JBL 306P MKII Active Studio Monitor 6 inch

DM-2100: 2.1-ch Speaker System Features The DM-2100 2.1-ch Speaker System is an affordable way to add accurate reference monitoring with a subwoofer for enhanced bass response. The left and right speakers each offer 15 watts of power, while the 50-watt subwoofer provides a powerful low-end boost. And with 24-bit/96kHz digital inputs, the DM-2100 is perfect for use with Roland/BOSS digital studios and instruments, or with computer systems and more.

• Affordable 2.1-channel monitoring system with 24-bit/96kHz digital inputs
• Powered bass reflex speakers with 15 watts per side and flat frequency response
• Active subwoofer with 50-watt amplifier for increased low end
• Front-mounted controls convenient located on right speaker
• Coaxial and optical digital inputs, plus analog inputs (RCA and 1/4-inch type)
• Sleek black wooden cabinets with magnetic shielding

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S3X-V

Using the newly developed 4” HexaCone midrange and 9” HexaCone woofer combined together with the X-ART tweeter creates the unique S3X-V control monitor.

A step up over the smaller models, the S3X-V is capable of producing more power and volume along with a more detailed and homogeneous sound that will impress even the most experienced sound engineer. Whether the complex sonic images of an orchestra or the smooth tone of a jazz trio, the S3X-V reveals even the finest nuances of any material. The driver assembly of the S3X-V allows long time, non-fatiguing listening sessions.

Reviews: "Wonderfully detailed...”

“Wonderfully detailed, with an exceptionally transparent mid-range. [...] ADAM make the leap to a three-way speaker design that seems to pay dividends in clarity and separation. [...] I think it would be fair to say theyʽre the best sounding ADAM monitors Iʽve reviewed.” (Sound On Sound, 12/2009)

“No doubt, the S3X-V deserve the title Reference Monitor. With this series, ADAM Audio proves to have a very good feeling for meeting the specific demands of the sound engineerʽs guild, creating studio standards at the same time. [...] A precision tool combined with a luxury good.” (www.96kHz.de, 03/2010)

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ADAMs A7 & A7X: the evolution of a legend

The predecessor to the A7X, the A7, became the most famous of all ADAM monitors in a very short time. Not only has it been reviewed over three dozen times with outstanding results, it has also received numerous awards. The A7 quickly gained mass appeal, praised in many of the worldʼs largest internet forums. Still today, the A7 are the reference monitors in many smaller studios.

With the A7X, ADAM Audio proudly presents the evolution of a legend. It takes everything that made the A7 such an outstanding speaker to a new level.

Driver technology

The first aspect that distinguishes the old from the new model is the X-ART tweeter. The ʽXʼ stands for ʽeXtended frequency responseʼ and thus for one of the features of the Accelerating Ribbon Technology that has been drastically improved: the frequency response. It now extends all the way up to 50kHz. In addition, the X-ART tweeter has a higher efficiency and higher maximum sound pressure levels.

The perfect integration with the lower frequencies has been achieved with a newly designed 7” midwoofer. It has been redesigned with a much bigger voice coil (1.5”) and is driven by an amplifier with twice the power compared to its predecessor. This combination produces an amazing sound and pressure levels with an almost distortion-free musical reproduction.

Amplifiers / controls

Each driver has its own dedicated amplifier. A 50W A/B amp is responsible for the X-ART tweeter, while the midwoofer is being driven by a 100W PWM amp. The front panel includes a power switch and a control for the volume that retains the volume setting independently from the on/off switch.

On the rear panel are several additional controls: a gain for the high frequencies (± 4dB) and two shelf filters for high and low frequencies.
To ensure greater compatibility, there are both XLR (balanced) and RCA (unbalanced) connectors.

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The smallest big sound ever...

With the A3X, ADAM Audio present their smallest monitor to date, making it perfectly suited for all environments where space is limited but sound shouldnʼt be constricted. The A3X combines a tiny footprint with the much acclaimed ADAM sound quality by using the X-ART tweeter for the higher frequencies, a guarantee for crystal clear music reproduction.

A 4.5” (basket) driver handles the lower registers. The diaphragm is made from carbon fiber, a material that is very light but very stiff and therefore capable of delivering colouring-free sound. Two built-in 25 Watt amplifiers powers each of the drivers directly.

Stereolink

A very handy and exclusive technology found in the two smaller AX monitors is the Stereolink. This is accomplished by a pair of additional RCA connections that allow for a bypass of the second stereo channel to the other speaker.

This new technology connects two A3X speakers in such a manner as to allow the user the option to control the overall stereo volume of the system from either speakerʼs gain control. This makes the A3X a natural for "mixer-less” desktop applications where overall system volume needs to be adjusted easily.

Controls and Connectors

The front of the A3X sports dual ports for surprisingly low frequency response down to 60Hz. The front panel also has power and gain controls. The rear panel includes a tweeter gain control as well as balanced (XLR) jacks and unbalanced (RCA) jacks, allowing for greater connection flexibility. There are also two M6 (6 mm) metric screw threads for stand/wall mounting.

Review: "Highly recommended“

"Iʼve used various monitors for my computer work before, but never of the caliber of the A3X series. Before these, I would have to redo my mixes significantly when transitioning from the small cheapies to the big 'real ones'. The ADAM Audio A3Xʼs save me a step by providing both great sound in a compact format and by changing mundane audio task-work into a quality listening experience. If you use good monitors from the outset, youʼll learn your music that much faster so that when it comes time for mixdown and mastering on your big boxes, youʼll already be acclimated to your songʼs subtler sonic aspects—aspects revealed only by the A3Xʼs with their sweet, smooth top end, and impressive handling of bass frequencies. Highly recommended.“
(Jon Chappell, Harmony Central, 03/10)

Review: "...one of the best compact monitors“

"ADAM´s A3X as the smallest monitor with a X-ART tweeter to date has convinced us in every respect. It´s one of the best compact monitors we have ever reviewed and with its almost shameless low price it´s worth every penny. (Professional Audio, 05/10)

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S2X

The S2X brings together the virtues of the ʽclassicalʼ 7” woofer and tweeter combination by using ADAM innovative technologies and top-class materials.

The HexaCone 7” woofer is driven by a sophisticated magnet system with a 2” voice coil creating a greater linear excursion. This produces more dynamics than one would assume in a monitor of such small proportions. As a result, in addition to the unsurpassed audio quality of the X-ART and A/B amplifier combination, this monitor surprises the listener with a very powerful, deep, but always tight and precise low end.

Review at a glance: "Sonic sensation“

“The ADAM Audio S2X can convince in all areas, concerning the sound as well as the workmanship, and are worth every Euro. […] a no-compromise tool for all who mean serious business, whether in music or postproductions.” (www.96kHz.de, 03/2010)

“We started off with a classical string quartet recording and let´s just say right away that the S2Xs floored us. Several adjectives spring to mind [...] - wide open, transparent, effortless, breathtaking realistic, loud, dynamic, involving... [...] If you close your eyes and continue listening, the S2Xs seem to ‚disappearʽ almost entirely. [...] you gradually become less aware that you´re listening to speakers because they´re like an open window on the music itself. [...] Result: These monitors are up there with the best we´ve tried so far.” (MusicTech, 01/2010)