KORG KRONOS 88 MUSIC WORKSTATION/SAMPLER 88 Dynamic keys

Discontinued

3,720.00 incl. GR VAT

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Music workstation/sampler με 88 βαρυκεντρισμένα δυναμικά πλήκτρα, 9 μέθοδοι σύνθεσης, (sgx-1, Ep1, CX3, Polusix, AL1, MOD7, STR1, HD-1, MS-20), εξελιγμένη λειτουργία KARMA, 10 sliders για άμεση πρόσβαση στις λειτουργίες, 1510 preload setups, 1664 user, 1792 user combinations, 448 preload, 152 user drum kits, 77 preload, 314 Mbpreload PCM, 9 ενσωματωμένες PCM κάρτες με ήχους, 512 […]

 

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Music workstation/sampler με 88 βαρυκεντρισμένα δυναμικά πλήκτρα, 9 μέθοδοι σύνθεσης, (sgx-1, Ep1, CX3, Polusix, AL1, MOD7, STR1, HD-1, MS-20), εξελιγμένη λειτουργία KARMA, 10 sliders για άμεση πρόσβαση στις λειτουργίες, 1510 preload setups, 1664 user, 1792 user combinations, 448 preload, 152 user drum kits, 77 preload, 314 Mbpreload PCM, 9 ενσωματωμένες PCM κάρτες με ήχους, 512 MB sampler 16bit/48kHz απʼευθείας ripping από audio cd, ανάγνωση format AKAI S100/ S3000, sound font 2, AIFF και WAVE, 12 insert, 2 master και 2 total εφέ, 16 tracks sequencer + 16 tracks εγγραφή στον σκληρό δίσκο με ανάλυση 1/480, 400000 midi events, μεγάλη έγχρωμη οθόνη αφής touch view πολλαπλών λειτουργιών 800 X 600, SPDIF optical 24bit, MIDI IN/OUT/THRU, 2 θύρες USB2, ενσωματωμένος σκληρός δίσκος 30Gb. Βάρος 23 kg.

System: Kronos

Keyboard:

    88-key: RH3 (Real Weighted Hammer Action 3)
    73-key: RH3 (Real Weighted Hammer Action 3)
    61-key: Natural Touch Semi Weighted

[Tone Generator]

Synthesis Types: 9  
SGX-1 Premium Piano (Acoustic Piano)
EP-1 MDS Electric Piano (Electric Piano)
HD-1 High Definition Synthesizer (PCM Virtual Memory Technology)
AL-1 Analog Synthesizer (Analog Modeling)
CX-3 Tonewheel Organ (Tonewheel Organ Modeling)
STR-1 Plucked String (Physical Modeling)
MOD-7 Waveshaping VPM Synthesizer (VPM Synthesis)
MS-20EX (CMT Analog Modeling)
PolysixEX (CMT Analog Modeling)
 
Maximum Polyphony*1*2:  
SGX-1: 100 voices*3
EP-1: 104 voices
HD-1: 140 voices
AL-1: 80 voices
CX-3: 200 voices
STR-1: 40 voices
MOD-7: 52 voices
MS-20EX: 40 voices
PolysixEX: 180 voices

*A portion of the multicore processor in KRONOS is devoted to generating voices, and a separate portion is devoted to generating effects. KRONOS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine.
*2 In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced.
*3 100 dual-stereo notes (It corresponds to 400 voices in the maximum.)

Number of Programs/Combinations/Drumkits:

    1,664 user memory programs 
    (1,536 [768 HD-1+768 EXi] come preloaded)

    1,792 user memory combinations 
    (480 come preloaded)

    152 user memory drumkits
    (78 come preloaded)

    256 GM Level2 preset programs+ 9 GM Level2 drum preset programs

Preset PCM:

    314 MB (ROM 1,505 multisamples, 1388 drum samples)

Build-in Expansion PCM Libraries:

    EXs1 – ROM Expansion

    EXs2 – Concert Grand Piano

    EXs3 – Brass & Woodwinds

    EXs4 – Vintage Keyboards

    EXs5 – ROM Expansion 2

    EXs6 – SGX-1 German D Piano

    EXs7 – SGX-1 Japanese C Piano

    EXs8 – Rock Ambience Drums

    EXs9 – Jazz Ambience Drums

Capacity of PCM RAM:

    Approx. 1GB*4

    *4 The memory available for RAM samples will change based on the use of Expansion PCM libraries. About 148MB is available when shipped from the factory (when loading the file named “PRELOAD.KSC”).

Wave Sequences:

    374 user memory, 165

[SGX-1 Program]

Premium Piano:

PCM: 

    EXs6 – SGX-1 German D Piano; EXs7 – SGX-1 Japanese C Piano

Piano Type:

    32

Oscillator Control:

    Damper Resonance, Damper Noise, Mechanical Noise, Note Release

[EP-1 Program]

MDS Electric Piano:

Electric Piano Model Types: 6 

    Tine EP I, Tine EP II, Tone EP V, Tine EP DMP, Reed EP200, Reed EP200A

Oscillator Control:

    Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width

Panel Control:

    Tine Type: Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5

    Reed Type: Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5

    *5 Each electric piano type has own amp/cabinet character.

Effect Types: 9

    Small Phase, Orange Phase, Clack Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage 
    Flanger, Red Comp, VOX Wah

[HD-1 Program]

Advanced Vector Synthesis:

    Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

Structure:

    Single: only OSC1, Double: OSC1 and OSC2.

    Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.

    Two completely separate drumkits.

Oscillators:

    VMT (Virtual Memory Technology) supported.

    8 velocity zones per oscillator, with switching, crossfades and layering

    Each zone can play mono or stereo Multisamples or Wave Sequences

Filters:

    Two multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject),

    Four-mode filter routings (single, serial, parallel and 24dB mode)

Driver:

    Per voice non-linear driver and low boost circuit

EQ:

    Three bands, with sweepable mid

Modulation:

    Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers

[EXi Program Common]

Advanced Vector Synthesis:

    Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

Modulation:

    Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 

    2 Key Tracking Generators

EQ:

    Three bands, with sweep-able mid

[AL-1 Program]

Oscillators:

    OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync 

Audio Input:

    Run real-time audio through the synthesis engine

Filters:

    Two multi-mode filter (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode), MultiFilter mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)

Driver:

    Per-voice non-linear driver and low boost circuit

Modulation:

    Five Envelope generators, four per-voice LFOs, two AMS Mixers; 

    Per-voice Step Sequencer.

[CX-3 Program]

Tonewheel Organ Modeling:

    Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake

EX Mode:

    Four additional, user-specified drawbars, and expanded percussion.

Internal Effects:

    Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ

Drawbar Control:

    Controlled via nine front-panel sliders (via Tone Adjust)

Split:

    Upper, Lower (even in EX mode)

Modulation:

    Two AMS mixers

[STR-1 Program]

    Physically Modeled String:
    Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more

String Excitation:

    Three independent excitation sources can be used simultaneously: Pluck, Noise, and PCM. 16 preset “pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated lowpass filter

PCM Oscillator:

    Korgʼs ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity zones per oscillator; Uses any mono ROM, EXs, or RAM multisamples; PCM can either be used as an excitation signal, or layered with the output of the string.

Excitation Filter:

    Dedicated 2-pole multimode filter for shaping the string excitation; Filter can be enabled/disabled separately for each excitation source. Low Pass, High Pass, Band Pass, and Band Reject modes

Audio Input and Feedback:

    Run real-time audio through the string, including feedback through effects. Modeled feedback includes modulate-able instrument-to-amp distance and orientation.

Filters:

    Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, and Band Reject modes

    Multi Filter mode (Filter A only):
    Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects

Modulation:

    5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers.

[MOD-7 Program]

Waveshaping VPM Synthesizer:

    Combines Variable Phase Modulation (VPM), waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files.

Oscillators:

    6 VPM/Waveshaper/Ring Modulation Oscillators:

    Phase and modulatable pitch per oscillator; 101 Waveshaper tables plus modulatable Drive and Offset; Use as oscillators, or as Waveshapers or Ring Modulators for other signals.

    PCM Oscillator:

    Korgʼs ultra-low-aliasing technology, as introduced in the HD-1. 4 velocity zones per oscillator; Uses any mono ROM, EXs, or RAM multisamples; PCM can be used as an FM modulator and/or layered with the VPM Oscillators. Noise generator with saturation and dedicated low pass filter.

Audio input:

    Run real-time audio through the VPM Oscillators and filters.

Filters:

    Dual multi-mode filters per voice. Parallel and 24 dB (4-Pole) configurations; Low Pass, High Pass, Band Pass, and Band Reject modes 

Multi Filter mode (Filter A only):

    Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects

Patch Panel:

    Supports both algorithm (78 types) selection and free patching; Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion. Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion

Modulation:

    10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers.

[MS-20EX Program]

Oscillators:

    Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator

Audio Input:

    Run real-time audio through the synthesis engine and ESP (External Signal Processor)

Filters:

    12dB/octave High Pass and Low Pass self-resonant filters

    ESP section:
    24dB/octave Low Cut and High Cut filters, available per voice.

Patch Panel:

    Patchable audio and modulation, at audio rates

Patch Points:

    Keyboard:
    Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In

    VCO:
    VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out

    VCF:
    External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out

    VCO+VCF:
    Total External Modulation In

    VCA:
    External Initial Gain Control In, VCA In

    EG:
    EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out

    MG:
    Triangle Out, Rectangle Out

    Noise Generator:
    Pink Noise Out, White Noise Out

    Sample and Hold:
    Clock Trigger In, Sample Signal In, S/H Out

    Modulation VCA:
    Control Voltage In, Signal In, Signal Out

    Manual Controller:
    Control Wheel Out, Momentary Switch

    ESP:
    Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out

    Others:
    EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out

ESP (External Signal Processor):

    Use incoming audio as a trigger and/or CV source.

Modulation:

    Original DAR and HADSR EGs 1 & 2, original MG (with MIDI sync), Sample-and- Hold, MVCA; 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers

[PolysixEX Program]

Oscillators:

    VCO:
    Saw, Pulse, PWM

    Sub Oscillator:
    Off, 1 octave below, 2 octaves below

Filter:

    24dB/octave Low Pass self-resonant filter

Effects:

    Integrated Polysix Chorus, Phase, and Ensemble

Arpeggiator:

    Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch

Modulation:

    Original ADSR EG and MG (with MIDI sync), 2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers

[Combination]

Number of Timbres:

    16 Maximum 

Master Keyboard Functionality:

    Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI devices

Advanced Vector Synthesis:

    Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

[Drumkit]

System:

    Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)

[Sampling]

System:

    Open Sampling System (resampling, In-Track sampling)

Bit Depth/Sampling Frequency:

    RAM: 16-bit/48 kHz stereo/mono sampling
    DISK: 16 or 24-bit/48 kHz stereo/mono sampling

Sampling Time:

    RAM: Depends on the amount of availale PCM RAM
    DISK: Maximum 80 minutes stereo (879 MB: 16-Bit)

Sample Locations:

    4,000 samples/1,000 multisamples (128 indexes per multisample)

Ripping:

    Direct sampling (ripping) from audio CD (CD-DA)

Formats:

    Korg format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats

Editing:

    Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.

[Effects]

Insert Effects: 12

    Stereo in / stereo out

Master Effects: 2 

    Stereo in / stereo out 

Total Effects: 2 

    Stereo in / stereo out

Timbre EQ:

    High, low, and mid band

Effect Types: 185

Modulation:

    Dynamic Modulation and Common LFO

Effects Control Busses:

    Two stereo side chains

Effect Presets: 783

    Maximum 32 per 1 effect (Preset User)

[KARMA]

KARMA Modules:

    One module in Program mode, four modules in Combination and Sequencer modes

Generated Effects (GE):

    2,048 presets, 1,536 Users (96 come Preload)

Controllers:

    On/Off, Latch, Chord, Assign, Module, Control, KARMA Realtime Control Sliders [1] – [8], KARMA Scene [1] – [8], KARMA Switches [1] – [8], KARMA Wave-Sequencing, GE Sub Category, Freeze Randomize, Time Signature Control, Tempo Synchronize, Auto RTC (Real Time Control) setup

[Drum Track]

Drum Track Patterns:

    697 preset (common with the preset patterns of the MIDI sequencer)

[Sequencer/HDR]

Tracks:

    16-track MIDI sequencer + 16-track hard disk recorder + master track. 

Number of Songs:

    200 songs

Resolution:

    1/480

Tempo:

    40.00 – 300.00 (1/100 BPM resolution)

Maximum memory:

    400,000 MIDI events
    or 300,000 audio events

MIDI Tracks:

    16 tracks plus the master track
    697 preset/100 user patterns (per song)
    18 preset/16 user template songs,

Format: 

    Korg (Kronos, OASYS) format, SMF formats 0 and 1.

Audio Tracks:

    16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit. Maximum single-file recording time

(mono): 

    80 minutes 

Automation:

    Volume, Pan, EQ, and Send1/2; 5,000 regions (max.), Event Anchors, BPM Adjust

RPPR (Realtime Pattern Play and Record):

    1 Pattern set per song.

[General]

Disk Mode:

    Load, save, utility, audio CD burning, audio CD playback, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1. *6

    *6 Need to use with External USB CD Drive, etc.

Controllers:

    Vector joystick, joystick, ribbon controller, switches 1 & 2

    Control Surface:

    Control Assign Switches:
    Assigns the Control Surface to Timber/Track, Audio, External, Realtime Knobs/KARMA, or Tone Adjust. 

    Mixer Knobs Switch:
    Assigns the Mixer Knobs to either Channel Strip or Individual Pan, Reset Control Switch, Solo Switch, Knobs 1-8, Switches 1-8 (Upper Row), Switches 1-8 (Lower Row), Sliders 1-8, Master Slider

KARMA Control:

    On/Off, Latch, Chord Assign, module Control

Display:

    TouchView graphical user interface, 8 inch TFT, SVGA (800×600 dots), adjustable brightness

Outputs:

    L/MONO, R:
    1/4” Balanced; 170 ohms Stereo; 85 ohms Mono (L/MONO Only), Nominal Level: +4.0 dBu, Maximum Level: +16.0 dBu (when load impedance is 600 ohms or greater)

    Individual 1-4:
    1/4” Balanced; 170 ohms Stereo; 85 ohms Mono, Nominal Level: +4.0 dBu, Maximum Level: +16.0 dBu (when load impedance is 600 ohms or greater)

    Headphones:
    1/4” stereo phone jack, output impedance: 33 ohms, Maximum Level: 60+60 mW (when load impedance is 33 ohms),

    S/P DIF:
    Optical, 24-bit, IEC60958, EIAJCP-1201, 48 kHz, (the same signals as L/MONO, R)

    USB-B:
    24-bit, 48 kHz, 2 channels (the same signals as L/MONO, R)

Inputs:
Audio Inputs 1 and 2:

    1/4” Balanced; Input Impedance: 10 kohms, Nominal Level: +4.0 dBu, Maximum Level: +16 dBu,Source Impedance: 600 ohms, S/N: 95 dB (Typical), Dynamic Range: 95 dB (Typical), Crosstalk: 95 dB (at 1 kHz, Typical)

    S/P DIF:
    Optical, 24-bit, IEC60958, EIAJCP-1201, 48 kHz

    USB-B:
    24-bit, 48 kHz, 2 channels

    Control Inputs:
    Damper pedal (half damper supported), assignable switch, assignable pedal

    MIDI:
    In, Out, Thru

    USB:
    USB A (TYPE A) x 2 (for connection to external USB devices)

    USB B (TYPE B) x 1 (MIDI/audio interface, MIDI: 1(16ch) input / 1(16ch) output, Audio: 2 channel input / 2 channel output)

    2 USB high-speed ports (supports 480Mbps)

Principal Specifications:

    Frequency Response: 
    20Hz-22kHz, +/-1.0 dB, 10k Ohms load

    THD+N: 
    20Hz-22kHz, 0.01%, 10k Ohms load (typical)

    S/N:
    95 dB (typical)

    Dynamic Range: 
    95 dB (typical)

    Crosstalk:
    95 dB, at 1 kHz (typical)

Disk Drives:
30 GB SSD (2.5”)

Power Consumption:
60 W

Dimensions: (W x D x H)

    88-key: 57.28” x 16.18” x 5.71” 
    1,455 x 411 x 145 mm

    73-key: 48.94” x 16.18” x 5.71”
    1,243 x 411 x 145 mm

    61-key: 41.42” x 14.25” x 5.28”
    1,052 x 362 x 134 mm

    Weight:
    88-key: 50.71 lbs. / 23.0 kg

    73-key: 44.75 lbs. / 20.3 kg

    61-key: 27.56 lbs. / 12.5 kg

    Accessories:
    AC cord, Quick Start Guide, Accessory DVD Disk (Restore Data, KORG USB Driver, Manual PDF, etc.)

[Option]

    XVP-10: Expression/Volume Pedal

    EXP-2: Foot Controller 

    DS-1H: Damper Pedal

    PS-1: Pedal Switch

    PS-3: Pedal Switch

 

Weight 2.00 kg

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SKUKRONOS-88KROME-88I000.00058PAASI000.00060AR/EM/000053
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Description
Content

Music workstation/sampler με 88 βαρυκεντρισμένα δυναμικά πλήκτρα, 9 μέθοδοι σύνθεσης, (sgx-1, Ep1, CX3, Polusix, AL1, MOD7, STR1, HD-1, MS-20), εξελιγμένη λειτουργία KARMA, 10 sliders για άμεση πρόσβαση στις λειτουργίες, 1510 preload setups, 1664 user, 1792 user combinations, 448 preload, 152 user drum kits, 77 preload, 314 Mbpreload PCM, 9 ενσωματωμένες PCM κάρτες με ήχους, 512 MB sampler 16bit/48kHz απʼευθείας ripping από audio cd, ανάγνωση format AKAI S100/ S3000, sound font 2, AIFF και WAVE, 12 insert, 2 master και 2 total εφέ, 16 tracks sequencer + 16 tracks εγγραφή στον σκληρό δίσκο με ανάλυση 1/480, 400000 midi events, μεγάλη έγχρωμη οθόνη αφής touch view πολλαπλών λειτουργιών 800 X 600, SPDIF optical 24bit, MIDI IN/OUT/THRU, 2 θύρες USB2, ενσωματωμένος σκληρός δίσκος 30Gb. Βάρος 23 kg.

System: Kronos

Keyboard:

    88-key: RH3 (Real Weighted Hammer Action 3)
    73-key: RH3 (Real Weighted Hammer Action 3)
    61-key: Natural Touch Semi Weighted
[Tone Generator]

Synthesis Types: 9 
SGX-1Premium Piano (Acoustic Piano)
EP-1MDS Electric Piano (Electric Piano)
HD-1High Definition Synthesizer (PCM Virtual Memory Technology)
AL-1Analog Synthesizer (Analog Modeling)
CX-3Tonewheel Organ (Tonewheel Organ Modeling)
STR-1Plucked String (Physical Modeling)
MOD-7Waveshaping VPM Synthesizer (VPM Synthesis)
MS-20EX(CMT Analog Modeling)
PolysixEX(CMT Analog Modeling)
 
Maximum Polyphony*1*2: 
SGX-1:100 voices*3
EP-1:104 voices
HD-1:140 voices
AL-1:80 voices
CX-3:200 voices
STR-1:40 voices
MOD-7:52 voices
MS-20EX:40 voices
PolysixEX:180 voices

*A portion of the multicore processor in KRONOS is devoted to generating voices, and a separate portion is devoted to generating effects. KRONOS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine.
*2 In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced.
*3 100 dual-stereo notes (It corresponds to 400 voices in the maximum.)


Number of Programs/Combinations/Drumkits:
    1,664 user memory programs 
    (1,536 [768 HD-1+768 EXi] come preloaded)

    1,792 user memory combinations 
    (480 come preloaded)

    152 user memory drumkits
    (78 come preloaded)

    256 GM Level2 preset programs+ 9 GM Level2 drum preset programs

Preset PCM:
    314 MB (ROM 1,505 multisamples, 1388 drum samples)

Build-in Expansion PCM Libraries:
    EXs1 - ROM Expansion

    EXs2 - Concert Grand Piano

    EXs3 - Brass & Woodwinds

    EXs4 - Vintage Keyboards

    EXs5 - ROM Expansion 2

    EXs6 - SGX-1 German D Piano

    EXs7 - SGX-1 Japanese C Piano

    EXs8 - Rock Ambience Drums

    EXs9 – Jazz Ambience Drums

Capacity of PCM RAM:
    Approx. 1GB*4

    *4 The memory available for RAM samples will change based on the use of Expansion PCM libraries. About 148MB is available when shipped from the factory (when loading the file named "PRELOAD.KSC”).

Wave Sequences:
    374 user memory, 165
[SGX-1 Program]

Premium Piano:

PCM: 
    EXs6 - SGX-1 German D Piano; EXs7 - SGX-1 Japanese C Piano
Piano Type:
    32
Oscillator Control:
    Damper Resonance, Damper Noise, Mechanical Noise, Note Release

[EP-1 Program]

MDS Electric Piano:

Electric Piano Model Types: 6 
    Tine EP I, Tine EP II, Tone EP V, Tine EP DMP, Reed EP200, Reed EP200A
Oscillator Control:
    Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width
Panel Control:
    Tine Type: Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5

    Reed Type: Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5

    *5 Each electric piano type has own amp/cabinet character.

Effect Types: 9
    Small Phase, Orange Phase, Clack Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage 
    Flanger, Red Comp, VOX Wah
[HD-1 Program]

Advanced Vector Synthesis:
    Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

Structure:
    Single: only OSC1, Double: OSC1 and OSC2.

    Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.

    Two completely separate drumkits.

Oscillators:
    VMT (Virtual Memory Technology) supported.

    8 velocity zones per oscillator, with switching, crossfades and layering

    Each zone can play mono or stereo Multisamples or Wave Sequences

Filters:
    Two multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject),

    Four-mode filter routings (single, serial, parallel and 24dB mode)

Driver:
    Per voice non-linear driver and low boost circuit

EQ:
    Three bands, with sweepable mid

Modulation:
    Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers

[EXi Program Common]

Advanced Vector Synthesis:
    Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

Modulation:
    Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 

    2 Key Tracking Generators

EQ:
    Three bands, with sweep-able mid

[AL-1 Program]

Oscillators:
    OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync 

Audio Input:
    Run real-time audio through the synthesis engine

Filters:
    Two multi-mode filter (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode), MultiFilter mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)

Driver:
    Per-voice non-linear driver and low boost circuit

Modulation:
    Five Envelope generators, four per-voice LFOs, two AMS Mixers; 

    Per-voice Step Sequencer.

[CX-3 Program]

Tonewheel Organ Modeling:
    Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake

EX Mode:
    Four additional, user-specified drawbars, and expanded percussion.

Internal Effects:
    Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ

Drawbar Control:
    Controlled via nine front-panel sliders (via Tone Adjust)

Split:
    Upper, Lower (even in EX mode)

Modulation:
    Two AMS mixers

[STR-1 Program]
    Physically Modeled String:
      Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more

    String Excitation:
      Three independent excitation sources can be used simultaneously: Pluck, Noise, and PCM. 16 preset "pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated lowpass filter

    PCM Oscillator:
      Korgʼs ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity zones per oscillator; Uses any mono ROM, EXs, or RAM multisamples; PCM can either be used as an excitation signal, or layered with the output of the string.

    Excitation Filter:
      Dedicated 2-pole multimode filter for shaping the string excitation; Filter can be enabled/disabled separately for each excitation source. Low Pass, High Pass, Band Pass, and Band Reject modes

    Audio Input and Feedback:
      Run real-time audio through the string, including feedback through effects. Modeled feedback includes modulate-able instrument-to-amp distance and orientation.

    Filters:
      Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, and Band Reject modes

      Multi Filter mode (Filter A only):
      Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects

    Modulation:
      5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers.


[MOD-7 Program]

Waveshaping VPM Synthesizer:
    Combines Variable Phase Modulation (VPM), waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files.

Oscillators:
    6 VPM/Waveshaper/Ring Modulation Oscillators:

    Phase and modulatable pitch per oscillator; 101 Waveshaper tables plus modulatable Drive and Offset; Use as oscillators, or as Waveshapers or Ring Modulators for other signals.

    PCM Oscillator:

    Korgʼs ultra-low-aliasing technology, as introduced in the HD-1. 4 velocity zones per oscillator; Uses any mono ROM, EXs, or RAM multisamples; PCM can be used as an FM modulator and/or layered with the VPM Oscillators. Noise generator with saturation and dedicated low pass filter.

Audio input:
    Run real-time audio through the VPM Oscillators and filters.

Filters:
    Dual multi-mode filters per voice. Parallel and 24 dB (4-Pole) configurations; Low Pass, High Pass, Band Pass, and Band Reject modes 

Multi Filter mode (Filter A only):
    Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects

Patch Panel:
    Supports both algorithm (78 types) selection and free patching; Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion. Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion

Modulation:
    10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers.

[MS-20EX Program]

Oscillators:
    Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator

Audio Input:
    Run real-time audio through the synthesis engine and ESP (External Signal Processor)

Filters:
    12dB/octave High Pass and Low Pass self-resonant filters

    ESP section:
    24dB/octave Low Cut and High Cut filters, available per voice.

Patch Panel:
    Patchable audio and modulation, at audio rates

Patch Points:
    Keyboard:
    Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In

    VCO:
    VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out

    VCF:
    External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out

    VCO+VCF:
    Total External Modulation In

    VCA:
    External Initial Gain Control In, VCA In

    EG:
    EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out

    MG:
    Triangle Out, Rectangle Out

    Noise Generator:
    Pink Noise Out, White Noise Out

    Sample and Hold:
    Clock Trigger In, Sample Signal In, S/H Out

    Modulation VCA:
    Control Voltage In, Signal In, Signal Out

    Manual Controller:
    Control Wheel Out, Momentary Switch

    ESP:
    Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out

    Others:
    EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out

ESP (External Signal Processor):
    Use incoming audio as a trigger and/or CV source.

Modulation:
    Original DAR and HADSR EGs 1 & 2, original MG (with MIDI sync), Sample-and- Hold, MVCA; 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers

[PolysixEX Program]

Oscillators:
    VCO:
    Saw, Pulse, PWM

    Sub Oscillator:
    Off, 1 octave below, 2 octaves below

Filter:
    24dB/octave Low Pass self-resonant filter

Effects:
    Integrated Polysix Chorus, Phase, and Ensemble


Arpeggiator:
    Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch

Modulation:
    Original ADSR EG and MG (with MIDI sync), 2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers

[Combination]

Number of Timbres:
    16 Maximum 

Master Keyboard Functionality:
    Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI devices

Advanced Vector Synthesis:
    Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

[Drumkit]

System:
    Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)

[Sampling]

System:
    Open Sampling System (resampling, In-Track sampling)

Bit Depth/Sampling Frequency:
    RAM: 16-bit/48 kHz stereo/mono sampling

    DISK: 16 or 24-bit/48 kHz stereo/mono sampling

Sampling Time:
    RAM: Depends on the amount of availale PCM RAM

    DISK: Maximum 80 minutes stereo (879 MB: 16-Bit)

Sample Locations:
    4,000 samples/1,000 multisamples (128 indexes per multisample)

Ripping:
    Direct sampling (ripping) from audio CD (CD-DA)

Formats:
    Korg format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats

Editing:
    Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.

[Effects]

Insert Effects: 12
    Stereo in / stereo out

Master Effects: 2 
    Stereo in / stereo out 

Total Effects: 2 
    Stereo in / stereo out

Timbre EQ:
    High, low, and mid band

Effect Types: 185

Modulation:
    Dynamic Modulation and Common LFO

Effects Control Busses:
    Two stereo side chains

Effect Presets: 783
    Maximum 32 per 1 effect (Preset User)

[KARMA]


KARMA Modules:
    One module in Program mode, four modules in Combination and Sequencer modes

Generated Effects (GE):
    2,048 presets, 1,536 Users (96 come Preload)

Controllers:
    On/Off, Latch, Chord, Assign, Module, Control, KARMA Realtime Control Sliders [1] – [8], KARMA Scene [1] – [8], KARMA Switches [1] – [8], KARMA Wave-Sequencing, GE Sub Category, Freeze Randomize, Time Signature Control, Tempo Synchronize, Auto RTC (Real Time Control) setup

[Drum Track]

Drum Track Patterns:
    697 preset (common with the preset patterns of the MIDI sequencer)

[Sequencer/HDR]

Tracks:
    16-track MIDI sequencer + 16-track hard disk recorder + master track. 

Number of Songs:
    200 songs

Resolution:
    1/480

Tempo:
    40.00 – 300.00 (1/100 BPM resolution)

Maximum memory:
    400,000 MIDI events
    or 300,000 audio events

MIDI Tracks:
    16 tracks plus the master track
    697 preset/100 user patterns (per song)
    18 preset/16 user template songs,

Format: 
    Korg (Kronos, OASYS) format, SMF formats 0 and 1.

Audio Tracks:
    16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit. Maximum single-file recording time

(mono): 
    80 minutes 

Automation:
    Volume, Pan, EQ, and Send1/2; 5,000 regions (max.), Event Anchors, BPM Adjust

RPPR (Realtime Pattern Play and Record):
    1 Pattern set per song.

[General]

Disk Mode:
    Load, save, utility, audio CD burning, audio CD playback, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1. *6

    *6 Need to use with External USB CD Drive, etc.

Controllers:
    Vector joystick, joystick, ribbon controller, switches 1 & 2

    Control Surface:
      Control Assign Switches:
      Assigns the Control Surface to Timber/Track, Audio, External, Realtime Knobs/KARMA, or Tone Adjust. 

      Mixer Knobs Switch:
      Assigns the Mixer Knobs to either Channel Strip or Individual Pan, Reset Control Switch, Solo Switch, Knobs 1-8, Switches 1-8 (Upper Row), Switches 1-8 (Lower Row), Sliders 1-8, Master Slider

    KARMA Control:
      On/Off, Latch, Chord Assign, module Control

    Display:
      TouchView graphical user interface, 8 inch TFT, SVGA (800x600 dots), adjustable brightness

    Outputs:
      L/MONO, R:
      1/4” Balanced; 170 ohms Stereo; 85 ohms Mono (L/MONO Only), Nominal Level: +4.0 dBu, Maximum Level: +16.0 dBu (when load impedance is 600 ohms or greater)

      Individual 1-4:
      1/4” Balanced; 170 ohms Stereo; 85 ohms Mono, Nominal Level: +4.0 dBu, Maximum Level: +16.0 dBu (when load impedance is 600 ohms or greater)

      Headphones:
      1/4” stereo phone jack, output impedance: 33 ohms, Maximum Level: 60+60 mW (when load impedance is 33 ohms),

      S/P DIF:
      Optical, 24-bit, IEC60958, EIAJCP-1201, 48 kHz, (the same signals as L/MONO, R)

      USB-B:
      24-bit, 48 kHz, 2 channels (the same signals as L/MONO, R)
Inputs:
Audio Inputs 1 and 2:
    1/4” Balanced; Input Impedance: 10 kohms, Nominal Level: +4.0 dBu, Maximum Level: +16 dBu,Source Impedance: 600 ohms, S/N: 95 dB (Typical), Dynamic Range: 95 dB (Typical), Crosstalk: 95 dB (at 1 kHz, Typical)

    S/P DIF:
    Optical, 24-bit, IEC60958, EIAJCP-1201, 48 kHz

    USB-B:
    24-bit, 48 kHz, 2 channels

    Control Inputs:
    Damper pedal (half damper supported), assignable switch, assignable pedal

    MIDI:
    In, Out, Thru

    USB:
    USB A (TYPE A) x 2 (for connection to external USB devices)

    USB B (TYPE B) x 1 (MIDI/audio interface, MIDI: 1(16ch) input / 1(16ch) output, Audio: 2 channel input / 2 channel output)

    2 USB high-speed ports (supports 480Mbps)

Principal Specifications:

    Frequency Response: 
    20Hz-22kHz, +/-1.0 dB, 10k Ohms load

    THD+N: 
    20Hz-22kHz, 0.01%, 10k Ohms load (typical)

    S/N:
    95 dB (typical)

    Dynamic Range: 
    95 dB (typical)

    Crosstalk:
    95 dB, at 1 kHz (typical)
Disk Drives:
30 GB SSD (2.5”)

Power Consumption:
60 W

Dimensions: (W x D x H)
    88-key: 57.28” x 16.18” x 5.71” 
    1,455 x 411 x 145 mm

    73-key: 48.94” x 16.18” x 5.71”
    1,243 x 411 x 145 mm

    61-key: 41.42” x 14.25” x 5.28”
    1,052 x 362 x 134 mm

    Weight:
    88-key: 50.71 lbs. / 23.0 kg

    73-key: 44.75 lbs. / 20.3 kg

    61-key: 27.56 lbs. / 12.5 kg

    Accessories:
    AC cord, Quick Start Guide, Accessory DVD Disk (Restore Data, KORG USB Driver, Manual PDF, etc.)
[Option]
    XVP-10: Expression/Volume Pedal

    EXP-2: Foot Controller 

    DS-1H: Damper Pedal

    PS-1: Pedal Switch

    PS-3: Pedal Switch

 

Krome
Music Workstation On Stage. On the Go. On Top.

Offering full-length, unlooped samples of every key for a spectacular piano sound, this new keyboard redefines your expectations for an instrument in this class. Taking its name from the Greek word meaning "color," Krome is the new standard for sonic excellence in a gigging musician's keyboard, providing a limitless palette of sound to bring vivid inspiration your music. Introducing the Krome Music Workstation.

Product Highlights:

  • The Korg workstation ideal for any style of piano playing
  • Kronos-derived full length, unlooped piano and drum sounds, plus new electric pianos designed to shine on stage
  • Electric pianos with eight-level velocity switching for unmatched expressive power
  • Clear, intuitive control with Korg's exclusive 7-inch color TouchViewTM display
  • Drums offering separately mixable direct and ambient sounds for studio-grade quality
  • Drum Track plays back realistic, inspiring grooves at the touch of a button
  • Expertly created, in-demand sounds including 640 Programs and 288 Combinations
  • Powerful Effects with 5 Inserts, 2 Master, and 1 Total FX, plus per track/timbre EQ
  • Distinctive aluminum panel design exudes a sense of quality
  • USB connection to your computer, plus an SD Card slot for data storage
  • You can use the Krome editor to edit sounds on your computer
  • Available in 61, 73, and 88 key models.


In addition to Korg's well-proven workstation features, Krome features a carefully chosen selection of the top sounds available today for bread-and-butter keyboard instruments such as piano and electric piano, as well as vital and dynamic drum kits, giving you the best of the basics. These highly usable piano, electric piano, and drum sounds by themselves set Krome apart from any other keyboard in its class. With sound quality and features normally found in much more expensive instruments, Krome aspires to set a whole new value standard, and become a unique and irreplaceable partner for real-world musicians.

Specifications

Keyboard

            Krome 61: Semi-weighted keyboard

                          *velocity-sensitive supported, after touch is not supported

                          *Standard C2-C7 (transposable in the range [C1...C6]-[C3...C8])

            Krome 73: Semi-weighted keyboard

                          *velocity-sensitive supported, after touch is not supported

                          *Standard C1-C7 (transposable in the range [C0...C6]-[C2...C8])

Krome 88: NH keyboard (Natural Weighted Hammer Action] keyboard

             *velocity sensitive is supported, after touch is not supported

             *Standard A0-C8 (transposable in the range [A-1...C7]-[A1...C9]

              *The NH keyboard reproduces the touch of an acoustic piano, with a heavier feel in the low register and a lighter feel in the upper register.

System

            EDS-X (Enhanced Definition Synthesis-eXpanded)

Sounds

Maximum Polyphony:

            120 voices (120 Oscillators) / Single Mode

             60 voices (120 Oscillators) / Double Mode

              *The maximum simultaneous voice polyphony will vary depending on oscillator settings such as stereo multisamples and velocity crossfading.

PCM Memory:

            3.8 GB, 48kHz/16-bit linear equivalent

              583 Multisamples (Including 12 Stereo multisamples)

             2,080 Drumsamples (Including 474 Stereo Drumsamples)

Program:

Oscillator

            OSC1 (Single); OSC1 + 2 (Double): Stereo multisamples are supported

            8 velocity zones per oscillator with switching, crossfades and layers

Filters

            Four types of filter routing (single, serial, parallel, 24 dB)

            Two multi-mode filters per oscillator (low pass, high pass, band pass, band reject)

Driver

            Per-voice nonlinear driver and low boost

EQ

            Three bands, with sweepable mid

Modulation

            For each oscillator: two envelope generators (Filter & Amp)

            Two LFOs

            Two key tracking generators (Filter & Amp)

            Two AMS mixers

            Pitch EG

            Common LFO

            Two common key tracking generators

Combination:

Timbres: 16 maximum, each with split/layer/velocity switching with crossfading, plus modifications via Tone  

Adjust function

MIDI Controller Functionality: Customizable MIDI channel and Internal/External/Both settings per timbre

Master Keyboard Functionality

It's available for controlling external MIDI devices

Drum Kit:

Stereo and mono drum samples

8 velocity zones switch (crossfades and layers)

Sounds:

Program: 640 preload, 768 total locations

Combi: 288 preload, 512 total locations

Drumkits: 32 preload, 48 total locations

The number of Combination / Program / Drum Kit:

            User: 512 Combination (288 Preload)

User: 768 Program (640 Preload)

User: 48 Drum Kit (32 Preload)

              Preset: 256 GM2 Program + 9 GM2 Drums Program

Effects

Insert Effects:

            5 Insert Effects (stereo in/out)

            2 Master Effects (stereo in/out)

            1 Total Effect (stereo in/out)

Timbre / Track EQ:

            3-band EQ per timbre/track

Effect Types:

 193, useable as Insert, Master, or Total effects. Note that a double-size effect cannot be used as  a total effect.

Modulation:

            Dynamic Modulation, 2 Common LFO

Effects Control Busses:

            Stereo sidechain (Limiter, Gate, Vocoder, etc)

Effect Preset:

            32 preset per effect

Polyphonic Arpeggiator

Program Mode:

 Single polyphonic arpeggiator

Combination, Sequencer Mode:

 Dual polyphonic arpeggiators

Number of pattern:

 900 preload, 1028 total locations

 5 preset arpeggio patterns

Drum Track

 637 preload, 1000 total locations

 Configurable Trigger Mode/Sync/Zone

Sequencer

Tracks:

            16 MIDI tracks + 1 master track

Number of Songs:

            128 Songs

Resolution:

            1/480 PPQ

Tempo:

            40.00- 300.00 (1/100 BPM resolution)

Maximum memory:

            210,000 MIDI events

Template Song:

            16 preset / 16 user template songs

Cue List function:

            20 Cue Lists

 99 steps

Pattern:

            605 Preset / 100 User patterns

RPPR (Realtime Pattern Play and Recording):

              1 pattern set per song

Format:

               KORG (KROME) format, SMF format 0 and 1

Media

            Load, Save, Utility, data filer functionality (Save and Load MIDI System Exclusive Data)

Controllers

*Joystick, SW [1], SW [2]

*Realtime Control

             [SELECT] Switch:

            REALTIME CONTROL (TONE, USER), ARP

            4 Knobs;

             REALTIME CONTROL: Real-time Modulation, Arpeggio control

*Drum Track

            [DRUM TRACK] Switch On/Off

*Arpeggiator

            [ARP] Switch On/Off

 

User Interface

Display:

            TouchView(tm) Graphical User Interface

            7-inch color TFT LCD, 800 x 480 pixels

            Onboard LCD brightness control

Mode Switch:

            [COMBI], [PROG], [SEQ], [GLOBAL], [MEDIA] switch

VALUE controller:

            [VALUE] Dial, [INC], [DEC] Switch, 10 key block ([0] - [9], [-], [.], [ENTER], [COMPARE])

BANK Switch:

            [A], [B], [C], [D], [E], [F] switch (in Combination mode, [A], [B], [C], [D] switch are available)

SEQUENCER switch:

            [PAUSE], [REW], [FF], [LOCATE], [REC], [START / STOP]

TEMPO:

             [TEMPO] knob, [TAP] switch

Others:

            [PAGE] switch, [WRITE] switch, [EXIT] switch, [VOLUME] knob, Contrast knob

 

Outputs

AUDIO OUTPUT (L / MONO, R):

            6.3mm (Mono) Phone jack, Unbalanced

  Output Impedance: 1100Ohm, 550Ohm with Mono output

  Maximum level: +16.0 [dBu], Load Impedance: more than 10Ohm.

Headphone Output:

            3.5mmStereo phone jack

  Output Impedance: 33Ohm

               Maximum level: 60 + 60mW with 33Ohm load

Control Input

            DAMPER pedal (Half Damper supported)

            ASSIGNABLE SWITCH

            ASSIGNABLE PEDAL

MIDI

            IN/OUT

USB

            USB-MIDI Interface (TYPE B) x 1

SD Card Slot

            Max: 2 GB / SD memory card

  Max: 32 GB/ SDHC memory card

  Note: SDXC memory cards are not supported.

Power

            Power supply (DC12V 3.5A), POWER switch

Dimensions (W x D x H)

KROME-61 = 40.43 x 12.32 x 3.66 inches / 1,027 × 313 × 93 mm

KROME-73 = 46.89 x 12.32 x 3.66 inches / 1,191 × 313 × 93 mm

KROME-88 = 57.01 x 15.08 x 5.16 inches / 1,448 × 383 × 131 mm

Weight

KROME-61 = 15.87 lbs. / 7.2 kg

KROME-73 = 18.08 lbs. / 8.2 kg

KROME-88 = 32.41 lbs. / 14.7 kg

Power Consumption

  13 W

Accessories

               AC Adapter

Quick Start Guide

Accessory Disc (Operation Guide PDF, Parameter Guide PDF, Video Manual)

Option

XVP-10: Expression/Volume pedal

EXP-2: Foot Controller

DS-1H: Damper Pedal

PS-1, PS-3: Pedal Switch

 

PC System Requirements for Krome Editor/Plug-In Editor

Windows

OS:

   Windows Vista SP2 and later (32- and 64-bit, all editions),

   Windows 7 (all editions, including 64-bit)

Computer:

            USB port required

Macintosh

OS:

            Mac OS X 10.4.11 or later

Computer:

             USB port required

PC System Requirements for Krome Editor/Plug-In Editor

Windows

OS:

   Windows Vista SP2 and later (32- and 64-bit, all editions),

   Windows 7 (all editions, including 64-bit)

CPU:

            Intel Pentium 4/ Greather than 1 gHz, later Core Duo recommended.

Memory:

             More than 512MB (Greater than 1 GB recommended)

Monitor:

             1,024x768, at least 16-bit color

Others:

            Computer with USB port, running Windows 7, Windows XP, or Windows Vista

 

Macintosh

OS:

            Mac OS X 10.5 or later (32-bit and 64-bit kernel modes supported)

                 Note: This plug-in is not 64-bit.

CPU:

            Intel Mac supported

    Later Core Duo recommended

Memory:

            More than 512MB (at least 1 GB recommended)

Monitor:

            1,024x768, at least 32,000 colors

Others:

            Apple Macintosh computer with USB port, running Mac OS X.

 

*Krome Plug-In Editor supports VST/RTAS in Windows, VST/ Audio Unit/RTAS in Macintosh.

*Only a single instance of the Krome Editor or Krome Plug-In Editor can be used at once.

*All other product and company names are trademarks or registered trademarks of their respective holders.

*Specifications and appearance are subject to change without notice for improvement.

 



The first Yamaha synthesizer was released in 1974, at a time when synthesizers were only just beginning to be accepted into the musical mainstream. Yamaha has been at the forefront ever since, with instruments that have defined musical styles and propelled countless artists to stardom. 40 years on, Yamaha synthesizers and music workstations are still the instruments of choice for acclaimed professionals and discerning amateurs worldwide. 40 years is a milestone worth commemorating. To mark this auspicious occasion and reaffirm our commitment to empowering artists everywhere with the finest tools available, we have created the limited edition 40th Anniversary MOTIF XF Music Production Synthesizer. The commemorative MOTIF XF is pure white, symbolizing both our dedication for the past 40 years and a new beginning from which an even brighter future for musical creativity and expression will arise.
Celebrate with us, and the pure-white 40th Anniversary MOTIF XF.

The Korg PaAS Optional Speaker System for Pa3X is an optional speaker system for the Pa3X series keyboards. The speaker mounts on top of the keyboard, and uses Korg's proprietary Easy Connect System for a cable-free connection. Use the PaAS speaker system to deliver hi-fidelity audio at home or for monitoring applications on stage.

  • 4-operator FM Sound Engine offers dynamic and expressive additive synthesis
  • A new feature of this engine is continuously variable feedback on every operator allowing for a wide-range of sound creation
  • Two programmable effects blocks with seven effect types per block:
  • The effect types are: VCM Touch Wah, VCM Flanger, VCM Phaser, Chorus, Delay, Reverb and Distortion
  • Multi-touch control interface gives direct access to four simultaneous parameters
  • 32 Voice memory locations allow storing and recalling favorite Voices

MicroBrute is pure analog sonic powerhouse of a synth. Small in size but loaded with features, it follows in the footsteps laid by its big brother the MiniBrute.

Packed with mixable waveforms, a new sub oscillator design, the famous Steiner-Parker multimode filter, super fast envelope, syncable LFO and the new step sequencer, not to mention the patchable mod matrix the MicroBrute is a landmark new synth at an incredible price.

MAIN FEATURES:

  • Monophonic synthesizer
  • 100% Analog Audio Signal Path
  • Steiner-Parker Multimode Filter (LP, BP, HP)
  • Voltage Controlled Oscillator with new Overtone Sub-Osc
  • Oscillator Mixer (Sub, Sawtooth, Square, Triangle)
  • LFO with 3 waveforms and destination attenuator
  • Brute FactorTM delivering saturation and rich harmonics
  • Ultrasaw generating shimmering sawtooth waveforms
  • Metalizer bringing extreme triangle harmonics
  • Fast Envelope Generator
  • 25 note mini Keyboard
  • External Analog Audio Input (level pot on rear)
  • CV Inputs: Pitch, Filter, Sub-mod, Pulse, Saw animator, metalizer, gate in.
  • CV outputs: Pitch, Gate, Env, LFO
  • MIDI Inwith 5-Pin DIN connector
  • USB MIDI In/Out
  • 1/4" Audio Output and 1/8" Headphone Output
  • Free Editor Software
  • Step Sequencer :
    • 8 sequences stored on power down
    • Rate control
    • Sync to MIDI clock
    • Multiple modes (via software editor)
  • Tap tempo/rest insert
Box content
  • MicroBrute synthesizer.
  • User manual.
  • Preset sheets.
  • Power supply.
  • 2 mini jack patch cords.

Size & weight
  • Instrument size : 325x221x60mm
  • Instrument weight : 1.750 Kg

Weight2.00 kg15.00 kg7.00 kg5.00 kg2.00 kg2.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.00 kg
Weight 15.00 kg
Weight 7.00 kg
Weight 5.00 kg
Weight 2.00 kg
Weight 2.00 kg