TASCAM SS-R200 Digital recorder

595.00 incl. GR VAT

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Availability: Available in 1-3 d. Available in 1-3 d. SKU: TAEM000542 Category:
The TASCAM SS-200 Solid State Recorder – designed for the Broadcast and Contractor markets – record in WAV & MP3 to Compact Flash, SD/SHC, and USB memory. The SS-R200 features parallel and RS-232C serial control balanced & unbalanced I/O, and coaxial digital I/O.  It supports the RC-20 direct play remote for up to 20 tracks […]

 

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The TASCAM SS-200 Solid State Recorder – designed for the Broadcast and Contractor markets – record in WAV & MP3 to Compact Flash, SD/SHC, and USB memory. The SS-R200 features parallel and RS-232C serial control balanced & unbalanced I/O, and coaxial digital I/O.  It supports the RC-20 direct play remote for up to 20 tracks of flash start.

  • Solid state recoding to any available Media (CF, SD/SDHC, USB Memory)
  • One-rack-space compact design
  • Up to 20 tracks of flash start with RC-20 and RC-SS20 remote control devices
  • PS/2 or USB keyboard connection for file name edit, transport control, edit and flash start
  • RS-232C and Parallel Control I/O
  • Multiple playback modes for situations requiring continuous, single, programmed and random playback
  • Playback speed control without pitch change
  • XLR balanced I/O, RCA unbalanced I/O, coaxial S/PDIF, or AES/EBU digital I/O
  • Dimensions (W x H x D): 19 x 1.8 x 11.9 (in)  482.6 x 44.5 x 301 (mm)
  • Weight:  7.50 (lbs)  3.4(kg)
Weight 4.00 kg

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NameTASCAM SS-R200 Digital recorder removeZOOM H5 Handy Recorder removeEDIROL R-4 Portable Audio Recorder - WAVE Editor 4CH. removeTASCAM DP-008EX Compact 8-track Digital Multirack Recorder removeAllen & Heath ICE-16 Multitrack recorder 16 chan. removeTASCAM iM2X DIGITAL RECORDER remove
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SKUTAEM000542G05ZM00089R4TAEM000562144.190TAEM000557
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Description
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The TASCAM SS-200 Solid State Recorder - designed for the Broadcast and Contractor markets - record in WAV & MP3 to Compact Flash, SD/SHC, and USB memory. The SS-R200 features parallel and RS-232C serial control balanced & unbalanced I/O, and coaxial digital I/O.  It supports the RC-20 direct play remote for up to 20 tracks of flash start.

  • Solid state recoding to any available Media (CF, SD/SDHC, USB Memory)
  • One-rack-space compact design
  • Up to 20 tracks of flash start with RC-20 and RC-SS20 remote control devices
  • PS/2 or USB keyboard connection for file name edit, transport control, edit and flash start
  • RS-232C and Parallel Control I/O
  • Multiple playback modes for situations requiring continuous, single, programmed and random playback
  • Playback speed control without pitch change
  • XLR balanced I/O, RCA unbalanced I/O, coaxial S/PDIF, or AES/EBU digital I/O
  • Dimensions (W x H x D): 19 x 1.8 x 11.9 (in)  482.6 x 44.5 x 301 (mm)
  • Weight:  7.50 (lbs)  3.4(kg)
Uses a system of interchangeable input capsules that can be swapped out as easily as the lens of a camera Includes detachable X/Y capsule (XYH-5) with extended signal capacity and shockmounted mics for reduced handling noise Compatible with all Zoom input capsules Four-track simultaneous recording Large backlit LCD display Records directly to SD and SDHC cards up to 32GB Up to 24-bit/96kHz audio in BWF-compliant WAV or a variety of MP3 formats Two mic/line inputs with XLR/TRS combo connectors, each with selectable phantom power and -20dB pad Analog-style gain controls for each input Protective "roll-bar" type covers prevent accidental movement of gain controls Plug-in power (2.5 volts) Built-in effects, including low-cut filtering, compression and limiting Chromatic tuner and metronome Auto-record, Pre-record and Backup-record functions mean that you'll never miss that perfect take MS decoding Multitrack to stereo internal mixdown Normalize, Divide and Trim editing Voice memo and up to 99 marks per recording A/B loop playback Variable playback speed and variable pitch without affecting playback speed Multichannel and stereo USB audio interface for PC/Mac/iPad with loop back function Mountable to DSLR or camcorder with optional HS-01 Hot Shoe Mount adapter Uses two standard AA alkaline or NiMH rechargeable batteries Over 15 hours of operation with alkaline batteries GENERAL Recording media: SD card: 16MB to 2GB , SDHC card: 4GB to 32GB Display: Backlit LCD (128 x 64 pixels) INPUTS INPUTS L/R [XYH-5 X/Y mic]: Mic type:   Unidirectional Sensitivity:   -45 dB, 1 kHz at 1 Pa Input gain:   -∞ to 52 dB Max sound pressure input: 140 dB SPL MIC/LINE IN : Connector:   1/8" stereo mini jack Input gain:  - ∞ to 52 dB Input impedance:  2 k Ω or more Plug-in power:  2.5V supported Backup recording: -12dB lower than set L/R input gain INPUTS 1/2: Connectors:    XLR / TRS combo jacks (XLR: Pin 2 hot / TRS: Tip hot) Input gain (PAD OFF): -∞ to 55.0 dB Input gain (PAD ON): -∞ to 35.0 dB Input impedance:  1.8 k Ω or more Max input level:  +22 dBu (PAD ON) Phantom power:  +12V /+24V /+48V Equivalent Input Noise (EIN): -120 dBu or less OUTPUTS LINE OUT : Connector:    1/8" stereo mini jack Rated output level:   -10 dBm Output load impedance: 10k Ω or more PHONE OUT    : Connector:    1/8" stereo mini jack Output Level:    20 W +20 W into 32 Ω load Built-in speaker: 400mw 8 Ω mono RECORDING FORMATS STEREO MODE: WAV (BWF-compliant) Sampling frequency:   44.1/48/96 kHz Bit rate:    16/24 (Stereo) Maximum simultaneous recording tracks: 2 MP3 Sampling frequency:  44.1kHz Bit rate: 48/56/64/80/96/112/32/160/192/224/256/320kbps MULTITRACK MODE: WAV (BWF-compliant) Sampling frequency: 44.1/48 kHz Bit rate: 16/24 (Mono/Stereo) Maximum simultaneous recording tracks: 6 (L/R + INPUT 1/2 + L/R backup) USB Mass Storage Class operation: Class: USB 2.0 High Speed Audio Interface operation: Multitrack mode: Class: USB 2.0 High Speed Sampling frequency: 44.1/48kHz Bit rate: 16/24 bit Inputs / Outputs: 4 / 2 Audio Interface operation: Stereo mode: Class: USB 2.0 Full Speed Sampling frequency: 44.1/48kHz Bit rate:  16 bit Inputs / Outputs: 2 / 2 USB bus powered operation  possible (iPad operation supported in Stereo mode only) POWER REQUIREMENTS AA size (LR6) battery x 2 AC adapter: AD-17 (DC5V/1A/USB-type) (optional) USB bus power

Why are 4-channels of audio better than 2-channels?

  • Capture more ambient sound at any shoot for an overall more convincing soundscape.
  • Place mics on each participant in conferences, panels, reporters, etc.
  • Redundancy or backup in case of camera mic noise or drop out.
  • Simplify wedding shoots with a mic on the bride, groom, officiator and a mic for ambient sound.
  • Video editing environments now support multi-channel audio as standard.
  • Main Features

    The R-4 brings you a new generation of portable recording. Enjoy superb sound quality. Use the 40GB hard disk drive for extended recording. Record up to four channels at once. Edit waveforms on the recorder itself. All this plus a compact size and light weight that assure outstanding mobility in the field. The Edirol R-4. Gear up for the new generation of portable recording.

    Extended Recording with 40GB Hard Disk Drive
    Equipped with a 40GB hard disk drive, the R-4 can record up to 17 hours at maximum sound quality or up to 58 hours at CD quality.

    Superior 24-bit/96-kHz Linear Recording
    Totally uncompressed recording assures outstanding sound quality. Choose 16-bit or 24-bit quantization and a sampling rate of 44.1 kHz, 48 kHz, or 96 kHz. Save data as WAV files.

    Simultaneous 4-Channel Recording
    The 4 XLR/Phone combo jacks come with switchable phantom power and give you a choice of MONO, STEREO, STEREO X2, or 4CH recording. Digital input/output is also provided.
    Four-channel recording gives you exceptional flexibility. For example, you can use mics to capture the ambience of a performance hall while using line input to record the performance itself. Or you can record at several different level settings simultaneously.

  • Five High-Quality Effects
    The R-4 lets you tailor the sound during both recording and playback.

  • L Terminal for Linking a Digital Video Camera
    The R-4's L terminal lets you connect a similarly equipped digital video camera to synchronize the camera start/stop while R-4 is recording. Counting the camera's two channels, this configuration gives you a total of six audio channels — a wealth of audio data to get creative with.

    Waveform Editing Using Only the R-4
    The R-4 is all you need to edit waveforms. Just watch the waveform on the LCD as you edit. Scrubbing playback with the shuttle dial lets you set the edit points precisely by sound.

    Index Any Point Instantly
    Press the mark button anytime during recording or playback to mark that point for easy, instant indexing later. With the A-B repeat function you can set two points and repeatedly play back the material between them.

    Easy Playback with the Jog Dial
    Use the jog dial to fast-forward or rewind at any of seven speed levels.

    Built-In Stereo Speakers
    The R-4's built-in speakers make it easy to monitor recorded sound without headphones.

  • L Terminal for Linking a Digital Video Camera
    The R-4's L terminal lets you connect a similarly equipped digital video camera to synchronize the camera start/stop while R-4 is recording. Counting the camera's two channels, this configuration gives you a total of six audio channels — a wealth of audio data to get creative with.

    Waveform Editing Using Only the R-4
    The R-4 is all you need to edit waveforms. Just watch the waveform on the LCD as you edit. Scrubbing playback with the shuttle dial lets you set the edit points precisely by sound.

    Index Any Point Instantly
    Press the mark button anytime during recording or playback to mark that point for easy, instant indexing later. With the A-B repeat function you can set two points and repeatedly play back the material between them.

    Easy Playback with the Jog Dial
    Use the jog dial to fast-forward or rewind at any of seven speed levels.

    Built-In Stereo Speakers
    The R-4's built-in speakers make it easy to monitor recorded sound without headphones.

DP-008EX
  • Eight mono tracks
  • CD-quality recording (16bit/44.1kHz)
  • Two tracks simultaneous recording/ eight tracks simultaneous playback
  • Dedicated stereo master track available
  • Record to SD/SDHC card (Up to 32GB)
  • 2 Built-in omni-directional condenser microphones
  • Microphone sensitivity can be selected from 2-positions (Low/High)
  • Two TS 1/4" or XLR mic/line inputs
  • INPUT A can connect high-impedance instrument directly (Like an electric-guitar)
  • Phantom power supply
  • Independent LEVEL/PAN/Reverb SEND knobs for each track
  • Two RCA unbalanced line inputs
  • 20mW/ch headphone output
  • Footswitch ready with polarity switching (Notice: can't use RC-3F)
  • 128x64 dot-matrix LCD with backlight
  • Four AA batteries operation up to 6.5 hours (When recording, using the eneloop battery)
  • Insert effects for input channels (2-band shelving EQ, compressor, exciter, de-esser)
  • Mastering effects (2-band shelving EQ, multi-band compressor, normalize)
  • Auto analysis mastering function
  • 2-band shelving EQ for each track
  • Reverb effects (Hall1/2,Room,Studio,Plate1/2)
  • Optional AC adapter ready (TASCAM PS-P520)
  • Can connect an external battery pack (TASCAM BP-6AA)
  • Direct locate function by jog-wheel
  • Repeat playback between IN/OUT point
  • Track edit functions(COPY PASTE, COPY INSERT, MOVE PASTE, MOVE INSERT, OPEN, CUT, SILENCE, CLONE TRACK, CLEAN OUT)
  • Bounce function allows recording of more six tracks
  • UNDO/REDO(UNDO HISTORY) function
  • Chromatic tuner and metronome included
  • High-speed data transfer by USB2.0 connection
  • Backup and restore songs
  • File import/export by Wav format (mono/stereo)
  • Export stereo master file as stereo wav format
  • 2GB SD card included

Connect

Multiple units can be daisy-chained over the FireWire bus, or kept in sync using the DIN connectors when recording on multiple USB devices, making iCE-16 the perfect companion for both small and large analogue consoles such as our acclaimed ZED, MixWizard and GL mixers. Plug into your desk Direct Outs or use a mix of Groups and Aux sends to save on channels.

Record

The USB DRIVE is automatically detected and checked by the system. Starting the recording is as simple as pushing a button. Remove and plug the key into a computer to access or transfer the WAV files to any DAW.

Interface

Removing the USB stick or powering up the unit without one enables the USB / FireWire interface. Signals present at the inputs will be sent to the Mac or PC on channels 1-16. WDM/ASIO drivers and USB2.0 class compliance ensure full compatibility with most DAWs, including Logic, Sonar, Cubase and Pro Tools.
Play

Fancy a ʽvirtual soundcheckʼ or just need to play cues during a live gig? Tracks can be played back directly from the USB drive and full multichannel audio can be sent from the computer to the ICE-16 analogue Outputs.

The Tascam iM2X turns an Apple iPhone 4, iPad or iPod Touch 4G into a powerful PCM audio recorder for CD-quality recordings. It consists of a pair of condenser microphones and a high-quality preamp and plugs into the dock connector of the iOS device. The microphone elements are XY oriented for clear stereo definition and minimal phase differences. Moreover, they are adjustable over 180 degrees for the best sound placement.

Unlike mics that use the iOS deviceʼs built-in preamp, the iM2X with its internal A/D converter ensures low noise and better linearity in frequency response. The microphone elements also used in Tascam DR series recorders can handle sound pressure levels up to 125 dB to capture the loudest concerts and instruments without distortion. Thanks to an input level control and a two-colour level meter, level adjustment is very simple. A switchable limiter also contributes to this by reducing sudden peaks and protecting against unforeseen overload.

The iM2X powered through the dock connector, so no battery is required. A USB input is provided to charge the iOS device for long recordings, either through a computer or a USB charger.

An appropriate 2-track recording application (Tascam PCM Recorder) for iOS devices can be downloaded from AppStore at no charge.

Main Features

Turns your Apple iPhone 4, iPad or iPod Touch 4G into a high-grade PCM audio recorder
Stereo condenser microphone in XY orientation for clear stereo definition and minimal phase differences
Accepts sound pressure level up to 125 dB SPL
Microphone can be swivelled by 180 degrees to capture sound sources in front or behind the unit
Allows recordings in CD quality (44.1kHz/16-bit)
Input level rotary control
Input level indicator (green/red)
Switchable limiter to avoid distorted recordings
Power supply via dock connector, no battery required
USB connector available for recharging the iOS device
Easy setup (attaches to the deviceʼs dock connector)
Tascam 2-track recording app can be downloaded from the Apple AppStore at no charge
Specifications

General
Microphone type        Cardioid condenser (stereo)
Maximum input level        125 dB SPL
Input level adjustment range        0–40 dB
Frequency range        10 Hz – 20 kHz
Sampling frequency        44.1 kHz
Bit rate        16 bit
iOS device recharging port        USB Mini-B connector
iOS device connector        30-pin dock connector
Device support        iPhone 4S, iPhone 4, iPad (3rd generation), iPad 2, iPad or iPod touch (4th generation)
Power supply and other specifications
Power supply        Provided through the iOS device connector
Power consumption        90 mW
Dimensions (W x H x D)        56 mm x 57 mm x 22 mm (including connector)
Weight        30 g
Operating temperature range        5–35 °C
Design and specifications subject to change without notice.

Weight4.00 kg2.00 kg1.70 kg2.00 kg3.00 kg0.10 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 4.00 kg
Weight 2.00 kg
Weight 1.70 kg
Weight 2.00 kg
Weight 3.00 kg
Weight 0.10 kg