Yamaha SPX-900 Multieffect -USED- (Made in Japan)

Discontinued

189.00

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PRICE WITHOUT V.A.T. 50 Superb Effect Programs Offering 50 preset effect programs, the SPX900 also provides simultaneous processing of up to 5 effects at one time. With a sampling frequency of 44.1 kHz, it delivers a full frequency response from 20 Hz to 20 kHz. Exceptionally clean, professional quality sound makes the SPX900 the most […]

 

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PRICE WITHOUT V.A.T.

50 Superb Effect Programs

Offering 50 preset effect programs, the SPX900 also provides simultaneous processing of up to 5 effects at one time. With a sampling frequency of 44.1 kHz, it delivers a full frequency response from 20 Hz to 20 kHz. Exceptionally clean, professional quality sound makes the SPX900 the most appropriate choice for sophisticated sound and recording systems.

Broad Programming Versatiity

Any of the 50 preset programs can be edited, re-titled, and stored in any of the 49 RAM (user memory) locations. Each program has a range of “main” parameters that tailor the effect to a specific application. Individual two-band EQ and dynamic filter parameters are also provided for each effect program. In addition, the SPX900 offers a group of internal parameters that provide custom control over each effect. Finally, level parameters balance between direct sound, and set overall output level.

External Controller Assignment

An EXTERNAL CONTROL ASSIGN function makes it possible to assign two selected parameters from each program to two external controllers. The selected parameters can be remotely controlled in real-time.

MIDI Control

For sophisticated remote control, and automation capability the SPX900 is extensively MIDI equipped. It allows MIDI selection of all programs, and real-time control of up to two selected effect parameters at one time. Switchable MIDI THRU/OUT terminal is provided. When switched to OUT edited programs stored in internal RAM can be dumped to a second SPX900, a MIDI data recorder, or other storage device, and later reloaded via the MIDI IN terminal.

Reverb

A broad range of different reverb effects are offered, simulating the type of natural reverberation experienced in a variety of acoustic spaces. A number of reverb programs stretch the acoustic environment, providing effects such as long tunnel or deep canyon reverberation. REV 6 WHITE ROOM, REV 11 TUNNEL, REV 12 CANYON and REV 13 BASEMENT offer a range of parameters allowing you to adjust the room’s dimensions and relative sound absorption of the wall features. Reverb programs also include a programmable gate which can be selectively triggered by the input signal, a MIDI message, or a trigger footswitch. Reverb programs include: REV 1 HALL, REV 2 HALL & GATE, REV 3 ROOM 1, REV 4 ROOM 2, REV 5 ROOM 3, REV 6 WHITE ROOM, REV 7 VOCAL 1, REV 8 VOCAL 2, REV 9 PLATE, REV 10 PLATE & GATE, REV 11 TUNNEL, REV 12 CANYON, REV 13 BASEMENT.

Early Reflection

Early reflection programs simulate the first few reflections that occur just after a sound is produced – before the reflections become dense enough to be called reverberation – adding punch and presence to vocals and instruments. Early reflection programs can be used to create short reverb type effects or longer “dense echo” type sounds. PROGRAMMABLE ER allows you to individually specify delay time, level and stereo position of up to 19 early reflections. GATE REVERB combines early reflections the early reflections with a programmable, triggerable gate so you can “shape” the effect sound as required. The REVERSE GATE produces a contemporary reverse-reverb effect that can sound like a tape being played backwards. Features also include PERCUSSION ER.

Delay & Echo

DELAY L, R; and DELAY L, C, R are sophisticated delay programs that make it possible to create a wide range of dynamic delay effects. STEREO ECHO offers independently variable left, right and center channel delays.

Modulation

A variety of modulation effects can be produced: STEREO FLANGE produces a pleasant “swirling” sound that effectively thickens and adds warmth to the sound of an instrument or track. CHORUS serves to thinken the sound creating the effect of several instruments at once. SYMPHONIC creates a more intense, multi-voice chorus effect. PHASING is a gentler, swirling effect, lending a smooth animated quality to the original sound. TREMOLO produces a fluctuation in the volume of the signal.

Noise Gate

ADR-NOISE GATE uses a “gate” to pass or shut off the input signal in a number of useful ways. It can function as a “noise gate,” gating out system noise when no signal is present. It is also possible to create reverse gate type effects in which the signal level increases gradually after the effect is triggered.

Pitch Change

Pitch Change programs alter the pitch of an input signal in semitone increments over a 4-octave range (plus or minus 2 octaves). Pitch change permits makes it possible to produce two independently pitch-shifted notes in additon to the direct signal, so you can create three-part harmonies with a single input note. Both pitch-shifted notes appear at the center of the stereo sound field. PITCH 1 & 2 produce 2 pitch-shifted notes in addition to the original input note independently fed to the left and right channel outputs. PITCH CHANGE 3 offers the most complex pitch change effect by creating three pitch-shifted notes in addition to the direct sound. MONO PITCH is ideal when a single shifted note is desired.

Freeze

These are sampling programs which permit recording a sound segment in the memory. The entire sound or specific portion of it may then be played back as required. A maximum of 1.35 seconds makes it possible to capture long sounds with outstanding fidelity. The FREEZE program allows single playback of the sampled sound, or continuous looped playback.

Pan

An advanced pan program allows the creation of a 2-dimensional “rotory” pan in addition to standard stereo pan effects enabling the sound to sweep toward and away from the listener in addition to side-to-side movement. The TRIGGERED PAN program automatically pans the sound image across the stereo sound field – with programmable attack, pan, and release rates.

Compressor

Compression limits the dynamic range of an input signal, boosting soft signals and reducing high signals to keep them within the specified range. It can help reduce volume fluctuations as a vocalist moves closer to or away from a microphone, or limit the maximum level of a signal to prevent system overload. The COMPRESSOR program also includes a downward expander capability for effective, real-time, noise reduction.

Distortion

This feature is capable of producing an extremely broad range of guitar-style overdrive sounds. In addition to distortion level, it offers equalization parameters that offer a wide palette of overdrive colors, from “chunky” rhythm to driving leads.

Aural Exciter

This program adds appropriate harmonics to the input signal, adding “sparkle” to the sound. This effect is often used to bring “buried” sounds to the foreground without making them louder, or to add “life” to dull-sounding tracks.

Multi-Effects

Multi-effect programs combine compressor, distortion, equalizer/dynamic filter, reverb, echo, chorus, symphonic or Aural Exciter effects with programmable parameters for each effect. A nearly limitless range of processing possibilities from subtle to extreme can be achieved through Multi-effect programs.

Dual Effects

Dual effect programs provide different, independent effects for the left and right channel outputs allowing for the creation of many unique stereo effects.

Weight 2.50 kg

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NameYamaha SPX-900 Multieffect -USED- (Made in Japan) removeGepco Passive D.I. Box USED removeYAMAHA SPX-990 Professional Multi Effect Processor with 20-bit Sound USED (Made in Japan) removeTC ELECTRONIC M-2000 STUDIO EFFECTS PROCESSOR(USED) Made in Denmark removeDOD SR830 Graphic equalizer stereo USED (Made in USA) removePeavey EQ-215 Stereo Equalizer Vintage -SECOND HAND- remove
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Description
ContentPRICE WITHOUT V.A.T. 50 Superb Effect Programs Offering 50 preset effect programs, the SPX900 also provides simultaneous processing of up to 5 effects at one time. With a sampling frequency of 44.1 kHz, it delivers a full frequency response from 20 Hz to 20 kHz. Exceptionally clean, professional quality sound makes the SPX900 the most appropriate choice for sophisticated sound and recording systems. Broad Programming Versatiity Any of the 50 preset programs can be edited, re-titled, and stored in any of the 49 RAM (user memory) locations. Each program has a range of "main" parameters that tailor the effect to a specific application. Individual two-band EQ and dynamic filter parameters are also provided for each effect program. In addition, the SPX900 offers a group of internal parameters that provide custom control over each effect. Finally, level parameters balance between direct sound, and set overall output level. External Controller Assignment An EXTERNAL CONTROL ASSIGN function makes it possible to assign two selected parameters from each program to two external controllers. The selected parameters can be remotely controlled in real-time. MIDI Control For sophisticated remote control, and automation capability the SPX900 is extensively MIDI equipped. It allows MIDI selection of all programs, and real-time control of up to two selected effect parameters at one time. Switchable MIDI THRU/OUT terminal is provided. When switched to OUT edited programs stored in internal RAM can be dumped to a second SPX900, a MIDI data recorder, or other storage device, and later reloaded via the MIDI IN terminal. Reverb A broad range of different reverb effects are offered, simulating the type of natural reverberation experienced in a variety of acoustic spaces. A number of reverb programs stretch the acoustic environment, providing effects such as long tunnel or deep canyon reverberation. REV 6 WHITE ROOM, REV 11 TUNNEL, REV 12 CANYON and REV 13 BASEMENT offer a range of parameters allowing you to adjust the room's dimensions and relative sound absorption of the wall features. Reverb programs also include a programmable gate which can be selectively triggered by the input signal, a MIDI message, or a trigger footswitch. Reverb programs include: REV 1 HALL, REV 2 HALL & GATE, REV 3 ROOM 1, REV 4 ROOM 2, REV 5 ROOM 3, REV 6 WHITE ROOM, REV 7 VOCAL 1, REV 8 VOCAL 2, REV 9 PLATE, REV 10 PLATE & GATE, REV 11 TUNNEL, REV 12 CANYON, REV 13 BASEMENT. Early Reflection Early reflection programs simulate the first few reflections that occur just after a sound is produced - before the reflections become dense enough to be called reverberation - adding punch and presence to vocals and instruments. Early reflection programs can be used to create short reverb type effects or longer "dense echo" type sounds. PROGRAMMABLE ER allows you to individually specify delay time, level and stereo position of up to 19 early reflections. GATE REVERB combines early reflections the early reflections with a programmable, triggerable gate so you can "shape" the effect sound as required. The REVERSE GATE produces a contemporary reverse-reverb effect that can sound like a tape being played backwards. Features also include PERCUSSION ER. Delay & Echo DELAY L, R; and DELAY L, C, R are sophisticated delay programs that make it possible to create a wide range of dynamic delay effects. STEREO ECHO offers independently variable left, right and center channel delays. Modulation A variety of modulation effects can be produced: STEREO FLANGE produces a pleasant "swirling" sound that effectively thickens and adds warmth to the sound of an instrument or track. CHORUS serves to thinken the sound creating the effect of several instruments at once. SYMPHONIC creates a more intense, multi-voice chorus effect. PHASING is a gentler, swirling effect, lending a smooth animated quality to the original sound. TREMOLO produces a fluctuation in the volume of the signal. Noise Gate ADR-NOISE GATE uses a "gate" to pass or shut off the input signal in a number of useful ways. It can function as a "noise gate," gating out system noise when no signal is present. It is also possible to create reverse gate type effects in which the signal level increases gradually after the effect is triggered. Pitch Change Pitch Change programs alter the pitch of an input signal in semitone increments over a 4-octave range (plus or minus 2 octaves). Pitch change permits makes it possible to produce two independently pitch-shifted notes in additon to the direct signal, so you can create three-part harmonies with a single input note. Both pitch-shifted notes appear at the center of the stereo sound field. PITCH 1 & 2 produce 2 pitch-shifted notes in addition to the original input note independently fed to the left and right channel outputs. PITCH CHANGE 3 offers the most complex pitch change effect by creating three pitch-shifted notes in addition to the direct sound. MONO PITCH is ideal when a single shifted note is desired. Freeze These are sampling programs which permit recording a sound segment in the memory. The entire sound or specific portion of it may then be played back as required. A maximum of 1.35 seconds makes it possible to capture long sounds with outstanding fidelity. The FREEZE program allows single playback of the sampled sound, or continuous looped playback. Pan An advanced pan program allows the creation of a 2-dimensional "rotory" pan in addition to standard stereo pan effects enabling the sound to sweep toward and away from the listener in addition to side-to-side movement. The TRIGGERED PAN program automatically pans the sound image across the stereo sound field - with programmable attack, pan, and release rates. Compressor Compression limits the dynamic range of an input signal, boosting soft signals and reducing high signals to keep them within the specified range. It can help reduce volume fluctuations as a vocalist moves closer to or away from a microphone, or limit the maximum level of a signal to prevent system overload. The COMPRESSOR program also includes a downward expander capability for effective, real-time, noise reduction. Distortion This feature is capable of producing an extremely broad range of guitar-style overdrive sounds. In addition to distortion level, it offers equalization parameters that offer a wide palette of overdrive colors, from "chunky" rhythm to driving leads. Aural Exciter This program adds appropriate harmonics to the input signal, adding "sparkle" to the sound. This effect is often used to bring "buried" sounds to the foreground without making them louder, or to add "life" to dull-sounding tracks. Multi-Effects Multi-effect programs combine compressor, distortion, equalizer/dynamic filter, reverb, echo, chorus, symphonic or Aural Exciter effects with programmable parameters for each effect. A nearly limitless range of processing possibilities from subtle to extreme can be achieved through Multi-effect programs. Dual Effects Dual effect programs provide different, independent effects for the left and right channel outputs allowing for the creation of many unique stereo effects.

PRICE DOES NOT INCLUDE VAT

Gepco Passive D.I. Box-2nd Hand-

PRICE DOES NOT INCLUDE VAT Features Advanced Hardware for Superior Sound The latest 20-bit analog-to-digital and digital-to-analog conversion technology-sampling at 44.1kHz. Frequency response extends all the way from 20 Hz to 20 kHz; dynamic range is an extraordinary 106dB; noise and distortion are neglible. Stereo Configuration with Balanced Inputs and Outputs A true 2-in/2-out stereo configuration that allows stereo sources to be processed without disrupting the original stereo image. Stereo inputs and outputs are all electronically balanced, with XLR and TRS phone jack connectors. Preset, Internal, and Card Memory 180 memory locations "on board“. 80 of these are read-only memory. The remaining 100 are writable memory locations. Plug-in memory cards hold an extra 100 effect programs each. Three-stage Effect Configuration In addition to the main effects, the SPX990 provides programmable pre and post effects that can be used to refine and polish your sound. In-depth Programming Power The SPX990 has 4 programmable pre effects, 36 programmable main effects, and 3 programmable post effects. Tempo-based Delay Time Programming Delay time parameters can be programmed in terms of tempo or note length. Delay time can also be entered via a footswitch or MIDI clock data. Superior Pitch Precision The SPX990 achieves faultless pitch tracking through a new dynamic waveform analysis technique. In addition to the simple parallel pitch tracking the SPX990's "intelligent" pitch change creates appropriate harmony based on a specified key and scale type. External Parameter Control The SPX990 allows two selected parameters from each program to be assigned to two external MIDI controllers. MIDI Control The SPX990 allows MIDI selection of all programs, and real-time control of up to two selected effect parameters at the same time. 4 Pre-Effects 1. 3-band PEQ *1, 2. Compressor *1, 3. Harmonic Driver *1, 4. Compressor, Dist. and EQ *3 *1= 2 IN - 2 OUT, *2 = 1 IN - 2 OUT, *3 = 1 IN, 1 OUT 36 Main Effects: Reverb, Early Reflections, Delay and Echo, Modulation REVERB: Reverb *2, Filtered Reverb *2, Stereo Reverb *1, Echo Room *2; EARLY REFLECTIONS: Thin Early Reflection *2, Fat Early Reflection *2, Gate Reverb *2, Reverse Gate *2; DELAY and ECHO: Delay L, C, R *2, Echo *2, Multi Tap Delay *2, Stereo Echo *1, Tempo Mono Echo *2, Tempo Stereo Echo *1, Tempo Quad Echo *1; MODULATION: Flanger *1, Dual Flanger *1, FM Chorus *1, AM Chorus *1, Phaser *1, Symphonic *1 *1= 2 IN - 2 OUT, *2 = 1 IN - 2 OUT, *3 = 1 IN, 1 OUT Main Effects continued: Pitch Change, Pan, Complex Effects, Freeze PITCH CHANGE: Mono Pitch Change *3, Dual Pitch Chance *2, Triple Pitch Chance *2, Stereo Pitch Change *1; PAN: Auto Pan *2, Triggered Pan *2; COMPLEX EFFECTS: Chorus and Reverb *2, Symphonic and Reverb *2, Flanger and Reverb *2, Reverb (L) / Reverb (R) *1, ER (L)/ Reverb (R) *1, Echo (L) / Reverb (R) *1, Chorus (L) / Reverb (R) *1, Pan (L) / Pan (R) *1; FREEZE: Freeze *3 *1= 2 IN - 2 OUT, *2 = 1 IN - 2 OUT, *3 = 1 IN - 1 OUT 3 Post Effects 1. 3-band PEQ *1; 2. Compressor *1, Harmonic Driver *1 *1 = 2 IN - 2 OUT Specifications
Frequency Response 20 Hz - 20kHz +/-0.5 dB
CD Player
Dynamic Range Above 100 dB (typical 106dB)
Specifications
Hum and Noise Below -82 dBm (Typical -88dBm)
Distortion Below 0.005% at max. level 1 kHz
Input/ Number of Channel 2 (Phone Jack)
Input/ Nominal Level +4/-20dBm (Switchable)
Input/ Highest Input +24dBm (Switchable at +4dB)
Input/ Impedance 20 k ohm
Output/ Number of Channel 2 (Phone Jack)
Output/ Nominal Level +4/-20dBm (Switchable)
Output/ Highest Output +18dBm (Switchable at +4dB)
Output/ Impedance 150 ohm
A/D Conversion 20 bits
D/A Conversion 20 bits
Sampling Freq. 44.1kHz
Preset Program 1 - 80
User Memory Program 1 - 99,00
Optional Memory Card 1 - 99,00
Front Panel/ Control Input Level (L,R), Data Entry
Front Panel/ Keys Function Key x 6, Page Select Key x 2, Memory, Store, Edit, Bypass
Front Panel/ Display 2 ch. 8 segment LED (Level Meter) 6 segment LED (Mode Indicator) 7 segment LED (Memory No.) Memory, Edit, Bypass indicators 24 chara x 2 Line LCD
Front Panel/ Slot Memory Card
Rear Panel/ Connectors Input L/R (XLR x 2, Phone jack x 2 Output L/R (XLR x 2, Phone jack x 2) MIDI In, Thru/Out (DIN 5P x 2) Trigger (Phone Jack x 1) Bypass or INC/DEC (Phone Jack x 1)
Rear Panel/ Switch In/Out Level Switch (+4dB/ -20dB x 2) MIDI Thru/ Out Switch
Power Requirements US and Canadian Models: 120V, 60Hz British Model:240V, 50Hz General Model:230V, 50Hz
Power Consumption 25W
Dimensions 480 x 46 x 324.4 mm
(W x H x D) (18-7/8" x 1-13/16" x 12-3/4“) (including attachments)
Weight 4.6 kg (10lbs. 2oz)

PRICE DOES NOT INCLUDE VAT

 

Art + Science = Magic

The Engineering Group at TC Electronic were given carte blanche to create the optimal studio
signal processor. Being musicians and studio engineers themselves, they know what is important
and have a feel for what you are looking for. Working on the borderline between art and science,
they created the M2000.
Designed for the artist within you, you will create magic when using the M2000.

Main features  

Magic
The M2000 provides you with a broad palette of high quality effects enabling you to
create magical effects. The true dual engine configuration allows you to run two full-
blown effects simultaneously, i.e. on two individual effects sends. The effects have
been developed for optimal sonic quality with no compromises made. This has only
been possible because our engineers succeeded in combining the latest technology
with TC's powerful DARC? chip.

Ultimate User-Interface
The user-friendly TC feature, the Recall Wizard, instantly finds the preset that suits
your need in any situation. You simply enter your preferences, such as gentle reverb
for vocal, or extra pitch for guitar and the Wizard serves you a short list of presets ready
to compare and use.

Uncompromising Effects
The M2000 gives you access to a stunning array of Reverb, Pitch-shifting, Delays, Chorus,
Dynamics etc. Among the included reverbs you?ll find the unique Co-efficient Optimized
Room Emulator or C.O.R.E. Reverb? based upon TC?s famous reverberation Technology.
Another unique feature in the M2000 is the Dynamic Morphing. This function enables you to
apply e.g. Chorus to a vocal at low volume levels, while the same effect is being morphed into
flanging at high levels giving the signal a totally new dynamic dimension.

The Sensation
The M2000 is fully prepared for the digital age with Digital I/O connectors, S/PDIF and the
professional format AES/EBU. However, specifications never tell the whole story. What really
matters is how your final mix sounds. This is where TC?s long experience and know-how in high-end
studio signal processing becomes important.

More Features

250 factory presets, including Delay, Reverb, Ambience, Pitch, Dynamics, EQ + more.
True stereo Twin Engine processing with six different routings available.
Dynamic Morphing? and Patch Glide with adjustable glide times.
20bit Analog Conversion (105dB Dynamic Range A to D): 10Hz-20Khz bandwidth
AES/EBU (24bit) and SPDIF (24bit) digital I/O. + 16bit dithering tool for DAT output.
Wizard Help menus assist user in preset choices on an easy to read scrolling bit-mapped display.
Tap tempo and MIDI tempo Delay presets. Tap tempo button and footswitch jack.
Both 128 user and 128 Combi-user presets + 4 snapshot memories.
Universal auto-switching power supply (100-240V.)

Features
• Dual 15-band equalizer
 
• Constant Q
 
• Low cut filter at 50Hz with a 12dB/Octave slope
 
• Balanced XLR inputs and outputs
• Bal 1/4" inputs and impedance balanced 1/4" outputs
-
• ISO 2/3 octave frequency centers
PRICE DOES NOT INCLUDE VAT

Longer throw faders provide more precise adjustments when equalizing a room. The SR830QXLR offers 2 channels of equalization each with 15 bands of 45mm faders. The all steel chassis construction can handle the abuse of the road, or the solace of a permanent installation.

PRICE DOES NOT INCLUDE VAT

Peavey EQ-215 Stereo Vintage (Used)

  • 15 frequency bands stereo equalizer
  • External condition: mediocre (scratches,one fader knob missing)
  • Works perfectly
  • Made in U.S.A.
  • Price does not include V.A.T.

 

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DimensionsN/AN/AN/AN/AN/AN/A
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Weight 2.50 kg
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