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Korg D-888 Digital Recording Studio
Eight Inputs, Eight Outputs, Eight tracks of Recording.
A new and unique model has joined Korg's D-series of digital recorders - acclaimed for their high audio quality and easy operation. The user-friendly presentation of the D888 is familiar to anyone who has ever sat in front of a traditional analog mixer. Yet lurking inside this eight input/eight output mixer is a complete eight track digital recorder.
New recording frontiers
The new D888 Digital Recording Studio goes where no digital recorder has gone before. Its intuitive, real-time design assures immediate results. At home, the D888 provides an intuitive mixer layout that allows your sound modules and instruments to stay connected to the mixer inputs so you can start recording whenever the mood strikes you without having to change any connections.
Lightweight and portable, the D888 is also perfect as a live or location ?capture? recorder for recording band rehearsals and gigs and other applications. In the field, the versatile input and output sections allow the D888 to record on location without interfering with the P.A. system?s house mix. The output section is also ideal for feeding into a cue mixer, a larger recording system, or other audio applications. With eight-track simultaneous recording you can capture the performance with enough separation to allow overdubs, corrections, and other production steps at a later date.
Back in the home studio, tracks can easily be transferred between the D888 and a computer-based editing/recording environment thanks to native WAV format recording. A high speed USB 2.0 connection moves the data quickly, with the entire hard drive showing up as a mounted disk on your desktop. The MIDI output transmits MIDI Time Code so other equipment can sync up to the D888.
Mixer masquerade
The D888 offers an interface like no other digital recorder. As with a traditional analog mixer, each channel has its own channel strip, complete with trim, 3-band EQ, effect send, and pan controls ? each element offering its own dedicated real-time knob. This allows a quick check of the current mixer settings by simply glancing at the knobs.
The Mic inputs provide both XLR and TRS balanced inputs, and phantom power is available. This thoughtful arrangement allows a wide variety of sources to be connected for additional flexibility. High-quality mic preamps are teamed with professional A/D converters for excellent sound.
Throughout, the mixer uses 40-bit, 44.1 kHz processing for a clean audio signal that surpasses CD quality. The eight individual output arrangement is incredibly versatile, allowing the D888 to be the perfect choice in many audio situations. In the Individual Mode, each output is directly tied to a particular channel, perfect for ?in-line? live and studio connections. With the Individual Mode off, outputs 1 & 2 become the Monitor outputs, and outputs 3 & 4 serve as the Master outputs. A digital S/P DIF output is also provided. Each of the two headphone outputs is thoughtfully equipped with its own level control.
?No conversion? WAV format recording
All eight tracks can be recorded or played back simultaneously. Eight virtual tracks exist for each track, bringing the total track count to 64. You can bounce tracks together digitally ? with no fidelity loss ? to free up more tracks. The entire mix can be bounced down to the stereo Master Track. In fact, you can make eight final mixes and then choose the best one. All tracks are saved as WAV format files, for easy sharing with other recording systems.
Non-destructive editing tools point to the power of the recorder section, allowing you to copy entire sections of the song, swap tracks, erase, etc. Undo and Redo commands allow you to hear both the ?before? and ?after? versions of any edit before you commit to any changes. In addition to regular recording, punch in and punch out recording allows precise overdubbing and fixing any sour notes. Each song allows you to store four edit locate points, as well as one hundred mark points, for quick navigation to various locations in the song.
The internal 40GB hard drive allows a maximum total recording time of over 120 hours.* For ease of use, the recorder section uses traditional transport controls. A backlit LCD provides metering and other pertinent information.
Effects at your fingertips
Eleven different effect types are provided for the Master effect, and are instantly selectable from the front panel. Each channel has its own send knob, and a global return knob allows you to set just the right mix. In keeping with the D888?s real-time approach, effect parameters are also editable from a dedicated front panel knob. And of course, the effect settings are memorized with each song.
An internal metronome is provided. The metronome can be sent from Master and Monitor outputs, or just the Monitor outs alone, so musicians can follow a click-track during recording or performance.
* Maximum single recording time is six hours.
| Recorder Section: |
| Number of Tracks: |
| 64 + master track* (including virtual tracks)
8 track simultaneous recording/playback
*Saved as stereo WAV files, number of tracks depends on capacity of the hard drive.
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| Recording Format: |
| 44.1 kHz, 16-bit uncompressed
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| Recording Time: |
| Max. 124 hours (based on 40 GB hard disk drive, maximum single recording time is six hours)
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| Number of Songs: |
| Max. 200 songs
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| Mark Points: |
| 100 points per a song
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| USB Function: |
| Supports USB 2.0
The whole internal hard drive is available to mount to your computer as a FAT32 USB external drive
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| Track Edit Functions: |
| Copy (over-write)
Erase
Swap
Assign wav file to track
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| Song Edit Functions: |
| Copy
Delete
Rename
Protect
Save Now
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| Metronome Function: |
| Tempo range: 40 ~ 240 BPM
0, 2, 3, 4, 6, 8 beats
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Mixer Section: |
| Structure: |
| 8 channel inputs (8 busses)
Monitor x 1
Master x 1
Send to internal effect x 1
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| Signal Processing: |
| 40-bit, 44.1 kHz
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| EQ: |
| HIGH (Fc: 10 kHz, G ± 15 dB), MID (Fc: 2.5 kHz, G ± 15 dB), LOW (Fc: 100 Hz, G ± 15 dB)
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Effect Section: |
| Structure: |
| Master x 1
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| Signal Processing: |
| 40-bit, 44.1 kHz
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| Number of Programs: |
| 11
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General: |
| Display: |
| 160 x 104 dots LCD with backlight
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| Power Supply: |
| AC
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| Current Consumption: |
| 32 W
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| Dimensions: |
| 14.74? (W) x 13.03? (D) x 4.33? (H)
375 (W) x 331 (D) x 110 (H) mm
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| Weight: |
| 9.70 lbs. / 4.4 kg
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Principal Specifications: |
| Frequency Response: |
| 10 Hz ~ 20 kHz +1 dB/ -2 dB @ +4 dBu, 10 k? load
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| S/N: |
| 96 dB (typical) @ IHF-A
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| THD+N: |
| 0.03 % (typical) 20 Hz ~ 20kHz @ +16 dBu, 10 k? load
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| A/D Conversion: |
| 24-bit, 64 times over-sampling
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| D/A Conversion: |
| 24-bit, 128 times over-sampling
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| Recording/Playback bit rate: |
| 16-bit
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Analog / Digital Input and Output Specifications: |
| When output assign is INDIVIDUAL
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INPUT 1-8: |
| Connectors: |
| XLR-3-31 type (+48 V phantom power, SW), 1/4? TRS phone jacks (balanced)
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| Input Impedance: |
| 4 k? (XLR-3-31), 10 k? (1/4? TRS phone)
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| Nominal Level: |
| -60 dBu ~ +4 dBu @ TRIM = max. ~ min.
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| Maximum Level: |
| -48 dBu ~ +16 dBu @ TRIM = max. ~ min.
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| Source Impedance: |
| 600 ?
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MONITOR OUTPUT L/R [CH1, 2]: |
| Connectors: |
| 1/4? phone jacks (unbalanced)
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| Output Impedance: |
| 500 Ohm
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| Nominal Level: |
| -10 dB
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| Maximum Level: |
| +2 dBu
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| Load Impedance: |
| greater than 10 k?
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MASTER OUTPUT L/R [CH3, 4]: |
| Connectors: |
| 1/4? phone jacks (unbalanced)
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| Output Impedance: |
| 500 Ohm
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| Nominal Level: |
| -10 dBu
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| Maximum Level: |
| +2 dBu
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| Load Impedance: |
| greater than 10 kOhm
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CH5-8 [CH5-8]: |
| Connectors: |
| 1/4? phone jacks (unbalanced)
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| Output Impedance: |
| 500 Ohm
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| Nominal Level: |
| -10 dBu
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| Maximum Level: |
| +2 dBu
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| Load Impedance: |
| greater than 10 kOhm
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PHONES: |
| Connectors: |
| two 1/4? stereo phone jacks
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| Output Impedance: |
| 100 Ohm
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| Maximum Level: |
| 50 mW + 50 mW @ 32 Ohm
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S/P DIF OUTPUT: |
| Connector: |
| optical
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| Format: |
| 24-bit S/P DIF (IEC60958)
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USB: |
| Connector: |
| type B
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| Format: |
| USB2.0 High-Speed Device, USB mass-storage class
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| Supported OS: |
| Windows Me/2000 or later, Mac OS 9.0.4 or later
(If you wish to use the D888 with a PC running Windows 98, please contact your local Korg distributor.)
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FOOT SW: |
| Connector: |
| 1/4? phone jack (use separately sold PS-1)
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| Included Items: |
| AC cord
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| Options: |
| PS-1 Pedal Switch
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MIDI Function: |
| MTC transmission: |
| frame rate 30fps, format 30NDF |
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- 16-channel digital stereo mixer to create your personal monitor mix
- Ultra-intuitive "analog" operation with total recall and 16 presets for custom mixes
- State-of-the-art 24-bit D/A converters for premium audio quality
- 16 Channel Select buttons with dual LEDs for perfect overview
- Level and Pan/Spread control per channel with LED meter
- 3-band EQ per channel with mid-band frequency control
- Solo and Mute functions per channel
- Global Level and EQ controls plus Panic Mute function
- High power and "drummer proof" headphones output
- Fully adjustable limiter protects your ears and headphones
- Additional mono/stereo line output to connect your powered monitor
- MIDI IN port for real-time remote control of all channels by external MIDI device such as BEHRINGER BCF2000, BCR2000, etc.
- Standard CAT5e connection delivers power and 16 signals to each Personal Mixers
- ULTRANET connector to daisy-chain up to forty-eight P16-M mixers for large systems (in conjunction with P16-D)
- Ultra-low system latency of less than 1 millisecond
- Powered via external power supply (included) or P16-I / P16-D
- Mounts easily on a mic stand with the P16-MB mic stand mount (not included)
- Extremely rugged construction ensures long life even under the most demanding conditions
- Conceived and designed by BEHRINGER Germany
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12 total inputs: 8 mic, (four with XLR/TRS combo connector) and two stereo line
Stereo Main L/R outputs (XLR)
Four mono auxiliary mixes (XLR).
Mono auxiliaries may be linked for stereo use.
Auxes 3/4 can also drive wired in-ear monitors (IEM) directly.
Superb sound quality
Class-A microphone pre-amps
32-bit floating point processing
24-bit AD & DA convertors
Input channels are fully-featured:
Four-band full parametric EQ
Variable high-cut and low-cut filters
Gate
Compressor (with de-esser)
Main and auxiliary outputs feature:
1/3-octave graphic EQ
Limiter
Delay
Notch filters
Four professional quality stereo DSP effects. Choose from:
Two types of reverb
Mono delay
Stereo delay
Chorus
Pitch-change
A pitch correct processor is assignable to any input channel.
Eight DCA and eight mute groups.
Color, capacitive touch screen graphical user interface combined with hardware controls for fast and intuitive operation.
Great results and easy to use
Input channel preset library features over 100 presets developed by experienced concert engineers specifically for live sound applications.
Wizards assist with input gain adjustment and effects selection and routing.
On board Info system gives you instant access to the user manual.
Save your own channel presets and complete mixer scenes to internal memory or USB device.
Capturing live performance to multi-track has never been easier. Record 14 tracks (all inputs plus a stereo mix) directly to USB hard-drive. Mix down on TouchMix or import into your favorite DAW.
Complete mixer remote control via free iPad® App.
Monitor control via iPhone/iPod Touch App.
Multiple Wi-Fi Connectivity options
Security Lockout Modes
USB Wi-Fi interface and carrying case are included. |
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Si Performer 2 Highlights
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Massive mix capacity – 80 inputs to mix in a small format live sound digital mixer
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2 ViSi Connect™ option card slots with 128x96 input/output paths for expanded digital I/O including the MultiDigital Card (Firewire/USB/ADAT), BSS Digital Audio Bus (BLU Link), Dante™, CAT5 or optical MADI, AVIOM™, CobraNet™ and others.
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Assignable Fader Layers - Customise each of the four fader layer pages to meet your needs or add/insert faders to accommodate that additional mic that was not in the patch list!
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1 Control = 1 Function - With each control dedicated to a given function there is never any 'layering' of controls or navigating through screens; this allows the Si Performer controls to be labeled on the surface just as they would have been on an analogue mixer.
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TOTEM™ - The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders.
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Soundcraft FaderGlow™ - Illuminates the fader slots according to function with clearly defined colours for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you'll never be lost again!
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DMX interface - control sound and light from the same device.
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BSS® GEQ - With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you will never 'run out' of processing.
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Security Lockout - Lock the whole console or just selected elements, manage the security with the users and profile settings.
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Personal Monitoring Interface - When used with the Si BLU link option card, the Si Performer is a perfect partner to the dbx PMC16 Personal Monitoring System , using simple Cat5 cabling for easy setup.
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D.O.G.S. (Direct Out Gain Stabiliser) - Prevents manual change of a mic gain control affecting direct out levels, perfect when 2 consoles share a stagebox or when recording the channel direct outputs.
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Global Mode Controls - A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs allowing instant access to the core functions.
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Copy & Paste - Copy whole channels, busses, mixes, Lexicon™ effects, a single part such as the EQ or multiple parts like the channel gate and compressor.
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Instant Access Keys - Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-8, TAP TEMPO and more negate the need to dive into screen & context menus.
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Function Focus - Whenever a control is moved or SELect key pressed the screen displays information about the channel identifying the absolute value of the controls and the channel name, number etc.
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Key Features
• 24 mono mic inputs
• 8 line inputs
• 80 channels to mix
• 2 ViSi Connect™ option card slots for 128 x 96 input/output paths
• Pre/Post selection per input per bus
• Freely assignable faders and patching
• Soundcraft FaderGlow™
• Colour backlit LCD screens per fader
• GEQ on every bus
• 20 sub-group / aux busses
• 4 FX busses
• 8 Matrix busses
• LRC Mix busses
• LCR panning
• 4 Stereo Lexicon Effects engines
• Delay on inputs and outputs
• 8 Mute Groups
• 8 VCA Groups
• AES in and out
• DMX interface and control - control sound and light simultaneously
• Freely assignable insert loops
• Harman HiQnet integration
• Colour touch screen interface
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16 + 2 fader configuration in a compact, rack mountable unit.
- Mix channels: 32 mono, 8 stereo.
- Busses: 16 mix, 8 matrix (Input to Matrix supported).
- Local I/O: 16 in, 8 out.
- Fader configuration: 16 + 2 (Master).
- Rack mountable with optional RK1 Rack Mount Kit.
| General specifications | QL1 |
|---|
| Sampling frequency rate | Internal | 44.1kHz / 48kHz | | External | 44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm) | | Signal delay | Less than 2.5ms, INPUT to OMNI OUT, Fs= 48kHz | | Fader | 100mm motorized, Resolution=1024steps, +10dB to -138dB, -∞dB all faders | | Total harmonic distortion | Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, INPUT to OMNI OUT, Input Gain= Min. | | Frequency response | +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, INPUT to OMNI OUT | | Dynamic range | 112dB typ.: DA Converter / 108dB typ.: INPUT to OMNI OUT, Input Gain = Min. | | Hum & noise level | Equivalent input noise | -128dBu typ., Equivalent Input Noise, Input Gain=Max | | Residual output noise | -88dBu, Residual output noise, ST master off | | Crosstalk | -100dB*1, adjacent INPUT/OMNI OUT channels, Input Gain = Min. | | Power requirements | 100-240V 50/60Hz | | Power consumption | 135W | | Dimensions | W | 468mm(18.4in ) | | H | 272mm(10.7in) | | D | 562mm(22.1in) | | Net weight | 14.7kg(32.4lb) | | Accessories | Owner's Manual, power cord, DVS license sheet | | Options | Rackmount kit RK1, Mini-YGDAI cards *2 , Gooseneck Lamp LA1L, Nuendo Live | | Others | Operating temperature range: 0 - 40°C, Storage temperature range: -20 - 60°C |
| Ui12 packs a complete digital mixing system into a compact, road-rugged stagebox format, with built-in Wi-fi and the ability to be controlled by any connected device via a standard web browser - no Apps, no OS limitations, no constraints on how or where you mix. Tablet/PC/Smartphone Controlled Digital Mixer Integrated Wi-Fi Cross-platform compatibility with iOS, Android, Windows, Mac OS, and Linux devices Use up to 10 control devices (tablets, phones, PCs) simultaneously Legendary Harman Signal Processing from dbx, Digitech, and Lexicon Fully recallable and remote-controlled mic preamps 4-band Parametric EQ, High-Pass Filter, Compressor, De-esser and Noise Gate on input channels 31-band Graphic EQ, Noise Gate and Compressor on all outputs Real-Time Frequency Analyser (RTA) on inputs and outputs 3 dedicated Lexicon FX effects processors: Reverb, Delay and Chorus Subgroups, Mute Groups, View Groups, and more mixer controls Show/Snapshot recall with channel safes and security lockout |
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