| Content | The new EMX7 and EMX5 were designed specifically for musicians, performers, or public speakers who put a premium on sound quality and convenient operation, and are ready to take their sound reinforcement to the next level. Despite their compact construction, only speakers and a microphone are required to configure a fully functioning, extremely portable, and reliable sound system with all the tools you need to mix, process, and deliver your audio just the way you want, anywhere you want.
Powerful & High Efficiency Class-D Amplifier
The EMX7 and EMX5 models feature a built-in high-efficiency power amplifier of 2 x 710W and 2 x 630W of output power respectively. Despite their low power consumption, these amps are capable of very high volume output, yet still manage to remain surprisingly lightweight. Both models also come equipped with an onboard overload protection function to improve reliability and prolong component life and performance quality.
Robust But Extremely Portable Design
The EMX7 and EMX5 benefit from a robust and portable design with a rugged, impact-resistant, powder-coated metal chassis geared towards extended operation and road usage. Large handles on the front and back of the enclosure make it extremely portable, and also help to protect knobs and terminals on the surface of the chassis from impact or pressure during transport.
Easy Setup, Easy Operation
With their intuitive, user-friendly architecture, the EMX7 and EMX5 can be setup and operated quickly and easily by users with a fundamental understanding of sound reinforcement. Their versatile enclosure design allows users to choose from a variety of vertical or horizontal placements depending on the type of application. From a tabletop, floor, or installation environment no matter used on a tabletop or from a seated position with the mixer placed on the floor. |
A professional mixer offering two digital effect units and a 2 x 300 watts power amplifier to be used in entertainment and multimedia applications. Whether it is being used as mobile DJ-mixer, by a rental company, in a clubhouse, a hotel, a club / bistro, or in the party cellar at home: the comprehensive set of features and professional audio quality of the MP-7 Entertainment System also solves your sound reinforcement problem.
Maximum Midband Output Power, 1 kHz, THD = 1%: - into 4 ohms 2 x 340 W into 8 ohms 2 x 200 W Rated Output Power, 20Hz… 20 kHz, THD =0.2%: - into 4 ohms 2 x 300 W into 8 ohms 2 x 150 W Maximum Output Voltage of the power amplifier, no load THD @ 1 kHz, MBW=80kHz 43 Vrms MIC input to Main L/R output, +16 dBu 90 dB Channel seperation > 70 dB Input Sensitivity, all level controls in max. position: - MIC input -74 dBu (155µV) Line Input (Mono) -54 dBu (1.55 mV) CD/MD Line Input (Stereo) -24 dBu (49 mV) Phone Input (Stereo) -61.5 dBu (652 µV) Power Amplifier Input +6 dBu (1.55 V) Maximum Level, mixing desk: - MIC inputs +11 dBu Line inputs +30 dBu All other inputs +20 dBu Record Send output +14 dBu All other outputs +20 dBu Input Impedances: - MIC 1.8 kohms All other inputs > 10 kohms Output Impedances: - Record Send 1 kohms Phones 47 ohms All other outputs 75 ohms Equivalent Input Noise, MIC Input, A-weighted 150 ohms -130 dBu Noise, Channel inputs to Main L/R outputs, A-weighted: - Master fader down -104 dBu Master fader 0 dB, Channel fader down -91 dBu Master fader 0 dB, Channel fader 0 dB, Channel gain unity -84 dBu Signal/Noise-Ratio, power amplifier, A-weighted 105 dB Equalization STEREO: - LO Shelving +9/-30 dB / 60 Hz MID Peaking +9/-30 dB / 2.4 kHz HI Shelving +9/-30 dB / 12 kHz Equalization MIC: - LO Shelving ±15 dB / 60 Hz MID Peaking ±12 dB / 2.4 kHz HI Shelving ±15 dB / 12 kHz Master EQ, 2x7-band, Stereo ±10 dB Phantom Power, all MIC Inputs +24V dc Lamp +12V dc Power Requirements, factory preset, 50Hz....60Hz 100V/120V/230V/240V Power Consumption at 1/8 maximum output power 4 ohms 450 W Dimensions, (WxHxD), mm 455,5 x 175,8 x 340.6 Weight, including lid 13 kg Optional Rack-Mount-Kit MP7
| Channels (Mono + Stereo)
18 + 4
Auxiliaries (MON, FX, AUX)
2 Pre, 2 Post, 2 Pre/Post switchable
Maximum Midband Output Power,1 kHz, THD=1%, Dual Channel into 4 Ohms
2 x 1000 W
Power Requirements (SMPS with auto range mains input)
100 V .. 240 V AC, 50 Hz .. 60 Hz
Power Consumption, at 1/8 maximum output power, 4 Ohms
450 W
Dimensions (W x H x D), mm
818.5 x 155.0 x 498.5
Net weight
18.0 kg
MIC/LINE Input Channels
The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp.
The +48V phantom power for condenser microphones can be switched in groups of six.
The Line Input and Channel Insert are implemented as jack sockets.
The Gain can be controlled in the range 0-60 dB.
The switchable Lo Cut filter (80Hz, 18dB) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix.
Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively.
With its extended buss structure, the PowerMate-3 offers very flexible configuration options. In all, 6 AUX busses are available:
2 (FX) are assiged to the two effects sends;
2 (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section;
2 (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section.
MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal.
Each channel offers a Signal Present and Peak LED for level control.
The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic.
All potentiometers and faders are high-quality components from ALPS.
Stereo MIC/LINE Input Channels
The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals.
Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players. The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4 Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired. Three-band tone controls are provided and a Balance control replaces the PAN control found in the mono channel strips.
Master
In the Master Section, too, the PowerMate is lavishly equipped.
The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice.
The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation.
The Master B signal is available pre or post Master L/R fader and can be mono-summed if desired. The Master signal is also available on the REC Send cinch (RCA) output with level control. The level meters of the PowerMate comprise two LED chains of 12 LEDs each. The display range covers 40 dB; what is shown is the level in dBu at the master outputs. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu.
The Standby switch mutes all channels e.g. during pauses, with only the 2TRACK-to-Master input remaining active for the playback of interval music.
A 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp.
DIGITAL USB 2.0 AUDIO INTERFACE
The USB 2.0 port serves as a digital audio interface between the PowerMate and a PC or Mac.
Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals (e.g. for playback or interval music) or else for live- or studio-recording applications. It is configured by selecting the relevant setting in the menu.
For the use of the PowerMate with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included free-of-charge on the supplied DVD.
PC-MIDI-Interface
The PowerMate also offers a fully-featured PC MIDI interface.
The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch.
Professional Effects, OLED Display and Processing Menus
The PowerMate has two integrated stereo multi-effects processors that work independently of one another, each offering 100 effects algorithms optimized for live performance, the most important parameters of which are editable. Linear 24-bit AD/DA converters and 48-bit double-precision processing guarantee the finest studio quality based on state-of-the-art technology.
The 100 program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments. Other presets include Echo/Reverb and Chorus/Reverb combinations, a variety of delay, flanger, chorus and doubling algorithms, as well as special reverb and delay programs. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key.
Edited effects programs can be stored in the 20 User memories, assigned names, and later selected and used in the same way as the presets.
The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder.
Processing Menüs
For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from a multitude of menus.
Particularly valuable in making it possible to adjust the PowerMate perfectly to the selected loudspeaker cabinets, thereby optimizing the audio performance and maximizing the operating safety and reliability of the system, are the LPN Processing and Speaker Protection menus.
LPN-Processing
Typical small to medium-sized loudspeaker cabinets, for physical reasons that have nothing to do with their make or quality, exhibit distortion in the transient response of the woofer. Since neither graphic nor parametric equalizers can do anything to alleviate this problem, the PowerMate offers a configurable LPN (low-pass notch) filter.
Depending upon the size of the loudspeaker cabinet being used and also to adjust to problematic acoustics (such as those of bassy, boom-ridden rooms), the LPN filter can be set to either High or Medium. The result is considerably greater punch (e.g. from the bass drum), an extension downwards of the frequency response, and improved transparency in the bass and midrange.
Speaker Protection
This menu allows you to match perfectly the continuous power output of the PowerMateʼs power amplifiers to the connected loudspeakers in the interests of greater operational safety and reliability.
Through dynamic limiting of the maximum power at the output, loudspeaker damage due to thermal overload can be avoided, without the wide dynamic range of the power amplifiers being sacrificed. Once the maximum permissible power handling of the connected loudspeaker cabinet has been selected from the menu—the actual peak dynamic power handling capacity in audio applications of almost all loudspeaker cabinets is many times this nominal value—the speaker protection supervises permanently the amount of energy being fed to the loudspeakers, only limiting it in the event of a threatened overload, and even then, doing so softly and inaudibly.
For peak levels of short duration, the full output of the power amplifier remains available, even when relatively small cabinets are being used. As a result, not only is the maximum dynamic range of the system maintained but also, and at all times, the highest degree of operational safety and reliability.
Professional Class-D High-Performance Power Amplifiers
The PowerMate is equipped with a professional, extremely powerful, stereo power amplifier that uses modern and highly efficient Class-D technology.
What this means is that at a nominal output of 2 x 1,000 watts RMS into 4 ohms (or 2 x 1,350 watts RMS into 2.7 ohms), comparatively little dissipation is generated within the device, and the power consumption is thereby dramatically reduced—by more than 55% compared with conventional power amplifiers! The minimal load impedance at the output is 2.7 ohms, making operation with up to three 8-ohm loudspeaker cabinets per channel, connected in parallel, possible with no problems.
The audio performance is on the highest professional level, as is shown by the PowerMateʼs exemplary figures for freedom from distortion, slew rate, and freedom from intermodulation.
The overall power supply is handled by an extremely stable, microprocessor-controlled, switching power supply, bringing massive gains in terms of weight-saving over a conventional toroidal transformer. Another advantage is the automatic mains voltage switching, which makes it possible to use the PowerMate virtually anywhere in the world without reconfiguration. Voltage surge protection is also integrated, whilst a ʽsoft startʼ function prevents the mains fuse tripping when the device is switched on.
The PowerMate is equipped, naturally, with all the protective circuitry familiar from DYNACORD power amplifiers and satisfies even the extreme demands of hard tour use. The power amplifiers are protected against thermal overload, short-circuit, back EMF and no-load operation as well as high-frequencies or DC at the output. Both outputs, here, are supervised independently so that, should a fault occur, only the channel affected is shut down. When the device is powered up, there is a delay before the power outputs are connected, to obviate the risk of noise.
The thermal stability of the PowerMate is assured by two very quiet fans the speed of which is continuously variable. The front-to-rear airflow allows the device to be used in large or small racks; furthermore, the PowerMate is equipped with a processor-controlled thermo-limiter, so if ever the threat of overheating does arise, the clip limiter intervenes in a highly musical way, acting only upon the peaks. In this way, a total shutdown of the power amplifiers is effectively prevented, as is any obtrusive fall in the overall volume level. The PROTECT and LIMIT LEDs on the front panel indicate the current operating state of the power amplifiers.
Innovative Solution for Protection and Transportation
The PowerMate 1000 and 1600 are supplied with a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort.
For the larger PowerMate 2200, due to its greater size, a flight-case solution is recommended (available as a further option is a dust cover: the DC-PM2200-COVER). |
This innovative product comes in a very modern and user-friendly design. It combines finest analogue input circuitry and operating surface with the advantages of its digital master and amplifier section making for a new dimension of flexibility in its class. The acoustical performance meets everything that you have come to expect from a quality Dynacord product.
Its feature package includes: 5 MIC/LINE input channels with compressor / limiter and talk-over function, 3 Stereo Inputs including Jack, RCA and USB connectors, onboard player for MP3 or WAV audio files, high quality effects section with 32 editable presets, 3 Master outputs with 7-band EQ each and flexible signal routing options, delay line for Master-B (150 msec / 50m), headphones control, LPN speaker processing, class-D 2 x 450W RMS respectively 2 x 600W / 4 Ohms IHF-A power, micro-controlled power supply (100V – 240V), Direct-Drive option for 100V speaker lines, comprehensive protection package, live and install connectivity, optional rack mount kit.
The input structure of the PM 502, along with the entire feature package and connectivity, positions this mixer at the heart of many installations ranging from Bistros, small clubs, lounges, boutiques, hotel bars and lobbies to churches, mosques and a wide range of similar applications. Further the PM 502 is an extremely versatile tool for a multitude of live applications. It will be the ideal choice for entertainers, DJs and small bands looking for a compact and light-weight solution for live applications or rehearsal venues. The onboard MP3-Player on the front, allows the user to easily play pre-recorded music from a USB stick or a hard drive. The digital USB interface on the rear also allows for basic recording.
Channels (mono + stereo)
5 + 3
Microphone inputs
5 x XLR/Jack socket
Auxiliaries (FX, AUX)
1 Post, 1 Pre
Rated output power, 20-20000 Hz, THD
-
into 4 Ω
640 W
into 8 Ω
350 W
Max. dual channel output power, dynamic headroom, IHF-A
-
into 4 Ω
2 x 600 W
into 8 Ω
2 x 340 W
Max. single channel output power, continuous, 1 kHz, THD = 1%
-
into 4 Ω
500 W
into 8 Ω
280 W
Max. midband output power, 1 kHz, THD = 1%, dual channel
-
into 4 Ω
2 x 450 W
into 8 Ω
2 x 270 W
Rated output power, 20-20000 Hz, THD
-
into 4 Ω
2 x 400 W
into 8 Ω
2 x 240 W
Max. output power, Direct Drive mode (bridge configuration), continuous, 1 kHz, THD = 1%
-
into 12 Ω
680 W
Maximum output voltage, power amplifier, 1 kHz, no load
-
Dual channel mode
52 Vrms
Direct Drive mode
100 Vrms
THD, at 1 kHz, MBW = 22 kHz
-
MIC input to master A L/R outputs, +10 dBu, typical
MIC iput to speaker output
DIM 30, MIC input to speaker output, 3.15 kHz, 15 kHz
IMD-SMPTE, MIC input to speaker outputs, 60 Hz, 7 kHz
Frequency response, -3 dB, ref. 1 kHz
-
Any input to any Mixer output
15–22000 Hz
Any input to Speaker output
20–22000 Hz
Microphone mute switch attenuation
-
Amplifier Ch1/Ch2
Channel to channel
Microphone mute switch attenuation
> 100 dB
Channel VOL and FX/AUX send attenuation
> 85 dB
CMRR, MIC input, 1 kHz
> 80 dB
Input sensitivity, all level controls in max. position
-
MIC
-65 dBu (435 μV)
LINE (mono)
-45 dBu (4.35 mV)
LINE (stereo)
-27 dBu (34.6 mV)
CD (stereo)
-27 dBu (34.6 mV)
All other outputs (impedance balanced)
-
MIC inputs, GAIN at min. position
+11 dBu
Mono line inputs, GAIN at min. position
+30 dBu
Stereo line inputs
+26 dBu
PHONES output
+21 dBu
MASTER A, B, AUX outputs
+11 dBu
Input impedances
-
MIC
2 kΩ
CD
10 kΩ
All other inputs
> 15 kΩ
Output impedances
-
PHONES
47 Ω
All other outputs (impedance balanced)
150 Ω
MASTER VOLUME down
-129 dBu
Noise, channel inputs to MASTER A L/R outputs, MBW = 22 kHz, Aweighted
-
MASTER VOLUME down
-99 dBu
MASTER VOLUME center, all channel volume down
-90 dBu
MASTER VOLUME center, all channel volume center
-85 dBu
Signal-to-noise ratio, power amplifier, A-weighted, 450 W, 4 Ω
104 dB
Output stage topology, amplifier
Class D
Equalization
-
Low shelving filter
±15 dB / 60 Hz
Mid peak filter
±12 dB / 2.4 kHz
High shelving filter
±15 dB / 12 kHz
Master EQ 7-band (63, 160, 400, 1k, 2.5k, 6k, 12k Hz)
±10 dB / Q = 1.5
Filter
-
Low-cut filter, microphone processing (switchable)
80 Hz, 18 dB/oct. or 150 Hz, 12 dB/oct.
Low-cut filter, amplifier (engaged in Direct Drive mode)
50 Hz or 70 Hz, 18 dB/oct.
Speaker processing
LPN, switchable
Delay MASTER B, selectable
0–145 ms (0–50 m)
Effects
-
Type
Stereo 24/48-bit multi effects processor
Effect presets
32 factory presets, user editable
Remote control
Footswitch
Display
128 x 64 pixels, LCD
Audio player (USB at front panel)
-
Switching mode power supply (μC controlled)
FAT 32
Supported audio file formats
MP3, WAV
Interface
USB2.0, female type A
USB power supply, max. rated current (short circuit proof)
5 V, 500 mA
Digital audio interface (USB at rear panel)
-
Channels
2 in, 2 out
AD/DA conversion
16-bit, delta-sigma
Sampling rate
32/44.1/48 kHz
PC interface
USB2.0, female type B
Protection
-
MASTER A, B, AUX outputs
Adjustable peak limiters, -10 – +11 dBu
Amplifier
Audio limiters, high temperature, DC, HF, short circuit, peak current limiters, turn-on delay, back EMF
Switching mode power supply (μC controlled)
Inrush current limiters, mains over/undervoltage, mains over current, high temperature
Cooling
Continuous speed controlled fan
Phantom power, switchable
48 V DC
AC power input
100–240 V AC, 50–60 Hz
Power consumption, at 1/8 maximum output power, 4 Ω
180 W
Safety class
I
Operating temperature
5° to 40° C (40° to 105° F)
Product dimensions (Width x Height x Depth)
395 x 244 x 241 mm Rack-mount: 483 x 223 x 310.3 mm (7 HU)
Net weight
4.9 kg
Shipping weight
6.4 kg
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Manual
- Ultra-compact 2 x 1000-Watt stereo powered mixer
- Revolutionary Class-D amplifier technology: enormous power, incredible sonic performance and super-light weight
- 9 "Invisible” IMP mic preamps with switchable +48 V phantom power for condenser microphones
- Ultra-high quality KLARK TEKNIK FX processor with 25 presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
- "Wireless-ready" for high-quality BEHRINGER digital wireless system (not included)
- 14-channel mixer section features 6 mono and 4 stereo channels
- Effective, extremely musical 3-band EQ, switchable Pad and Clip LEDs on all mono channels
- Dual 9-band graphic EQs allow precise frequency correction of monitor and main outputs
- Selectable stereo (main L/R), double mono (main/monitor) or bridged mono amplifier operation mode
- Adjustable stereo Aux input for connecting external signal sources
- Internal switch-mode power supply, noise-free audio, superior transient response and very low power consumption
- 3-Year Warranty Program*
- Designed and engineered in Germany
EUROPOWER PMP2000D:
The amazing PMP2000D Powered Mixer packs 2,000 Watts of high-efficiency Class-D output power, while maintaining an incredible power-to-weight ratio. With 14 available input channels, the PMP2000D features 9 of our premium-grade "Invisible" IMP mic preamps with switchable +48 V phantom power, 4 stereo channels, an ultra-high quality KLARK TEKNIK FX processor with 25 presets including studio-class reverbs, delays, pitch shifter and various multi-effects - and dual 9-band stereo graphic EQs. Top it all off with "Wireless-ready" operation, thanks to our high-quality ULM digital wireless microphones (sold separately), and the PMP2000D is the ideal, easy to use, and ready for anything live sound solution!
Class-D - Massive Power, Perfect Sound:
Thanks to our revolutionary Class-D amplifier technology, we are able to provide you with enormous power and incredible sonic performance in an easy-to-use, ultra-portable and lightweight package. Class-D amplification makes all the difference, offering the ultimate in energy efficiency - and eliminating the need for heavy power supplies and massive heat sinks. This amazing technology makes it possible to design and build extremely-powerful products that are significantly lighter in weight than their traditional counterparts, while using less energy and protecting the environment.
Massive Mono or Stunning Stereo:
The powerful PMP2000D gives you the choice of 2 x 1,000-Watt stereo, 2 x 1,000-Watt dual mono (1 Mains powered output, 1 Monitor powered output), or 2,000-Watt bridged mono modes. Whether the center of attention happens to be a folk trio, a speech, or a synth-rock band with mind-boggling stereo patches, the PMP2000D can accommodate all of them with ease. This sonic versatility also makes this outstanding powered mixer an excellent choice for churches where vocals and stereo recordings often share face time.
Outstanding "Invisible" Mic Preamps
The EUROPOWER PMP2000D\'s six mono inputs (plus 3 of the 4 stereo channels) feature our ultra-low noise, high-headroom IMP "Invisible" mic preamps, which have been praised by audio professionals all over the world. These studio-grade mic preamps off er a staggering 130 dB of dynamic range, with a bandwidth that extends from below 10 Hz to over 200 kHz, and are perfectly matched to every conceivable microphone - with up to 60 dB gain and a +48 V phantom power supply. Armed with these superb mic preamps, the PMP2000D provides exceptionally-transparent and crystal-clear sonic performance - making it the ideal choice for both live sound and studio recording applications.
KLARK TEKNIK - The Reverb that Made History:
KLARK TEKNIK is recognized worldwide as one of the most prestigious British audio companies, with a 40-year pedigree and even a TEC Lifetime Achievement Award to back it up. The Company has designed and manufactured products for world-class artists, and their legendary DN780 reverb processor is considered by leading audio engineers around the world as the industry standard. Check out their website to learn more about KLARK TEKNIK\'s legendary heritage.
BEHRINGER is proud to incorporate custom-engineered KLARK TEKNIK effects into their products. Featuring 25 world-class presets to choose from including reverb, chorus, flange, delay, pitch shift and many other amazing effects, KLARK TEKNIK created the 24-bit, studio-grade effects engine for BEHRINGER - to give your performance that truly professional finishing touch.
Own the Stage with Digital Wireless:
Get wireless-ready with the built-in, dedicated connectivity of our ULTRALINK ULM Series wireless microphone system (to be ordered separately). Wireless gives you maximum freedom and mobility without the need to run cables. The highest-quality sound is provided thanks to the ULM\'s digital, license-free 2.4 GHz frequency spectrum.
The ULM wireless system combines professional-quality sound with simple setup and an intuitive interface for legendary audio performance right out of the box. Just plug in the ULM receiver "dongle“, and instantly you have an exceptional wireless mic system. Freeing you from cables is the simple and easy way to own the stage.
Getting Connected:
Use the 2-Track RCA inputs to feed in external stereo signals; conversely, the 2-Track RCA outputs can be used to send line-level signals from the mixer to a recording device. Powered outputs on the PMP2000D are available in the professional, twist-lock Speakon-compatible variety. In addition you\'ll find a convenient 1/8" (35 mm) Aux In jack for connecting your smartphone or mp3 device for playing backing tracks, or prerecorded music during your breaks.
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Microphone Inputs
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Type
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9x XLR, electronically balanced
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Mic Input Noise (E.I.N.)
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20 Hz to 20 kHz
At 0 Ohms Source Impedance: -108 dB / -110 dB A-weighted
At 50 Ohms Source Impedance: -108 dB / -110 dB A-weighted
At 150 Ohms Source Impedance: -106 dB / -107 dB A-weighted
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Frequency Response
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< 20 Hz to 22 kHz (-1 dB)
< 20 Hz to 35 kHz (-3 dB)
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Maximum Input Level
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+13 dBu with PAD
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Impedance
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1.5 kOhms, balanced
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Signal-to-Noise Ratio (SNR)
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98 dB / 100 dB A-weighted (-15 dBu In @ +35 dB gain)
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Distortion (THD)
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0.002%, A-weighted
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Pad
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-25 dB, channels 1-6
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Phantom Power
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Switchable +48 V
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Hi-Z / Line Inputs
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Type
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4x 1/4" / 6.35 mm TRS, balanced (channels 1-4)
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Impedance
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1.8 MOhms balanced, 1 MOhm unbalanced
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Max Input
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+ 22 dBu
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Mono Input Channels
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Type
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2x 1/4" / 6.35 mm TRS connector, channels 5-6
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Impedance
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20 kOhms balanced, 10 kOhms unbalanced
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Maximum Input Level
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+ 22 dBu
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Stereo Inputs
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Type
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6x 1/4" / 6.35 mm TRS connector, balanced channels 7-12
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Impedance
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20 kOhms balanced, 10 kOhms unbalanced
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Maximum Input Level
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+ 22 dBu
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Track
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Line In
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2-Track / Line In: 2x RCA, unbalanced, channels 13-14
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Impedance
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20 kOhms unbalanced
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Gain Range
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- ∞ dB to + 20 dB
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Maximum Input Level
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+ 22 dBu
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Equalizer
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Equalizer
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Low: 60 Hz (± 15 dB)
Mid: 700 Hz (± 15 dB)
High: 6 kHz (± 15 dB)
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Aux Inputs
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Type
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1/8" / 3.5 mm TRS connector, unbalanced
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Impedance
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10 kOhms
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Gain Range
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- ∞ dB to +20 dB
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Line Output
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Type
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2x RCA, unbalanced
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Impedance
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2.4 kOhms
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Maximum Output Level
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+ 9 dBu
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Equalizer
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Graphic EQ
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Type: Analog 9-band equalizer
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Frequency Range
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20 Hz to 20 kHz in 9 1-octave bands (ISO frequencies)
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Bandwidth
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1 octave
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Control Range
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± 12 dB
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Low Cut Frequency
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Type: 18 dB/oct, Butterworth, channels 1-6
Frequency: 100 Hz
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Wireless
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USB
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USB Dongle (Not Included): USB socket accepts signals from a maximum of two Behringer ULM microphones
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Signal Indicator
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LED: 2x green
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Main Mix
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Noise
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Main Mix at - ∞, Channel Fader at - ∞: - 59 dBu / - 59 dBu A-weighted
Main Mix at 0 dB, Channel Fader at - ∞: - 56 dBu / - 56 dBu A-weighted
Main Mix at 0 dB, Channel Fader at 0 dB: - 56 dBu / - 56 dBu A-weighted
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Amplifier
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Maximum Output Power
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Both Channels Driven
8 Ohms Per Channel: 500 W
4 Ohms Per Channel: 1000 W
Bridged Mode
8 Ohms: 2000 W
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Speaker
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Type
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Speakon connector
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Load Impedance
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Left/Monitor: Minimum 4 Ohms
Right/Mono: Minimum 4 Ohms
Bridge: Minimum 8 Ohms
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General
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Display
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2-digit, 7-segment LED
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Power
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Mains voltage
120 VAC, 50/60 Hz
Mains Connection: Standard IEC receptacle
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Fuse
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T 8 A H 250 V
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Power Consumption
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Power Consumption at 4 Ohms, 1/8 Rated Power: 180 W
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Dimensions (H x W x D)
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10.9 x 17.9 x 9.8" / 27.6 x 45.5 x 25.0 cm
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Weight
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19.8 lb / 9.0 kg
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| * 6 Dual stereo inputs, 2 with mic inputs
* RIAA preamps for up to 4 turntables
* Input selectors with 2 colour indicators
* Smooth action level controls
* 2 Stereo aux sends with pre/post switching
* 4 band EQ - high definition of frequency bands, with ʽinfinite killʼ on HF and LF; wide Q for cut, narrow Q for boost
* MIDI output from VCF 1+2, crossfader, LFO 2 (MIDI clock), dedicated data control and start/stop button
* Large ʽlight-pipeʼ illuminated cue switches
* 9 led 3 colour channel ʽbulls eyeʼ LED meters
* Crossfader and Filter assign switches
* Either smooth travel 60mm VCA faders or rotary VCA faders (Linear or Rotary versions)
* Active Penny & Giles VCA crossfader allowing contour to be set from smooth to scratch mix
* Cue/Mix monitor balance control
* 2 Independent mix outputs
* 2 Rotary master level controls
* Dual stereo analogue VCF effects
* 3 Filter modes combine for more effects
* Independent frequency sweep controls
* Resonance control for subtle or wild effects
* Filter LFO Depth and tempo controls
* Illuminated Filter switches punch effect in or out
* Powerful headphones monitor with auto cue
* Headphones split cue and Aux 1 & 2 monitoring
* Stereo music only booth monitor output
* Booth mono and mute switching
* 9 led 3 colour main ʽbulls eyeʼ LED meters
* Balanced +4dBu XLR stereo Mix 1 output
* Impedance balanced Line stereo Mix 2 output
* Pre-fade recording output
Technical Data
Outputs:
2 Independent mix outputs
Mix 1:Balanced 0dBu XLR stereo Mix 1
Mix 2:Impedance balanced Line stereo Mix 2 output
Booth monitor: Stereo music only
MIDI output from VCF 1+2
2 Headphone (6,3 mm/ 3,5 mm) |
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