DBX 215S 2X15 BAND GRAPHIC EQUALIZER

174.00 incl. GR VAT

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Availability: Available in 1-3 d. Available in 1-3 d. SKU: DBX 215S Category:
  INPUT   Connectors: 1/4″ TRS, female XLR (pin 2 hot)   Type: Electronically balanced/unbalanced, RF filtered   Impedance: Balanced 40k ohm, unbalanced 20k ohm   Max Input Level: >+21dBu balanced or unbalanced   CMRR: >40dB, typically >55dB at 1kHz OUTPUTS   Connectors: 1/4″ TRS, male XLR (pin 2 hot)   Type: Impedance-balanaced/unbalanced, RF filtered […]

 

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INPUT

 

Connectors: 1/4″ TRS, female XLR (pin 2 hot)

 

Type: Electronically balanced/unbalanced, RF filtered

 

Impedance: Balanced 40k ohm, unbalanced 20k ohm

 

Max Input Level: >+21dBu balanced or unbalanced

 

CMRR: >40dB, typically >55dB at 1kHz

OUTPUTS

 

Connectors: 1/4″ TRS, male XLR (pin 2 hot)

 

Type: Impedance-balanaced/unbalanced, RF filtered

 

Impedance: Balanced 100 ohm, unbalanced 50 ohm

 

Max Output Level: >+21dBu balanced/unbalanced into 2k ohm or greater

 

>+18dBm balanced/unbalanced (into 600 ohm)

 

SYSTEM PERFORMANCE

 

Bandwidth: 20Hz to 20kHz, +0.5/-1dB

 

Frequency Response: 50kHz, +0.5/-3dB

 

Dynamic Range: Typically >112dB

 

Signal-to-Noise: Typically >95dB

 

THD+Noise:

Weight 2.00 kg

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Quick Comparison

DBX 215S 2X15 BAND GRAPHIC EQUALIZER removeBSS AUDIO FCS-966 Opal Constant Q Graphic Equalizer-Used- removeDBX 2215 Dual 15-Band Graphic Equalizer with Noise Reduction removeDBX ZONEPRO 1260 12IN-6OUT DIGITAL ZONE PROCESSOR removeDBX 223XS STEREO-2WAY-MONO-3WAY CROSSOVER-XLR only- removeDBX 1215 2X12 BAND GRAPHIC EQUALIZER remove
NameDBX 215S 2X15 BAND GRAPHIC EQUALIZER removeBSS AUDIO FCS-966 Opal Constant Q Graphic Equalizer-Used- removeDBX 2215 Dual 15-Band Graphic Equalizer with Noise Reduction removeDBX ZONEPRO 1260 12IN-6OUT DIGITAL ZONE PROCESSOR removeDBX 223XS STEREO-2WAY-MONO-3WAY CROSSOVER-XLR only- removeDBX 1215 2X12 BAND GRAPHIC EQUALIZER remove
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SKUDBX 215SFCS966SHDBX 2215DBX ZONEPRO 1260DBX 223XSDBX 1215
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Description
Content

 

INPUT

 

Connectors: 1/4" TRS, female XLR (pin 2 hot)

 

Type: Electronically balanced/unbalanced, RF filtered

 

Impedance: Balanced 40k ohm, unbalanced 20k ohm

 

Max Input Level: >+21dBu balanced or unbalanced

 

CMRR: >40dB, typically >55dB at 1kHz

OUTPUTS

 

Connectors: 1/4" TRS, male XLR (pin 2 hot)

 

Type: Impedance-balanaced/unbalanced, RF filtered

 

Impedance: Balanced 100 ohm, unbalanced 50 ohm

 

Max Output Level: >+21dBu balanced/unbalanced into 2k ohm or greater

 

>+18dBm balanced/unbalanced (into 600 ohm)

 

SYSTEM PERFORMANCE

 

Bandwidth: 20Hz to 20kHz, +0.5/-1dB

 

Frequency Response: 50kHz, +0.5/-3dB

 

Dynamic Range: Typically >112dB

 

Signal-to-Noise: Typically >95dB

 

THD+Noise:

PRICE WITHOUT V.A.T. BSS Opal FCS-966 Constant Q Graphic Eq Graphic equalisers are found in just about every sound application, from room contouring to feedback control and general audio sweetening. Traditionally, much general eq'ing takes place on the faders alone, but this restricts the use of the faders at each end of the scale for further precision eq work. So we provided the Opal FCS-966 with separate LF and HF contour filters which can change an overall sound balance without disturbing a detailed room or loudspeaker response. These filters are very musical gentle boost and cut shelving filters which can be used to add (or remove) room effects that change with temperature, audience numbers or humidity. All these effects can be easily made without disturbing the critical fader settings already made. Constant Q Filters The modern generation of graphic eq's uses the Constant Q topology, pioneered by BSS Audio, which means that the filter width is constant whatever the fader gain setting. Compared to the earlier 'gyrator' style of filters, Constant Q filters provide a smoother and more predictable interaction between adjacent faders and the resulting eq curve more closely resembles the actual fader positions. More Gain Control Per Filter Each eq fader has +/-15dB of adjustable gain, more than many competitive graphic eq's. The faders are long-throw 45mm types for precision control. High Pass Filter Also provided on the FCS-966 is a sweepable high-pass filter which can be used very effectively to restrict the low-energy output for better amplifier and loudspeaker performance. Stage monitors also benefit from the application of a high-pass filter to remove bass signals e.g. from vocal-only wedges. Metering BSS Audio believes in providing engineers with information, and the FCS-966's 8-segment led meter shows output level and warns of signal clipping within the eq. When the unit is switched to bypass, the meter will read the input level, allowing accurate matching of the 'dry' and equalised signals using the gain control. Centre Bypass When any eq fader is in its centre detent position, the filter is automatically bypassed, for optimum performance. Input/Outputs All the inputs and outputs of the FCS-966 are electronically balanced, with optional transformer balancing. To make installation of the FCS-966 easier, we've provided three differerent interface connectors: XLR-type, 1/4" TRS jack and Phoenix/Combicon screw terminals. Relay Bypass The EQ IN buttons switch the EQ path into circuit. When switched out, or power fails, a high-quality relay switches the input signal directly to the output connectors. Control Descriptions Faders 30 EQ filter faders on ISO centres, each with nominal +/-15dB of gain. Positive centre-detent on 45mm long-throw precision faders. HP Filter Sweepable high pass filter, frequency adjustable from OUT (flat) up to 250Hz. LF Contour Smooth shelving filter, +/-6dB of gain at 50Hz HF Contour Smooth shelving filter, +/-6dB of gain at 14kHz. GAIN Used for overall unity gain adjustment. Adjustable from - infinity to +10dB. CLIP Triple-point clip detector that indicates red when the internal signal is clipping at any one of three critical points. LED Meter Shows output signal level (input signal when eq is bypassed) from -24dBu to +18dBu in 8 steps.

DBX 2215 Dual 15-Band Graphic Equalizer with Noise Reduction

 It's amazing. One little button. So much effect. dbx? Type III? Noise Reduction is an entirely new concept... virtually instantaneous encode/decode within the circuitry of the box. We started out to build the finest EQs possible, boxes with the heritage and performance to rival our famous 30 Series EQs. And to no one's surprise they came out awfully darn good. (Ask to see the Audio Precision plots compared to the competition.) But then, Roger (our chief engineer, a nice guy, as far as engineers go) got the crazy idea of putting this new noise reduction stuff in the box. We listened to it and were amazed. The EQs sounded great without it but with it the performance was nothing short of incredible. Check it out yourself and see.

But hey, Roger wasn't about to stop there. PeakPlus? Limiter. Who knows more about limiting than the folks at dbx; nobody... that's who. So when the guys were developing this new series of EQs they wanted something that would be unique to these EQs. That's when Roger got another one of his bright ideas and said "I bet they'll work a lot better if there's a cool limiter built in." Next thing you know, all the guys are in the studio amazed at the new limiter Roger had designed specially for the 20 Series. Once again, hearing is believing... With a threshold range of 0dbu to plus 20dbu, the patent-pending PeakPlus limiter is designed to tame your program material from the subtlest nuances to the rowdiest hits. Also, the four stage LED ladder gives you a great visual indication as to what the limiter is doing.

20 Series EQs. You used to have to settle for second best in a reasonably priced EQ but not any more. With the new 20 Series from dbx Professional Products you get a great EQ circuit, a graceful yet powerful limiter and the revolutionary new design of the Type III Noise Reduction. Check out the dbx 20 Series graphic EQs at your pro audio outfitter. You'll see, with the 20 Series EQs you get MORE!!!

SPECIFICATIONS:

 

 INPUT

Connectors:

 1/4" TRS, female XLR (pin 2 hot), and barrier terminal strip

Type:

Electronically balanced/unbalanced, RF filtered

Impedance:

Balanced 40k ohm, unbalanced 20k ohm

Max Input Level:

>+21dBu balanced or unbalanced

CMRR:

>40dB, typically >55dB at 1kHz

OUTPUTS

Connectors:

 1/4" TRS, male XLR (pin 2 hot), and barrier terminal strip

Type:

Impedance-balanaced/unbalanced, RF filtered

Impedance:

Balanced 200 ohm, unbalanced 100 ohm

Max Output Level:

 >+21dBu balanced/unbalanced into 2k or greater
 >+18dBm balanced/unbalanced (into 600)

SYSTEM PERFORMANCE

Bandwidth:

20Hz to 20kHz, +/-0.5dB

Frequency Response:

50kHz, +0.5/-3dB

Noise Reduction In:

 (+/-6 and +/-15dB range):

Signal-to-Noise:

 >102dB, unweighted, ref: +4dBu, 22kHz measurement bandwidth

Dynamic Range:

 >120dB, unweighted

Noise Reduction Out:

 (+/-6dB range):

Signal-to-Noise:

 >94dB, unweighted, ref: +4dBu, 22kHz measurment bandwidth

Dynamic Range:

 >112dB, unweighted

Noise Reduction Out:

 (+/-15dB range):

Signal-to-Noise:

 >90dB, unweighted, ref: +4dBu, 22kHz measurement bandwidth

Dynamic Range:

 >108dB, unweighted

THD + Noise:

With 12 inputs and 6 outputs and Ethernet control the dbx ZonePro? 1260 and 1261
are the newest members of the ZonePro? family providing a complete suite of signal
processing and control for Commercial Audio applications.
Designed to offer superior system sonic performance and flexibility, the 1260/1261 deliver
the highest quality tools available. Even the input and outputs connectors were chosen for
their standard usage and reliability. The ZonePro products offer Euroblock connectors for
balanced signals and RCA connectors for interfacing with consumer equipment often used
in commercial applications; there is also a simple analog input buss that allows inputs to be
sent from one unit to the next for unit and job scalability. The 1260 and 1261 provide every
necessary processing tool, from the input processing like gain control and EQ available on all
inputs to highly sophisticated and specific functions such as selectable paging microphone
processing including Gating, De-Essing, Auto Gain Control, Compression and Feedback
Suppression. The heart of the ZonePro products is the Routing module that provides of course
Primary Source Selection but also Source Ducking for Paging and Priority Override. The outputs
also offer a wealth of processing designed for commercial applications like our patent-pending
AutoWarmth? function that was co-developed with JBL to provide natural low frequency extension
at any signal level. Each output also offers EQ, Bandpass and Crossover filters, Limiting and Delay
for system optimization. With the ZonePro? every tool is at your disposal to maximize the response
of your system.
Beyond processing, the ZonePro? products offer multiple forms of control to further extend the
versatility of your system. From easy-to-use wall panel Zone Controllers for standard end-user
functions like source select and volume control to advanced system control including a built-in
Real Time Clock that can provide programmable system changes throughout the day or week.
For system setup and monitoring the ZonePro Designer software provides an intuitive interface
and a speedy setup Wizard for configuring and editing all system parameters. The addition of
Ethernet control means that not only will it work with standard network equipment, but it can also
be accessed from remote dialup locations or from wireless access points.
The ZonePro? 1260 and 1261 will take your Commercial Audio system to the next level with advanced
processing, versatility and control.
 
? Advanced Feedback Suppression (AFS?)
? Autowarmth?
? Auto Gain Control
? Compression
? Limiting
? Noise Gating
? Notch Filtering
? Bandpass and Crossover Filters
? Parametric EQ
? Security Lockout
? Wall Panel Control
? RS-232 Control
? IEC, UL and CSA Approvals
 
ZonePro? 1260/1261 Specifications    
      
ANALOG INPUT
Number of Inputs:
12 Total (2) Switchable mic or line, (8) RCA, and (1)
S/PDIF
Connectors:
Euroblock (Line and Mic) RCA (Source)
Type:
Impedance (Euroblock):
> 50kΩ Balanced, >25kΩ Unbalanced, RF Filtered
Impedance (RCA):
>25kΩ Unbalanced, RF Filtered
Max input line level:
+20dBu Mic/Line, +12dBu RCA
CMRR:
> 40dB, typically >55db @ 1kHz
Mic Pre gain:30 to 60dB
Mic EIN:
> 118dB, 22Hz-22kHz, 150Ω Source Impedance
Mic Phantom Power:
15V
 
ANALOG OUTPUTS
Number of Outputs 6
Connectors: Euroblock
Type:
Electronically balanced, RF filtered
Impedance:
120 ohms balanced, 60ohm unbalanced
Max Output Level: +20dBu
 
A/D PERFORMANCE
Type:
dbx Type IV? conversion system
Dynamic Range line:
>113 dB, A-weighted, >110 dB unweighted
Type IV dynamic range:
>119 dB, A-weighted, 22kHz BW
>117 dB, A-weighted, 22kHz BW
Sample Rate: 48kHz
 
D/A PERFORMANCE
Dynamic Range:
112 dB A-weighted, 109dB unweighted
 
SYSTEM PERFORMANCE
Dynamic Range:
>110 dB A-weighted, >107dB unweighted
THD+N:
0.003% typical at +4dBu, 1kHz, 0dB gain
Frequency Response:
20Hz - 20kHz, +/-0.5dB
Interchannel Crosstalk:
>80dB typical
Crosstalk input to output:
>80dB
Propagation Delay
0.6 msec
 
POWER REQUIREMENTS
Operating Voltage:
100-240 VAC, 50/60Hz
Power Consumption:
27 Watts
 
Physical:
Weight:
6.8 lbs.(3.1 kg) Shipping weight 8.8 lbs. (4.0 kg)
Dimensions:
1.75? H x 5.75? D x 19? W

Overview More sound to your amps and speakers The secret to making speakers sound great lies with the crossover you use. With the dbx® 223xs Crossover you\'ll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world\'s finest processors. The 223xs uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 223xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound. The dbx 223xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs Features
  • XLR balanced ins and outs
  • Mode switch for stereo 2-way or mono 3-way operation
  • Low frequency summed (subwoofer) output
  • x10 range switch on both channels
  • 40Hz high pass (low cut) filter both channels
  • Phase reverse switch on all outputs
  • Individual level controls on all outputs
  • 24dB per octave Linkwitz-Riley filters (the professional standard)
  • Stereo/Mono status LEDs indicate the selected mode
  • dbx® 2 year parts and labor as standard
  • CSA NRTL/C approved
  • CE compliant
Specifications
Input Connectors XLR (pin 2 hot)
Input Type Electronically balanced/unbalanced, RF filtered
Input Impedance Balanced >50k ohm, unbalanced >25k ohm
Max Input >+22dBu balanced or unbalanced
CMRR >40dB, typically >55dB at 1kHz
Output Connectors XLR
Output Type Impedance-balanaced/unbalanced, RF filtered
Output Impedance Balanced 200 ohm, unbalanced 100 ohm
Max Output >+21dBu balanced/unbalanced into 2k ohms or greater
Bandwidth 20Hz to 20kHz, +/-0.5dB
Frequency Response 90 kHz, +0/-3 dB
Signal to Noise Ratio Ref: +4 dBu, 22 kHz measurement bandwidth
Signal-to-Noise (Stereo Mode) >94dB (Low Output), >91dB (High Output)
Signal-to-Noise (Mono Mode) >94dB (Low Output), >93dB (Mid Output), >91dB (High Output)
Dynamic Range > 106 dB, unweighted, any output
THD+Noise < 0.004% at +4 dBu, 1 kHz; < 0.04% at +20 dBu, 1 kHz
Interchannel Crosstalk < -80 dB, 20 Hz to 20 kHz
Crossover Frequencies (Stereo Mode) Low/High: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting)
Crossover Frequencies (Mono Mode) Low/Mid: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Mid/High: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting)
Crossover Filter Type Linkwitz-Riley, 24 dB/octave, state-variable
Low cut Switch Activates 40 Hz Butterworth, 12 dB/octave high-pass filter, one switch per channel.
Phase Invert Switch Inverts the phase at the output, one switch per output.
x1 / x10 Switch Multiplies the low-high(mono: low/mid and high/mid) crossover frequency range of the front-panel markings by a factor of 1 or 10, one switch per channel.
Mode Switch Selects stereo/mono and 2/3-way operation
LF Sum Switch Selects normal (stereo) or mono-summed low frequency operation and disables Ch 2ʼs low output phase invert LED to indicate that this output is not operational in the LF sum mode.
Indicators Stereo Operation (Green); Mono Operation (Yellow); Low Cut (Red-per channel); x10 (Green-per channel); Phase Invert (Red-per output)
Operating Voltage 100 VAC 50/60 Hz; 120 VAC 60 Hz 230 VAC50 HZ
Operating Temperature 32°F to 113°F (0°C to 45°C)
Power Consumption 15W
Power Connector IEC receptacle
Dimensions 1.75" H X 19" W X 6.9" D (4.4cm x 48.3cm x 17.5cm)
Unit Weight 3.7 lbs. (1.7 kg)
Shipping Weight 5.4 lbs. (2.5 kg)

1215 Dual 15-Band Graphic Equalizer

The dbx 12 Series were designed to meet the needs of the most
demanding sound reinforcement environments, while offering the
simplicity of straightforward controls. The 1215 provides standard
features like dual channels, 15 2/3 octave bands, ISO frequency
centers, +/-12 dB input gain range, and switchable 40Hz/18 dB per
octave low-cut filters, but also includes other thoughtful features.
These include 45 mm faders; selectable +/-6dB or +/-15dB boost/cut
range for precise gain adjustments; XLR, barrier strip, and 1/4'' TRS
connectors for installation ease; balanced inputs and outputs for quiet
operation; and chassis/signal ground lift capabilities for quick hum isolation.
The visionary design of the dbx 12 Series makes your job easier.

The dbx 12 Series Equalizers were precision engineered to provide years
of maintenance-free operation in any application. The magnetically isolated
transformer, electronically balanced/unbalanced inputs and servo balanced/
unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire
relay bypass with 2 second power up delay were steps our engineers took
to ensure compatibility for all installations. Only the best components were
utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR
(ref +4dBu), less than 0.005% THD +Noise (1kHz at +4dBu), and interchannel
crosstalk of less than -80dB from 20Hz to 20kHz. All this attention to detail
is contained in a 2U steel/aluminum chassis.

 

  •   Switchable boost/cut ranges of ±6 or ±15 dB
  •   Electronically balanced/unbalanced inputs
  •   Servo balanced/unbalanced inputs
  •   RF filtered inputs and outputs
  •  XLR, Barrier Strip, and 1/4" TRS connectors
  •  -12dB/+12dB input gain range
  •  18dB/octave 40Hz Bessel low-cut filter
  •  Chassis/signal ground lift capability
  •  Internal power supply transformer
  •  Power-off hardwire relay bypass with 2-second power-up delay
Weight2.00 kg3.00 kg4.30 kg4.00 kg2.50 kg2.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.00 kg
Weight 3.00 kg
Weight 4.30 kg
Weight 4.00 kg
Weight 2.50 kg
Weight 2.00 kg