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Mackie 802-VLZ4 8-Channel Mixer Details
The Mackie 802-VLZ4 8-Channel Mixer is an 8-Channel Compact Analog Mixer with 3 Onyx preamps. Now featuring Mackieʼs flagship Onyx mic preamps, the comprehensive Mackie VLZ4 line delivers the proven feature set, high-headroom/low-noise design and "Built-Like-A-Tank” construction that created an industry more than 25 years ago. From every input to every output, VLZ4 is optimized to deliver professional-quality results each and every time.
Each generation of VLZ mixers benefits from a reinvestment in performance, all without raising prices. By continuing to ignore the "race to the bottom,” VLZ4 benefits from generations of performance improvements like transparent EQ, class-leading negative summing bus architecture and custom-designed op-amps to ensure signal integrity from every input to every output. The result is a mixer that is at the peak of performance and is the obvious go-to compact analog mixer for engineers who demand professional results.
The performance of Mackieʼs Onyx mic preamps is more than proven. Just check all the amazing reviews and customer testimonials. Their boutique quality sound and unmatched performance rival any high-priced, boutique preamp on the market. Adding these flagship preamps to our VLZ4 Series compact mixers underlines our commitment to continually improving the performance of the VLZ line with each generation.
The VLZ4 design goal was simple: every VLZ4 mixer must have the highest headroom and lowest noise possible. Strict attention to component quality and tolerances has led to innovations like our custom M80 op-amps and class-leading negative summing bus architecture that add yet another level of assurance that a Mackie VLZ4 mixer is the right choice for your professional audio application.
Mackie VLZ mixers are truly "Built-Like-A-Tank.” From beer spills to drops from moving vehicles, the testimonials are as endless as the applications Mackie mixers serve. The VLZ4 series is certainly no exception. With a nearly indestructible steel wrap-around chassis and features like grime-resistant rotary sealed pots, you can be sure that buying a Mackie VLZ4 mixer is a solid investment.
VLZ4ʼs new black powder coat finish, cockpit-inspired controls and high-contrast knobs not only optimize your mixerʼs usability in low-light scenarios, it also means your mixer looks as good as it performs.
Mackieʼs VLZ4 line is extremely comprehensive, offering mixers of every channel count, every price point, for every application. From the ultra-compact 402VLZ4 for desktop applications to the tour-friendly 3204VLZ4, you can be sure there is a VLZ4 mixer with the right feature set for your needs.
Mackie 802-VLZ4 8-Channel Mixer Features
8-channel mixer featuring Mackie signature high-headroom/low-noise design
3 boutique-quality Onyx mic preamps
Ultra-wide 60dB gain range
128.5 dB dynamic range
+22 dBu line input handling
Extended frequency response
Distortion under 0.0007% (20Hz – 50kHz)
Improved RF rejection perfect for broadcast applications
Phantom power for condenser mics
8 high-headroom line inputs
Selectable instrument inputs on first two channels – no DI box needed
3-band EQ (80Hz, 2.5kHz, 12kHz)
18 dB/oct 100Hz low-cut filter on mic input channels
Aux send, level, pan and PFL solo on each channel
Stereo return for connecting FX processor or other stereo source
ALT 3/4 stereo bus for added routing flexibility
Control room / phones source matrix
High-resolution 12-segment stereo meters
Sealed rotary controls resist dust and grime
"Built-Like-A-Tank” rugged steel chassis with powder-coat finish
High-visibility, high-contrast controls deliver convenient "at-a-glance” visual feedback
| Low-cost high-performance mixers
Key Features
- 6 Mono & 2 Stereo Input Channels
- 6x GB30 Microphone Preamplifiers
- Recording and Live Sound Audio Console
- Compact Mobile Enclosure
The Soundcraft EPM Series provides a straight-forward, yet professional alternative to complex audio mixers. Constructed in a 6-, 8- or 12-channel chassis, the EPM mixers are well-suited for recording and sound reinforcement applications.
The EPM 6 features 6 mono and 2 stereo input channels providing the flexibility needed to accommodate the recording studio, venue or touring musician. All mono inputs feature 1/4" phone line and balanced XLR microphone inputs. The famed GB30 microphone preamps provide the quiet, detailed signal synonymous with Soundcraft\'s large FOH consoles. The stereo inputs provide L/R 1/4" phone connections and are ideal for connecting stereo devices such as keyboards, returning effects, etc.
The EQ section features a sweepable mid-range on all mono channels and provides smooth frequency contouring. Inserts on all mono channels and stereo output enable signal routing to external signal processors. The compact profile, rich sound quality and flexibility of the EPM Series provides everything necessary for use in project recording, video editing, night clubs, bars, meeting halls, houses-of-worship, and more.
6 Mono and 2 Stereo Channels
The EPM 6 features 6 mono microphone and line input channels, 2 stereo inputs feature L/R 1/4" phone connections
Comprehensive Controls
The comprehensive layout is designed to attract users who require a straight-forward mixing environment
GB30 Microphone Preamplifiers
All 12 mono inputs feature Soundcraft\'s GB30 microphone preamps for quiet, clean large-format FOH console quality
Compact and Professional
The EPM Series consoles pack a professional feature set in a compact, mobile enclosure
| Total # Of Inputs |
6x Mono
2x Stereo |
| Mic/Line Inputs |
6x Line Mono: 1/4" TRS Phone
2x Line Stereo: L/R 1/4" TRS Phone
6x Microphone: 3-pin XLR |
| Stereo Line Inputs |
2x Stereo: L/R 1/4" TRS Phone |
| In-Line Inputs/Returns |
No |
| AUX Sends |
2x Aux Sends |
| AUX Returns |
No dedicated returns |
| Inserts |
1/4" TRS Phone - Mono Inputs, Main Stereo Output |
| BUS (Group) Outputs |
Stereo Output Only |
| 2 Trk Master I/O |
Mix L/R: Stereo Paired L/R RCA Phono |
| ALT I/O |
No |
| Monitor Outputs |
Monitor: L/R Stereo Paired 1/4" TRS Phone |
| EQ Section |
Mono Inputs +/- 15 dB
Lo: 80 Hz
Mid: 150 Hz - 3.5 kHz (swept)
Hi: 12 kHz
Q: 1.5
Stereo Inputs +/-15 dB
Lo: 80 Hz
Mid: 720 Hz
Hi: 12 kHz |
| Solo/Mute |
All Input Channels |
| Channel Level Control |
100 mm Faders |
| Trim/Gain Control |
Rotary Potentiometers |
| Phantom Power |
+48 V Phantom |
| Metering |
10-Segment L/R Peak LEDs
+48 V Phantom Power LED
PFL Active LED
Power Indicator LED |
| Frequency Response |
20 Hz to 20 kHz +/-1.5 dB |
| Dynamic Range |
Not specified by manufacturer |
| Signal-to-Noise Ratio |
Noise (22 Hz - 22 kHz measurement bandwidth)
Mic EIN @ max gain, 150 ohms source impedance -127 dBu
Mix @ max, faders to down |
| Total Harmonic Distortion (THD) |
Mic sensitivity 30 dB, +14 dBu @ mix output: |
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The Soundcraft GB-2 (2-bus) 24 Channel Console is designed for installed sound and A/V applications that donʼt require all the sophisticated functionality of the GB4 and GB8.
However the Soundcraft GB-2 24 Channel Console is a genuine GB Series console in every respect, with sound quality assured by GB30 Mic Pre and Equaliser designs, and reliability by the same rugged build quality that has made the GB4 and GB8 so dependable in demanding professional applications.
Along with six Aux busses and an integral 6 x 2 matrix, four subgroups are provided as two stereo pairs, with a unique facility for adjusting the width of the stereo signal across the stereo mix. The channel pan settings are retained on the group outputs, while the degree of stereo separation to the mix bus is independently adjustable from full stereo through to mono.
The GB2 also features two stereo input channels, with separate mic and line inputs. In normal use, the mic inputs are routed to the local channel and the line inputs act as a stereo return to the mix bus. Selecting the line input to the local channel overrides the mic inputs.
The Soundcraft GB-2 (2-bus) 24 Channel Console Main Features Include:
- 24 channel frame size
- 12 busses
- 2 full feature stereo channels
- 2 stereo returns (on stereo channels)
- 6 Aux sends
- 4 sub groups (paired)
- 6x2 output matrix
- GB30 mic preamp and precision equalisation circuitry
- Direct outputs on every channel
- Talkback facility
- 100mm faders
- Switchable 48V phantom powering on every channel
- 100Hz high pass filter
- 12-segment LED metering
- Record output
- Width: 1013mm (39.88“)
- Weight: 25kg (55.1lbs)
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Κονσόλα ήχου με νέας γενιάς προενισχυτές GB30, σχεδιασμένη για διπλή χρήση σαν front of house ή stage monitor. Διαθέτει 16 mono εισόδους (mic) με EQ 4 περιοχών (παραμετρικό για mid&low mid), 2 stereo εισόδους με EQ 4 περιοχών, 4 group, 8 AUX, με δυνατότητα εναλλαγής (SWAP) μεταξύ AUX 1-4 & group. Διαθέτει επίσης 4 mute groups, matrix 7x5, direct εξόδους σε κάθε mono είσοδο, ενδεικτικά στάθμης με 12-LED και REC out με limiter. Εσωτερικό τροφοδοτικό με link out για δεύτερο εξωτερικό. Βάρος 22kg. Κατάλληλη για μόνιμες εγκαταστάσεις, θέατρα, live p.a. |
The Soundcraft GB-2 (2-bus) 32 Channel Console is designed for installed sound and A/V applications that donʼt require all the sophisticated functionality of the GB4 and GB8.
However the Soundcraft GB-2 32 Channel Console is a genuine GB Series console in every respect, with sound quality assured by GB30 Mic Pre and Equaliser designs, and reliability by the same rugged build quality that has made the GB4 and GB8 so dependable in demanding professional applications.
Along with six Aux busses and an integral 6 x 2 matrix, four subgroups are provided as two stereo pairs, with a unique facility for adjusting the width of the stereo signal across the stereo mix. The channel pan settings are retained on the group outputs, while the degree of stereo separation to the mix bus is independently adjustable from full stereo through to mono.
The GB2 also features two stereo input channels, with separate mic and line inputs. In normal use, the mic inputs are routed to the local channel and the line inputs act as a stereo return to the mix bus. Selecting the line input to the local channel overrides the mic inputs.
The Soundcraft GB-2 (2-bus) 32 Channel Console Main Features Include:
- 32 channel frame size
- 12 busses
- 2 full feature stereo channels
- 2 stereo returns (on stereo channels)
- 6 Aux sends
- 4 sub groups (paired)
- 6x2 output matrix
- GB30 mic preamp and precision equalisation circuitry
- Direct outputs on every channel
- Talkback facility
- 100mm faders
- Switchable 48V phantom powering on every channel
- 100Hz high pass filter
- 12-segment LED metering
- Record output
- Width: 1247mm (49.09“)
- Weight: 30kg (66.1lbs)
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Live 4-Bus Mixing Console
32 Input Channels (24 mono)
XLR Mic: 24 mono channels + 4 stereo channels
Frequency Response: 20Hz – 20kHz
Weight: 39.70 lbs (18.1kg)
Dimensions (H x W x D): 6.38" x 39.92" x 20.98" (162mm x 1014mm x 533mm)
4 Stereo Line Inputs
24 Inserts
Large Illuminated Mute Switches
Stereo inserts
4 Groups with inserts
3-Band EQ with sweepable mids
6 Aux sends
Dual DSP with 100 digital multi-effects
2 Stereo aux return
USB I/O (from aux sends or main mix)
Input gain trim on each channel
24 dB Low cut filter at 75Hz
100mm faders
PFL switches
AFL switches
Phantom power switch (+ 48V)
Mono Out & LPF with sub-woofer containing variable frequency control
2 x 12-segment LED level meter for Main L/R, PFL/AFL. Group 1–4
Talkback mic input
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