RANE RPM 2M Programmable Multiprocessor

Discontinued

954.62 incl. GR VAT

Out of stock

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The RPM 2m is a 100% drag and drop configurable DSP-based device, set up and controlled using Rane’s Drag Net software. Industry standard 10Base-T Ethernet is used to communicate between Drag Net devices and any Ethernet-equipped PC running Microsoft Windows. The RPM 2m provides two balanced, mic/line level analog inputs and two balanced analog outputs, […]

 

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The RPM 2m is a 100% drag and drop configurable DSP-based device, set up and controlled using Rane’s Drag Net software. Industry standard 10Base-T Ethernet is used to communicate between Drag Net devices and any Ethernet-equipped PC running Microsoft Windows.

The RPM 2m provides two balanced, mic/line level analog inputs and two balanced analog outputs, each I/O having its own 100% user-defined signal processing path. An AES3 digital output is included, bringing the total number of outputs to four.

Cost-effective end user control is possible using optional Rane accessories in conjunction with the Versatile Input Port. Whether your application requires contact closure preset recall or remote level control using a potentiometer on a wall, the RPM 2m keeps the user interface easy and inexpensive.

Euroblock and XLR connectors are provided for audio input/output. Grounding screws for direct connection to the metal chassis are provided for solving EMI problems due to shield wiring. Also found on the rear panel is an RJ-45 Ethernet connector for computer control, and an IEC AC power input.

All DSP algorithms are not created equally and textbook DSP algorithms miss the mark where the rubber meets the road. Rane’s team of audio-savvy DSP mathematicians — a rare breed itself — in conjunction with our industry-leading analog signal processing gurus have combined forces to offer superlative digital and analog audio performance. With 24-bit converters, greater than 105 dB throughput dynamic range and double-precision 48-bit internal DSP ‘math,’ the RPM 2m offers the best DSP algorithms and audio performance available.

This ain’t no Internet appliance! For example, the RPM’s 215 MIPs translate into 150 fully parametric EQ filters, should you need multiple channels of 15 band parametrics and nothing else.

Multiple units are controlled from a single computer using low-cost Ethernet switches. The recessed Default button on the rear panel recalls Preset 1 in case of communications failure. The front panel has three-color LED meters for each input and output, allowing fast and intuitive signal flow verification without a computer. Current Preset, Control Port, Power, Ethernet and Status indicators are also on the front panel. Powered from an internal power supply and certified as UL, CSA and CE complient, the RPM 2m is compatible with any installation mandating agency compliance.

Weight 3.60 kg

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Quick Comparison

RANE RPM 2M Programmable Multiprocessor removeDBX 510 SUBHARMONIC SYNTHESIZER MODULE removeAPOGEE SIOC Electronics Symphony I/O Chassis removeBehringer MULTIGATE PRO XR4400 Quad Expander/Gate removeBEHRINGER S16 I/O Box with 16 Remote-Controllable MIDAS Preamps, 8 Outputs removeBSS BLUCARD-IN 4 analog input mic/line card for Soundweb remove
NameRANE RPM 2M Programmable Multiprocessor removeDBX 510 SUBHARMONIC SYNTHESIZER MODULE removeAPOGEE SIOC Electronics Symphony I/O Chassis removeBehringer MULTIGATE PRO XR4400 Quad Expander/Gate removeBEHRINGER S16 I/O Box with 16 Remote-Controllable MIDAS Preamps, 8 Outputs removeBSS BLUCARD-IN 4 analog input mic/line card for Soundweb remove
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SKURMP2MDBX 510SIOCE005394E005492Z-BLUCARD-IN
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Price954.62 incl. GR VAT 251.00 incl. GR VAT 1,604.05 incl. GR VAT 145.00 incl. GR VAT 686.00 incl. GR VAT 384.39 incl. GR VAT
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Description
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The RPM 2m is a 100% drag and drop configurable DSP-based device, set up and controlled using Rane's Drag Net software. Industry standard 10Base-T Ethernet is used to communicate between Drag Net devices and any Ethernet-equipped PC running Microsoft Windows.

The RPM 2m provides two balanced, mic/line level analog inputs and two balanced analog outputs, each I/O having its own 100% user-defined signal processing path. An AES3 digital output is included, bringing the total number of outputs to four.

Cost-effective end user control is possible using optional Rane accessories in conjunction with the Versatile Input Port. Whether your application requires contact closure preset recall or remote level control using a potentiometer on a wall, the RPM 2m keeps the user interface easy and inexpensive.

Euroblock and XLR connectors are provided for audio input/output. Grounding screws for direct connection to the metal chassis are provided for solving EMI problems due to shield wiring. Also found on the rear panel is an RJ-45 Ethernet connector for computer control, and an IEC AC power input.

All DSP algorithms are not created equally and textbook DSP algorithms miss the mark where the rubber meets the road. Rane's team of audio-savvy DSP mathematicians -- a rare breed itself -- in conjunction with our industry-leading analog signal processing gurus have combined forces to offer superlative digital and analog audio performance. With 24-bit converters, greater than 105 dB throughput dynamic range and double-precision 48-bit internal DSP 'math,' the RPM 2m offers the best DSP algorithms and audio performance available.

This ain't no Internet appliance! For example, the RPM's 215 MIPs translate into 150 fully parametric EQ filters, should you need multiple channels of 15 band parametrics and nothing else.

Multiple units are controlled from a single computer using low-cost Ethernet switches. The recessed Default button on the rear panel recalls Preset 1 in case of communications failure. The front panel has three-color LED meters for each input and output, allowing fast and intuitive signal flow verification without a computer. Current Preset, Control Port, Power, Ethernet and Status indicators are also on the front panel. Powered from an internal power supply and certified as UL, CSA and CE complient, the RPM 2m is compatible with any installation mandating agency compliance.

For decades, dbx’s patented Subharmonic Synthesis has rattled foundations enhancing the bass in a variety of professional applications including nightclub and DJ mixing, theatre and film sound, music recording, live music performance and broadcasting. dbx’s Subharmonic Synthesis process actually produces a new, Waveform Modeled bass note, exactly an octave below the bass in the original audio.

The dbx 510 answers the call of audio professionals everywhere delivering Subharmonic Synthesis in the convenient design of a 500 Series module. The 510’s two separate bands of subharmonic synthesis provide the best combination of smoothness and control, while the independent Low Frequency Boost circuit is designed to get the most out of high-performance, low frequency speaker systems. Unlike other attempts at bass synthesis, the dbx process produces musical low frequencies that don’t interfere with mid and high-band information, even when the maximum synthesis and boost are applied. The result is a low-end punch that people really feel!

Put some boom in your room with the dbx 510!

The Symphony I/O Chassis from Apogee provides two I/O Module slots for a variety of digital audio conversion options that form the interface side of the Symphony I/O. Elegant and easy to use, the front panel of Symphony I/O Chassis presents the visual feedback needed to monitor levels, sample rate and clock status, along with the controls required to adjust gain, output levels ,and select the Audio Interface Mode (AIM).

The rear panel provides access to the two I/O Module slots that are capable of a combined thirty-two channels of input and output. PCI, USB and Ethernet connectivity ensures complete compatibility with popular workstations, while the panel also includes Wordclock I/O connectors and termination, LoopSynch I/O connectors, and a quiet digitally-controlled fan to keep everything running cool.

The Audio Interface Mode (AIM) allows the system to be optimized for the most popular audio workstation environments, including Symphony PCI, Pro Tools HD PCI, USB audio, or to function as a standalone converter. With a two-step adjustment using a single front panel encoder knob, the interface can be easily switched back and forth between the preferred modes.

The optional five I/O Modules allow the user to choose from standard configurations, or customize the following - channel count, analog to digital input, digital to analog output, microphone preamps (requires an analog card) and digital I/O.

Two input/output module slots Ethernet connector USB 2.0 connector Two Symphony PC-32 ports for direct connection to Symphony 64 PCI card and Pro Tools core card Wordclock I/O and LoopSync I/O Wordclock termination switch Sixteen, 10-segment meters Two multi-function encoder knobs OLED GUI provides function selection and function adjustment and Audio Interface Mode (AIM) selection Two 1/4" headphone outputs 7-segment sample rate display Clock source display Meter source display High-performance, temperature controlled fan  Connectors     2 x 1/4" TRS phone Headphone
2 x Symphony I/O PC-32 Ports
1 x Ethernet
1 x USB
2 x BNC Wordclock I/O
2 x BNC LoopSync I/O
Headphones     THD+N: -105dB @ 19dBu
Dynamic Range: 119dB, A-weighted
Output Impedance: 30Ω
Power Requirements     90~240VAC, 50/60Hz, 150W
System Requirements     Mac OS X 10.5.8 and above
Dimensions (WxDxH)     19 x 11.5 x 3.5" (483 x 292 x 89mm) 

The MULTIGATE PRO XR4400 provides four frequency-selective expanders/noise gates in a single rack space. Each section comprises an ultra-fast gate, a program dependent expander, a filter section and precision meters indicating both threshold point and gain reduction.

The included side chain parametric filters allow the user to fine-tune control signals so that the gate reacts only when required. The Interactive Attack Control (IAC) circuit analyzes the program material to calculate the attack time of the gate. Separate hold and release controls offer additional flexibility. The XR4400 has a switchable operating mode for the gate and expander. With the MODE function off, the unit works in gate mode using an extremely fast attack time, thus preserving the transient details of the program material. In expander mode, the device analyzes the shape and dynamic contents of the input signal to calculate the control time parameters. The result is that vocals, instruments and complex mix signals can be cleaned up without audible clicks or other detrimental effects.

A couple function on the XR4400 provides a great deal of flexibility to link the expander/gate sections in a master/slave configuration.

Quadruple expander/gateHigh-precision parametric filter for frequency selective operationFully adjustable Ratio control in Expander modeFully adjustable Attenuation control in Gate modeIndependent Hold/Release controls for any envelope shapingFlexLink system for flexible Master/Slave configurationsExtremely low-noise operational amplifiers and high-grade VCA\'sFilter Monitor facility for monitoring the filter sectionHigh-quality detent potentiometers and backlit switchesServo-balanced gold-plated XLR and 1/4" TRS inputs and outputs8-digit LED meters for input level, output level and gain reduction monitoring

Function Four channel expander/gate
Number of Channels 4
Inputs 4 x XLR, 4 x TRS 1/4" phone
Output 4 x XLR, 4 x TRS 1/4" phone
Maximum Input Level +21dBu
Compression Threshold Not applicable
Compression Ratio Not applicable
Attack Time Not applicable
Release Time Not applicable
Gate Threshold 0 to -80dB
Gate Rate Attack: Program dependant
Hold: 0 to 4 sec, variable
Release: 50ms to 4 sec, variable
Maximum Output Level +21dBu
Make-up Gain Not specified by manufacturer
Frequency Response 18HZ to 30kHz
Dynamic Range Not specified by manufacturer
Noise >95dBu, unweighted, 22Hz to 22kHz
Dimensions 1U rack mount, 8 1/2" deep
Specialties Unit will operate at either +4dB or -10 dB

Product Features:

16 MIDAS-designed, fully programmable mic preamps for audiophile sound quality
8 analog, servo-balanced XLR outputs
AES50 network ports featuring KLARK TEKNIKʼs SuperMAC networking capability for ultra-low jitter and latency
Up to 100 m networking capability via CAT-5e cable (not included)
Dual AES50 ports for cascading S16 units—no merger or router required
Precise LED metering plus 7-segment displays for signal control on stage
Phones output assignable to any of the inputs/outputs for on-stage monitoring
Connectivity for BEHRINGER's P-16 Personal Monitoring System for In-Ear applications (not included)
Dual ADAT outputs for use in splitter mode and stand-alone digital multicore applications
MIDI In/Out for bi-directional communication between FOH console and on-stage MIDI devices
USB connector for system updates via PC
"Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
"Built like a tank" yet compact, all-steel 2U rack-mount chassis
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany

KLARK TEKNIK AES50

KLARK TEKNIK SuperMAC (AES50-Compliant) technology gives the S16 its high-capacity digital interconnectivity with ultra-low latency operation, as well as superbly simple deployment and ease of use. KLARK TEKNIK engineers worked hand-in-hand with BEHRINGER product developers to ensure the S16 meets, or exceeds, the requirements of live performance entertainers and their professional audio engineers. Some of the outstanding features are:
48 bidirectional audio channels over CAT5 cable (48 kHz)
24 bidirectional audio channels over CAT5 cable (96 kHz)
Single cable duplex interconnection for audio and sample clocks
Ethernet physical layer audio data transmission
High channel count and ultra-low deterministic latency
Accurate phase-aligned clock distribution.
Comprehensive error detection
and management
Provision for redundant networking
Minimal configuration ñ total ease of deployment and use
Ethernet TCP/IP protocol-compatible auxiliary data channel
Royalty-free implementations available as Xilinx FPGA cores
OEM modules available from developer partners

User's Manual

mic/line for the BLU-80, BLU-32, BLU-16.

Weight3.60 kg1.00 kg2.50 kg3.20 kg4.70 kg1.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 3.60 kg
Weight 1.00 kg
Weight 2.50 kg
Weight 3.20 kg
Weight 4.70 kg
Weight 1.00 kg