Four balanced microphone inputs with high quality preamplifiers, mono compatible stereo channels, an integrated compressor and 100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit. The microphone channels are switchable to line level and are equipped with high quality preamplifiers and a reduction in bass; two of […]
Four balanced microphone inputs with high quality preamplifiers, mono compatible stereo channels, an integrated compressor and 100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit.
The microphone channels are switchable to line level and are equipped with high qualitypreamplifiers and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise 3-band EQs with practical selectable mids.
The master section of the mixer has an effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer.
It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 8 DC on microphone stands are available as accessories.
Item Number: LDVIBZ8DC
Product Type: mixer
Type: live
Number of Channels: 8
Mono Mic/Line Input Channels: 4
Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR
Mono Mic Input Type: electronically balanced
Frequency Response Mono Mic Input: 10 – 45,000 Hz
Amplification Range Mono Mic Input: 0 – +50 dB
Channel Insert: 2
Insert: 6.3 mm stereo jack (TIP= send / RING= return)
Channel Crosstalk: 62 dB
THD Mono Mic Input: 0.0058 %
Impedance Mono Mic Input: 4 kOhm
S/N Ratio Mono Mic Input: 113 dB
Mono Line Input Type: electronically balanced
Amplification Range Mono Line Input: 0 – +50 dB
THD Mono Line Input: 0.0045 %
Impedance Mono Line Input: 21 kOhm
S/N Ratio Mono Line Input: 116 dB
Frequency Response Mono Line Input: 10 – 45,000 Hz
Mono Channel Equalizer Treble: +/- 15 dB 12,000 Hz
Mono Channel Equalizer Mids: +/- 15 dB 2,500 Hz
Mono Channel Equalizer Bass: +/- 15 dB 80 Hz
Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Compressor (Kanal 1+2) Low-Cut, Gain
Phantom Power: +48 V DC switchable
Low Cut: 95 Hz
Compressor: yes
Stereo Line Input Channels: 3
Stereo Line Input Connections: 2 x 6.3 mm stereo jack, (Lmono,R)
Stereo Line Input Type: unbalanced
Frequency Response Stereo Line Input: 10 – 45,000 Hz
Amplification Range Mono Line Input: 0 – +50 dB
Channel Crosstalk: 62 dB
THD Stereo Line Input: 0.0045 %
Impedance Stereo Line Input: 3.7 kOhm
S/N Ratio Stereo Line Input: 116 dB
Stereo Channel Equalizer Treble: +/- 15 dB 12,000 Hz
Four balanced microphone inputs with high quality preamplifiers, mono compatible stereo channels, an integrated compressor and 100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit.
The microphone channels are switchable to line level and are equipped with high qualitypreamplifiers and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise 3-band EQs with practical selectable mids.
The master section of the mixer has an effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer.
It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 8 DC on microphone stands are available as accessories.
Item Number: LDVIBZ8DC
Product Type: mixer
Type: live
Number of Channels: 8
Mono Mic/Line Input Channels: 4
Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR
Mono Mic Input Type: electronically balanced
Frequency Response Mono Mic Input: 10 - 45,000 Hz
Amplification Range Mono Mic Input: 0 - +50 dB
Channel Insert: 2
Insert: 6.3 mm stereo jack (TIP= send / RING= return)
Channel Crosstalk: 62 dB
THD Mono Mic Input: 0.0058 %
Impedance Mono Mic Input: 4 kOhm
S/N Ratio Mono Mic Input: 113 dB
Mono Line Input Type: electronically balanced
Amplification Range Mono Line Input: 0 - +50 dB
THD Mono Line Input: 0.0045 %
Impedance Mono Line Input: 21 kOhm
S/N Ratio Mono Line Input: 116 dB
Frequency Response Mono Line Input: 10 - 45,000 Hz
Mono Channel Equalizer Treble: +/- 15 dB 12,000 Hz
Mono Channel Equalizer Mids: +/- 15 dB 2,500 Hz
Mono Channel Equalizer Bass: +/- 15 dB 80 Hz
Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Compressor (Kanal 1+2) Low-Cut, Gain
Phantom Power: +48 V DC switchable
Low Cut: 95 Hz
Compressor: yes
Stereo Line Input Channels: 3
Stereo Line Input Connections: 2 x 6.3 mm stereo jack, (Lmono,R)
Stereo Line Input Type: unbalanced
Frequency Response Stereo Line Input: 10 - 45,000 Hz
Amplification Range Mono Line Input: 0 - +50 dB
Channel Crosstalk: 62 dB
THD Stereo Line Input: 0.0045 %
Impedance Stereo Line Input: 3.7 kOhm
S/N Ratio Stereo Line Input: 116 dB
Stereo Channel Equalizer Treble: +/- 15 dB 12,000 Hz
Live 4-Bus Mixing Console
32 Input Channels (24 mono)
XLR Mic: 24 mono channels + 4 stereo channels
Frequency Response: 20Hz – 20kHz
Weight: 39.70 lbs (18.1kg)
Dimensions (H x W x D): 6.38" x 39.92" x 20.98" (162mm x 1014mm x 533mm)
4 Stereo Line Inputs
24 Inserts
Large Illuminated Mute Switches
Stereo inserts
4 Groups with inserts
3-Band EQ with sweepable mids
6 Aux sends
Dual DSP with 100 digital multi-effects
2 Stereo aux return
USB I/O (from aux sends or main mix)
Input gain trim on each channel
24 dB Low cut filter at 75Hz
100mm faders
PFL switches
AFL switches
Phantom power switch (+ 48V)
Mono Out & LPF with sub-woofer containing variable frequency control
2 x 12-segment LED level meter for Main L/R, PFL/AFL. Group 1–4
Talkback mic input
The Soundcraft GB-2 (2-bus) 24 Channel Console is designed for installed sound and A/V applications that donʼt require all the sophisticated functionality of the GB4 and GB8.
However the Soundcraft GB-2 24 Channel Console is a genuine GB Series console in every respect, with sound quality assured by GB30 Mic Pre and Equaliser designs, and reliability by the same rugged build quality that has made the GB4 and GB8 so dependable in demanding professional applications.
Along with six Aux busses and an integral 6 x 2 matrix, four subgroups are provided as two stereo pairs, with a unique facility for adjusting the width of the stereo signal across the stereo mix. The channel pan settings are retained on the group outputs, while the degree of stereo separation to the mix bus is independently adjustable from full stereo through to mono.
The GB2 also features two stereo input channels, with separate mic and line inputs. In normal use, the mic inputs are routed to the local channel and the line inputs act as a stereo return to the mix bus. Selecting the line input to the local channel overrides the mic inputs.
The Soundcraft GB-2 (2-bus) 24 Channel Console Main Features Include:
24 channel frame size
12 busses
2 full feature stereo channels
2 stereo returns (on stereo channels)
6 Aux sends
4 sub groups (paired)
6x2 output matrix
GB30 mic preamp and precision equalisation circuitry
Direct outputs on every channel
Talkback facility
100mm faders
Switchable 48V phantom powering on every channel
100Hz high pass filter
12-segment LED metering
Record output
Width: 1013mm (39.88“)
Weight: 25kg (55.1lbs)
Key Features:
12+2 channel frame sizes
Built-in 24 bit Lexicon digital effects processor
32 FX settings
Tap Tempo and FX setting store function
1 FX send on each channel
1 configurable auxiliary bus
XLR-type and Ό� metal jack connector sockets
RCA phono stereo playback inputs and record outputs
3-band EQ with a swept mid on mono inputs
3-band EQ on stereo inputs
TRS insert sockets and inserts on all mono inputs
Ten-segment LED output metering
Intuitive and comprehensive solo system
Headphone output
Easily rack mountable
The Soundcraft GB-2 (2-bus) 32 Channel Console is designed for installed sound and A/V applications that donʼt require all the sophisticated functionality of the GB4 and GB8.
However the Soundcraft GB-2 32 Channel Console is a genuine GB Series console in every respect, with sound quality assured by GB30 Mic Pre and Equaliser designs, and reliability by the same rugged build quality that has made the GB4 and GB8 so dependable in demanding professional applications.
Along with six Aux busses and an integral 6 x 2 matrix, four subgroups are provided as two stereo pairs, with a unique facility for adjusting the width of the stereo signal across the stereo mix. The channel pan settings are retained on the group outputs, while the degree of stereo separation to the mix bus is independently adjustable from full stereo through to mono.
The GB2 also features two stereo input channels, with separate mic and line inputs. In normal use, the mic inputs are routed to the local channel and the line inputs act as a stereo return to the mix bus. Selecting the line input to the local channel overrides the mic inputs.
The Soundcraft GB-2 (2-bus) 32 Channel Console Main Features Include:
32 channel frame size
12 busses
2 full feature stereo channels
2 stereo returns (on stereo channels)
6 Aux sends
4 sub groups (paired)
6x2 output matrix
GB30 mic preamp and precision equalisation circuitry
Direct outputs on every channel
Talkback facility
100mm faders
Switchable 48V phantom powering on every channel
100Hz high pass filter
12-segment LED metering
Record output
Width: 1247mm (49.09“)
Weight: 30kg (66.1lbs)
The highly-acclaimed and successful Soundcraft GB Series has gained another new member, the Soundcraft GB2R.
This 19” rack-mountable mixer is designed specifically for smaller installations in churches and performance venues, or for small portable PA systems. It will also find friends in Broadcast where its high quality and feature set will be very appealing.
Available in two variants, the GB2R offers either 16 mono inputs to a stereo mix output, or a 12.2 version with 12 mono inputs, two full-feature stereo inputs and 2 group busses, each model having 6 auxiliary sends.
As always with Soundcraft consoles, emphasis has been placed on operational simplicity, clear and intuitive layout and the highest possible audio performance. The Soundcraft GB2R inherits both the GB30 Mic preamplifier and GB30 Equaliser designs from the GB4 and GB8.
For ease of installation, the connector section is contained in a rotatable pod, allowing cable access from the top of the mixer if sat on a table-top, or from the rear when mounted in a 19” rack.
On the stereo inputs on the 12.2 model, connectors are provided for both Mic and Line inputs. With Mic signals routed to the local channel, the Line inputs are available as stereo returns to the main mix bus. Two stereo returns and a 2-track (for example CD replay) input are provided, which means that the GB2R-12.2 model can offer up to 26 inputs to mix in a mixer just 19” (485mm) wide.
Every input has a pre/post switchable direct output for recording or effects sends, while an internal universal voltage PSU avoids external power supply connections.
The whole GB Series carries the high quality hallmark with which Soundcraft is synonymous, with engineering and design as youʼd expect from this high-end manufacturer. Careful attention has been given to the mechanical construction, to ensure reliability and ruggedness under strenuous conditions, with all input modules being constructed with individual vertically-mounted pcbʼs, fitted to the steel chassis front panel with individually-nutted potentiometers.
Technical Specifications
Frequency Response Mic/Line Input to any output, 20Hz - 20kHz..
THD + N Mic sens. -30dBu, +20dBu at all outputs @1kHz..
High pass filter (Mono input).. 100Hz, 18dB per octave
EQ (Mono input) HF.. 13kHz, +/-15dB, 2nd order shelving
Hi-Mid.. 550Hz-13kHz, +/-15dB, Q=1.5
Lo-Mid.. 80Hz-1.9kHz, +/-15dB, Q=1.5
LF.. 80Hz, +/-15dB, 2nd order shelving
EQ (Stereo input) HF.. 13kHz, +/-15dB, 2nd order shelving
Hi-Mid.. 2.5kHz, +/-15dB, Q=0.8
Lo-Mid.. 450Hz, +/-15dB, Q=0.8
LF.. 80Hz, +/-15dB, 2nd order shelving
Metering Input channels (GB4/GB8).. Single tri-colour 4-segment LED bargraph
Outputs (GB4).. 7 tri-colour 12-segment LED bargraphs
Outputs (GB8).. 11 tri-colour 12-segment LED bargraphs,
+ Meterpod with 3 VU meters (L/R/C)
Outputs (GB2/GB2R).. 2 tri-coloured 12-segment LED bargraphs,
(indicates monitor source level)
Power consumption AC mains supply (internal PSU) 85V-270V AC, 50/60Hz universal input
Power consumption.. Less than 150W
Operating conditions Temperature range.. -10ºC to +30ºC
Relative humidity.. 0% to 80%
Features
* 19” Rackmountable console
* 16 channel version, with 16 mono inputs, Stereo Mix and Mono Sum Outputs and 6 Aux Outputs. - Total Inputs to Mix: 22
* 12.2 channel version, with 12 mono inputs and 2 stereo inputs, 1 Stereo Sub Group Output, Mix and Mono Sum Outputs, and 6 Aux Outputs - Total Inputs to Mix: 26 (when Mics used on stereo input)
* Rotatable connector pod for top or rear cable entry
* 8 (GB2R-16) or 10 (GB2R-12.2) busses
* 2 full feature stereo inputs (GB2R-12.2 version)
* GB30 Mic preamp and precision EQ on inputs
* Switchable +48V phantom power on every mic input
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