RANE MM 42 Monitor Processor

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1,061.26 incl. GR VAT

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Raneʼs MM 42 Monitor Processor fulfills the demanding needs of performers and engineers striving to optimize personal monitor systems while ensuring a safe, dynamic mix. Connected in-line between a mixing console and a wired or wireless monitor system, the MM 42 processes a single stereo mix or two independent mono mixes using Shelf/Cut Filters, 3-band […]

 

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Raneʼs MM 42 Monitor Processor fulfills the demanding needs of performers and engineers striving to optimize personal monitor systems while ensuring a safe, dynamic mix. Connected in-line between a mixing console and a wired or wireless monitor system, the MM 42 processes a single stereo mix or two independent mono mixes using Shelf/Cut Filters, 3-band Compressor, 5-band Parametric EQ, and 3-band Peak Limiter. An assignable Sub (low frequency) output with adjustable bandpass filter is included for direct connection to powered subwoofers or bass shakers without requiring an external crossover. The on-board headphone amp and Cue Bus functionality permit easy setup and monitoring of multiple mixes.

Process a single stereo mix or two independent mono mixes using the MM 42ʼs flexible input to output routing. Any combination of the MM 42ʼs four line-level inputs is assignable to any output processing chain. The relative mix of inputs is easily adjusted using front panel level controls, making “more me” mixes a breeze.

Create a separate low-frequency mix for driving onstage subwoofers or tactile thumpers using the Sub Output with adjustable bandpass filter. Any input or combination of inputs is assignable to the Sub Output. External crossover not required!

Connect multiple MM 42s together using the Cue Bus and avoid the hassle of having to constantly re-patch headphones when monitoring more than one mix. Any mix can be placed on the cue bus and monitored (soloed) simply by pressing the desired mixʼs CUE BUS button. Connect the dedicated Cue Outputs on the rear panel to a spare transmitter or hardwired beltpack and hear the mix exactly as the performer hears it.

Add low frequency thump and high frequency sparkle to a mix using the adjustable Low and High Shelf/Cut Filters.

Control the dynamics of a mix with precision using the 3-Band Compressor. Adjustable crossover frequencies allow you to easily tame excess low end, while keeping the vocals and guitars clear and present.

Use the 5-Band Parametric EQ to improve the overall sound of the mix. Uses range from simple, broad sweetening effects to precise boosts or cuts to account for a performerʼs hearing loss or a particular earphoneʼs response.

Protect the performerʼs hearing and keep output levels under control using the 3-Band Peak Limiter. The Limiterʼs crossover frequencies are fully adjustable and independent of the Compressorʼs crossover settings.

Monitor the mix pre- or post-processing using the on-board headphone amp. Both 1/4″ phone and 3.5 mm mini jacks are offered on the front panel. In many cases the headphone amp can replace a hardwired beltpack for the less mobile musicians on stage – the drummer or keyboard player, for example.

Save precious Aux outputs on the mixing console by using the Direct Outputs to daisy chain (pass-through) a common mix or mixes across multiple MM 42s. Feed a bandʼs stereo mix through to multiple MM 42s using the Direct Outs, then use the additional Inputs on each device to add solo instruments to the overall mix.

Recall memory presets and adjust parameters remotely via MIDI. MIDI Sys Ex is also used to backup system settings and for device firmware updates.

 

 Features for the Artist

  • Process a single stereo mix or two independent mono mixes.
  • Shelf/Cut Filters, 3-band Compressor, 5-band Parametric EQ, 3-band Peak Limiter.
  • 4 line-level Inputs assignable in any combination to either output processing chain.
  • Assignable Sub Output with bandpass filter.
  • 16 Memory locations for storing custom user presets.

Features for the Engineer

  • Built-in headphone amplifier with 1/4″ and 3.5 mm jacks.
  • Cue Bus allows listening to mixes across multiple MM 42s without re-patching headphones. Cue selectable Pre- or Post-processing.
  • Line-level Cue Outputs for spare transmitter or return to console.
  • Direct Outputs allow distribution of common mixes to multiple devices, requiring fewer aux sends on console.
  • Neutrik® 1/4“-XLR combo jacks allow interfacing with a variety of console aux/group outputs.
  • Device control and firmware updates via MIDI.

 

Weight 2.00 kg

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Quick Comparison

RANE MM 42 Monitor Processor removeTOA RM-210 REMOTE MICROPHONE EXTENSION UNIT removeTOA RM-200M Remote Microphone Console removeINTER-M PD-659 POWER DISTRIBUTOR/CONTROL UNIT removeTOA PGW-6R Music program selector removeINTER-M RM-8000 Remote Mic Station remove
NameRANE MM 42 Monitor Processor removeTOA RM-210 REMOTE MICROPHONE EXTENSION UNIT removeTOA RM-200M Remote Microphone Console removeINTER-M PD-659 POWER DISTRIBUTOR/CONTROL UNIT removeTOA PGW-6R Music program selector removeINTER-M RM-8000 Remote Mic Station remove
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Description
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Raneʼs MM 42 Monitor Processor fulfills the demanding needs of performers and engineers striving to optimize personal monitor systems while ensuring a safe, dynamic mix. Connected in-line between a mixing console and a wired or wireless monitor system, the MM 42 processes a single stereo mix or two independent mono mixes using Shelf/Cut Filters, 3-band Compressor, 5-band Parametric EQ, and 3-band Peak Limiter. An assignable Sub (low frequency) output with adjustable bandpass filter is included for direct connection to powered subwoofers or bass shakers without requiring an external crossover. The on-board headphone amp and Cue Bus functionality permit easy setup and monitoring of multiple mixes.

Process a single stereo mix or two independent mono mixes using the MM 42ʼs flexible input to output routing. Any combination of the MM 42ʼs four line-level inputs is assignable to any output processing chain. The relative mix of inputs is easily adjusted using front panel level controls, making "more me” mixes a breeze.

Create a separate low-frequency mix for driving onstage subwoofers or tactile thumpers using the Sub Output with adjustable bandpass filter. Any input or combination of inputs is assignable to the Sub Output. External crossover not required!

Connect multiple MM 42s together using the Cue Bus and avoid the hassle of having to constantly re-patch headphones when monitoring more than one mix. Any mix can be placed on the cue bus and monitored (soloed) simply by pressing the desired mixʼs CUE BUS button. Connect the dedicated Cue Outputs on the rear panel to a spare transmitter or hardwired beltpack and hear the mix exactly as the performer hears it.

Add low frequency thump and high frequency sparkle to a mix using the adjustable Low and High Shelf/Cut Filters.

Control the dynamics of a mix with precision using the 3-Band Compressor. Adjustable crossover frequencies allow you to easily tame excess low end, while keeping the vocals and guitars clear and present.

Use the 5-Band Parametric EQ to improve the overall sound of the mix. Uses range from simple, broad sweetening effects to precise boosts or cuts to account for a performerʼs hearing loss or a particular earphoneʼs response.

Protect the performerʼs hearing and keep output levels under control using the 3-Band Peak Limiter. The Limiterʼs crossover frequencies are fully adjustable and independent of the Compressorʼs crossover settings.

Monitor the mix pre- or post-processing using the on-board headphone amp. Both 1/4" phone and 3.5 mm mini jacks are offered on the front panel. In many cases the headphone amp can replace a hardwired beltpack for the less mobile musicians on stage – the drummer or keyboard player, for example.

Save precious Aux outputs on the mixing console by using the Direct Outputs to daisy chain (pass-through) a common mix or mixes across multiple MM 42s. Feed a bandʼs stereo mix through to multiple MM 42s using the Direct Outs, then use the additional Inputs on each device to add solo instruments to the overall mix.

Recall memory presets and adjust parameters remotely via MIDI. MIDI Sys Ex is also used to backup system settings and for device firmware updates.

 

 Features for the Artist

  • Process a single stereo mix or two independent mono mixes.
  • Shelf/Cut Filters, 3-band Compressor, 5-band Parametric EQ, 3-band Peak Limiter.
  • 4 line-level Inputs assignable in any combination to either output processing chain.
  • Assignable Sub Output with bandpass filter.
  • 16 Memory locations for storing custom user presets.
Features for the Engineer
  • Built-in headphone amplifier with 1/4" and 3.5 mm jacks.
  • Cue Bus allows listening to mixes across multiple MM 42s without re-patching headphones. Cue selectable Pre- or Post-processing.
  • Line-level Cue Outputs for spare transmitter or return to console.
  • Direct Outputs allow distribution of common mixes to multiple devices, requiring fewer aux sends on console.
  • Neutrik® 1/4“-XLR combo jacks allow interfacing with a variety of console aux/group outputs.
  • Device control and firmware updates via MIDI.

 

The RM-210 is an extension unit for increasing the number of function keys of TOA's RM-200M, RM-200XF and RM-200X Remote Microphones.

Specification
Current Consumption 20mA max. (in terms of RM-200M's DC power input 75mA max. (interms of DC power inputs of RM-200X and RM-200XF)
Connection Connection to RM-200M, RM-200X or RM-200XF by way of dedicated Cable
Number of Function Keys 10
Function When used to expand the RM-200M:
Selects and activates the Voice Announcement Board messages.
When used to expand the RM-200X and RM-200XF (PC software setting):
Emergency activation, emergency reset, BGM pattern selection, EV message activation, broadcast zone selection, monitor zone selection, chime activation, Talk switch activation, control output activation, input volume adjustment, zone volume adjustment, and failure output indication and reset.
Finish ABS resin, bluish gray (PANTON 538 or its equivalent)
Dimensions 110 (W) x 76.5 (H) x 215 (D)mm
Weight 350g
Accessory Extension cable x 1, Linkage bracket A x 1, Linkage bracket B x 1, Screw for linkage bracket x 12

 

RM-200M - Five/ten zone console for VM-2120/2240 amplfiers

The RM-200M Remote Microphone that allows announcements to be made to any speaker zone and emergency announcements to all zones on a system with the VM-2120/2240 system management amplifiers.

These announcements can be made live or pre-recorded announcements
can be activated. The remote microphone is connected by cable to the
RM-210 Remote Microphone Extension unit.

SPECIFICATIONS:

 

Power Requirement 24 V DC (12-30 V DC), (Supplied from VM-2120/VM-2240 Amplifier or local power suppy.)
Distortion Less than 1%
Frequency Response 100 - 10,000 Hz
Distortion Less than 1%
Signal-to-Noise Ratio More than 60 dB
Audio Output 0 dB*1, 600 O, balanced
Microphone Unidirectional electret condenser microphone, gooseneck type.
Speaker Zone Control Zones 1-5 (Zones 1-10 with 2 stacked amplifiers) Groups 1-2, and All-Zone Broadcast
Emergency Broadcast Activation of Emergency Broadcast (pre-recorded announcement*2 or live microphone announcement) by Emergency Switch
Voice Announcement Board Control Activation of 5 messages*2
Number of Connectable Units Up to 4
Communication System RS-485
Volume Control Microphone volume control
Connection Cable and Connector Category 5 STP cable, RJ45 connector
Communication Distance 800 m maximum in total
Finish ABS resin
Dimensions 190 (W) × 75.7 (H) × 21.5 (D) mm (Gooseneck microphone excluded)

*1 0 dB = 1 V
*2 An optional EV-200 Board must be mounted in the VM-2120 or VM-2240 Amplifier.

- SYSTEM POWER CONTROL

You can control the power of your system by using this model.

- AC AND DC POWER SUPPLY

You can distribute AC and DC power through the AC outlet and DC terminals on the rear panel.

- USE OF EMERGENCY POWER SUPPLY

For emergency equipment power supply, an extra DC terminal is provided.

- REMOTE CONTROL

You can control the system power by remote control function even though the power switch on front is off.

- AC AND DC VOLT METER

This model uses digital volt meter displays of AC and DC.

- OPERATING MODE DISPLAY

You can easily check the operating mode by LEDs, AC or DC operating and emergency power.

PD-659

AC Outlet

Switched 2000W ⅹ3

Unswitched 700W ⅹ1

Remote Control

1

DC Power Output

DC 24V 5A

Operation Temperature

-10℃~+40℃

Power Source

100-120VAC or 220-240VAC; 50/60Hz

(Supplied ACmains transformer depends on country requirements)

Power Consumption

190W

Weight(SET)

6.2Kg/13.6Ib

Dimension(SET)

482(W) x 88(H) x 380(D)mm/19(W) x 3.5(H) x 15(D)in

※ Specifications and design subject to change without notice.

Music Program Selector 1-6 with Relay
Toa - 100V installation

- CONVENIENT INSTALLATION AND CONSTRUCTION WITHOUT NEED OF ID SETTING.

- SELECTION OF VARIOUS CHIME BROADCASTINGS FOR MIC BROADCASTING (PRE/POST).

- CONVENIENT PRIORITY BROADCASTING.

- ADOPTION OF OUTPUT SIGNAL LEVEL DISPLAY.

- ADOPTION OF RS-422 COMMUNICATION METHOD TO SUPPORT A LONG DISTANCE.

Audio Output

0dB(Balanced)

Audio Input

Paging & RM MIC & LM MIC

-50dB(Balanced)

BGM(Main & Local)

-10dB(Balanced)

Tone Control

(100Hz & 10kHz)

Paging MIC

± 10dB

Audio Output

± 12dB

Frequency Response

BGM

± 3dB

MIC

± 3dB

S / N

BGM

Better than 75dB

MIC

Batter than 65dB

T.H.D.

BGM

Less than 0.05%

MIC

Less than 0.05%

Priority Control

Paging MIC > DRP > RM1> RM2 > RM3 > RM4 > LM-8000 > Main BGM

Phantom Power

DC 24V

Serial Interface

Communication Speed

9600bps

Communication Distance

Maximum 300m(UTP CAT%)

Operation Temperature

-10℃ ~ +40℃

Power Source

100-120VAC or 220-240VAC; 50/60Hz

(Supplied AC mains transformer depends on country requirements)

Weight(SET)

1.5kg / 3.2lb

Dimensions(SET)

200(W) x 70(H) x 206(D)mm

7.9(W) x 2.8(H) x 8.1(D)in

※ Specifications and design subject to change without notice.

Weight2.00 kg0.35 kg3.00 kg6.20 kg0.50 kg1.40 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.00 kg
Weight 0.35 kg
Weight 3.00 kg
Weight 6.20 kg
Weight 0.50 kg
Weight 1.40 kg