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LED Orbit I
LED Moving Head
The Orbit One is the first LED moving head by Showtec. It is a powerful moving head which is equipped with 36 1W LED's, offering an enormous light output.
The RGB colour mixing provides an unlimited selection of colours to the user. It has a precise and accurate 16 bit movement as well as auto-correction on pan and tilt movement.
Specifications
• Power Supply 90-250V AC, 47-63 Hz
• Power consumption: 70W
• LED/unit: 36 x 1W LED
(12 x Red, 12 x Green, 12 x Blue)
• Beam Angle 50 degree
• 16 bit resolution
• 540 degree pan movement
• 270 degree tilt movement
• RGB colour mixing
• Dimmer 0-100%
• Strobe 1-25 Hz
• Dimensions: 350 x 290 x 300 mm
• Max. ambient temp. 40 degrees
• DMX-512 (12 channels)
• Master/Slave function
• Stand alone function
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| The JVM Series from Marshall is the most comprehensive range of professional, all-valve amplifiers ever offered. No other multi-channel, multi-mode amplifier delivers the amazing all-valve tone offered by the JVM at any price. Multiple, all-valve voicings provide an amazing array of tones which are accessible from the front-panel switches, MIDI or via the revolutionary technology of the supplied footswitch. Hailed as a breakthrough in amplification by the worldʼs guitar press, the JVM Series offers a powerstage built on the peerless EL34 designs responsible for the legendary Marshall roar.
Outstanding Tone
The JVM Series uses a carefully designed, 4 x ECC83 pre-amp stage to generate the desired amount of gain, from the cleanest, yet complex, clean imaginable to a vast palette of overdrives that range from sophisticated and subtle to explosive and extreme. Boasting a truly amazing array of instantly switchable sounds, overflowing with harmonically rich tones and responsive fluidity, every JVM mode exudes that unmistakable Marshall sound and expands on it, effectively offering multiple Marshalls in one easy-to-use package.
Ultimate Flexibility
Each totally independent JVM channel offers three footswitchable modes which progressively add gain while offering a complimentary tonal topology, making the JVM the perfect amplifier for any situation.
Seamless, Silent Switching
Ultimate Control and Connectivity
Every JVM is supplied with a fully programmable footswitch. This revolutionary, patent-pending technology allows single front panel switching (SWITCH STORE) or entire set-ups (PRESET STORE – Channel/Mode, Reverb, FX Loop, Master Volume) to be simply assigned to any footswitch . . . or, even cooler, a mix ʽnʼ match of both modes. Housed in a rugged metal casing with blank panels on its surface which allow the user to label the pedal exactly as they want, the JVM pedal has no restrictive factory set-ups or functionality barriers, plus itʼs a breeze to program. The multi-coloured LEDs reflect every front panel switch status so you know exactly where you are, in the heat of a performance, without the need to glance at the amplifier itself.
The JVMʼs MIDI In and Thru connection means it can easily be integrated in a MIDI switching set-up, allowing you to store and recall 128 amplifier set-ups and enabling your MIDI effects board to easily control the amp. With its built-in memory and switching options the possibilities are endless!
Studio-Quality Reverb
Effective Control
Each JVM boasts two FX Loops that live on its rear panel. A footswitchable Parallel/Series Loop with Level and Mix controls plus a Series Loop with a Bypass switch. Combine the JVM with a MIDI FX processor and a MIDI footswitch and the skyʼs the limit!
The Tone of the Cone
In the case of the 2x12 in. JVM combos, after exhaustive testing of every speaker available, all agreed that the pairing of a Marshall/Celestion ʽHeritageʼ with a Marshall/Celestion ʽVintageʼ was the only way to go as the combination produces a fantastic depth and breadth of sound while maintaining a tight, musical response and a solid low-end thump. In the case of the 50 Watt 1x12”combo, a Celestion G12B delivers a full, wide sound that is much "bigger” than the JVM215Cʼs compact size would suggest.
Every JVM is made at the Marshall factory in the heart of England. Time-tested craftsmanship and construction are combined with the latest advances in manufacturing technology, ensuring world-class build quality and roadworthiness.
Internally, the JVM circuitry and layout has been kept as simple and logical as possible, ensuring the integrity of the guitar tone and an incredibly low noise-floor for such a high gain beast. Four, double-sided PCBs are used and connections are kept to a minimum to ensure maximum reliability. Only the best components are used to ensure very high quality and all of the internal wiring and amplifier assembly is performed by hand. Strict quality controls ensure every unit made is worthy of the world-renowned and respected white script Marshall logo. Meticulous valve selection adds further to the all-important tone and reliability that are both synonymous with the Marshall legend.
Technical Info
Output (RMS): 100 Watts
Speakers: No
Pre-amp Valves: 4 x ECC83
Power Amp Valves: 1 x ECC83, 4 x EL34
Footswitch (Supplied): PEDL-00045
Dimensions (Millimeters): 750 x 310 x 215
Weight: 22 kg, 48.5 lbs | Behringer HPM1000
The HPM1000 multi-purpose headphones provide semi-pro-level users
with an incredible performance unheard of in this price category. They
feature an ultra-wide frequency response, high dynamic range, a
high-resolution capsule and oval-shaped ear cups with a comfortable
headband.
Features:
Ultra-wide frequency response
High dynamic range
High-resolution capsule
Single-sided cord
Oval-shaped ear cups
Comfortable headband
Technical data:
Frequency response: 20 Hz - 20 kHz
Max. power handling: 100 mW
Impedance: 32 Ohm
Sensitivity: 105 dB @ 1 kHz
Cord length: 2.0 m
Connector: ?" TRS stereo jack |
Black 1,28-2,08m/
30kg
Technical Info
Weight: 8,58 kg
Max. Load: 30 kg
Diameter: 35 mm
Length; max. 2,08 m
| Eurolite Mirror Ball 20cm
Item no. 5010030A
No party without a disco ball! Its simple design and affordable price make the disco ball a popular decoration classic used to create fascinating plays of light on the dance floor. Eurolite offers a wide range of disco balls in different colors and sizes.
This model in professional quality features a robust plastic core, has a diameter of 20 cm and is covered with countless small mirrors (10 x 10 mm).
An additional motor can be used optionally to make the mirror ball rotate automatically.
Suitable motors are available as accessories.
The classic effect
Mirror-ball with a stable plastic core
Exact alignment
Genuine glass mirror facets 10 x 10 mm
Mounting eye included
Delivery without motor
| Standing/fixation: |
Eyelet |
| Color: |
Silver |
| Mirror Dimensions: |
1 cm x 1 cm |
| Dimensions: |
Diameter: Ø 20 cm |
| Weight: |
570 g |
Package contents
- 1 x mirror Ball, 1 x user manual
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- Supercardioid Polar Pattern
- Laminated Varimotion Diaphragm
- Integrated 80 Hz High-Pass Filter
- Integrated Hum-Compensating Coil
- WARRANTY FROM THE OFFICIAL GREEK AKG DISTRIBUTOR
The AKG D7 is a reference handheld dynamic vocal microphone designed to capture vocals and instruments with condenser-like sound for artists and audio engineers in clubs, concert venues, and houses of worship. The laminated dual-layer Varimotion diaphragm exhibits a supercardioid polar pattern for excellent off-axis rejection of audio across the frequency spectrum. This allows high gain before feedback and reduced stage bleed through the mic. Handling noise is minimized by the mechano-pneumatic capsule suspension and an integrated 80 Hz high-pass filter.
Thanks to a 70 Hz to 20 kHz frequency response and a maximum SPL of 147 dB, the D7 delivers detailed sound even on the loudest sources. A hum-compensating coil is incorporated to help reduce interference from electrical devices and to ensure that your captured sound comes through with minimal noise.
In addition, the heavy-duty die-cast chassis with a dent-resistant grille is built rugged to withstand the rigors of daily use. An XLR connector utilizing gold-plated pins ensures signal transfer with maximum conductivity. A padded zip case, SA 61 stand adapter, and a replacement inner windscreen are included.
Dual-Thickness Varimotion Diaphragm
Provides a subtle and open sound in all frequency ranges
Feedback Suppression
The laminate diaphragm material damps critical resonance peaks
Integrated Hum-Compensating Coil
Provides a crisp and a cleaner sound
Precision Metal Dust Filter
Protects the capsule from sound-changing pollution
Mechano-Pneumatic Suspension
Effectively eliminates unwanted handling noises
Microphone
| Sound Field |
Mono |
| Operating Principle |
Pressure Gradient |
| Capsule |
Dynamic |
| Polar Pattern |
Supercardioid |
| Circuitry |
Solid-State |
| Pad |
None |
| High-Pass Filter |
80 Hz |
Performance
| Frequency Range |
70 Hz to 20 kHz |
| Maximum SPL |
147 dB SPL |
| Impedance |
600 Ohms |
| Load Impedance |
2000 Ohms |
| Sensitivity |
2.6 mV/Pa |
| Signal-to-Noise Ratio |
76 dB A-Weighted |
| Equivalent Noise Level |
18 dB A-Weighted |
Connectivity
| Output Connectors |
1 x XLR 3-Pin |
Physical
| Dimensions |
ø: 2.01 x L: 7.28" / ø: 51 x L: 184.91 mm |
| Weight |
11.29 oz / 320 g |
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