FBT MZU-2008 ZONE PAGING UNIT 8 ZONES

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494.75 incl. GR VAT

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The MZU 2008 switching unit can be installed in 19” racks for selective voice/music switching in 8 audio zones, with the possibility to increase the number of zones as multiple of 8, adding other MZU 2008 in cascade. Selection of the zones in which the music is to be interrupted and an announcement transmitted is […]

 

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The MZU 2008 switching unit can be installed in 19” racks for selective voice/music switching in 8 audio zones, with the
possibility to increase the number of zones as multiple of 8, adding other MZU 2008 in cascade. Selection of the zones in which the music is to be interrupted and an announcement transmitted is carried out from the MBT 8008 control console.
Using the 8 “MUSIC” keys on the front panel, you can choose in which of the 8 audio zones to play the normal background
music and in which zones no music is to be played. The system can be configured in one of the following ways:
• a) the 2 inputs of the unit are driven by two amplifiers, one of which is dedicated to voice transmission and the other to music transmission.
The 8 outputs of the unit drive the 8 speakers of the 8 audio zones.
• b) the 2 inputs of the unit are driven by two signal preamplifiers, one of which is dedicated to voice transmission and the other to music transmission. The 8 outputs of the unit drive the 8 power amplifiers dedicated to sound diffusion in the 8 audio zones.

 

Code

12944

Characteristics

1 rack unit with frame with RAL 7035 light grey paint finish

Inputs

2 music inputs with two wires, speech with three wires, one of which is used for emergencies (for amplifiers)

Outputs for loudspeaker line (zones)

8 with three wires, one of which is used for Emergencies

Max. applicable power

1200 Watt/100 V, 840 Watt/70V, 600 Watt/50V, 300 Watt/25V

Controls

Speech key for each zone. Music key for each zone. General call key. Power ON-OFF key

Remote controls

Zone selection control. General call command. Activation of emergency and OPEN COLLECTOR output

Output power supply

Power supply +15/0/-15 VDC 

Luminous indicators

Speech Led and Music Led per zone. General call indicator led. Emergency indicator led. Power ON-OFF indicator led

VAC Power supply

230 VAC with external power supply unit

120 VAC with external power supply unit

Optional accessories

MBT 8008 microphone base

 

Weight 2.75 kg

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FBT MZU-2008 ZONE PAGING UNIT 8 ZONES removeAPOGEE SIOC Electronics Symphony I/O Chassis removeDBX 530 PARAMENTRIC EQ MODULE removeXANTECH VDA51 DIGITAL TO ANALOG CONVERTER removeDBX PMC16 Personal monitor controller removeBEHRINGER S16 I/O Box with 16 Remote-Controllable MIDAS Preamps, 8 Outputs remove
NameFBT MZU-2008 ZONE PAGING UNIT 8 ZONES removeAPOGEE SIOC Electronics Symphony I/O Chassis removeDBX 530 PARAMENTRIC EQ MODULE removeXANTECH VDA51 DIGITAL TO ANALOG CONVERTER removeDBX PMC16 Personal monitor controller removeBEHRINGER S16 I/O Box with 16 Remote-Controllable MIDAS Preamps, 8 Outputs remove
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SKU12944FBTSIOCDBX 530VDA51DBX PMC16E005492
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Price494.75 incl. GR VAT 1,604.05 incl. GR VAT 346.00 incl. GR VAT269.07 incl. GR VAT 882.00 incl. GR VAT 686.00 incl. GR VAT
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Description
Content

The MZU 2008 switching unit can be installed in 19” racks for selective voice/music switching in 8 audio zones, with the
possibility to increase the number of zones as multiple of 8, adding other MZU 2008 in cascade. Selection of the zones in which the music is to be interrupted and an announcement transmitted is carried out from the MBT 8008 control console.
Using the 8 "MUSIC” keys on the front panel, you can choose in which of the 8 audio zones to play the normal background
music and in which zones no music is to be played. The system can be configured in one of the following ways:
• a) the 2 inputs of the unit are driven by two amplifiers, one of which is dedicated to voice transmission and the other to music transmission.
The 8 outputs of the unit drive the 8 speakers of the 8 audio zones.
• b) the 2 inputs of the unit are driven by two signal preamplifiers, one of which is dedicated to voice transmission and the other to music transmission. The 8 outputs of the unit drive the 8 power amplifiers dedicated to sound diffusion in the 8 audio zones.

 

Code

12944

Characteristics

1 rack unit with frame with RAL 7035 light grey paint finish

Inputs

2 music inputs with two wires, speech with three wires, one of which is used for emergencies (for amplifiers)

Outputs for loudspeaker line (zones)

8 with three wires, one of which is used for Emergencies

Max. applicable power

1200 Watt/100 V, 840 Watt/70V, 600 Watt/50V, 300 Watt/25V

Controls

Speech key for each zone. Music key for each zone. General call key. Power ON-OFF key

Remote controls

Zone selection control. General call command. Activation of emergency and OPEN COLLECTOR output

Output power supply

Power supply +15/0/-15 VDC 

Luminous indicators

Speech Led and Music Led per zone. General call indicator led. Emergency indicator led. Power ON-OFF indicator led

VAC Power supply

230 VAC with external power supply unit

120 VAC with external power supply unit

Optional accessories

MBT 8008 microphone base

 

The Symphony I/O Chassis from Apogee provides two I/O Module slots for a variety of digital audio conversion options that form the interface side of the Symphony I/O. Elegant and easy to use, the front panel of Symphony I/O Chassis presents the visual feedback needed to monitor levels, sample rate and clock status, along with the controls required to adjust gain, output levels ,and select the Audio Interface Mode (AIM).

The rear panel provides access to the two I/O Module slots that are capable of a combined thirty-two channels of input and output. PCI, USB and Ethernet connectivity ensures complete compatibility with popular workstations, while the panel also includes Wordclock I/O connectors and termination, LoopSynch I/O connectors, and a quiet digitally-controlled fan to keep everything running cool.

The Audio Interface Mode (AIM) allows the system to be optimized for the most popular audio workstation environments, including Symphony PCI, Pro Tools HD PCI, USB audio, or to function as a standalone converter. With a two-step adjustment using a single front panel encoder knob, the interface can be easily switched back and forth between the preferred modes.

The optional five I/O Modules allow the user to choose from standard configurations, or customize the following - channel count, analog to digital input, digital to analog output, microphone preamps (requires an analog card) and digital I/O.

Two input/output module slots Ethernet connector USB 2.0 connector Two Symphony PC-32 ports for direct connection to Symphony 64 PCI card and Pro Tools core card Wordclock I/O and LoopSync I/O Wordclock termination switch Sixteen, 10-segment meters Two multi-function encoder knobs OLED GUI provides function selection and function adjustment and Audio Interface Mode (AIM) selection Two 1/4" headphone outputs 7-segment sample rate display Clock source display Meter source display High-performance, temperature controlled fan  Connectors     2 x 1/4" TRS phone Headphone
2 x Symphony I/O PC-32 Ports
1 x Ethernet
1 x USB
2 x BNC Wordclock I/O
2 x BNC LoopSync I/O
Headphones     THD+N: -105dB @ 19dBu
Dynamic Range: 119dB, A-weighted
Output Impedance: 30Ω
Power Requirements     90~240VAC, 50/60Hz, 150W
System Requirements     Mac OS X 10.5.8 and above
Dimensions (WxDxH)     19 x 11.5 x 3.5" (483 x 292 x 89mm) 

The dbx 530 Parametric EQ offers a unique degree of equalization flexibility in the popular 500 Series format. Based upon the classic dbx 905, the dbx 530 is an uncompromising equalizer offering true, fully parametric operation of all three filter bands! dbx has a much-heralded history with modular processors dating back to our 900 Series, and the dbx 530 continues that tradition.

The dbx 530\'s overlapping bands each offer control of frequency bandwidth (Q) and up to 15dB of reciprocal cut or boost to provide exact, complimentary filter action for the most demanding of equalization needs. For problem situations requiring the removal of spurious signals, each of the bands can be independently switched into ?infinite notch? mode without affecting the operation of others. In situations where a shelving equalizer will produce better results than a peaking one, the 530’s high and low bands can be independently switched from peaking to shelving operation. You can also make instant affected/bypassed comparisons using the 530\'s ?On? switch.

Load up your 500 Series rack with dbx 530 Parametric EQs­­ and cut your way through mixes like an audio surgeon!

SPECIFICATIONS
Input: Coaxial RCA digital audio, PCM stereo or Dolby Digital
Output: Left and Right RCA analog
Frequency Response: 20Hz to 20kHz, (+/- 0.5 dB)
THD: 0.025%
Power Requirement: Input: 100V~240V AC, Output: 5V DC (use Xantech supplied power supply only)
Dimensions (W x H x D):
Unit: 4-3/4” x 1” x 1-15/16” (119 x 25 x 48 mm)
Single pack carton: 7-1/4” x 3-1/2” x 6-1/2” (185 x 85 x 165 mm)
Weight:
Unit: 0.25 lbs (0.12 kg)
Single pack carton: 0.85 lbs (0.40 kg)

Overview Dial in YOUR mix exactly as YOU want it, in Real Time.

The PMC16 is a 16 channel personal monitor controller which allows the user to create a custom mix from 16 channels of audio. Designed to be used with the dbx TR1616 or any other BLU link compatible device, the PMC16 allows for monitoring with headphones, in-ear monitors, powered monitors, or traditional wedge monitors. Multiple PMC16s can be daisy chained using CAT5e cable allowing each user to receive 16 channels of high-resolution digital audio and create their own personalized mix to suit their monitoring needs. The PMC16 comprises a 16 channel mixer section with full control of levels, panning, effect send levels, muting, and soloing. Onboard Lexicon© reverb provides the finishing touch. The PMC16ʼs output processing section includes: stereo width control, wedge monitor compensation EQ, high and low master EQ, master level control, and dbx limiting. With a Setup Wizard for ease of configuration, full 16 channel level metering, channel grouping, 16 preset locations for future recall of configurations and mixes, and an intuitive yet powerful user interface, PMC16 gives you the power to dial in YOUR mix exactly as YOU want it, in real time.

Recommended for: Portable, Tour.

Features
  • 16 Channel Monitor Mixer with Level, Pan, Mute, Solo, & Reverb Send Control
  • 16 Preset Locations for Mix & Configuration Recall
  • LCD Display with 16 Channel Metering
  • Built-In Lexicon© Reverb
  • dbx PeakStopPlus™ Limiting
  • Global High & Low EQ
  • Global Master Level Control
  • Global Stereo Width Control
  • BLU Link High Bandwidth, Fault Tolerant Digital Audio Bus
  • XLR & 1/4” Stereo or Mono Outputs
  • 1/8” & 1/4” Headphone Outputs
  • Setup Wizard for Easy Configuration
  • Supports 48 kHz & 96 kHz Sampling Rates
  • Channel Linking, Grouping, & Multi-Select Capabilities
  • Supports up to 60 PMC16s on a Single BLU Link Ring
  • Built-In Sturdy Mic Stand Mount
  • USB Port for Firmware Updates

Product Features:

16 MIDAS-designed, fully programmable mic preamps for audiophile sound quality
8 analog, servo-balanced XLR outputs
AES50 network ports featuring KLARK TEKNIKʼs SuperMAC networking capability for ultra-low jitter and latency
Up to 100 m networking capability via CAT-5e cable (not included)
Dual AES50 ports for cascading S16 units—no merger or router required
Precise LED metering plus 7-segment displays for signal control on stage
Phones output assignable to any of the inputs/outputs for on-stage monitoring
Connectivity for BEHRINGER's P-16 Personal Monitoring System for In-Ear applications (not included)
Dual ADAT outputs for use in splitter mode and stand-alone digital multicore applications
MIDI In/Out for bi-directional communication between FOH console and on-stage MIDI devices
USB connector for system updates via PC
"Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
"Built like a tank" yet compact, all-steel 2U rack-mount chassis
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany

KLARK TEKNIK AES50

KLARK TEKNIK SuperMAC (AES50-Compliant) technology gives the S16 its high-capacity digital interconnectivity with ultra-low latency operation, as well as superbly simple deployment and ease of use. KLARK TEKNIK engineers worked hand-in-hand with BEHRINGER product developers to ensure the S16 meets, or exceeds, the requirements of live performance entertainers and their professional audio engineers. Some of the outstanding features are:
48 bidirectional audio channels over CAT5 cable (48 kHz)
24 bidirectional audio channels over CAT5 cable (96 kHz)
Single cable duplex interconnection for audio and sample clocks
Ethernet physical layer audio data transmission
High channel count and ultra-low deterministic latency
Accurate phase-aligned clock distribution.
Comprehensive error detection
and management
Provision for redundant networking
Minimal configuration ñ total ease of deployment and use
Ethernet TCP/IP protocol-compatible auxiliary data channel
Royalty-free implementations available as Xilinx FPGA cores
OEM modules available from developer partners

User's Manual

Weight2.75 kg2.50 kg1.00 kg0.40 kg2.00 kg4.70 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.75 kg
Weight 2.50 kg
Weight 1.00 kg
Weight 0.40 kg
Weight 2.00 kg
Weight 4.70 kg