DBX 166XL Compressor / Limiter / Gate USED (Made in USA)

Discontinued

99.00

Out of stock

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PRICE DOES NOT INCLUDE VAT Features Goof proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes New gate timing algorithms ensure the smoothest release characteristics Program-adaptive expander/gates Great sounding dynamics control for any type of program material Separate precision LED displays for gain reduction, compression threshold and gate […]

 

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PRICE DOES NOT INCLUDE VAT
Features

  • Goof proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
  • New gate timing algorithms ensure the smoothest release characteristics
  • Program-adaptive expander/gates
  • Great sounding dynamics control for any type of program material
  • Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
  • Stereo or dual-mode operation
  • Balanced inputs and outputs on 1/4″ TRS and XLR
  • Side Chain insert
  • Classic dbx® “Auto” mode

 

Specifications

Input Connectors 1/4″ TRS and XLR, Floating Balanced; XLR: Pin 2 hot Phone: Tip Hot HI
Input Impedance >50kΩ balanced, >25kΩ unbalanced
Max Input +24dBu, Balanced or Unbalanced
CMRR >40dB at 1kHz, typically >55dB
Sidechain 1/4″ TRS Phone, Normalled: Ring = Output (send); tip = Input (return)
Sidechain Impedance Tip = >10kΩ (Input), Ring = 2kΩ (Output)
Sidechain Max Input Level +24dBu
Output Connectors 1/4″ TRS phone and XLR floating balanced, XLR: Pin 2 and Tip Hi
Output Impedance 120Ω balanced, 60Ω unbalanced
Max Output +21dBu,>+20 dBm into 600Ω, balanced or unbalanced
Frequency Response 20Hz – 20kHz; +0, -0.5dB, Typical 3dB points are 0.35Hz and 110kHz, unity gain
Noise
Weight 2.50 kg

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Quick Comparison

DBX 166XL Compressor / Limiter / Gate USED (Made in USA) removeDOD 2x15 Equalizer-SECONH HAND- removeTC ELECTRONIC M-2000 STUDIO EFFECTS PROCESSOR(USED) Made in Denmark removeBSS AUDIO FCS-966 Opal Constant Q Graphic Equalizer-Used- removeBSS DPR-504 QUAD NOISE GATE -SECOND HAND- removeBSS FDS-334 MINIDRIVE LOUDSPEAKER MANAGEMENT SYSTEM 2IN/4OUT -USED- remove
NameDBX 166XL Compressor / Limiter / Gate USED (Made in USA) removeDOD 2x15 Equalizer-SECONH HAND- removeTC ELECTRONIC M-2000 STUDIO EFFECTS PROCESSOR(USED) Made in Denmark removeBSS AUDIO FCS-966 Opal Constant Q Graphic Equalizer-Used- removeBSS DPR-504 QUAD NOISE GATE -SECOND HAND- removeBSS FDS-334 MINIDRIVE LOUDSPEAKER MANAGEMENT SYSTEM 2IN/4OUT -USED- remove
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SKUDBX 166XLDOD 2x15M2000FCS966SHDPR 504FDS-334
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Price99.00 99.20 incl. GR VAT 300.00 285.00 285.00 480.00
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Description
Content

PRICE DOES NOT INCLUDE VAT
Features

  • Goof proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
  • New gate timing algorithms ensure the smoothest release characteristics
  • Program-adaptive expander/gates
  • Great sounding dynamics control for any type of program material
  • Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
  • Stereo or dual-mode operation
  • Balanced inputs and outputs on 1/4" TRS and XLR
  • Side Chain insert
  • Classic dbx® "Auto" mode
  Specifications
Input Connectors 1/4" TRS and XLR, Floating Balanced; XLR: Pin 2 hot Phone: Tip Hot HI
Input Impedance >50kΩ balanced, >25kΩ unbalanced
Max Input +24dBu, Balanced or Unbalanced
CMRR >40dB at 1kHz, typically >55dB
Sidechain 1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return)
Sidechain Impedance Tip = >10kΩ (Input), Ring = 2kΩ (Output)
Sidechain Max Input Level +24dBu
Output Connectors 1/4" TRS phone and XLR floating balanced, XLR: Pin 2 and Tip Hi
Output Impedance 120Ω balanced, 60Ω unbalanced
Max Output +21dBu,>+20 dBm into 600Ω, balanced or unbalanced
Frequency Response 20Hz - 20kHz; +0, -0.5dB, Typical 3dB points are 0.35Hz and 110kHz, unity gain
Noise

PRICE WITHOUT V.A.T. 23%

PRICE DOES NOT INCLUDE VAT

 

Art + Science = Magic

The Engineering Group at TC Electronic were given carte blanche to create the optimal studio
signal processor. Being musicians and studio engineers themselves, they know what is important
and have a feel for what you are looking for. Working on the borderline between art and science,
they created the M2000.
Designed for the artist within you, you will create magic when using the M2000.

Main features  

Magic
The M2000 provides you with a broad palette of high quality effects enabling you to
create magical effects. The true dual engine configuration allows you to run two full-
blown effects simultaneously, i.e. on two individual effects sends. The effects have
been developed for optimal sonic quality with no compromises made. This has only
been possible because our engineers succeeded in combining the latest technology
with TC's powerful DARC? chip.

Ultimate User-Interface
The user-friendly TC feature, the Recall Wizard, instantly finds the preset that suits
your need in any situation. You simply enter your preferences, such as gentle reverb
for vocal, or extra pitch for guitar and the Wizard serves you a short list of presets ready
to compare and use.

Uncompromising Effects
The M2000 gives you access to a stunning array of Reverb, Pitch-shifting, Delays, Chorus,
Dynamics etc. Among the included reverbs you?ll find the unique Co-efficient Optimized
Room Emulator or C.O.R.E. Reverb? based upon TC?s famous reverberation Technology.
Another unique feature in the M2000 is the Dynamic Morphing. This function enables you to
apply e.g. Chorus to a vocal at low volume levels, while the same effect is being morphed into
flanging at high levels giving the signal a totally new dynamic dimension.

The Sensation
The M2000 is fully prepared for the digital age with Digital I/O connectors, S/PDIF and the
professional format AES/EBU. However, specifications never tell the whole story. What really
matters is how your final mix sounds. This is where TC?s long experience and know-how in high-end
studio signal processing becomes important.

More Features

250 factory presets, including Delay, Reverb, Ambience, Pitch, Dynamics, EQ + more.
True stereo Twin Engine processing with six different routings available.
Dynamic Morphing? and Patch Glide with adjustable glide times.
20bit Analog Conversion (105dB Dynamic Range A to D): 10Hz-20Khz bandwidth
AES/EBU (24bit) and SPDIF (24bit) digital I/O. + 16bit dithering tool for DAT output.
Wizard Help menus assist user in preset choices on an easy to read scrolling bit-mapped display.
Tap tempo and MIDI tempo Delay presets. Tap tempo button and footswitch jack.
Both 128 user and 128 Combi-user presets + 4 snapshot memories.
Universal auto-switching power supply (100-240V.)

PRICE WITHOUT V.A.T. BSS Opal FCS-966 Constant Q Graphic Eq Graphic equalisers are found in just about every sound application, from room contouring to feedback control and general audio sweetening. Traditionally, much general eq'ing takes place on the faders alone, but this restricts the use of the faders at each end of the scale for further precision eq work. So we provided the Opal FCS-966 with separate LF and HF contour filters which can change an overall sound balance without disturbing a detailed room or loudspeaker response. These filters are very musical gentle boost and cut shelving filters which can be used to add (or remove) room effects that change with temperature, audience numbers or humidity. All these effects can be easily made without disturbing the critical fader settings already made. Constant Q Filters The modern generation of graphic eq's uses the Constant Q topology, pioneered by BSS Audio, which means that the filter width is constant whatever the fader gain setting. Compared to the earlier 'gyrator' style of filters, Constant Q filters provide a smoother and more predictable interaction between adjacent faders and the resulting eq curve more closely resembles the actual fader positions. More Gain Control Per Filter Each eq fader has +/-15dB of adjustable gain, more than many competitive graphic eq's. The faders are long-throw 45mm types for precision control. High Pass Filter Also provided on the FCS-966 is a sweepable high-pass filter which can be used very effectively to restrict the low-energy output for better amplifier and loudspeaker performance. Stage monitors also benefit from the application of a high-pass filter to remove bass signals e.g. from vocal-only wedges. Metering BSS Audio believes in providing engineers with information, and the FCS-966's 8-segment led meter shows output level and warns of signal clipping within the eq. When the unit is switched to bypass, the meter will read the input level, allowing accurate matching of the 'dry' and equalised signals using the gain control. Centre Bypass When any eq fader is in its centre detent position, the filter is automatically bypassed, for optimum performance. Input/Outputs All the inputs and outputs of the FCS-966 are electronically balanced, with optional transformer balancing. To make installation of the FCS-966 easier, we've provided three differerent interface connectors: XLR-type, 1/4" TRS jack and Phoenix/Combicon screw terminals. Relay Bypass The EQ IN buttons switch the EQ path into circuit. When switched out, or power fails, a high-quality relay switches the input signal directly to the output connectors. Control Descriptions Faders 30 EQ filter faders on ISO centres, each with nominal +/-15dB of gain. Positive centre-detent on 45mm long-throw precision faders. HP Filter Sweepable high pass filter, frequency adjustable from OUT (flat) up to 250Hz. LF Contour Smooth shelving filter, +/-6dB of gain at 50Hz HF Contour Smooth shelving filter, +/-6dB of gain at 14kHz. GAIN Used for overall unity gain adjustment. Adjustable from - infinity to +10dB. CLIP Triple-point clip detector that indicates red when the internal signal is clipping at any one of three critical points. LED Meter Shows output signal level (input signal when eq is bypassed) from -24dBu to +18dBu in 8 steps.

PRICE WITHOUT V.A.T.

The BSS FDS-334T is a 2 input / 4 output loudspeaker management system with
Features such as : Fast-access edit input and output, Each output is assignable
to either input or to sum of inputs, Navipad menu navigation, Bright blue text display,
Crossover, assignable PEQ mid-filter limiters, polarity and delay on each output,
Assignable parametric EQ and delay on each input, LED bargraphs on every input
and output, 6, 12, 18, 24 or 48dB per octave Butterworth, Bessel or Linkwitz crossover
alignments, 60 user programs, Lockable front panel mutes and level trims and MIDI control.

 

Weight2.50 kg8.00 kg3.00 kg3.00 kg2.00 kg3.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.50 kg
Weight 8.00 kg
Weight 3.00 kg
Weight 3.00 kg
Weight 2.00 kg
Weight 3.00 kg