DBX Driverack RTA-M Real Time Analyzer Microphone

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Omni-directional, flat frequency, measurement microphone.

 

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Omni-directional, flat frequency, measurement microphone.
Weight 0.50 kg

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Quick Comparison

DBX Driverack RTA-M Real Time Analyzer Microphone removeSHURE KSM-137SL - Cardioid Instrument Microphone 20Hz to 20kHz removeSHURE SM-57LCE - Dynamic Instrument Microphone removeSHURE MX-393C - Cardioid Boundary Microphone removeAKG C414-XLS - Large Diaphragm Condenser Microphone with Five P removeOMNITRONIC MIC MM-1C Condenser Precise measuring microphone with flat frequency response remove
NameDBX Driverack RTA-M Real Time Analyzer Microphone removeSHURE KSM-137SL - Cardioid Instrument Microphone 20Hz to 20kHz removeSHURE SM-57LCE - Dynamic Instrument Microphone removeSHURE MX-393C - Cardioid Boundary Microphone removeAKG C414-XLS - Large Diaphragm Condenser Microphone with Five P removeOMNITRONIC MIC MM-1C Condenser Precise measuring microphone with flat frequency response remove
ImageOMNITRONIC MIC MM-1C Condenser Measurement Mic
SKUDBX DRIVERACK RTA-MKSM137/SLSM-57LCEMX393CC414-XLS13030919
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Description
ContentOmni-directional, flat frequency, measurement microphone.

The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.

Features

  • A highly consistent cardioid polar pattern
  • Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
  • Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
  • Premium electronic components, including gold-plated internal and external connectors
  • Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
  • Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect

Performance Characteristics

  • Extended frequency response
  • Low self noise
  • Exceptional reproduction of low-frequency sounds
  • Can withstand high sound pressure levels (SPL)
  • High output level
  • No crossover distortion
  • Uniform polar response
  • Superior common mode rejection and suppression of radio frequency interference

APPLICATIONS

Some typical applications for the KSM137 are listed below. Microphone use, however, is a matter of personal taste. The KSM137 may be used for a variety of applications other than those listed.

  • Acoustic instruments -- such as piano, guitar, drums, percussion, strings
  • Wind instruments -- brass and woodwind
  • Low frequency instruments -- such as double bass, electric bass, kick drum
  • Overhead miking -- drums or percussion
  • Ensembles -- choral or orchestral
  • Room ambiance pick-up -- guitar amplifier or drums

Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.

Suggested Applications

Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording

The Shure SM57 unidirectional dynamic microphone is exceptional for musical instrument pickup or for vocals. With its bright, clean sound and carefully contoured presence rise, the SM57 is ideal for live sound reinforcement and recording. It has an extremely effective cardioid pickup pattern which isolates the main sound source while minimizing background noise. In the studio, it is excellent for recording drums, guitar, and woodwinds. For musical instruments or vocals, the SM57 is a consistent choice of professional performers. It is also the standard microphone used on the podium of the U.S. President for over 30 years. Its outstanding performance, legendary reliability, and diversity of application make this "workhorse" the choice of performers, producers, and sound engineers the world over.
  • Contoured frequency response for clean, instrumental reproduction and rich vocal pickup
  • Professional-quality reproduction for drum, percussion, and instrument amplifier miking
  • Uniform cardioid pickup pattern isolates the main sound source while reducing background noise
  • Pneumatic shock-mount system cuts down handling noise
  • Extremely durable under the heaviest use
  • Frequency response: 40 to 15,000 Hz
Frequency Range 40 Hz to 15 kHz
Impedance 150 Ohms
Load Impedance 310 Ohms
Sensitivity 56 dBV/Pa (Open Circuit Voltage, 1 kHz)
Color Gray
Mounting 5/8"-27 Female, Mic Clip (Included)
Construction Material Steel, Steel Wire Grille
Dimensions ø: 1.26 x L: 6.18" / ø: 32 x L: 157 mm
Weight 10.02 oz / 284 g
 

 MX393C - Condenser Boundary Microphone, Built-in Preamp, 12-ft Tini "QG" ? to XLR Cable, Programmable Switch and LED Indicator

The C 414 B/XLS has been carefully designed to maintain the legendary sonic character of the C 414 family while integrating new features and performance enhancements made possible by new technology. The C 414B/XLS is designed to deliver accurate pickup of all acoustic instruments and voices. The microphone's 5 pickup patterns are easily selectable via an electronic switch with LED indication and offer the selection of omnidirectional, cardioid, wide cardioid, hypercardioid and figure-eight patterns. The pickup pattern selector switch utilizes a dual-color LED indicator that provides visual indication of the pattern selected and also changes from green to red to indicate if the microphone's output electronics are being overloaded. The pattern selector can also be used to "lock" the microphone's switch settings by pressing and holding it for 3 seconds. On the rear of the microphone, an electronic switch allows the selection of -6 dB, -12 dB and -18 dB pre-attenuation levels which are accomplished by changing the polarization voltage to the capsule. The C 414 B/XLS has switchable bass cut filters of 12 dB-per-octave at 40 Hz and 80 Hz, and a 6-dB-per-octave filter at 160 Hz for control of proximity effect. On-axis sensitivity for all patterns is 23 mV/Pa and its self-noise is an extremely low 6 dB-A. The C 414 B/XLS has a transformerless output and all-metal chassis, making it immune to electrical interference and RF from digital equipment, video monitors and wireless systems. It comes complete in an all-metal road case with the AKG H-85 shock mount, a PF80 external two-stage pop filter, a W414X external windscreen and an individually-measured chart showing the response curve of the microphone. It is also available in factory-matched stereo pairs packaged with a H50 stereo bar instead of the external pop filter. The C 414B/XLS is built in Vienna, Austria and comes with a three-year limited parts and labor warranty. Features High sensitivity and extremely low self noise Five switchable polar patterns for placement and application flexibility Two-color LEDs provide quick visual indication of selected polar pattern and output overload Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration H 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen High sound pressure level capability and wide dynamic range Completely immune to electrostatic and electro-magnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stage Three switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indication All switchable components operate in low impedance circuits for ultra-high relability even in extremely humid conditions Optional R 414 remote control unit (available by the end of 2004) offers full control of all switchable parameters via standard microphone cable and 3-pin XLR-type connectors Specifications Type: 1" large diaphragm pressure gradient microphone Polar Patterns: Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight Frequency Range: 20 to 20,000 Hz Sensitivity: 23 mV/Pa (-33 dBV) +/-0.5 dB Max. SPL: 140/146/152/158 dB SPL (at 0/-6/-12/-18 dB) Preattenuation Pad: -6, -12,-18 dB, switchable Bass Cut Filter Scope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz Power Requirements: 48 V phantom power to DIN/IEC Connector: 3-pin XLR Dimensions: 2" x 1.5" x 6.3“ Net Weight: 10.6 oz Shipping Weight: 5 lbs (2.27 kg)
  • Electret measuring microphone for measuring systems and audio recordings
  • Designed for measuring PA systems, speakers and room acoustics
  • Perfect complement to any real-time analyzer
  • Flat frequency response for high precision
  • Sturdy all-metal construction and narrow design
  • Polar pattern: Omnidirectional
Type: Microphone for measurements
Capsule type: Condenser
Polar pattern: Omnidirectional
Frequency range: 20 - 20000 Hz
S/N ratio: >76 dB
Sensitivity: -37 dB
Max. SPL: 134 dB
Phantom power: 9-52 V DC
Impedance: 200 Ohm
Connections: Microphone via 3-pin XLR
Switch: Without
Material: Aluminum
Color: Black
Dimensions: Length: 19,2 cm Diameter: Ø 13 cm
Weight: 100 g
Weight0.50 kg0.50 kg1.00 kg0.40 kg2.27 kg0.1 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.50 kg
Weight 0.50 kg
Weight 1.00 kg
Weight 0.40 kg
Weight 2.27 kg
Weight 0.1 kg