Professional Arranger Workstation Better than ever. The Korg Pa Series has a new flagship: the Pa3X, the most realistic, powerful, and easy-to-use arranger workstation ever produced. For years, Korgʼs Pa Series has been the most respected, envied, and successful line of interactive arranger workstations on the planet. Once again, Korg has raised the standard of […]
Better than ever. The Korg Pa Series has a new flagship: the Pa3X, the most realistic, powerful, and easy-to-use arranger workstation ever produced. For years, Korgʼs Pa Series has been the most respected, envied, and successful line of interactive arranger workstations on the planet. Once again, Korg has raised the standard of excellence by offering new, richer, and more realistic sounds; creating amazing new features, and offering a fresh – yet elegant – design. Meet the Pa3X. Listen and Believe.
Pa3X Highlights
Enhanced RX (Real eXperience) sound engine offers improved realism and new vivid sound, including pianos borrowed from the acclaimed Korg SV-1 Stage Vintage Piano, plus Ambience Drums
Massive internal ROM – plus up to 256 MB of user PCM data (equivalent to 512 MB*) –provides an extraordinarily powerful wave memory, delivering the best sound quality possible
Three assignable switches, a four-way joystick, and our unique ribbon strip ensure total control for the many available levels of sound articulation (DNC)
Choose either 61 keys or 76 semi–weighted keys; both with velocity and aftertouch
Elegantly designed and reliable aluminum cabinet
TouchView™ TFT display; 76-key model features a motorized tilting display
Professional graphic interface with new Search facility for quickly locating musical resources
PaAS High-fidelity, optional amplification/speaker bar with Korgʼs own Easy Connect system (no support, cables, or additional power supply needed)
Self-refreshing PCM Data memory backup – supported by our own Intelligent Re-Charge system – ensures fast startup
Improved Style and Performance selection, Over 400 factory Styles; each with 4 variations and 4 Fill Ins + Break, plus 15 user banks for unlimited storage of your favorite customized or user created Styles and settings
Enhanced Guitar Mode 2 for even more realistic guitar parts
Chord Sequencer function records any chord progression on-the-fly
Up to 8 Stereo Effects at once, including flexible Master and Insert routing for Styles and songs. New Vintage Effects from the acclaimed SV-1 Stage Vintage Piano
New TC-Helicon ® Vocal Processor (VoiceLive2 derived) with dedicated professional effects
Adaptive Mic Setting provides a virtual sound engineer to automatically set the best EQ/Compressor/Gate settings for your voice
Professional Final Mastering tools from “Waves Audio” plugins “MaxxAudio ™ ” suite.
New Double MP3/MIDI files player and recorder with Advanced Vocal Remover.
Enhanced compatibility with Lyrics in graphical format (+G) for MIDI files and MP3 files.
New Audio Chord Detection function that automatically extracts chords to send to the Vocal Processor from MP3 files.
Enhanced sound compatibility for GM songs.
Multi-language extended character set. Lyrics can be showed in their original languages (except the Oriental and the Arabic Languages**).
*when calculated as 16-bit linear data ** check for the available languages
KORG Pa3X Professional Arranger Workstation Specifications
Keyboard: 61-semi-weighted keys with velocity and aftertouch 76 semi-weighted keys with velocity and aftertouch
System OPOS (Objective Portable Operating System) RX (Real eXperience) DNC (Defined Nuance Control) Natural Ambience Drums Sound Technology Multitasking, Load while play feature Upgradable Operating System Self-Refresh Battery for PCM data
Tone Generator KORG EDS (Enhanced Definition Synthesis) sound generator: 120 Voices, 120 Oscillators Filters with Resonance Three band EQ for each track
Effects Up to 8 Stereo Digital Multi-Effects block system 140 Effects types including VOCODER Final Mastering Effects by WAVES (MaxxEQ™, MaxxBass™, MaxxTreble™, MaxxStereo™, MaxxVolume™)
New Voice Processor Technology by TC-Helicon® with 7 Effects: Four-part Harmonizer, Double, µMod, Reverb, Delay, Filter, HardTune, Pitch Correction plus Compressor, EQ, Gate (Adaptive Mic Setting on the Mic input)
Sounds / Drumkits More than 1100, including Stereo Piano and GM Level 1 & 2 compatible sounds; more than 90 Drum Kits
User area: 512 Sounds, 128 Drum Kits Defined Nuance Control (DNC) Technology
Real Drum Ambience
Digital Drawbars: 9 Footages
Realtime controls: Assignable Sliders Full editing of Sounds and Drum Kits
Sampling: Record, Edit, Time Slice, Compression Tool, Load/Import of Korg, Wav, AIFF and Akai files; Export of Wav and AIFF files
PCM RAM Memory: 128 MB standard (equivalent to 256 MB linear data), expandable up to 256 MB (equivalent to 512MB linear data) with the optional EXB-M256 memory expansion board
Styles More than 400 preloaded Styles, freely reconfigurable 1200 available Style locations including the Favorite banks Eight Style tracks, 4 Single Touch Settings, 4 Pads and one Style Performance per Style Guitar Track 2 mode, Parallel and Fixed NTT Compatible with old “i-Series” and Pa series Style format Style Record with Step Record, Track and Event Edit functions Style controls: 3 Intros, 4 Variations, 4 Fills, Break, 3 Endings, Synchro Start/Stop, Tap Tempo/Reset, Fade In/Out, Bass Inversion, Auto Fill, Manual Bass, Tempo Lock, Memory, Accompaniment/Real Time Track Balance Volume, Accompaniment Mute, Drum Mapping, Snare & Kick Designation, Single Touch
STS: Memorize Realtime tracks and Voice Processor settings, up to 4 x 1200 Styles, up to 4 x SongBook entries
Realtime tracks Four Keyboard tracks (Upper 1, 2, 3, Lower) with dedicated on/off and sound select buttons
Song Play Patented XDS Crossfade Dual Sequencer Player (Supported formats: MID, MID+G, KAR, MP3 + lyrics, MP3+G) 2 Players with separate Select, Start/Stop, Home, Rewind and Fast Forward controls X-Fader Balance control Lyrics, Score, and Chord data can be displayed on screen, or on external video monitor (with VIF4 option installed) Markers Jukebox function
Mp3 Player / Recorder Double Mp3 Player and Mp3 Recorder Two Mp3 files can be played simultaneously in Song Play Mode Real Time Transpose (+6/-5 semitones) Tempo change (±30%) Advanced Vocal Remover Record MP3 files including Styles, SMF, Real Time Tracks, Pads, Microphone and Effects Audio Chord detection for Vocal Harmony
Sequencer Quick Record (Backing Sequence) Multitrack and Step Record functions – Full-featured sequencer 16 tracks; Up to 200,000 events SMF native format
SongBook Fully programmable music database, based on Styles, SMF, Karaoke, MP3 with automatic selection of Style Play and Song Play modes User-definable custom lists Filtering and Ordering options
Compatibility
“i-Series” models: Styles
Pa series: Style, Performance, Program/Sound, Song, SongBook, Pad
Multi Pad 4 Assignable Pads + Stop Button – Pad Record function
Help System Hypertextual, Contextual, Multilingual
General Controls Master Volume, Real Time-Acc/Seq Balance Volume, Ensemble, Octave Transpose, Master Transpose, Style Change, Quarter Tone and Arabic Scale memorized inside Performance/STS – Realtime controllers: Joystick (pitch + modulation), Ribbon Control, 8 Assignable Sliders, MP3 Volume, Mic Volume, Mic Harmony/Double Vol., Mic Reverb/Delay Vol., 3 Assignable Switches, Tempo +/-, Dial, Up/+, Down/- – Search Function
Control Inputs Damper Pedal (support half-pedaling with optional DS-1H pedal), Assignable Pedal/Switch, EC-5 (Programmable Multi-Switches)
Analog Outputs Unbalanced/Balanced Jack Left/Mono, Right/Mono, Out 1, Out 2, Headphones (in the front panel)
Digital Outputs S/P DIF (48 kHz – coaxial), mirroring the Main Stereo Outputs
Line Inputs 2 Unbalanced/Balanced Jack Left/Mono, Right/Mono
Microphone Input Combo XLR balanced with Gain control (15 to 50 dB) and switchable Phantom Power
MIDI In, Out, Thru; standard Midi connectors USB to Midi using the USB Device port Individual track assignment 8 user definable MIDI Setups
USB 2 USB Host Front/Rear (2.0 Hi Speed) and 1 USB Device Rear (1.1 Full Speed) connections
Hard Disk / Mass Storage Standard 4 GB memory USB Optional 2.5″ SATA Hard Disk Driver (61-key) Standard internal 2.5″ SATA Hard Disk Drive (76-key)
DVD-CD Player / Floppy Disk Optional using standard USB DVD/CD/FD Drives connected via USB Host ports
Display Pa3X 61: Resolution: 320 x 240 pixels – TFT Color TouchView Graphic Touch Screen; Pa3X 76: Motorized Tilt Display – Resolution: 320 x 240 pixels – TFT Color TouchView Graphic Touch Screen
Clock Internal System Clock
Consumption 35 Watt – 50 Watt when connected with Amplification Bar (PaAS)
Dimensions (W x D x H) 980 x 366 x 145 mm / 38.58 x 14.41 x 5.71 inch without music stand (61); 1192 x 366 x 145 mm / 49.93 x 14.41 x 5.71 inch without music stand and with the display fully lowered (76)
Weight 14.7 kg / 32.4 lbs (61); 17.5 kg / 38.58lbs (76)
Accessories Manual, AC Power Cable, Music Stand, Accessory Disk
Options PaAS Amplification System EXB-M256 – 256 MB RAM Expansion Board VIF4 – Video Interface Board EXP-2 – Expression/Volume Pedal XVP-10 – Professional Expression/Volume Pedal EC5 – Assignable Multi-Switch Controller DS-1H – Damper Pedal PS-1 – Switch Pedal HDIK-2 Hard Disk Kit Installation Kit (61 only)
* Helicon is a registered trademark of TC-Helicon Vocal Technologies Ltd. * MaxxAudio, MaxxEQ, MaxxBass, MaxxTreble, MaxxStereo, MaxxVolume are trademarks of Waves Audio Ltd. * Specifications and appearance are subject to change without notice for improvement.
Pa AS – Pa Amplification System for Pa3X (76 and 61 keys)
System 3 Channel Amplification System
Power 2×20 Watt (Middle/High Frequency) + 1×40 Watt (Sub Woofer)
Connectivity Extremely Simple Connection. Power and the audio signal from the Pa3X are via a special connector that is automatically attached to the keyboard. No Cable, No Power supply needs to be attached to the Pa3X
Dimensions (W x D x H) 992 x 173 x 137 mm / 39.06 x 6.81x 5.39 inch
Weight 5.7 kg / 12.57 lbs
Weight
2.00 kg
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Better than ever. The Korg Pa Series has a new flagship: the Pa3X, the most realistic, powerful, and easy-to-use arranger workstation ever produced. For years, Korgʼs Pa Series has been the most respected, envied, and successful line of interactive arranger workstations on the planet. Once again, Korg has raised the standard of excellence by offering new, richer, and more realistic sounds; creating amazing new features, and offering a fresh – yet elegant – design. Meet the Pa3X. Listen and Believe.
Pa3X Highlights
Enhanced RX (Real eXperience) sound engine offers improved realism and new vivid sound, including pianos borrowed from the acclaimed Korg SV-1 Stage Vintage Piano, plus Ambience Drums
Massive internal ROM – plus up to 256 MB of user PCM data (equivalent to 512 MB*) –provides an extraordinarily powerful wave memory, delivering the best sound quality possible
Three assignable switches, a four-way joystick, and our unique ribbon strip ensure total control for the many available levels of sound articulation (DNC)
Choose either 61 keys or 76 semi–weighted keys; both with velocity and aftertouch
Elegantly designed and reliable aluminum cabinet
TouchView™ TFT display; 76-key model features a motorized tilting display
Professional graphic interface with new Search facility for quickly locating musical resources
PaAS High-fidelity, optional amplification/speaker bar with Korgʼs own Easy Connect system (no support, cables, or additional power supply needed)
Self-refreshing PCM Data memory backup – supported by our own Intelligent Re-Charge system – ensures fast startup
Improved Style and Performance selection, Over 400 factory Styles; each with 4 variations and 4 Fill Ins + Break, plus 15 user banks for unlimited storage of your favorite customized or user created Styles and settings
Enhanced Guitar Mode 2 for even more realistic guitar parts
Chord Sequencer function records any chord progression on-the-fly
Up to 8 Stereo Effects at once, including flexible Master and Insert routing for Styles and songs. New Vintage Effects from the acclaimed SV-1 Stage Vintage Piano
New TC-Helicon ® Vocal Processor (VoiceLive2 derived) with dedicated professional effects
Adaptive Mic Setting provides a virtual sound engineer to automatically set the best EQ/Compressor/Gate settings for your voice
Professional Final Mastering tools from "Waves Audio” plugins "MaxxAudio ™ ” suite.
New Double MP3/MIDI files player and recorder with Advanced Vocal Remover.
Enhanced compatibility with Lyrics in graphical format (+G) for MIDI files and MP3 files.
New Audio Chord Detection function that automatically extracts chords to send to the Vocal Processor from MP3 files.
Enhanced sound compatibility for GM songs.
Multi-language extended character set. Lyrics can be showed in their original languages (except the Oriental and the Arabic Languages**).
*when calculated as 16-bit linear data ** check for the available languages
KORG Pa3X Professional Arranger Workstation Specifications
Keyboard: 61-semi-weighted keys with velocity and aftertouch 76 semi-weighted keys with velocity and aftertouch
System OPOS (Objective Portable Operating System) RX (Real eXperience) DNC (Defined Nuance Control) Natural Ambience Drums Sound Technology Multitasking, Load while play feature Upgradable Operating System Self-Refresh Battery for PCM data
Tone Generator KORG EDS (Enhanced Definition Synthesis) sound generator: 120 Voices, 120 Oscillators Filters with Resonance Three band EQ for each track
Effects Up to 8 Stereo Digital Multi-Effects block system 140 Effects types including VOCODER Final Mastering Effects by WAVES (MaxxEQ™, MaxxBass™, MaxxTreble™, MaxxStereo™, MaxxVolume™)
New Voice Processor Technology by TC-Helicon® with 7 Effects: Four-part Harmonizer, Double, µMod, Reverb, Delay, Filter, HardTune, Pitch Correction plus Compressor, EQ, Gate (Adaptive Mic Setting on the Mic input)
Sounds / Drumkits More than 1100, including Stereo Piano and GM Level 1 & 2 compatible sounds; more than 90 Drum Kits
User area: 512 Sounds, 128 Drum Kits Defined Nuance Control (DNC) Technology
Real Drum Ambience
Digital Drawbars: 9 Footages
Realtime controls: Assignable Sliders Full editing of Sounds and Drum Kits
Sampling: Record, Edit, Time Slice, Compression Tool, Load/Import of Korg, Wav, AIFF and Akai files; Export of Wav and AIFF files
PCM RAM Memory: 128 MB standard (equivalent to 256 MB linear data), expandable up to 256 MB (equivalent to 512MB linear data) with the optional EXB-M256 memory expansion board
Styles More than 400 preloaded Styles, freely reconfigurable 1200 available Style locations including the Favorite banks Eight Style tracks, 4 Single Touch Settings, 4 Pads and one Style Performance per Style Guitar Track 2 mode, Parallel and Fixed NTT Compatible with old "i-Series" and Pa series Style format Style Record with Step Record, Track and Event Edit functions Style controls: 3 Intros, 4 Variations, 4 Fills, Break, 3 Endings, Synchro Start/Stop, Tap Tempo/Reset, Fade In/Out, Bass Inversion, Auto Fill, Manual Bass, Tempo Lock, Memory, Accompaniment/Real Time Track Balance Volume, Accompaniment Mute, Drum Mapping, Snare & Kick Designation, Single Touch
STS: Memorize Realtime tracks and Voice Processor settings, up to 4 x 1200 Styles, up to 4 x SongBook entries
Realtime tracks Four Keyboard tracks (Upper 1, 2, 3, Lower) with dedicated on/off and sound select buttons
Song Play Patented XDS Crossfade Dual Sequencer Player (Supported formats: MID, MID+G, KAR, MP3 + lyrics, MP3+G) 2 Players with separate Select, Start/Stop, Home, Rewind and Fast Forward controls X-Fader Balance control Lyrics, Score, and Chord data can be displayed on screen, or on external video monitor (with VIF4 option installed) Markers Jukebox function
Mp3 Player / Recorder Double Mp3 Player and Mp3 Recorder Two Mp3 files can be played simultaneously in Song Play Mode Real Time Transpose (+6/-5 semitones) Tempo change (±30%) Advanced Vocal Remover Record MP3 files including Styles, SMF, Real Time Tracks, Pads, Microphone and Effects Audio Chord detection for Vocal Harmony
Sequencer Quick Record (Backing Sequence) Multitrack and Step Record functions - Full-featured sequencer 16 tracks; Up to 200,000 events SMF native format
SongBook Fully programmable music database, based on Styles, SMF, Karaoke, MP3 with automatic selection of Style Play and Song Play modes User-definable custom lists Filtering and Ordering options
Compatibility
“i-Series" models: Styles
Pa series: Style, Performance, Program/Sound, Song, SongBook, Pad
Multi Pad 4 Assignable Pads + Stop Button - Pad Record function
Help System Hypertextual, Contextual, Multilingual
General Controls Master Volume, Real Time-Acc/Seq Balance Volume, Ensemble, Octave Transpose, Master Transpose, Style Change, Quarter Tone and Arabic Scale memorized inside Performance/STS - Realtime controllers: Joystick (pitch + modulation), Ribbon Control, 8 Assignable Sliders, MP3 Volume, Mic Volume, Mic Harmony/Double Vol., Mic Reverb/Delay Vol., 3 Assignable Switches, Tempo +/-, Dial, Up/+, Down/- - Search Function
Control Inputs Damper Pedal (support half-pedaling with optional DS-1H pedal), Assignable Pedal/Switch, EC-5 (Programmable Multi-Switches)
Analog Outputs Unbalanced/Balanced Jack Left/Mono, Right/Mono, Out 1, Out 2, Headphones (in the front panel)
Digital Outputs S/P DIF (48 kHz – coaxial), mirroring the Main Stereo Outputs
Line Inputs 2 Unbalanced/Balanced Jack Left/Mono, Right/Mono
Microphone Input Combo XLR balanced with Gain control (15 to 50 dB) and switchable Phantom Power
MIDI In, Out, Thru; standard Midi connectors USB to Midi using the USB Device port Individual track assignment 8 user definable MIDI Setups
USB 2 USB Host Front/Rear (2.0 Hi Speed) and 1 USB Device Rear (1.1 Full Speed) connections
Hard Disk / Mass Storage Standard 4 GB memory USB Optional 2.5" SATA Hard Disk Driver (61-key) Standard internal 2.5" SATA Hard Disk Drive (76-key)
DVD-CD Player / Floppy Disk Optional using standard USB DVD/CD/FD Drives connected via USB Host ports
Display Pa3X 61: Resolution: 320 x 240 pixels - TFT Color TouchView Graphic Touch Screen; Pa3X 76: Motorized Tilt Display - Resolution: 320 x 240 pixels - TFT Color TouchView Graphic Touch Screen
Clock Internal System Clock
Consumption 35 Watt - 50 Watt when connected with Amplification Bar (PaAS)
Dimensions (W x D x H) 980 x 366 x 145 mm / 38.58 x 14.41 x 5.71 inch without music stand (61); 1192 x 366 x 145 mm / 49.93 x 14.41 x 5.71 inch without music stand and with the display fully lowered (76)
Weight 14.7 kg / 32.4 lbs (61); 17.5 kg / 38.58lbs (76)
Accessories Manual, AC Power Cable, Music Stand, Accessory Disk
Options PaAS Amplification System EXB-M256 - 256 MB RAM Expansion Board VIF4 - Video Interface Board EXP-2 - Expression/Volume Pedal XVP-10 - Professional Expression/Volume Pedal EC5 - Assignable Multi-Switch Controller DS-1H - Damper Pedal PS-1 - Switch Pedal HDIK-2 Hard Disk Kit Installation Kit (61 only)
* Helicon is a registered trademark of TC-Helicon Vocal Technologies Ltd. * MaxxAudio, MaxxEQ, MaxxBass, MaxxTreble, MaxxStereo, MaxxVolume are trademarks of Waves Audio Ltd. * Specifications and appearance are subject to change without notice for improvement.
Pa AS - Pa Amplification System for Pa3X (76 and 61 keys)
System 3 Channel Amplification System
Power 2x20 Watt (Middle/High Frequency) + 1x40 Watt (Sub Woofer)
Connectivity Extremely Simple Connection. Power and the audio signal from the Pa3X are via a special connector that is automatically attached to the keyboard. No Cable, No Power supply needs to be attached to the Pa3X
Dimensions (W x D x H) 992 x 173 x 137 mm / 39.06 x 6.81x 5.39 inch
Weight 5.7 kg / 12.57 lbs
4-operator FM Sound Engine offers dynamic and expressive additive synthesis
A new feature of this engine is continuously variable feedback on every operator allowing for a wide-range of sound creation
Two programmable effects blocks with seven effect types per block:
The effect types are: VCM Touch Wah, VCM Flanger, VCM Phaser, Chorus, Delay, Reverb and Distortion
Multi-touch control interface gives direct access to four simultaneous parameters
32 Voice memory locations allow storing and recalling favorite Voices
Krome
Music Workstation On Stage. On the Go. On Top.
Offering full-length, unlooped samples of every key for a spectacular piano sound, this new keyboard redefines your expectations for an instrument in this class. Taking its name from the Greek word meaning "color," Krome is the new standard for sonic excellence in a gigging musician's keyboard, providing a limitless palette of sound to bring vivid inspiration your music. Introducing the Krome Music Workstation.
Product Highlights:
The Korg workstation ideal for any style of piano playing
Kronos-derived full length, unlooped piano and drum sounds, plus new electric pianos designed to shine on stage
Electric pianos with eight-level velocity switching for unmatched expressive power
Clear, intuitive control with Korg's exclusive 7-inch color TouchViewTM display
Drums offering separately mixable direct and ambient sounds for studio-grade quality
Drum Track plays back realistic, inspiring grooves at the touch of a button
Expertly created, in-demand sounds including 640 Programs and 288 Combinations
Powerful Effects with 5 Inserts, 2 Master, and 1 Total FX, plus per track/timbre EQ
Distinctive aluminum panel design exudes a sense of quality
USB connection to your computer, plus an SD Card slot for data storage
You can use the Krome editor to edit sounds on your computer
Available in 61, 73, and 88 key models.
In addition to Korg's well-proven workstation features, Krome features a carefully chosen selection of the top sounds available today for bread-and-butter keyboard instruments such as piano and electric piano, as well as vital and dynamic drum kits, giving you the best of the basics. These highly usable piano, electric piano, and drum sounds by themselves set Krome apart from any other keyboard in its class. With sound quality and features normally found in much more expensive instruments, Krome aspires to set a whole new value standard, and become a unique and irreplaceable partner for real-world musicians.
Specifications
Keyboard
Krome 61: Semi-weighted keyboard
*velocity-sensitive supported, after touch is not supported
*Standard C2-C7 (transposable in the range [C1...C6]-[C3...C8])
Krome 73: Semi-weighted keyboard
*velocity-sensitive supported, after touch is not supported
*Standard C1-C7 (transposable in the range [C0...C6]-[C2...C8])
Krome 88: NH keyboard (Natural Weighted Hammer Action] keyboard
*velocity sensitive is supported, after touch is not supported
*Standard A0-C8 (transposable in the range [A-1...C7]-[A1...C9]
*The NH keyboard reproduces the touch of an acoustic piano, with a heavier feel in the low register and a lighter feel in the upper register.
System
EDS-X (Enhanced Definition Synthesis-eXpanded)
Sounds
Maximum Polyphony:
120 voices (120 Oscillators) / Single Mode
60 voices (120 Oscillators) / Double Mode
*The maximum simultaneous voice polyphony will vary depending on oscillator settings such as stereo multisamples and velocity crossfading.
Output Impedance: 1100Ohm, 550Ohm with Mono output
Maximum level: +16.0 [dBu], Load Impedance: more than 10Ohm.
Headphone Output:
3.5mmStereo phone jack
Output Impedance: 33Ohm
Maximum level: 60 + 60mW with 33Ohm load
Control Input
DAMPER pedal (Half Damper supported)
ASSIGNABLE SWITCH
ASSIGNABLE PEDAL
MIDI
IN/OUT
USB
USB-MIDI Interface (TYPE B) x 1
SD Card Slot
Max: 2 GB / SD memory card
Max: 32 GB/ SDHC memory card
Note: SDXC memory cards are not supported.
Power
Power supply (DC12V 3.5A), POWER switch
Dimensions (W x D x H)
KROME-61 = 40.43 x 12.32 x 3.66 inches / 1,027 × 313 × 93 mm
KROME-73 = 46.89 x 12.32 x 3.66 inches / 1,191 × 313 × 93 mm
KROME-88 = 57.01 x 15.08 x 5.16 inches / 1,448 × 383 × 131 mm
Weight
KROME-61 = 15.87 lbs. / 7.2 kg
KROME-73 = 18.08 lbs. / 8.2 kg
KROME-88 = 32.41 lbs. / 14.7 kg
Power Consumption
13 W
Accessories
AC Adapter
Quick Start Guide
Accessory Disc (Operation Guide PDF, Parameter Guide PDF, Video Manual)
Option
XVP-10: Expression/Volume pedal
EXP-2: Foot Controller
DS-1H: Damper Pedal
PS-1, PS-3: Pedal Switch
PC System Requirements for Krome Editor/Plug-In Editor
Windows
OS:
Windows Vista SP2 and later (32- and 64-bit, all editions),
Windows 7 (all editions, including 64-bit)
Computer:
USB port required
Macintosh
OS:
Mac OS X 10.4.11 or later
Computer:
USB port required
PC System Requirements for Krome Editor/Plug-In Editor
Windows
OS:
Windows Vista SP2 and later (32- and 64-bit, all editions),
Windows 7 (all editions, including 64-bit)
CPU:
Intel Pentium 4/ Greather than 1 gHz, later Core Duo recommended.
Memory:
More than 512MB (Greater than 1 GB recommended)
Monitor:
1,024x768, at least 16-bit color
Others:
Computer with USB port, running Windows 7, Windows XP, or Windows Vista
Macintosh
OS:
Mac OS X 10.5 or later (32-bit and 64-bit kernel modes supported)
Note: This plug-in is not 64-bit.
CPU:
Intel Mac supported
Later Core Duo recommended
Memory:
More than 512MB (at least 1 GB recommended)
Monitor:
1,024x768, at least 32,000 colors
Others:
Apple Macintosh computer with USB port, running Mac OS X.
*Krome Plug-In Editor supports VST/RTAS in Windows, VST/ Audio Unit/RTAS in Macintosh.
*Only a single instance of the Krome Editor or Krome Plug-In Editor can be used at once.
*All other product and company names are trademarks or registered trademarks of their respective holders.
*Specifications and appearance are subject to change without notice for improvement.
Not only on the outside did he gain weight, also his inner qualities have seen a remarkable step-up: besides the virtual-analog synthesis and the classic wavetables it now sports a whopping 60 megabytes of sample memory.
Just imagine to add a vocal-like noise spectrum to a typical Wavetable pad, spice-up a virtual-analog solo sound with a strong attack sample or just process any other sample with the countless oscillator and filter modulations.
Play your sound creations on the high-quality keyboard with velocity and aftertouch. Pitchbend and modulation wheel are at your disposal and, as a matter of course, you can connect a sustain pedal.
All this is packaged in a sleek metal enclosure with a big graphic display, endless stainless steel rotaries and an internal power supply.
And although it comes for an unbeatable price tag, we add something very special. It comes:
From Waldorf with Love!
Features:
60 Megabyte sample memory
Class compliant USB MIDI for PC,Mac and Linux
16 part multimode
maximum 25 voices polyphony
highest quality standard keybed with 49 weighted keys and aftertouch
Internal power supply
Pitchbend and modulation wheel
Virtual analog, wavetable, and sample based oscillators
MIDI in/out
Sturdy metal case
Stainless steel rotary encoders
Backlit 128x64 pixel LCD
Over 1000 sounds
3 oscillators, 2 filters per voice
Selectable drive curves
Frequency modulation for oscillators and filters
Three LFO, four envelopes per voice
Extensive modulation capabilities
Complex arpeggiator
Powerful effects section
weight: apprx 8,-- kgs
weight in carton: apprx 9,5 kgs
Waldorf is back in the game. With the Blofeld. This synthesizer offers all the unique qualities that made Waldorf a truly legendary brand.
The engine inside the heavy duty, full metal chassis of the Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse, Q, Q+, Micro Q, Microwave, Microwave II/XT, or even the flagship Wave.
Yes, you've heard it right. The Blofeld is not only capable of producing these warm, organic analog sounds known from the Q synthesizer line, it also sports a wavetable engine like its predecessors with "Wave" in their names.
This unique synthesis system is based upon the revolutionary PPG Wave synthesizers of the early 80s. So when you listen to the Blofeld for the first time, you will instantly recognize those edgy, hard-hitting and bell-like timbres that have been an integral part of so many world hits from the PPG era on, and become increasingly popular once more.
In fact it is amazing to realize that nowadays this complex technology fits into such a slim and elegant device. And for a price no-one would have imagined a couple of years ago.
Oscillators
Each of the three oscillators offers authentic circuit-models of analog waveforms: Pulse with variable pulse-width, sawtooth, triangle and, as found in relatively few analog synthesizers these days, sine wave.
Furthermore, oscillators 1 and 2 feature the two wavetables that were introduced by the Waldorf Q and appeared shortly thereafter in the Micro Q series.
Not only that, the Blofeld includes all ROM Wavetables from the mighty flagship Waldorf Wave as well as Microwave II/XT. Plus, lo and behold, the desperately requested "Upper Wavetable" from the good old PPG Wave! But, for the first time in the history of Waldorf and PPG, each of these two oscillators can have its own wavetable.
What's more, you have control over the brilliance of these wavetables, which is especially important for waves with lots of harmonics in the bass end. You decide if you prefer pure and perfect harmonics or the same edgy timbre you know and love from the earlier Waldorf and PPG synthesizers.
Brilliance also affects the sawtooth and pulse oscillator models. From warm and soft (for those typical L.A. string pads) to the hard shapes you need for punchy and biting bass sounds. But note, Brilliance is not a simple filter applied after the oscillators, the model itself is modified.
Each of the three oscillators can be frequency-modulated by any of the other oscillators, the noise generator or one of the LFOs. With low FM amounts, you can add a little dirt to the oscillator sound, with higher amounts you get typical FM effects.
On top of all that, oscillator 2 can be hard-synced to oscillator 3.
Ring Modulation and Noise Generator
Oscillators 1 and 2 can be ring-modulated to create bell-like or metallic sounds, eerie sound effects as well as pumping basses and leads.
The noise generator delivers white noise that can be filtered low or high pass, depending on the Noise Colour setting.
The three oscillators, the ring modulator and the noise generator can be freely mixed into filter 1 and filter 2. This allows fine control over the harmonic content of each of the tone generators.
Filters
The Blofeld has two multimode filters per voice that can be routed in series or in parallel. Each Filter has its own Pan parameter for easy creation of stereo sounds.
The selection of filter types includes low pass, band pass, high pass and notch (band reject), each with 12dB/oct or 24dB/oct slope. The filter models are based on several famous Waldorf filter algorithms found in all our products. They offer resonance up to self-oscillation as well as frequency modulation (filter FM).
Furthermore, the Blofeld features the same comb filter types (with positive and negative feedback) that we first introduced in the Waldorf Q. These can be used to thicken bass and pad sounds or to create percussive, string or flute sounds reminiscent of physical modelling.
Overdrive, Saturation, Distortion, Shaping
You name it. The Blofeld offers a freely controllable "Drive" behind each filter with more than a dozen curves. These include such standards as the drive from the Q and Micro Q, low/medium/hard saturation, tube saturation, two types of electric pickups, a rectifier, digital overflow as well as esoteric stuff such as "binary distortion“, a sinusoidal waveshaper and even a distortion controlled by oscillator 1. And because the Blofeld has two filters that can be routed in series, you can control the timbre of the drive output of Filter 1 by dampening or emphasizing certain frequencies with filter 2.
Effects
The Blofeld has two effect slots with various types. In Multimode, the first effect slot is available per Part, while the second one is used for all 16 Parts (i.e. global) with controllable mix levels. Part 1 determines the settings of the second effect.
The first effect slot offers such modulation effects as chorus, flanger as well as a combined type called "Triple FX“. The latter gives you several effects at once, but with a reduced parameter set.
The second effect slot offers all the same types as the first, but with the addition of delay, clocked delay and reverb.
Envelopes
Four envelopes with different types and trigger modes affect any sound parameters you choose.
Each envelope can be either polyphonic or single trigger. This is especially interesting with the monophonic voice allocation, as the filter envelope can be set to be triggered only by the first note(s) while the Amp Envelope is triggered anew (i.e. on each note). Think "organ percussion register“, for instance.
The Envelope types include the standard ADSR as well as an enhanced ADSR-variant (with controllable attack level and two decay and sustain stages), two different loop envelopes and a "one shot" Envelope.
The Loop types can be used to act as additional LFOs, while the One Shot is perfectly suited for percussion sounds (which typically ignore the note release).
LFOs
Each of the three LFOs offers sine, triangle, square and sawtooth waveforms, plus sample & hold and random.
LFOs can be synchronized to MIDI clock, they can be polyphonic or monophonic, reset on key trigger to a freely definable phase, and the speed can be scaled by MIDI note (key follow). There are separate delay and fade in/out parameters for e.g. delayed vibrato (positive Fade values) or a burst of vibrato at the start of each note (negative Fade values).
One important feature of the Blofeld LFOs is that higher rates reach well into the audio frequency range, thus making them useful extra FM sources. There are two basic modes: either linear FM as seen in classic digital synths, or logarithmic FM, which is primarily the domain of analog modular systems.
Modulation Matrix
Here's where the real Waldorf power lies. Each and every instrument designed and built by Waldorf lets you connect dozens of modulation sources to all the important sound generation parameters.
Individual or multiple oscillator pitches, their pulsewidths and waveforms, their levels and filter-balances, FM modulation amounts, individual filter cutoff and resonance, filter FM amounts and stereo panning, or just the good old sound output level – everything can be controlled from internal modulation sources or from a variety of MIDI messages such as velocity, keytrack, continuous controllers (including wheels, breath and foot controllers) etc.
You can of course "modulate the modulators" i.e. control LFO speeds and individual envelope rates and levels. But in Blofeld you can even specify that these sources modulate themselves – recursive modulation! For instance, modulating an envelope rate by the same envelope (or another one) can alter the shape of the slope dramatically from the standard exponential curve to linear to inverse exponential.
And how many slots do you get in the mod matrix? Two? Three? Four? No, we're talking big here. You get 16 freely definable slots plus all the pre-routed modulation destinations such as pitch, Osc 1, 2 and 3 frequency and PWM (pulse width modulation), filter 1 and 2 cutoff, panorama and amp level modulation. And let's not forget that the filter envelope is already routed to filter 1 and 2 cutoff, and the amp envelope is routed to the amp level. Makes a total of 33 simultaneous connections if we counted correctly.
Modifiers
What if you want something really really crazy, like controlling a pitch vibrato done by LFO 3 with the modulation wheel. Although there are a few such composite modulation sources such as "LFO1*MW" (LFO 1 controlled by Modulation Wheel) and "LFO2*Press" (LFO 2 controlled by monophonic Aftertouch), there's nobody doing the "LFO3*MW" thing for you.
But, don't worry, that's where the Modifiers come into play. In seconds you can set up a new modifier, with the two sources set to LFO 3 and modulation wheel, and the "operation" set to "*" (multiply). You can use such custom-made modulation sources in any of the modulation slots described above.
Okay, maybe you are more the regular musician who simply wants to perform a binary OR between two modulation sources? Okay, go for it! This operation is just one of several at your service.
Arpeggiator
Okay, Blofeld's arpeggiator could very well become the biggest chapter of this page but let's try to keep it short...
It features variable clock divisions from 1/64 triplets to more than 1000 bars, with variable swing/shuffle, a range of up to 10 octaves. Up, down and alternate figures, selectable play order from low to high note, low to high velocity, as played or reversed, variable note length, different velocity modes. And Hold or One-Shot, if you like.
But more importantly, it has the most powerful Pattern Editor we have ever seen.
You can set each Step to either play the note it would do so anyway, to pause, to play the previous note again, play the first or the last note, play those together, play a chord consisting of all held notes or a randomly selected note.
Then you can adjust the Accent of each step (including silence), activate or deactivate Glide for each step, set the timing to play a step ahead or behind its nominal time, and finely adjust the note length between short staccato and full legato.
No wonder this arpeggiator had great reviews when it first appeared in the Waldorf Q. It will take you straight to arpeggiator-heaven, as has already happened to thousands of Waldorf customers. Dig it!
Sound
Now, how does all that sound? You probably know that Waldorf synthesizers are well loved for their sound character, and the Blofeld is certainly no exception. But who are we to tell you? Better listen to the Waldorf Blofeld demos or just believe us: it sounds great. Now go and get one!
Technical InfoMost important features
Unbeatable price tag
Sturdy Metal Enclosure
7 endless stainless steel Dials
Graphic Display 128 x 64 pixels, b/w, white background LED
More than 1000 Sounds
3 Oscillators per voice
Frequency Modulation between the Oscillators
All Q Oscillator Models
All Microwave II/XT/XTk Wavetables
2 independent Multi Mode Filters per voice
Filter FM
2 Drive stages per voice with selectable Drive Curves
3 fast LFOs per voice
4 fast Envelopes per voice
Powerful Arpeggiator
Freely programmable Arpeggiator Pattern with up to 16 Steps per Sound
General Features
Up to 25 Voices
16 part multi timbral
More than 1000 Sounds
Sturdy Metal Enclosure
7 endless stainless steel Dials
5 Buttons
Graphic Display 128 x 64 pixels, b/w, white background LED
MIDI LED
Volume Control
Power Switch
Stereo Output
Headphone Output
MIDI In
USB Connector for MIDI In / Out:
- uses standard USB MIDI Driver provided by host computer OS
- Windows ME minimum, Windows XP or newer recommended
- Mac OS X 10.2 minimum, Mac OS X 10.3 or newer recommended
External Power Supply
Per Voice
3 Oscillators
Virtual Analog Models:
- Pulse with Pulse Width Modulation and adjustable Brilliance
- Sawtooth with adjustable Brilliance
- Triangle
- Sine
Wavetables:
- Q Alt 1 and Alt 2 Wavetable with adjustable Brilliance
- All Wavetables from Microwave II/XT/XTk Series with adjustable Brilliance
- Separate Wavetable selectable for Oscillator 1 and 2
Frequency Modulation between the Oscillators
Oscillator Synchronization
Ring Modulator for Osc 1 / 2
Noise Generator with Noise Colour
2 independent Multi Mode Filters:
- Filter FM
- Resonance up to Self-Oscillation
- Low Pass 24 dB / 12 dB
- Band Pass 24 dB / 12 dB
- High Pass 24 dB / 12 dB
- Notch 24 dB / 12 dB
- Comb Filter with positive / negative Feedback
- PPG Low Pass Filter
2 Drive stages per voice with adjustable Drive Gain and selectable Curves:
- Clip
- Hard
- Medium
- Soft
- Sine Shaper
- etc.
Modulation Matrix with 16 Slots, freely programmable:
- Modulation Speed far into Audio Range
- Modulation Sources include all internal Modulation Sources plus various MIDI messages
- Modulation Destinations for almost all continuous sound parameters
Various pre-routed Modulation Destinations with selectable Sources:
- Pitch Modulation
- Oscillator 1 / 2 / 3 Frequency Modulation
- Oscillator 1 / 2 / 3 Pulse Width Modulation
- Filter 1 / 2 Cutoff Modulation
- Filter 1 / 2 Frequency Modulation
- Pan 1 / 2 Modulation
- Amp Modulation
4 Modifiers for transforming Modulation Sources with various Algorithms
3 fast LFOs:
- Syncable to MIDI Clock
- Note Retrigger with adjustable Start Phase
- Monophonic LFO
- Keytrack
4 fast Envelopes with selectable types:
- Single Trigger / Retrigger per Envelope
- ADSR
- ADS1DS2R (2 Decay/Sustain stages plus adjustable Attack Level)
- One Shot
- Loop S1S2 (Loop between Sustain 1 and 2)
- Loop All (Loop over all stages)
Poly, Mono, Dual or Unisono Mode with selectable Voice Count
Per Part
Powerful Arpeggiator:
- Hold and One Shot modes
- Syncable to MIDI Clock
- Direction Up, Down, Alternate
- Range up to 10 Octaves
- Various methods to modify Note Sort Order
Freely programmable Arpeggiator Pattern with up to 16 Steps per Sound.
programmable per Step:
- Accent
- Timing
- Length
- Glide on/off
- Pause
- Chord
- Previous note
- Random not from Note List
- first and/or last note from Note List
1 Effect slot per part
1 Effect slot globally for all parts
Effect types:
- Chorus
- Flanger
- Phaser
- Overdrive
- Triple FX (S&H, Ring Modulation, Chorus)
- Delay (only available on global Effect slot)
- Clocked Delay (only available on global Effect slot)
- Reverb (only available on global Effect slot)
Highlights:
Even more vintage sounds, including the KORG SGproX piano, M1 and VOX organs and well-known "Tape" instruments
128 onboard sounds, plus 640 additional sounds included with the Editor/Librarian for Mac and PC!
New yet nostalgic - black panel "new vintage" design
Featuring MMT - the distillation of Korg's analog modeling technology
Vocoder with included gooseneck microphone
A powerful Kaoss effects engine - the kind of effects that you would expect from Korg
Korg's proprietary Natural Touch mini-keyboard, designed with an emphasis on playability
Battery powered operation is supported for increased portability
More Vintage Sounds than Ever
Lush analog modeled synthesizer sounds that are characteristic of the MicroKorg have been freshly added to the MicroKorg XL+. In addition, for band use, the MicroKorg XL+ comes equipped with the piano sound from Korg's classic stage piano, the SGproX (famous for its ability to stand out in your band's mix), as well as its hard-edged grand-type electric piano. This compact package also includes sounds from the M1 and the VOX organ, vintage tape-type string and flute machines, as well as other gorgeous sounds from keyboard history. Of course, these sounds can be played full-range like the originals that inspired them, either by using the onboard octave switch, or by connecting your choice of any MIDI-capable full-sized keyboard of choice. Each of these 128 programs are genuinely inspiring sounds, giving the MicroKorg XL+ plenty of variety to serve as your main keyboard or as a secondary keyboard in your rig. In addition, Korg has provided a total of 640 free sounds, downloadable through the free Editor software!
Program genre selector
The MicroKorg XL featured a sound selector that lets you choose your sound using two large dials: "music genre" and "instrument category." The new MicroKorg XL+ has been updated with a new set "music genres" to fit today's evolving music scene. Now you can select a program that matches your song more intuitively than ever. For even more convenience, you can also leave one of the dials fixed and use the other dial to make program changes during a song (music genre fixed), or use the dial to select vocoder variations (instrument category fixed).
New Yet Nostalgic - "New Vintage" Design
The MicroKorg XL+ projects a style that's reminiscent of vintage electric pianos, featuring a futuristic and simultaneously retro design with a stylish black panel and knobs. High-quality parts such as metal levers, dials that move with an audible click, and knobs with a sturdy operating feel are some of the ways that the MicroKorg XL+ outclasses other instruments in its range and enhances your experience editing synthesizer sounds.
Specifications
Tone Generator System:
MMT (Multiple Modeling Technology)
Multi Timbral:
Maximum 2 (when using Layer, Split, or Multi)
Voice polyphony:
Maximum 8 voices (when using Vocoder, it is 4 voices)
Structure:
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