LD SYSTEMS 7 Piece Drum-Mic-Set
Set consisting of:
All microphones will be supplied with microphone clips in a hard case. Top cost/performance ratio!
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LD SYSTEMS 7 Piece Drum-Mic-Set
Set consisting of:
All microphones will be supplied with microphone clips in a hard case. Top cost/performance ratio!
|
Weight | 2.40 kg |
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LD SYSTEMS D1017SET 7 Piece Drum-Mic-Set remove | LD Systems LDWS1000MW Wind / Percussion Instrument Clip Microphone remove | AKG C 414-XLII/ST Matched Pair remove | BEYERDYNAMIC M 88 TG Dynamic Microphone (Hypercardioid) remove | SHURE Beta98HC - clip on condenser instrument mic remove | AKG C 451B B/ST Matched Pair remove | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Name | LD SYSTEMS D1017SET 7 Piece Drum-Mic-Set remove | LD Systems LDWS1000MW Wind / Percussion Instrument Clip Microphone remove | AKG C 414-XLII/ST Matched Pair remove | BEYERDYNAMIC M 88 TG Dynamic Microphone (Hypercardioid) remove | SHURE Beta98HC - clip on condenser instrument mic remove | AKG C 451B B/ST Matched Pair remove | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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SKU | D1017SET | LDWS1000MW | C 414-XLII ST | M-88 TG | BETA98H/C | C 451B STEREO PAIR | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Price | €139.99 incl. GR VAT | €108.04 incl. GR VAT | €2,100.00 incl. GR VAT | €439.00 incl. GR VAT | €241.91 incl. GR VAT | €917.03 incl. GR VAT | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Stock | Out of stock | Available on backorder | Available on backorder | In stock (can be backordered) | Available on backorder | Available on backorder | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Availability | Out of stock | Available on backorder | Available on backorder | In stock (can be backordered) | Available on backorder | Available on backorder | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Description |
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Content |
LD SYSTEMS 7 Piece Drum-Mic-Set
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User's manual [7,20 MB] Wind / percussion instrument clip microphone Linear frequency response, natural sound reproduction, lightweight, easy and stable positioning thanks to the gooseneck, very good impact sound isolation thanks to elastic capsule fastening, strong clamp providing good fastening without causing any damage to the instrument thanks to the soft rubber inner surface of the clips. Phantom Power Adapter LDPHA also available separately. Specifications:
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Complete With Stereo Bar, Windshield's and Cradle' The C 414 B-XL II/ST is especially useful for stereo recordings taken from the far field with the inclusion of useful and often valuable room acoustics. The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 300 Hz to 8,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program. Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency-dependent shifting of the stereo panorama. The kit comes complete in an all-metal 'Soundtool' Hard Shell road case with 2 x AKG H-85 shock mounts, 2 x W414X external windscreens, an H50 stereo bar and an individually-measured chart showing the response curve of the microphone. See www.dv247.com Alternative Products and Related Products on this page for your options. The C 414B-XLII has been carefully designed to maintain the legendary sonic character of the C 414 family while integrating new features and performance enhancements made possible by new technology. A classic microphone with a distinctive timbre especially designed for recording of solo vocals and solo instruments. Whats the difference between the C 414B-XLII and the C 414 B XLS? The main difference between the two current C414 models lies in their frequency responses. The C 414B-XLII has a series of presence rises between 2.5 KHz and 9 KHz. This will make any recording with this microphone brighter or more sibilant than the original sound. This upper mid range boost is quite helpful on vocals and certain instruments such as classical acoustic guitars using nylon or natural strings. The C 414B XLS, see www.dv247.com Alternative Products on this page, has a very flat response that will not color the original sound which is important especially in instrumental recordings. It more suited for general use. The microphone's 5 pickup patterns are easily selectable via an electronic switch with LED indication and offer the selection of omnidirectional, cardioid wide cardioid, hyper cardioid and figure-eight patterns. The pickup pattern selector switch utilizes a dual-color LED indicator that provides visual indication of the pattern selected and also changes from green to red to indicate if the microphone's output electronics are being overloaded. The pattern selector can also be used to "lock" the microphone's switch settings by pressing and holding it for 3 seconds. On the rear of the microphone, an electronic switch allows the selection of -6, -12 and -18 dB pre-attenuation levels which are accomplished by changing the polarization voltage to the capsule. The C 414B-XLII has switchable bass cut filters of 12 dB-per-octave at 40 Hz and 80 Hz, and a 6 dB-per-octave filter at 160 Hz for control of proximity effect. On-axis sensitivity for all patterns is 23 mV/Pa and its self-noise is an extremely low 6 dB-A. The C 414B-XLII has a transformerless output and all-metal chassis, making it immune to electrical interference and RF from digital equipment, video monitors and wireless systems. Features:
Specifications:
| Technical DataTransducer Type: Dynamic
Polar Pattern: Hypercardioid
Microphone Frequency Response: 30 - 20.000 Hz
Connection Type: XLR 3-pin
Made in GermanyLike all members of the M series, the M 88 TG is handcrafted in Germany. The materials and the precise craftsmanship that go into the microphone ultimately create a world-class product, a level of quality that turns an ordinary microphone purchase into a long-term investment. Perfect for heavy bass SourcesThe M 88 TG excels on the kick drum, saxophone and percussions, the result of a balanced sound profile and deep bass tones. It is a must-have for every microphone collection. And why shouldn’t it be when you consider its features? It is both insensitive to high sound pressure levels and feedback resistant thanks to its nearly perfect hypercardioid!Flexible tool iN The studioThe M 88 TG excels in the studio with the help of its multifaceted flexibility. No matter whether the job involves vocals, horns, guitar amplifiers or drums – the microphone is the perfect choice for the widest range of sources. It is all the result of its exceptionally broad frequency response and rich sound. |
A high performance mini-condenser for sound reinforcement and recording. Great for instruments or drums. The ultra-uniform pickup pattern provides high gain before feedback and excellent rejection of unwanted noise. Other features include:
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Precise artistic work deserves precise artistic craftsmanship. A classic by now, the CMS Series CK 1 capsule from AKG was a best seller from the moment it was launched in 1969. Comprising a range of interchangeable capsules and preamps as well as then innovative, dedicated accessories, the CMS Series from AKG quickly became a legend. It was discontinued in 1993. Responding to growing demand from recording engineers, AKG decided to produce the C 451 B with identical acoustical behaviour of the popular original C 451 EB + CK 1 microphone again, with dramatically improved specifications and outstanding price/ performance. The capsule of the new version is fixed permanently to the preamp to eliminate the mechanical problems of the screw joint. Using an extremely light diaphragm, the new C 451 B is almost totally insensitive to handling noise. An all-metal body provides excellent protection from RF interference and the microphone is rugged enough to give excellent results even under very harsh conditions. The C 451 B is an excellent tool for accurately capturing signals rich in transients such as drums, overhead miking, or other instruments with a percussive sound. The airy sound, high overload limit of the capsule and electronic circuitry, and improved engineering details of the C 451 B are a solid foundation for creating another legend. The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 200 Hz to 15,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program. Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency-dependent shifting of the stereo panorama. The kit includes all the standard accessories of the individual package along with a stereo bar and proof of performance charts in an attractive carrying case (Soundtool case, middle size). Features:
Specifications:
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Weight | 2.40 kg | 0.35 kg | 2.00 kg | 0.600 kg | 0.20 kg | 2.00 kg | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Dimensions | N/A | N/A | N/A | N/A | N/A | N/A | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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