YAMAHA EMX-2 Powered Mixer

Discontinued

329.00 incl. GR VAT

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Because the EMX2 is both a mixer and a power amplifier, you only need speakers and mics to have a fully functioning sound system. This makes it easy for newcomers, and even first-time users with no previous audio experience to easily configure their own sound reinforcement system. The EMX2’s all-in-one design concept ensures that by […]

 

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Because the EMX2 is both a mixer and a power amplifier, you only need speakers and mics to have a fully functioning sound system. This makes it easy for newcomers, and even first-time users with no previous audio experience to easily configure their own sound reinforcement system. The EMX2’s all-in-one design concept ensures that by just plugging in a single power cable and making a few simple, intuitive connections, anyone can be their own sound engineer.

Despite being a mixer and an amplifier in a single unit, the EMX2’s dimensions (37.5cm x 22cm x 15cm / 14.8″ x 5.8″ x 8.7“) are surprisingly modest, making it easy to fit along with speakers even in the trunk of a small car. The lightweight body also features handles for a superior level of portability that will benefit anyone setting up a PA for applications where time is a consideration.

Μic Input:

1-6
Power 4Ω: 200W – 300W
Console Layout: Vertical
Weight 5.00 kg

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YAMAHA EMX-2 Powered Mixer removeBEHRINGER PMP580S Active Mixer 2 Χ 250 Watts/4Ω removePEAVEY PVI8500 Powered Audio Mixer 400 Watt removeDYNACORD POWERMATE 2200-3 POWER MIXER 2x1000W-4ohms 3 years warranty removeDYNACORD PM-502 Powered Mixer removePHONIC Powerpod-415 RW Head Powered Mixer remove
NameYAMAHA EMX-2 Powered Mixer removeBEHRINGER PMP580S Active Mixer 2 Χ 250 Watts/4Ω removePEAVEY PVI8500 Powered Audio Mixer 400 Watt removeDYNACORD POWERMATE 2200-3 POWER MIXER 2x1000W-4ohms 3 years warranty removeDYNACORD PM-502 Powered Mixer removePHONIC Powerpod-415 RW Head Powered Mixer remove
ImagePOWERMATE DYNACORD 2200-3 POWER MIXER 22CH CONSOLE
SKUH010.00026E006171534.PVY.001.8500E009268E009266H01PH00036
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Price 329.00 incl. GR VAT 294.00 incl. GR VAT 459.00 incl. GR VAT 3,639.40 incl. GR VAT 1,199.00 incl. GR VAT 179.00 incl. GR VAT
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Description
  • Intuitive mixer with 22 input channels (18 Mic/Line + 4 Mic/Stereo-Line)
  • Very powerful and reliable amplifier with 2 x 1.000 Watts / 4 Ohms
  • 2 High-Quality editable effects, 100 factory and 20 user presets
  • Professional 4x4 24-bit / 96 kHz USB interface with MIDI
ContentBecause the EMX2 is both a mixer and a power amplifier, you only need speakers and mics to have a fully functioning sound system. This makes it easy for newcomers, and even first-time users with no previous audio experience to easily configure their own sound reinforcement system. The EMX2's all-in-one design concept ensures that by just plugging in a single power cable and making a few simple, intuitive connections, anyone can be their own sound engineer. Despite being a mixer and an amplifier in a single unit, the EMX2's dimensions (37.5cm x 22cm x 15cm / 14.8" x 5.8" x 8.7“) are surprisingly modest, making it easy to fit along with speakers even in the trunk of a small car. The lightweight body also features handles for a superior level of portability that will benefit anyone setting up a PA for applications where time is a consideration. Μic Input:
1-6
Power 4Ω: 200W - 300W
Console Layout: Vertical

500-Watt 10-Channel Powered Mixer with KLARK TEKNIK Multi-FX Processor, Compressors, FBQ Feedback Detection System and Wireless Option

  • Ultra-compact 2 x 250-Watt stereo powered mixer
  • Revolutionary Class-D amplifier technology: enormous power, incredible sonic performance and super-light weight
  • 8 "Invisible” IMP mic preamps with switchable +48 V phantom power for condenser microphones
  • Ultra-high quality KLARK TEKNIK FX processor with 25 presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
  • Studio-grade compressors with super-easy "one-knob” functionality and control LED for professional vocal and instrumental sound
  • Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies for easy feedback removal

  • “Wireless-ready" for high-quality BEHRINGER digital wireless system (not included)
  • 10-channel mixer section features 6 mono and 2 stereo channels plus separate Aux input
  • Effective, extremely musical 3-band EQ, switchable Pad and Clip LEDs on all mono channels
  • Stereo 7-band graphic EQ allows precise frequency correction of monitor and main outputs
  • Selectable stereo (main L/R), double mono (main/monitor) amplifier operation
  • Speaker Processing function adjusts frequency response to match professional speaker systems like BEHRINGER EUROLIVE series, etc.
  • Standby switch mutes all input channels during breaks while background music is provided via Aux input
  • Adjustable stereo Aux input for connecting external signal sources
  • Internal switch-mode power supply, noise-free audio, superior transient response and very low power consumption
  • Rack mount brackets included
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany
  • FLS Feedback Locating System
  • Master Mute for channels 1-7
  • Footswitchable effects defeat
  • Combination XLR and 1/4 input jacks
  • RCA, 1/8" Media input
  • Selectable 9-Band Graphic EQ with FLS
  • Selectable Main or Monitor dual power section
  • RCA Record outputs
  • LED Meter bridge
  • Digital effects parameter control
  • Power amp sub-sonic filtering
  • On-board 24- bit digital effects with mute button
  • Clip light and signal present indicator
  • Kosmos-C
  • Main line level 1/4" output
  • Mid-Morph EQ
  • DDT Speaker protection circuit
  • 48 Volt Phantom Power
  • Bluetooth? streaming audio
  • Weight Unpacked: 10.44 kg
  • Weight Packed: 11.8 kg
  • Width Packed: 35.56 cm
  • Height Packed: 55.88 cm
  • Depth Packed: 34.925 cm
Channels (Mono + Stereo) 18 + 4 Auxiliaries (MON, FX, AUX) 2 Pre, 2 Post, 2 Pre/Post switchable Maximum Midband Output Power,1 kHz, THD=1%, Dual Channel into 4 Ohms 2 x 1000 W Power Requirements (SMPS with auto range mains input) 100 V .. 240 V AC, 50 Hz .. 60 Hz Power Consumption, at 1/8 maximum output power, 4 Ohms 450 W Dimensions (W x H x D), mm 818.5 x 155.0 x 498.5 Net weight 18.0 kg MIC/LINE Input Channels The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp. The +48V phantom power for condenser microphones can be switched in groups of six. The Line Input and Channel Insert are implemented as jack sockets. The Gain can be controlled in the range 0-60 dB. The switchable Lo Cut filter (80Hz, 18dB) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix. Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively. With its extended buss structure, the PowerMate-3 offers very flexible configuration options. In all, 6 AUX busses are available: 2 (FX) are assiged to the two effects sends; 2 (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section; 2 (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section. MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal. Each channel offers a Signal Present and Peak LED for level control. The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic. All potentiometers and faders are high-quality components from ALPS. Stereo MIC/LINE Input Channels The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals. Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players. The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4 Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired. Three-band tone controls are provided and a Balance control replaces the PAN control found in the mono channel strips. Master In the Master Section, too, the PowerMate is lavishly equipped. The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice. The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation. The Master B signal is available pre or post Master L/R fader and can be mono-summed if desired. The Master signal is also available on the REC Send cinch (RCA) output with level control. The level meters of the PowerMate comprise two LED chains of 12 LEDs each. The display range covers 40 dB; what is shown is the level in dBu at the master outputs. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu. The Standby switch mutes all channels e.g. during pauses, with only the 2TRACK-to-Master input remaining active for the playback of interval music. A 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp. DIGITAL USB 2.0 AUDIO INTERFACE The USB 2.0 port serves as a digital audio interface between the PowerMate and a PC or Mac. Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals (e.g. for playback or interval music) or else for live- or studio-recording applications. It is configured by selecting the relevant setting in the menu. For the use of the PowerMate with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included free-of-charge on the supplied DVD. PC-MIDI-Interface The PowerMate also offers a fully-featured PC MIDI interface. The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch. Professional Effects, OLED Display and Processing Menus The PowerMate has two integrated stereo multi-effects processors that work independently of one another, each offering 100 effects algorithms optimized for live performance, the most important parameters of which are editable. Linear 24-bit AD/DA converters and 48-bit double-precision processing guarantee the finest studio quality based on state-of-the-art technology. The 100 program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments. Other presets include Echo/Reverb and Chorus/Reverb combinations, a variety of delay, flanger, chorus and doubling algorithms, as well as special reverb and delay programs. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key. Edited effects programs can be stored in the 20 User memories, assigned names, and later selected and used in the same way as the presets. The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder. Processing Menüs For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from a multitude of menus. Particularly valuable in making it possible to adjust the PowerMate perfectly to the selected loudspeaker cabinets, thereby optimizing the audio performance and maximizing the operating safety and reliability of the system, are the LPN Processing and Speaker Protection menus. LPN-Processing Typical small to medium-sized loudspeaker cabinets, for physical reasons that have nothing to do with their make or quality, exhibit distortion in the transient response of the woofer. Since neither graphic nor parametric equalizers can do anything to alleviate this problem, the PowerMate offers a configurable LPN (low-pass notch) filter. Depending upon the size of the loudspeaker cabinet being used and also to adjust to problematic acoustics (such as those of bassy, boom-ridden rooms), the LPN filter can be set to either High or Medium. The result is considerably greater punch (e.g. from the bass drum), an extension downwards of the frequency response, and improved transparency in the bass and midrange. Speaker Protection This menu allows you to match perfectly the continuous power output of the PowerMateʼs power amplifiers to the connected loudspeakers in the interests of greater operational safety and reliability. Through dynamic limiting of the maximum power at the output, loudspeaker damage due to thermal overload can be avoided, without the wide dynamic range of the power amplifiers being sacrificed. Once the maximum permissible power handling of the connected loudspeaker cabinet has been selected from the menu—the actual peak dynamic power handling capacity in audio applications of almost all loudspeaker cabinets is many times this nominal value—the speaker protection supervises permanently the amount of energy being fed to the loudspeakers, only limiting it in the event of a threatened overload, and even then, doing so softly and inaudibly. For peak levels of short duration, the full output of the power amplifier remains available, even when relatively small cabinets are being used. As a result, not only is the maximum dynamic range of the system maintained but also, and at all times, the highest degree of operational safety and reliability. Professional Class-D High-Performance Power Amplifiers The PowerMate is equipped with a professional, extremely powerful, stereo power amplifier that uses modern and highly efficient Class-D technology. What this means is that at a nominal output of 2 x 1,000 watts RMS into 4 ohms (or 2 x 1,350 watts RMS into 2.7 ohms), comparatively little dissipation is generated within the device, and the power consumption is thereby dramatically reduced—by more than 55% compared with conventional power amplifiers! The minimal load impedance at the output is 2.7 ohms, making operation with up to three 8-ohm loudspeaker cabinets per channel, connected in parallel, possible with no problems. The audio performance is on the highest professional level, as is shown by the PowerMateʼs exemplary figures for freedom from distortion, slew rate, and freedom from intermodulation. The overall power supply is handled by an extremely stable, microprocessor-controlled, switching power supply, bringing massive gains in terms of weight-saving over a conventional toroidal transformer. Another advantage is the automatic mains voltage switching, which makes it possible to use the PowerMate virtually anywhere in the world without reconfiguration. Voltage surge protection is also integrated, whilst a ʽsoft startʼ function prevents the mains fuse tripping when the device is switched on. The PowerMate is equipped, naturally, with all the protective circuitry familiar from DYNACORD power amplifiers and satisfies even the extreme demands of hard tour use. The power amplifiers are protected against thermal overload, short-circuit, back EMF and no-load operation as well as high-frequencies or DC at the output. Both outputs, here, are supervised independently so that, should a fault occur, only the channel affected is shut down. When the device is powered up, there is a delay before the power outputs are connected, to obviate the risk of noise. The thermal stability of the PowerMate is assured by two very quiet fans the speed of which is continuously variable. The front-to-rear airflow allows the device to be used in large or small racks; furthermore, the PowerMate is equipped with a processor-controlled thermo-limiter, so if ever the threat of overheating does arise, the clip limiter intervenes in a highly musical way, acting only upon the peaks. In this way, a total shutdown of the power amplifiers is effectively prevented, as is any obtrusive fall in the overall volume level. The PROTECT and LIMIT LEDs on the front panel indicate the current operating state of the power amplifiers. Innovative Solution for Protection and Transportation The PowerMate 1000 and 1600 are supplied with a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort. For the larger PowerMate 2200, due to its greater size, a flight-case solution is recommended (available as a further option is a dust cover: the DC-PM2200-COVER).

This innovative product comes in a very modern and user-friendly design. It combines finest analogue input circuitry and operating surface with the advantages of its digital master and amplifier section making for a new dimension of flexibility in its class. The acoustical performance meets everything that you have come to expect from a quality Dynacord product.

Its feature package includes: 5 MIC/LINE input channels with compressor / limiter and talk-over function, 3 Stereo Inputs including Jack, RCA and USB connectors, onboard player for MP3 or WAV audio files, high quality effects section with 32 editable presets, 3 Master outputs with 7-band EQ each and flexible signal routing options, delay line for Master-B (150 msec / 50m), headphones control, LPN speaker processing, class-D  2 x 450W RMS respectively 2 x 600W / 4 Ohms IHF-A power, micro-controlled power supply (100V – 240V), Direct-Drive option for 100V speaker lines, comprehensive protection package, live and install connectivity, optional rack mount kit.

The input structure of the PM 502, along with the entire feature package and connectivity, positions this mixer at the heart of many installations ranging from Bistros, small clubs, lounges, boutiques, hotel bars and lobbies to churches, mosques and a wide range of similar applications. Further the PM 502 is an extremely versatile tool for a multitude of live applications. It will be the ideal choice for entertainers, DJs and small bands looking for a compact and light-weight solution for live applications or rehearsal venues. The onboard MP3-Player on the front, allows the user to easily play pre-recorded music from a USB stick or a hard drive. The digital USB interface on the rear also allows for basic recording.

 


Channels (mono + stereo)
5 + 3
Microphone inputs
5 x XLR/Jack socket
Auxiliaries (FX, AUX)
1 Post, 1 Pre
Rated output power, 20-20000 Hz, THD -
into 4 Ω
640 W
into 8 Ω
350 W
Max. dual channel output power, dynamic headroom, IHF-A
-
into 4 Ω
2 x 600 W
into 8 Ω
2 x 340 W
Max. single channel output power, continuous, 1 kHz, THD = 1%
-
into 4 Ω
500 W
into 8 Ω
280 W
Max. midband output power, 1 kHz, THD = 1%, dual channel
-
into 4 Ω
2 x 450 W
into 8 Ω
2 x 270 W
Rated output power, 20-20000 Hz, THD -
into 4 Ω
2 x 400 W
into 8 Ω
2 x 240 W
Max. output power, Direct Drive mode (bridge configuration), continuous, 1 kHz, THD = 1%
-
into 12 Ω
680 W
Maximum output voltage, power amplifier, 1 kHz, no load
-
Dual channel mode
52 Vrms
Direct Drive mode
100 Vrms
THD, at 1 kHz, MBW = 22 kHz
-
MIC input to master A L/R outputs, +10 dBu, typical
MIC iput to speaker output
DIM 30, MIC input to speaker output, 3.15 kHz, 15 kHz
IMD-SMPTE, MIC input to speaker outputs, 60 Hz, 7 kHz
Frequency response, -3 dB, ref. 1 kHz
-
Any input to any Mixer output
15–22000 Hz
Any input to Speaker output
20–22000 Hz
Microphone mute switch attenuation
-
Amplifier Ch1/Ch2
Channel to channel
Microphone mute switch attenuation
> 100 dB
Channel VOL and FX/AUX send attenuation
> 85 dB
CMRR, MIC input, 1 kHz
> 80 dB
Input sensitivity, all level controls in max. position
-
MIC
-65 dBu (435 μV)
LINE (mono)
-45 dBu (4.35 mV)
LINE (stereo)
-27 dBu (34.6 mV)
CD (stereo)
-27 dBu (34.6 mV)
All other outputs (impedance balanced)
-
MIC inputs, GAIN at min. position
+11 dBu
Mono line inputs, GAIN at min. position
+30 dBu
Stereo line inputs
+26 dBu
PHONES output
+21 dBu
MASTER A, B, AUX outputs
+11 dBu
Input impedances
-
MIC
2 kΩ
CD
10 kΩ
All other inputs
> 15 kΩ
Output impedances
-
PHONES
47 Ω
All other outputs (impedance balanced)
150 Ω
MASTER VOLUME down
-129 dBu
Noise, channel inputs to MASTER A L/R outputs, MBW = 22 kHz, Aweighted
-
MASTER VOLUME down
-99 dBu
MASTER VOLUME center, all channel volume down
-90 dBu
MASTER VOLUME center, all channel volume center
-85 dBu
Signal-to-noise ratio, power amplifier, A-weighted, 450 W, 4 Ω
104 dB
Output stage topology, amplifier
Class D
Equalization
-
Low shelving filter
±15 dB / 60 Hz
Mid peak filter
±12 dB / 2.4 kHz
High shelving filter
±15 dB / 12 kHz
Master EQ 7-band (63, 160, 400, 1k, 2.5k, 6k, 12k Hz)
±10 dB / Q = 1.5
Filter
-
Low-cut filter, microphone processing (switchable)
80 Hz, 18 dB/oct. or 150 Hz, 12 dB/oct.
Low-cut filter, amplifier (engaged in Direct Drive mode)
50 Hz or 70 Hz, 18 dB/oct.
Speaker processing
LPN, switchable
Delay MASTER B, selectable
0–145 ms (0–50 m)
Effects
-
Type
Stereo 24/48-bit multi effects processor
Effect presets
32 factory presets, user editable
Remote control
Footswitch
Display
128 x 64 pixels, LCD
Audio player (USB at front panel)
-
Switching mode power supply (μC controlled)
FAT 32
Supported audio file formats
MP3, WAV
Interface
USB2.0, female type A
USB power supply, max. rated current (short circuit proof)
5 V, 500 mA
Digital audio interface (USB at rear panel)
-
Channels
2 in, 2 out
AD/DA conversion
16-bit, delta-sigma
Sampling rate
32/44.1/48 kHz
PC interface
USB2.0, female type B
Protection
-
MASTER A, B, AUX outputs
Adjustable peak limiters, -10 – +11 dBu
Amplifier
Audio limiters, high temperature, DC, HF, short circuit, peak current limiters, turn-on delay, back EMF
Switching mode power supply (μC controlled)
Inrush current limiters, mains over/undervoltage, mains over current, high temperature
Cooling
Continuous speed controlled fan
Phantom power, switchable
48 V DC
AC power input
100–240 V AC, 50–60 Hz
Power consumption, at 1/8 maximum output power, 4 Ω
180 W
Safety class
I
Operating temperature
5° to 40° C (40° to 105° F)
Product dimensions (Width x Height x Depth)
395 x 244 x 241 mm Rack-mount: 483 x 223 x 310.3 mm (7 HU)
Net weight
4.9 kg
Shipping weight
6.4 kg
 

The Phonic Powerpod Series are powered mixers in a compact and durable design. The Powerpod 415RW has four Mic/Line input channels and a built-in 150 Watt amplifier, as well as onboard USB module for recording and playback and Bluetooth Module for wireless audio streaming. The 2-band EQ on every channel gives you maximum control over your mix, and the Powerpod 415 RW's built-in variable digital delay allows users to better tweak their mix. Powerpod Series Powered Mixers are great all-in-one mixer/amplifiers for bands, traveling musicians, school auditoriums, houses of worship and clubs. 

Features:

  • Built-in 150W output power
  • 4 Mic/Line input channels
  • USB recorder and playback device for capturing all performances with ease
  • Bluetooth audio streaming
  • Variable digital delay with time and repeat control
  • Main insert point via 1/4" TRS jack
  • Super musical 2-band EQ on mono channels
Μic Input: 1-6
Power 4Ω: 100W - 200W
Console Layout: Vertical
Weight5.00 kg5.00 kg10.44 kg29.00 kg4.90 kg0.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 5.00 kg
Weight 5.00 kg
Weight 10.44 kg
Weight 29.00 kg
Weight 4.90 kg
Weight 0.00 kg