LD Systems VIBZ 8 DC – 8 channel Mixing Console with DFX and Compressor

Four balanced microphone inputs with high quality preamplifiers, mono compatible stereo channels, an integrated compressor and 100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit.

The microphone channels are switchable to line level and are equipped with high quality preamplifiers and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise 3-band EQs with practical selectable mids.

The master section of the mixer has an effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer.

It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 8 DC on microphone stands are available as accessories.

• Item Number: LDVIBZ8DC
• Product Type: mixer
• Type: live
• Number of Channels: 8
• Mono Mic/Line Input Channels: 4
• Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR
• Mono Mic Input Type: electronically balanced
• Frequency Response Mono Mic Input: 10 - 45,000 Hz
• Amplification Range Mono Mic Input: 0 - +50 dB
• Channel Insert: 2
• Insert: 6.3 mm stereo jack (TIP= send / RING= return)
• Channel Crosstalk: 62 dB
• THD Mono Mic Input: 0.0058 %
• Impedance Mono Mic Input: 4 kOhm
• S/N Ratio Mono Mic Input: 113 dB
• Mono Line Input Type: electronically balanced
• Amplification Range Mono Line Input: 0 - +50 dB
• THD Mono Line Input: 0.0045 %
• Impedance Mono Line Input: 21 kOhm
• S/N Ratio Mono Line Input: 116 dB
• Frequency Response Mono Line Input: 10 - 45,000 Hz
• Mono Channel Equalizer Treble:    +/- 15 dB 12,000 Hz
• Mono Channel Equalizer Mids: +/- 15 dB 2,500 Hz
• Mono Channel Equalizer Bass:    +/- 15 dB 80 Hz
• Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Compressor (Kanal 1+2) Low-Cut, Gain
• Phantom Power: +48 V DC switchable
• Low Cut: 95 Hz
• Compressor: yes
• Stereo Line Input Channels: 3
• Stereo Line Input Connections: 2 x 6.3 mm stereo jack, (Lmono,R)
• Stereo Line Input Type: unbalanced
• Frequency Response Stereo Line Input: 10 - 45,000 Hz
• Amplification Range Mono Line Input: 0 - +50 dB
• Channel Crosstalk: 62 dB
• THD Stereo Line Input: 0.0045 %
• Impedance Stereo Line Input: 3.7 kOhm
• S/N Ratio Stereo Line Input: 116 dB
• Stereo Channel Equalizer Treble: +/- 15 dB 12,000 Hz
• Stereo Channel Equalizer Mids: +/- 15 dB 2,500 Hz (channel 3/4 + 5/6)
• Stereo Channel Equalizer Bass: +/- 15 dB 80 Hz
• Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 Low-Cut, Gain channel 3/4 + 5/6
• Main Section:
• AUX/Effect Send Channels:    1
• AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced
• Stereo AUX Return Channels: 1 x stereo
• Stereo AUX Return Connections: 2 x 6.3 mm stereo jack
• Stereo Tape Output Channel: 1 x stereo
• Stereo Tape Output Connections: 2 x RCA (Cinch)
• Stereo Tape Input Channel: 1 x stereo
• Stereo Tape Input Connections: 2 x RCA (Cinch)
• Unbalanced Stereo Main Outputs: 1
• Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced
• Impedance Unbalanced Stereo Main Outputs: 120 Ohm
• Max. Level Unbalanced Stereo Main Outputs: +20 dBV
• Stereo Control Room Outputs: 1
• Stereo Control Room Output Connections: 6.3 mm stereo jack
• Headphone Output: 1
• Headphone Output Connections: 6.3 mm stereo jack
• Minimum Headphone Impedance: 30 Ohm
• Digital Effects Processor: Yes, 24-bit AD/DA Resolution
• No. of Presets: 100
• Footswitch Connection DFX Mute: 6.3 mm stereo jack
• Control Elements Main Section: DFX To Main Volume, DFX Mute switch, DFX Presets Headphones / Control Room Volume 2TK Volume, Stereo Return Volume, Phantom Power, Master Volume, 2TR assignment (Main, CTRL Room)
• Display Elements: 8-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak
• Power Supply: 18 V AC - 1 A, External PSU
• Width: 265 mm
• Height: 77 mm
• Depth: 350 mm

The LX7 combines the essential Soundcraft live mixer qualities
with basic recording-oriented features, in a compact frame that's
light enough for one person to carry yet easy to configure and use.
This makes it especially suitable for multi-purpose use in venues
such as small halls and community centres, while its direct channel
outputs make the LX7 an ideal choice for bands who need a live desk
that can double up in the studio.

Housed in a choice of 16, 24 or 32 channel frame, LX7 provides 24,
32 or 40 inputs - with no less than 7 separate bus outputs including
mix, 4 groups and a dedicated mono bus for centre speaker clusters,
side or rear fills. The output count rises to 29 with the inclusion of direct
outs on the first 16 mono inputs and six auxiliary busses.

LX7's balanced mic inputs all use patented Ultramic preamps,
providing 60dB of gain range and 22dBu of headroom. Each input
also includes 4 band EQ with two swept mid frequency controls.
In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter,
allow effective audio control in difficult venues whilst the six auxiliary sends
are pre-post switchable in pairs from each channel, providing a maximum of
4 pre-fader and six post-fader. This makes LX7 equally applicable
for foldback - heavy performance or in situations where more effects are required.

LX7's groups section houses two further stereo inputs - with EQ, auxiliaries
for keyboards or stereo recording devices - as well as two FX returns. All four
groups are routable to mix and include 12 segment bargraph metering for
accurate monitoring and inserts. Six auxiliary masters on rotary controls also
included AFL soloing.

In the master section there is talkback provision to all pre-fade auxiliaries and
the mix. Global phantom power and a two track return for pre-show music are
also present. A "two-track" to mix switch allows the engineer to play CD's over
the main PA whilst back-stage set-up is going on, with one press of a button.
The mix is also routable to the separate mono bus if mono PAs are required.

LX7 is built in a rugged wedge-shaped steel chassis with an internal power supply,
professional all-metal jackfield and connectors on the rear of the console. All inputs and outputs are balanced.

Applications:

    * Gigging Bands
    * Small installations
    * Small venues
    * Theatres
    * Houses of Worship
    * Live and studio recording

 
    * 100mm faders
    * +48V phantom power
    * 16, 24 or 32 channel frame sizes
    * Up to 40 inputs (including stereo inputs and returns)
    * 18dB/octave high-pass filter
    * 6 aux sends, 4 of them pre/post switchable
    * Group and mix inserts
    * 12-segment LED metering
    * Integral PSU

• 6 Mono & 2 Stereo Input Channels
• 6x GB30 Microphone Preamplifiers
• Recording and Live Sound Audio Console
• Compact Mobile Enclosure

Soundcraft EFX

(EFX8, EFX12)

The Soundcraft EFX™ Series combines all the features of the popular Soundcraft EPM™ mixer with a built-in 24-bit, digital Lexicon® effects processor, expanding the Soundcraft low-cost, multipurpose compact range.

The Soundcraft EFX mixer uses the same AudioDNA® processor featured in many of the Digitech® and Lexicon outboard equipment including the highly respected Lexicon MX400 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.

The Effects section fits neatly into the mixers compact framework which is available in 8 or 12 mono input variants, both with 2 stereo channels and an effects send on each channel. There are 32 effects to choose from with a tap tempo function, 3 effects parameter controls and a user effects setting store facility. An effects channel level clip LED and Mute function gives the user even more flexibility.

The emphasis with the Soundcraft EFX is very firmly on quality build and audio performance, with an easy to understand control surface in line with the Soundcraft professional range. The Soundcraft EFX uses the highly-transparent GB30 Mic amp (designed by Graham Blyth for the companyʼs 30th anniversary, and also used on the larger LX7ii and GB Series professional consoles).The Soundcraft EFX also offers all the features of the Soundcraft EPM most notably a configurable aux send, XLR and ¼" metal jack connector sockets, RCA phono stereo playback inputs and record outputs, 3-band EQ with a swept mid on the mono inputs, 3-band EQ on the 2 stereo inputs, TRS insert sockets, inserts on all mono inputs, ten-segment LED output metering and a headphone

• 8+2 channel frame sizes
• Built-in 24 bit Lexicon digital effects processor
• 32 FX settings
• Tap Tempo and FX setting store function
• 1 FX send on each channel
• 1 configurable auxiliary bus
• XLR-type and ¼” metal jack connector sockets
• RCA phono stereo playback inputs and record outputs
• 3-band EQ with a swept mid on mono inputs
• 3-band EQ on stereo inputs
• TRS insert sockets and inserts on all mono inputs
• Ten-segment LED output metering
• Intuitive and comprehensive solo system
• Headphone output
• Easily rack mountable

Κονσόλα ήχου με νέας γενιάς προενισχυτές GB30, σχεδιασμένη για διπλή χρήση σαν front of house ή stage monitor. Διαθέτει 16 mono εισόδους (mic) με EQ 4 περιοχών (παραμετρικό για mid&low mid), 2 stereo εισόδους με EQ 4 περιοχών, 4 group, 8 AUX, με δυνατότητα εναλλαγής (SWAP) μεταξύ AUX 1-4 & group. Διαθέτει επίσης 4 mute groups, matrix 7x5, direct εξόδους σε κάθε mono είσοδο, ενδεικτικά στάθμης με 12-LED και REC out με limiter. Εσωτερικό τροφοδοτικό με link out για δεύτερο εξωτερικό. Βάρος 22kg. Κατάλληλη για μόνιμες εγκαταστάσεις, θέατρα, live p.a.