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Features at a glance - Supercardioid shotgun microphone
- Shoe adapter (ISO/JIS standard) attaches to a camera accessory shoe.
- Records to microSD or microSDHC cards.
- Records 44.1/ 48 kHz, 16/24-bit, mono or poly linear PCM (WAV/BWF)files.
- Built-in clock stamps BWF files with time-of-day information for additional convenience when editing or searching for files.
- Equalizer has four presets that can be selected to match the recording conditions.
- Limiter automatically reduces high input levels to suitable levels.
- Low cut filter reduces low-frequency noise (120Hz cutoff frequency).
- Dual recording for two files to be recorded simultaneously with different gain levels.
- Slate tone for conveniently synchronizing with video files.
- Camera out jack (combined with headphone jack)outputs audio to a camera.
- Automatic file closing prevents the loss of data before the battery runs out.
- Included noise isolation arm reduces lens operation noise.
- Included attenuation cable matches output audio signal level when connected to a camera.
- Included cable clip secures attenuation and headphone cables.
- Tripod threads (ISO/JIS standards for mounting directly to a camera tripod or rig.
- Playback to headphones to check recorded file contents immediately.
- Time track increment silently and seamlessly splits a recording by creating a new file at regular intervals (about 15 minutes)for easier editing.
- File naming based on a user-specified word or the current date.
- Operates on 1 AAA battery (alkaline, rechargeable NiMH or disposable lithium)or USB bus power.
- Secondary lithium-ion battery maintains date and time information.
- 3.5mm(1/8“)headphone jack built in.
- Easy to read 96×16 dot OEL display with wide viewing angle.
- Micro-B USB 2.0 port to easily transfer files to a computer.
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Work faster in your Pro Tools® environment with direct access to primary transport and editing functions. This affordable Digidesign® Pro Tools Custom Keyboard uses the same symbols and color coding system built into the ICON D-Control™ worksurface and other Digidesign control surfaces while retaining all the conventional alphanumeric labels that appear on standard computer keyboards.
With functionality specific to Mac systems, the keyboard features plug-and-play USB connectivity.
Features
- Text and icons for main Pro Tools custom key commands, in addition to standard keyboard alphanumeric lettering
- Based on Apple Mac G5 Pro Keyboard
- Two USB ports and USB connection cord
System Requirements
- Digidesign-qualified Mac-based Pro Tools|HD®, Pro Tools LE™, or Pro Tools M-Powered™ system. (Note that some key commands are available only with Pro Tools HD software or with the DV Toolkit™ 2 option for Pro Tools LE.)
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Korg D-4 Digital Recording Studio
High-performance recording studio in a friendly, compact package
Welcome a new member to Korg?s lineup of D-series recorders - acclaimed for their superb audio quality and intuitive ease-of-use. About the same size as a VHS video tape, the D4 Digital Recorder contains built-in effects, rhythms, and a tuner, everything needed to plug in a guitar or mic and start recording right away. Five real-time knobs provide immediate control over numerous functions, including a full array of Korg?s proprietary ?REMS? modeling effects. These same knobs perform double duty as Pan knobs and Record Select buttons; an informative backlit LCD screen keeps it all together. Inside, you?ll find powerful recording and sophisticated editing functions that rival high level models. There?s even a USB connector that makes it easy to transfer song data to a computer. With enormous potential packed into its small size, the D4 is the ideal partner for your creative music life.
Main features ? 4-Track digital recorder features 8 virtual tracks per track, for a total of 32 tracks. ? Two tracks of simultaneous recording. ? High audio quality with extended recording times using MPEG1 Layer 2 compressed recording format. ? XLR and 1/4 inch inputs accommodate both a microphone and/or guitar. ? Intuitive user interface provides plenty of knobs for easy operation. ? Instantly recall frequently-used effect settings, including custom-tailored settings, using the Favorites knob. ? Five knobs (with push-button function) allow for easy effect editing and pan control. ? Full suite of non-destructive editing tools includes punch-in/out, bounce, copy/paste, delete ? even pro-level functions such as time compression/expansion are provided. ? Korg?s proprietary ?REMS? modeling technology delivers 93 effect types that can be used for guitar, insert, master, or final effect processing. There are 100 preset effect programs ready for immediate use, and 100 user program locations. ? High-capacity CompactFlash data storage. ? Transfer data to a computer quickly and easily via the USB connector. ? Built-in mic allows immediate recording on the go. ? 87 Rhythm / metronome patterns and a chromatic tuner are built-in. ? The custom LCD display is backlit for easy visibility - even in dark locations. ? AC adaptor and 64 MB CompactFlash media are included.
A studio that?s just the right size The D4 is a complete four-track recording studio, providing multi-effects based on Korg?s proprietary ?REMS? modeling technology, and an array of rhythm and metronome patterns to compliment any musical style. Just plug a guitar or microphone into the D-4 and you can begin creating your own song a track at a time. Eight virtual tracks are provided for each track, so you can choose the best take as you build your song. The D4 records directly to CompactFlash using one of three modes ?High Quality, Standard or Economy ? providing extended recording time with great audio quality. CompactFlash cards of up to 2 GB* may be used and each one can store up to 99 songs, recorded and saved in MP2 (MPEG-1 Layer-2) format. A built-in mic lets you make quick musical memos as inspiration comes to you. There?s also a built-in tuner, ensuring that you?ll be in tune whenever you record.
*maximum recording time = 72 hours, single track using Economy mode with a 2 GB CompactFlash.
Simple, easy-to-use controls, including new ?turn and push? knobs Despite its compact size, the D4 offers quick and convenient control of its many professional features and rich functionality. A single knob takes you from mode to mode. Five dedicated knobs provide real-time editing of the onboard REMS effects. By pushing down on these same knobs you can select recording status of each track and turn effects on and off. There?s also a ?favorites knob? that lets you instantly recall eleven of your favorite effects. The Value Dial provides a quick way to change settings and select various options. With trim knobs on both inputs (XLR and 1/4" are provided for Input 2, 1/4" only on Input 1), you?ll be able to get the optimum level in any recording situation.
A full suite of editing tools bring a final polish to your song The D4 provides the functionality and flexibility you?ve come to expect from Korg digital recorders, including copy, delete, punch-in recording and more. Bounce recording combines multiple tracks into one ? with no loss of fidelity ? and frees up tracks for additional recording. You can also use professional time compression/expansion editing functions to alter previously-recorded phrases so they match the tempo of your song.
“REMS" modeling effect technology KORG?s proprietary "REMS" (Resonant structure and Electronic circuit Modeling System) modeling technology simulates the audio characteristics of many classic guitar amps, legendary recording microphones and numerous effects with startling realism, adding depth and character to your original recordings. The AMP effect faithfully recreates a range of amps; from classics such as the VOX AC30TB through today?s latest guitar amps. The CABINET effect accurately simulates a wide variety of speaker cabinets that match the various AMP types. The 4-BAND EQ allows you to make detailed adjustments to the tonal character and you can also apply chorus, phaser, and flanger type MODULATION effects. For recording bass parts, the BASS DRIVE and BASS CABINET effects provide a broad spectrum of bass sounds that perfectly simulate the character of various bass rigs. When it comes time to add vocals ? or another acoustic instrument ? the mic simulator recreates the ideal tonality for various recording applications.
What is REMS? REMS (Resonant structure and Electronic circuit Modeling System) is Korg?s proprietary modeling technology that digitally simulates a wide range of factors that affect sound, including the sound-producing mechanism of acoustic and electric/electronic instruments, the body and cabinet resonances that affect the tone, the spatial character of the sound field in which the sound is heard, the electrical and acoustical response of the mics and speakers that are in the sound-transmission path, and the way in which electrical circuits such as vacuum tubes and transistors affect the tone.
Create multi-effect ?chains? using up to five simultaneous effects The D4 digital recorder provides four types of effect chains, in which up to five effects can be connected in a specified order. This makes it easy to create multi-effects that are suitable for the material you?re recording. These effect chains are stored as programs, with 100 user and 100 preset locations for easy access. The presets contain programs created by professional musicians and studio engineers and are ready to use. You can edit the effects in a program and store it in the user program area. Four chain types are provided. [GUITAR/MIC] is used when applying effects to a mono input, such as guitar or vocal; [INSERT/GTR+VO] is for use with a stereo input, or when applying separate effects to a vocal track and a guitar track that are being recorded simultaneously; [MASTER] makes the overall sound more consistent; and [FINAL], which applies overall adjustments to the final output stage. A dedicated switch is provided to select each chain type. No complicated operations are required, letting you concentrate on your recording.
High-quality PCM rhythms Inside the D4 is a PCM sound generator that can produce 87 different rhythm patterns (32 metronome patterns and 55 rhythm patterns). The rich array of patterns include 8 beat, 16 beat, Rock, Funk, Big Beat, House, Reggae, Hip-Hop, R&B, Disco, Dance, Jazz, 3/4, 6/8, 5/4, and 7/4, covering a broad range from simple beats to highly distinctive styles. These rhythm patterns may be used as recording guides, or as an easy way to create tracks.
Reliable, convenient CompactFlash storage CompactFlash capacities of 16 MB ? 2 GB are supported for data storage.*1*2 The data is written automatically when you?ve finished recording or editing. The D4 also provides a USB connector, so it?s easy to transfer song data and user effect data to your computer for backup.*3 Completed songs created within the D4 as stereo MPEG format*4 song files, can be played back as stereo MPEG files on your computer.*5 This also makes it easy to distribute or exchange data on the Internet.
*1 One (1) 64 MB CompactFlash card containing demo song data is included. *2 CF TYPE I cards only. CF TYPE II cards are not supported. *3 USB connection requires Windows 2000/Me or later, or Mac OS 9.0.4 or later. If your computer does not have a USB connector, you can still use a card reader/writer to backup data that?s stored on the card. *4 MPEG1 Layer2 format. *5 Windows Me, Windows 2000, Mac OS 9.0.4, or later systems are supported - when using a PC with an audio card that supports 32 kHz.
Recorder Section: |
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Number of Tracks: |
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4 tracks x 8 virtual tracks; 4 tracks simultaneous playback /2 tracks simultaneous recording |
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Recording Format: |
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16 bit MPEG 1 Layer 2 compression, 32 kHz |
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Recording Time: |
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Hi Quality = approx. 44 minutes /1 track Standard = approx. 64 minutes /1 tracks Economy = approx. 132 minutes /1 track (when using 64 MB CompactFlash), maximum of approx. 4200 minutes /1 track (Economy, when using 2 GB CompactFlash)
* Recording time may vary slightly depending on conditions of use. |
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Number of Songs: |
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99 songs per card |
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Tempo: |
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40 ~ 240 |
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Metronome Patterns: |
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32 |
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Rhythm Patterns: |
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55 |
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Track Editing: |
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Copy, Insert, Erase, Delete, Time Expansion/Compression |
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Song Editing: |
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Rename, Copy, Delete |
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Counter: |
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Min/Sec/Msec, Meas/Beat/Tick |
Mixer Section: |
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Structure: |
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4 ch + 2 ch (when using sub-input function) |
Effect Section: |
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Structure: |
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Guitar/Mic, Insert/Guitar+Vocal, Master, Final; One of the above effects can be selected for use. |
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Effects: |
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100 presets / 100 users |
Tuner: |
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Detection Range: |
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27.5 Hz ~ 2093 Hz |
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Calibration: |
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fixed at A=440 Hz |
Card: |
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Usable Type: |
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16 MB ~ 2 GB CompactFlash |
General: |
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Power Supply: |
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Included AC adapter |
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Dimensions: |
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7.52? (W) x 5.71? (D) x 1.61? (H) 191 (W) x 145 (D) x 41 (H) mm |
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Weight: |
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0.91 lbs./415 g |
Analog/Digital Input/Output Specifications: |
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A/D, D/A Conversion: |
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20 bit |
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Sampling Frequency: |
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32 kHz |
INPUT 1, 2: |
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Connector: |
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ψ6.3 mm phone jacks (unbalanced), XLR-3-31 type (balanced); when selecting INPUT 2 MIC |
LINE: |
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Input Impedance: |
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22 kOhm |
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Rated Level: |
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-32 dBu (INPUT LEVEL = Max), +4 dBu (INPUT LEVEL = min) |
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Maximum Level: |
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-18 dBu (INPUT LEVEL = Max), +16 dBu (INPUT LEVEL = min) |
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Source Impedance: |
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600 Ohm |
MIC: |
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Input Impedance: |
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10 kOhm: ψ6.3 mm phone jack (unbalanced), 10 kOhm: XLR-3-31 type (balanced)
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When using phone jack (unbalanced): |
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Rated Level: -52 dBu (INPUT LEVEL = max) -16 dBu (INPUT LEVEL = min) Maximum Level: -40 dBu (INPUT LEVEL = max) -4 dBu (INPUT LEVEL = min)
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When using INPUT 2 XLR (balanced): |
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Rated Level: -60 dBu (INPUT LEVEL = max) -28 dBu (INPUT LEVEL = min) Maximum Level: -48 dBu (INPUT LEVEL = max) -16 dBu (INPUT LEVEL = min) Source Impedance: 600 Ohm
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GTR: |
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Input Impedance: |
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890 kOhm
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Rated Level: |
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-30 dBu (INPUT LEVEL = max) +4 dBu (INPUT LEVEL = min) |
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Maximum Level: |
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-18 dBu (INPUT LEVEL = max) +16 dBu (INPUT LEVEL = min) |
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Source Impedance: |
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600 Ohm |
OUTPUT: |
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Connector: |
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RCA phono jacks
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Output Impedance: |
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1 kOhm |
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Maximum Level: |
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+2 dBu |
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Rated Level: |
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-10 dBu |
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Load Impedance: |
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Greater than 10 kOhm |
Phones Output: |
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Connector: |
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Mini-stereo phone jack
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Output Impedance: |
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10 Ohm |
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Maximum Level: |
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15 mW @ 33 Ohm |
Foot Switch: |
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Connector: |
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ψ6.3 mm phone jack (use separately sold PS-1 foot switch)
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USB: |
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Connector: |
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Type B
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Supported OS: |
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Windows Me/2000 or later, Mac OS 9.0.4 or later |
Included Items: |
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CompactFlash, AC adapter |
D4 Options: |
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PS-1 Foot Switch |
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The APH-2n optional accessory pack includes seven tools for use with the H2n. The remote control can be used to start, stop and pause recordings as well as to add marks. The other accessories in the pack are a windscreen that reduces wind and breath noise, a mic clip adapter for use with a mic stand, a tabletop tripod with extendable legs, a padded-shell case, an AC adapter and a USB cable. |
Specifications
General
Recording media CompactFlash card
Tested media SanDisk Extreme IV 4 GB, 8 GB, 16 GB
SanDisk Extreme 4 GB, 8 GB, 16 GB
File system FAT32
File format BWF (single-channel, multi-channel)
Number of audio channels 8 channels at 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
8 channels + stereo mix at 44.1 kHZ, 48 kHz
4 channels at 176.4 kHz, 192 kHz
Quantization bit rates 16 bit/24 bit
Sampling frequencies 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz
(47.952/48.048: 48 kHz ± 0.1% pull-up/pull-down)
Reference clock Internal, Word in, Video in,
Digital in (CH 1-2, CH 3-4, CH 5-6, CH 7-8)
Timecode frame rates 23.976, 24, 25, 29.97 DF, 29.97 NDF, 30 DF, 30 NDF
Built-in mic Omni directional, monaural
Low cut filter Cut-off frequency: 40/80/120 Hz
Slope: –12/–18 dB/oct
Analogue audio inputs and outputs
MIC IN/LINE IN connectors (1–8) XLR-3-31 (1: GND, 2: HOT, 3: COLD)
Input impedance (LINE) 10 kOhm
Nominal input level (LINE) + 6 dBu (Ref. level: –9 dB)
+ 4 dBu (Ref. level: Other than –9 dB)
Maximum input level (LINE) Selectable: +15 dBu, +18 dBu, +20 dBu, + 22 dBu, +24 dBu
Input impedance (MIC –25) 2.4 kOhm
Minimum input level (MIC –25) –45 dBu
Maximum iput level (MIC –25) +11 dBu
Input impedance (MIC 0) 2.4 kOhm
Minimum input level (MIC 0) –70 dBu
Maximum input level (MIC 0) –14 dBu
LINE OUT connectors (L/R) XLR-3-32 (1: GND, 2: HOT, 3: COLD)
Output impedance 100 Ohm or less
Nominal output level +6 dBu (Ref. level: –9 dB)
Nominal output level +4 dBu (Ref. level: Other than –9 dB)
Maximum output level Selectable: +15 dBu, +18 dBu, +20 dBu, +22 dBu, +24 dBu
PHONES connector 6.3-mm stereo phone jack
Maximum output power 100 mW + 100 mW or more (THD+N: 1 % or less, at 32 Ohm)
Digital audio inputs and outputs
DIGITAL I/O connector D-Sub, 25-pin connector
Format AES3-2003/IEC60958-4 (AES/EBU)
Minimum input voltage 200 mVpp
Maximum input voltage 7 Vpp
Output voltage 3.5 Vpp
DIGITAL OUT connectors BNC
Format AES3-2003/AES-3id-2001 (AES/EBU)
Output voltage 1 Vpp at 75 Ohm
Control inputs and outputs
EXT DC IN connector XLR-4-32 (1: –, 2: NC, 3: NC, 4: +)
Input voltage 11–16 V (2 A)
CASCADE/WORD/VIDEO IN connector BNC
Input voltage 5 V TTL equivalent
Input impedance 75 Ohm ±10 %
Allowable frequency deviation of external sync ±100 ppm
CASCADE/WORD OUT connector BNC
Output voltage 5 V TTL equivalent
Output impedance 75 Ohm ±10 %
Sampling frequencies 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz
(47.952/48.048: 48 kHz ± 0.1 % pull-up/pull-down)
TIME CODE IN connector BNC
Input voltage 0.5–5 Vpp
Input impedance 10 kOhm
TIME CODE OUT connector BNC
Output voltage 2.0 Vpp
Output impedance 600 Ohm
USB port USB B-type, 4-pin
Format USB2.0 HIGH SPEED (480 MBit/s)
KEYBOARD connector Mini-DIN connector (PS/2)
Audio performance
Frequency response (MIC/LINE IN to LINE OUT)
All sample rates 20 Hz – 20 kHz, 0 dB (±0.5 dB)
88.2/96 kHz sample rates at 40 kHz –1 dB (±1.0 dB)
176.4/192 kHz sample rates at 80 kHz –3 dB (+1/–2 dB)
Distortion
LINE IN to LINE OUT 0.003 % or less (–20 dB reference level, +23 dBu input, 1 kHz, AES-17 LPF)
MIC IN (MIC –25) to LINE OUT 0.02 % or less (–20 dB reference level, –10 dBu input, Trim at +20 dB, 1 kHz, AES-17 LPF)
MIC IN (MIC 0) to LINE OUT 0.02 % or less (–20 dB reference level, –35 dBu input, Trim at +20 dB, 1 kHz, AES-17 LPF)
S/N ratio
LINE IN to LINE OUT 110 dB(A) or more (22 kHz LPF)
MIC IN (MIC –25 or MIC 0) to LINE OUT 100 dB(A) or more (22 kHz LPF)
Computer compatibility
Windows Windows XP, Windows Vista, Windows 7
CPU Pentium 300 MHz or faster
Memory 128 MB or more
USB USB 2.0 port
Macintosh Macintosh Mac OS X 10.2 or later
CPU Power PC G3, G4, Intel Mac 266 MHz or faster
Memory 64 MB or more
USB USB 2.0 port
Recommended USB host controller Intel chipset
Power supply and other specifications
Power requirements 100–240 V AC, 50–60 Hz (AC adaptor PS-1225L)
10 AA batteries (Alkaline or NiMH)
External DC battery (DC 11–16 V, 2 A or more)
Battery operation time (continuous operation) Measured according to JEITA standard at 48 kHz, 24-bit, 8 ch playback or recording, phantom power off. Varies with operating conditions.
NP type battery (Li-Ion: 14.8 V/4.6 Ah) About 5 hours
AA type batteries (NiMH) About 2 hours
Power consumption 18 W
Dimensions (W x H x D) 270 mm x 100 mm x 260 mm (excluding protrusions)
Weight 3.65 kg (excluding batteries)
Operating temperature range 0–40 ºC
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Tuner + Metronome + Recorder - All in One Unit!
The TMR-50 - Your Ideal Practice Partner
Highlights:
- Tuner, metronome, and recorder can be used simultaneously or independently.
- Internal mic and speaker make it easy to record and play back your performance
- Loop Play function lets you repeat a desired region of a recorded track
- High-quality linear PCM recording/playback
- Record up to 100 tracks (approximately total 20 minutes)
- USB port lets you transfer recorded data and song files between the TMR-50 and your computer
- Newly designed highly responsive LCD needle-type meter
- Wide detection range from C1 to C8
- The Sound Out function produces a reference tone in a three-octave range from the built-in speaker
- The Sound Back function generates the reference tone that's closest to the input sound, while the meter indicates the pitch discrepancy between the reference and the input sound - a great function for ear training!
- Calibration supports a range of concert pitches
- Marks indicate pure major and minor third intervals
- Wide tempo range of 30--252 beats per minute
- 15 rhythm variations let you practice with a broad range of musical styles
- Easy tempo settings with two types of tempo step patterns plus a tap tempo function
- Large LCD with backlight brightness that's adjustable over two levels for enhanced visibility
- Your choice of body color: black or pearl white
- Convenient key layout, and newly designed stand and battery cover
- Memory Backup and Auto Power Off
Korg's popular TM series of tuner/metronome units is loved by players who practice to perfect their musical skills. Now joining the lineup is the TMR-50, which adds recorder functionality to the already impressive list of features. An extremely valuable way to improve your playing ability is to identify the problem areas that need work, and then practice to improve those areas. With its built-in mic and speaker, the TMR-50 makes it easy to practice this way. It provides high-quality linear PCM recording and a USB port for convenient usage with your computer. The TMR-50 features equally robust capabilities for its tuner and metronome functionality that will help you improve your sense of pitch and rhythm. Two choices of color are available: black and pearl white. Whether you're in a brass band or an orchestra, the TMR-50 is the ideal partner for anyone who wants to improve their playing.
Specifications
Recording format:
PCM audio format, WAV format (extension: .wav) 44.1 kHz@16-bit
Available recording time:
Maximum approx. 20 minutes (Internal Memory size is 120 MB)
Total number of tracks:
Up to 100 tracks
Tuning:
12 note equal temperament
Detection range:
C1 (32.70 Hz) ~ C8 (4186 Hz), Using Sine Wave.
Reference tone:
C3 (130.81 Hz) ~ C6 (1046.50Hz), 3 Octave.
Tuning Mode:
Meter Mode (AUTO), Sound Out Mode (MANUAL), Sound Back Mode (AUTO)
Calibration range:
A4 = 410 ~ 480 Hz (1 Hz steps)
Detection accuracy:
+/- 1 cent
Sound precision:
+/-1 cent
Tempo range:
Quarter Note = 30 to 252 BPM
Tempo setting:
3 Types: Pendulum Step
Full Step
Tap Tempo
Beat range:
Total 10 beats: "0 to 9" as "Quarter-note" Rhythm
Rhythm pattern:
Duplets, triplets, triplets without the center beat, quadruplets, and quadruplets without the center beats
Tempo accuracy:
±0.3%
Terminals:
Input (f6.3mm, Mono-Standard Jack type)
Headphones (f3.5mm, Stereo-mini Jack type)
USB (mini-Type B)
Internal Speaker:
Dynamic Speaker (f28 mm)
Power (Battery):
AAA battery (3.0 V) x 2
Manganese batteries or alkaline batteries, Ni-MH: Nickel metal hydride
Battery Life:
Recorder ... Approximately 16/13/11 hours
(Backlight: off/soft/auto, using alkaline batteries. Maximum of 20 minutes per
recording.)
Tuner ... Approximately 24/22/20 hours
(Backlight: off/soft/auto, A4 continuous input, using alkaline batteries)
Metronome ... Approximately 18/16/14 hours
(Backlight: off/soft/auto, tempo 120, 4 beats, maximum volume, using alkaline batteries)
Dimensions (W x D x H):
111 x 82 x 18 mm / 4/37 x 3.23 x 0.71 inches
Weight:
119 g / 4.19 oz (Including battery)
Included items:
AAA battery (3.0 V) x 2 for verifying proper operation
USB Cable
Options:
Contact Mic = CM-100L
Computer Requirements
Windows:
A computer that satisfies the operating requirements of Microsoft Windows XP/Windows Vista/Windows 7 and is equipped with a USB port
Macintosh:
Mac OS X 10.5 or later
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