LDLAX502 – five inputs, minimal dimensions, perfect audio data The smallest console in the LAX series boasts a microphone and two stereo line inputs within the smallest space – but despite its compact size, it offers excellent audio quality and a clear user interface. The LDLAX502 features jack and phono inputs; phantom power can, of […]
LDLAX502 – five inputs, minimal dimensions, perfect audio data
The smallest console in the LAX series boasts a microphone and two stereo line inputs within the smallest space – but despite its compact size, it offers excellent audio quality and a clear user interface. The LDLAX502 features jack and phono inputs; phantom power can, of course, be connected for the microphone input. The input features three-band tone control.
The solid design of the LDLAX502 guarantees optimum performance and a long service life, even when used in a demanding stage environment. The LDLAX502 is best used in the studio with low channel emergence or within a simple editing suite on a PC.
The power is supplied via an external power supply.
Mic Input / Line: 1
CH EQ: High, Low, ± 15 dB
48 V Phantom Power Supply: Yes
Stereo Input: 2
CH EQ: Without
Head Phone: With
Tape in/out: in/out
DSP: Without
THD: 0.005 % 20 Hz – 20 k
Frequency Response: 20 Hz – 20 kHz ± 0.5 dB
S/N: – 80 dB
Input Voltage: AC 18.5 V x 150 m A x 2
Dimensions (W x H x D): 125 x 45 x 195 mm
Weight
1.50 kg
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LDLAX502 - five inputs, minimal dimensions, perfect audio data
The smallest console in the LAX series boasts a microphone and two stereo line inputs within the smallest space - but despite its compact size, it offers excellent audio quality and a clear user interface. The LDLAX502 features jack and phono inputs; phantom power can, of course, be connected for the microphone input. The input features three-band tone control.
The solid design of the LDLAX502 guarantees optimum performance and a long service life, even when used in a demanding stage environment. The LDLAX502 is best used in the studio with low channel emergence or within a simple editing suite on a PC.
The power is supplied via an external power supply.
Mic Input / Line: 1
CH EQ: High, Low, ± 15 dB
48 V Phantom Power Supply: Yes
Stereo Input: 2
CH EQ: Without
Head Phone: With
Tape in/out: in/out
DSP: Without
THD: 0.005 % 20 Hz - 20 k
Frequency Response: 20 Hz - 20 kHz ± 0.5 dB
S/N: - 80 dB
Input Voltage: AC 18.5 V x 150 m A x 2
Dimensions (W x H x D): 125 x 45 x 195 mm
Soundcraft EFX
(EFX8, EFX12)
The Soundcraft EFX™ Series combines all the features of the popular Soundcraft EPM™ mixer with a built-in 24-bit, digital Lexicon® effects processor, expanding the Soundcraft low-cost, multipurpose compact range.
The Soundcraft EFX mixer uses the same AudioDNA® processor featured in many of the Digitech® and Lexicon outboard equipment including the highly respected Lexicon MX400 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.
The Effects section fits neatly into the mixers compact framework which is available in 8 or 12 mono input variants, both with 2 stereo channels and an effects send on each channel. There are 32 effects to choose from with a tap tempo function, 3 effects parameter controls and a user effects setting store facility. An effects channel level clip LED and Mute function gives the user even more flexibility.
The emphasis with the Soundcraft EFX is very firmly on quality build and audio performance, with an easy to understand control surface in line with the Soundcraft professional range. The Soundcraft EFX uses the highly-transparent GB30 Mic amp (designed by Graham Blyth for the companyʼs 30th anniversary, and also used on the larger LX7ii and GB Series professional consoles).The Soundcraft EFX also offers all the features of the Soundcraft EPM most notably a configurable aux send, XLR and ¼" metal jack connector sockets, RCA phono stereo playback inputs and record outputs, 3-band EQ with a swept mid on the mono inputs, 3-band EQ on the 2 stereo inputs, TRS insert sockets, inserts on all mono inputs, ten-segment LED output metering and a headphone
Key Features:
8+2 channel frame sizes
Built-in 24 bit Lexicon digital effects processor
32 FX settings
Tap Tempo and FX setting store function
1 FX send on each channel
1 configurable auxiliary bus
XLR-type and ¼” metal jack connector sockets
RCA phono stereo playback inputs and record outputs
3-band EQ with a swept mid on mono inputs
3-band EQ on stereo inputs
TRS insert sockets and inserts on all mono inputs
Ten-segment LED output metering
Intuitive and comprehensive solo system
Headphone output
Easily rack mountable
The Soundcraft EFX will find itself in many applications including live music, recording, houses of worship and multi-speaker installations.
Κονσόλα ήχου με νέας γενιάς προενισχυτές GB30, σχεδιασμένη για διπλή χρήση σαν front of house ή stage monitor. Διαθέτει 16 mono εισόδους (mic) με EQ 4 περιοχών (παραμετρικό για mid&low mid), 2 stereo εισόδους με EQ 4 περιοχών, 4 group, 8 AUX, με δυνατότητα εναλλαγής (SWAP) μεταξύ AUX 1-4 & group. Διαθέτει επίσης 4 mute groups, matrix 7x5, direct εξόδους σε κάθε mono είσοδο, ενδεικτικά στάθμης με 12-LED και REC out με limiter. Εσωτερικό τροφοδοτικό με link out για δεύτερο εξωτερικό. Βάρος 22kg. Κατάλληλη για μόνιμες εγκαταστάσεις, θέατρα, live p.a.
The LX7 combines the essential Soundcraft live mixer qualities
with basic recording-oriented features, in a compact frame that's
light enough for one person to carry yet easy to configure and use.
This makes it especially suitable for multi-purpose use in venues
such as small halls and community centres, while its direct channel
outputs make the LX7 an ideal choice for bands who need a live desk
that can double up in the studio.
Housed in a choice of 16, 24 or 32 channel frame, LX7 provides 24,
32 or 40 inputs - with no less than 7 separate bus outputs including
mix, 4 groups and a dedicated mono bus for centre speaker clusters,
side or rear fills. The output count rises to 29 with the inclusion of direct
outs on the first 16 mono inputs and six auxiliary busses.
LX7's balanced mic inputs all use patented Ultramic preamps,
providing 60dB of gain range and 22dBu of headroom. Each input
also includes 4 band EQ with two swept mid frequency controls.
In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter,
allow effective audio control in difficult venues whilst the six auxiliary sends
are pre-post switchable in pairs from each channel, providing a maximum of
4 pre-fader and six post-fader. This makes LX7 equally applicable
for foldback - heavy performance or in situations where more effects are required.
LX7's groups section houses two further stereo inputs - with EQ, auxiliaries
for keyboards or stereo recording devices - as well as two FX returns. All four
groups are routable to mix and include 12 segment bargraph metering for
accurate monitoring and inserts. Six auxiliary masters on rotary controls also
included AFL soloing.
In the master section there is talkback provision to all pre-fade auxiliaries and
the mix. Global phantom power and a two track return for pre-show music are
also present. A "two-track" to mix switch allows the engineer to play CD's over
the main PA whilst back-stage set-up is going on, with one press of a button.
The mix is also routable to the separate mono bus if mono PAs are required.
LX7 is built in a rugged wedge-shaped steel chassis with an internal power supply,
professional all-metal jackfield and connectors on the rear of the console. All inputs and outputs are balanced.
Applications:
* Gigging Bands
* Small installations
* Small venues
* Theatres
* Houses of Worship
* Live and studio recording
* 100mm faders
* +48V phantom power
* 16, 24 or 32 channel frame sizes
* Up to 40 inputs (including stereo inputs and returns)
* 18dB/octave high-pass filter
* 6 aux sends, 4 of them pre/post switchable
* Group and mix inserts
* 12-segment LED metering
* Integral PSU
Expand Your MCU with More Faders !
The Mackie Control Extender Pro is a control surface extender that expands your Mackie Control Universal Pro unit with the addition of eight motorized, touch-sensitive Penny + Giles faders, plus V-Pot rotary encoders and push-buttons on every channel strip. The Mackie Control Extender Pro module attaches seamlessly to the Control Universal Pro unit, integrating with all the main control surface's functions and commands without the need for any external hardware. You can expand your MCU's ability to control your DAW even further with the addition of the Mackie Control Extender Pro.
The Mackie Control Extender Pro features the same 100mm touch-sensitive optical Penny + Giles motorized faders as the MCU Pro control surface. These smooth faders give you the tactile, responsive feel of an analog console while accurately commanding your state-of-the-art DAW software.
Each of the Mackie Control Extender Pro's eight channels features a multi-function V-Pot for fast and accurate control of panning, effects levels, and more. Also included on each channel strip are mute, solo, pan, send level, and record arm functions, as well as a full meter display.
The Mackie Control Extender Pro is literally the "right hand man" of the Mackie Control Universal Pro control surface. Once connected, it's seamlessly integrated into the system, so all parameters, automation, and other control commands are communicated in concert with the rest of the system - no external hardware required!
Features:
Eight-Fader Control Surface Extension for MCU Pro
Proprietary Mackie communication protocol for seamless software integration by DAW makers
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