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- Polar pattern: Cardioid
- Switchable -10dB PAD
- Frequency response: 20 - 20,000 Hz
- Max. SPL: 140/150 dB (THD = 0.5%)
- Electrical impedance: 200 Ohm
- Requires phantom power
- Diameter: 53 mm
- Length: 162 mm
- Net weight: 320 g
- Colour: Black
- Incl. shock mount
- Highly affordable AKG large-diaphragm microphone technology
- Cardioid polar pattern for multiplicity of vocal and instrument applications
The earlier model C 3000 has had a large fan club in the project studio and home recording worlds for years. For the new C 3000 B, AKG designed a special 1-inch large-diaphragm transducer that closely approximates the vibration performance of top-class studio microphones, but can be made at much lower cost.
Due to its surface area and special capsule tuning, the C 3000 B large-diaphragm transducer produces an exceptionally pleasing, smooth sound. Unlike in the C 3000, the switchable 10-dB preattenuation pad immediately follows the transducer in the signal path, thus increasing the C 3000 B\'s SPL capability by a true 10 dB. Loud sound sources are therefore no problem.
An acoustically optimized cardioid polar pattern makes the C 3000 B an excellent choice for both recording and live sound applications where high gain before feedback is paramount.
| Polar pattern |
cardioid |
| Frequency range |
20 to 20,000 Hz |
| Sensitivity |
25 mV/Pa (-32 dBV) |
| Max. SPL |
140/150 dB (k=0,5%) |
| Equivalent noise level (CCIR 468-3) |
25 dB |
| Equivalent noise level |
14 dB-A |
| Signal/noise ratio (A-weighted) |
80 dB |
| Preattenuation pad |
10 dB, switchable |
| Bass filter |
6 dB/octave below 500 Hz |
| Impedance |
200 ohms |
| Recommended load impedance |
>1000 ohms |
| Supply voltage |
9 to 52 V phantom power to DIN 45596 |
| Current consumption |
|
| Connector |
3-pin XLR |
| Finish |
silver gray |
| Net weight |
320 g / 11.3 oz. |
| Shipping weight |
950 g / 2.1 lbs. |
| Patent(s) |
Electrostatic transducer (Patent no. AT 395.225, DE 4.103.784, JP 2.815.488) |
| Behringer C-3 Dual-Diaphragm Studio Condenser Microphone
Introducing the Professional Condenser Microphone C-3 from BEHRINGER
Our latest dual-diaphragm condenser microphone C-3 is ideal for high-quality studio recording and live applications.
The selectable omnidirectional, cardioid, and figure-eight pickup patterns offer ultimate versatility needed to professionally record vocals and acoustic instruments. The C-3 holds a pressure-gradient transducer with a shock-mounted dual-diaphragm capsule. Its ultra-high sound resolution and flat frequency response rival those of microphones with much higher price tags. It also includes an LED that indicates phantom power operation and a gold-plated XLR output connector to ensure highest signal integrity. The C-3 comes with extensive accessories such as swivel stand and transport case.
The C-3 represents state-of-the-art technology at a price that is simply unheard of. |
NT1000 - ?Pure Performance? Ultra Versatile 1? Studio Condenser Microphone.
With its ultra low 6 dBA self-noise and transformer less SMT circuitry, the
R?DE NT1000 exhibits exceptional performance when recording both vocals
and instruments in the studio.
Voiced for ?application versatility?, the NT1000 has been hailed by many as the
ultimate drum over-head and grand piano mic selection. The NT1000 is also
equally at home as a first call vocal mic. With its Australian made 1? HF-2 capsule
incorporating internal shock mounting, the NT1000 boasts a 134 dB dynamic range,
and 140 dBA SPL capabilities and a 20 Hz ? 20 kHz frequency response.
Built of a heavy-duty cast metal satin nickel body, the NT1000 incorporates a
high-strength, heat-treated mesh head, and comes supplied in a zip pouch with a
stand mount.
SPECIFICATIONS:
Acoustic principle:
Externally polarised 1? (25mm) pressure-gradient condenser
Directional pattern: Cardioid
Frequency range: 20Hz - 20kHz
Output impedance: 100?
Signal noise ratio din iec 651:
> 88dB (A-weighted, per IEC268-15)
Equvalent noise:
6dB SPL (A-weighted per IEC268-15) +/-1dB
Maximum spl:
> 140dB SPL (@ 1kHz, 1% THD into 1k( load)
Sensitivity:
-36dB re 1V/Pa (16mV @ 94dB SPL) +/-1dB
Dynamic range din iec 651: > 134dB (A-weighted, per IEC268-15)
Power supply voltage: P48 (35V - 53V)
Current consumption: 6mA
Weight without battery: 682 gm
Weight with battery: 882 gm
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K2 - ?It cant be done?? Precision Variable Pattern Dual 1? Condenser Valve Microphone.
The R?DE K2 is the result of designing and building 1000?s of valve microphones. The
K2?s HF-1 capsule is the pinnacle of transducer technology. The sound quality combines
modern high-end specifications with the character and subtleties of the legendary 50?s mics.
Infinitely variable control of the K2?s polar patterns provides the freedom and flexibility to
excel in any recording situation. The K2 is another example of R?DE?s commitment to
building quality studio microphones to meet the exacting standards demanded by today?s
professionals.At the 2004 Frankfurt Music Messa, 56 of the most prestgious music industry
magazines voted the K2 the ?Best Studio Microphone of 2004?.
SPECIFICATIONS:
Features:
? New large capsule with gold sputtered diaphragm. ? Ultra low noise.
? Wide dynamic range. ? Class ?A? valve circuitry. ? Hand-selected and
graded 6922 twin-triode valve. ? Dedicated Power Supply. ? High strength
welded and heat-treated steel mesh head. ? Durable satin nickel finish.
? Internal capsule shock mounting. ? High level of RF rejection. ? Supplied
complete with SM2 Shock Mount and RC2 Custom Carry Case.
? Continuously variable polar patterns. From omni, through cardiod to
figure 8, controlled at the power supply.
Operation power:
The K2 is designed to operate from a dedicated power supply (110 - 120 V/220 - 240 V, 50/60 Hz)
Acoustic principle: Externally polarized 25 mm(1?) condenser.
Directional pattern:
Continuously variable multi pattern -Omni, through Cardioid to figure 8.
Frequency range: 20 Hz - 20 kHz
Output impedance:
Valve impedence converter with bipolar output buffer.
Signal noise ratio din iec 651:
> 81 dB (1kHz relative to 1 Pa; per IEC651,IEC268-15).
Equvalent noise: 10 dBA SPL (per IEC651, IEC268-15).
Maximum spl: 162 dB (@ 1% THD into 1k).
Sensitivity:
-36 dB re 1 Volt/Pascal (16 mV @ 94 dB SPL) +/- 2 dB.
Power supply voltage:
Dedicated Power Supply(110 - 120 V/220 - 240 V, 50/60 Hz).
Weight: 815 gms
Dimensions width: 208.5 mm
Dimensions depth: 55 mm
Dimensions height: 55 mm
Maximum output voltage: > +30 dBu (@ 1% THD into 1 k).
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The CK-7 houses a 35mm gold-sputtered thin Mylar capsule. The CK-7 uses high grade Polystyrene and Metalized Polypropylene capacitors in the audio path. This represents a commitment to quality, as these normally are the type of "upgrade" components that are implemented by microphone modders/hot-rodders! Any studio can proudly offer the CK-7 as a vocal mic or utility condenser due to its versatility...It exudes class visually as well as sonically.
Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability. The versatile CK-7 mic is able to produce professional results with a clean sonic character. The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results. The 3 patterns allow the CK-7 to be used in a variety of situations.
The cardioid pattern is generally best used on vocals and single instruments. The omni mode works well in incorporating some room sound into the track. The figure 8 pattern allows 2 vocalists to use the mic at the same time from opposite sides. The CK-7 has separate -10 dB pad & 80 Hz LF roll off switches....The -10dB attenuation switch can be engaged when miking very high SPL sources to keep from overloading the electronics. The 80Hz high-pass filter switch can be engaged to reduce rumble and to keep unwanted low frequencies from "muddying up" the track.
Applications.
studio vocals, acoustic guitar, mandolin, drum overheads, piano, room mic
Specifications
Type: True Condenser
Polar Pattern(s): Cardioid , Omni , Figure 8
Capsule: Dual-sided 35mm center-terminated gold-sputter Mylar (6 micron)
Frequency Response: 20-20,000 Hz +/- 3dB
Output Impedance: |
| Variable large diaphragm microphone | | Pressure-gradient transducer with double membrane capsule | | The studio microphone classic | | Three directional characteristics: omni, cardioid, figure-8 | | Switchable low frequency roll-off | | Switchable 10 dB pre-attenuation | |
Ideal as main and as support microphone in the most differing recording situations
| Acoustical operating principle | Pressure gradient transducer | | Directional pattern | Omnidirectional, cardioid, figure-8 plus | | Frequency range | 20 Hz ... 20 kHz | | Sensitivity at 1 kHz into 1 kohm | 20/28/22 mV/Pa1) | | Rated impedance | 200 ohms | | Rated load impedance | 1 kohms | | Equivalent noise level, CCIR2) | 26/23/25 dB1) | | Equivalent noise level, A-weighted2) | 15/12/14 dB-A1) | | Signal-to-noise ratio, CCIR2) (rel. 94 dB SPL) | 68/71/69 dB1) | | Signal-to-noise ratio, A-weighted2) (rel. 94 dB SPL) | 79/82/80 dB1) | | Maximum SPL for THD 0.5%3) | 117 dB (cardioid) | | Maximum SPL for THD 0.5% with preattenuation3) | 127 dB | | Maximum output voltage | 390 mV | | Dynamic range of the microphone amplifier (A-weighted) | 105 dB | | Supply voltage (P48, IEC 61938) | 48 V ± 4 V | | Current consumption (P48, IEC 61938) | 0.8 mA | | Matching connectors | XLR3F | | Weight | 500 g | | Diameter | 56 mm | | Length | 200 mm |
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