    * RJ45 100Mbit/s Ethernet interface for file transfer and control
    * 25-pin parallel remote control interface
    * 16 Direct Play via D=SUb25 pin parallel interface
    * Power on play (front panel selectable)
    * S/PDIF Digital In/Out (Coaxial and Optical)
    * Headphone Jack w/level control
    * Input through and Auto Fade function
    * Input monitoring / mixing of live stereo input along with playback
    * Program Play, Folder Play, Shuffle Play, Interval Play modes, etc...

Work faster in your Pro Tools® environment with direct access to primary transport and editing functions. This affordable Digidesign® Pro Tools Custom Keyboard uses the same symbols and color coding system built into the ICON D-Control™ worksurface and other Digidesign control surfaces while retaining all the conventional alphanumeric labels that appear on standard computer keyboards.

With functionality specific to Mac systems, the keyboard features plug-and-play USB connectivity.

Features

  • Text and icons for main Pro Tools custom key commands, in addition to standard keyboard alphanumeric lettering
  • Based on Apple Mac G5 Pro Keyboard
  • Two USB ports and USB connection cord

System Requirements
  • Digidesign-qualified Mac-based Pro Tools|HD®, Pro Tools LE™, or Pro Tools M-Powered™ system. (Note that some key commands are available only with Pro Tools HD software or with the DV Toolkit™ 2 option for Pro Tools LE.)

Designed for Windows based Pro Tools systems, the affordable Digidesign Pro Tools Custom Keyboard WIN let users work faster in their Pro Tools environment by providing direct access to primary transport and editing functions.

The Digidesign Pro Tools Custom Keyboard use the same symbols and color coding system built into the keyboards on the ICON D-Control worksurface and the other Digidesign control surfaces while retaining all the conventional alphanumeric labels that appear on standard computer keyboards. The Digidesign Pro Tools Custom Keyboard provides plug-and-play USB connectivity and offers a fresh new look at a lower price than ever before. The keyboard also supports a PS-2 connection for maximum compatibility.

Digidesign Pro Tools Custom Keyboard WIN Features

  • Text and icons for main Pro Tools custom key commands, in addition to standard keyboard alphanumeric lettering
  • Windows - PS-2 connection cord and USB adapter for easy connection with either method
Tuner + Metronome + Recorder - All in One Unit! The TMR-50 - Your Ideal Practice Partner Highlights:
  • Tuner, metronome, and recorder can be used simultaneously or independently.
  • Internal mic and speaker make it easy to record and play back your performance
  • Loop Play function lets you repeat a desired region of a recorded track
  • High-quality linear PCM recording/playback
  • Record up to 100 tracks (approximately total 20 minutes)
  • USB port lets you transfer recorded data and song files between the TMR-50 and your computer
  • Newly designed highly responsive LCD needle-type meter
  • Wide detection range from C1 to C8
  • The Sound Out function produces a reference tone in a three-octave range from the built-in speaker
  • The Sound Back function generates the reference tone that's closest to the input sound, while the meter indicates the pitch discrepancy between the reference and the input sound - a great function for ear training!
  • Calibration supports a range of concert pitches
  • Marks indicate pure major and minor third intervals
  • Wide tempo range of 30--252 beats per minute
  • 15 rhythm variations let you practice with a broad range of musical styles
  • Easy tempo settings with two types of tempo step patterns plus a tap tempo function
  • Large LCD with backlight brightness that's adjustable over two levels for enhanced visibility
  • Your choice of body color: black or pearl white
  • Convenient key layout, and newly designed stand and battery cover
  • Memory Backup and Auto Power Off
Korg's popular TM series of tuner/metronome units is loved by players who practice to perfect their musical skills. Now joining the lineup is the TMR-50, which adds recorder functionality to the already impressive list of features. An extremely valuable way to improve your playing ability is to identify the problem areas that need work, and then practice to improve those areas. With its built-in mic and speaker, the TMR-50 makes it easy to practice this way. It provides high-quality linear PCM recording and a USB port for convenient usage with your computer. The TMR-50 features equally robust capabilities for its tuner and metronome functionality that will help you improve your sense of pitch and rhythm. Two choices of color are available: black and pearl white. Whether you're in a brass band or an orchestra, the TMR-50 is the ideal partner for anyone who wants to improve their playing. Specifications Recording format: PCM audio format, WAV format (extension: .wav) 44.1 kHz@16-bit Available recording time: Maximum approx. 20 minutes (Internal Memory size is 120 MB) Total number of tracks: Up to 100 tracks Tuning: 12 note equal temperament Detection range: C1 (32.70 Hz) ~ C8 (4186 Hz), Using Sine Wave. Reference tone: C3 (130.81 Hz) ~ C6 (1046.50Hz), 3 Octave. Tuning Mode: Meter Mode (AUTO), Sound Out Mode (MANUAL), Sound Back Mode (AUTO) Calibration range: A4 = 410 ~ 480 Hz (1 Hz steps) Detection accuracy: +/- 1 cent Sound precision: +/-1 cent Tempo range: Quarter Note = 30 to 252 BPM Tempo setting: 3 Types:       Pendulum Step Full Step Tap Tempo Beat range: Total 10 beats: "0 to 9" as "Quarter-note" Rhythm Rhythm pattern: Duplets, triplets, triplets without the center beat, quadruplets, and quadruplets without the center beats Tempo accuracy: ±0.3% Terminals: Input (f6.3mm, Mono-Standard Jack type) Headphones (f3.5mm, Stereo-mini Jack type) USB (mini-Type B) Internal Speaker: Dynamic Speaker (f28 mm) Power (Battery): AAA battery (3.0 V) x 2 Manganese batteries or alkaline batteries, Ni-MH: Nickel metal hydride Battery Life: Recorder ... Approximately 16/13/11 hours (Backlight: off/soft/auto, using alkaline batteries. Maximum of 20 minutes per recording.) Tuner ... Approximately 24/22/20 hours (Backlight: off/soft/auto, A4 continuous input, using alkaline batteries) Metronome ... Approximately 18/16/14 hours (Backlight: off/soft/auto, tempo 120, 4 beats, maximum volume, using alkaline batteries) Dimensions (W x D x H): 111 x 82 x 18 mm / 4/37 x 3.23 x 0.71 inches Weight: 119 g / 4.19 oz (Including battery) Included items: AAA battery (3.0 V) x 2 for verifying proper operation USB Cable Options: Contact Mic = CM-100L Computer Requirements Windows: A computer that satisfies the operating requirements of Microsoft Windows XP/Windows Vista/Windows 7 and is equipped with a USB port Macintosh: Mac OS X 10.5 or later
Weight8.00 kg0.30 kg4.00 kg0.50 kg1.00 kg0.30 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 8.00 kg
Weight 0.30 kg
Weight 4.00 kg
Weight 0.50 kg
Weight 1.00 kg
Weight 0.30 kg