D&R 60881685 OnAir warning light for radio station , production and more

204.59 incl. GR VAT

Only 3 left in stock (can be backordered)

EAN: N/A
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Can be operated directly as a standalone or in conjunction with D & R Airmate / Airance / Axum Cable and mounting holes on the back 12 Volt / 450 mAh Dimensions (W x H x D): 260 x125 x 65 mm Incl. power supply D&R Studio sign On Air light  Mono Face, A perfect matching […]

 

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  • Can be operated directly as a standalone or in conjunction with D & R Airmate / Airance / Axum
  • Cable and mounting holes on the back
  • 12 Volt / 450 mAh
  • Dimensions (W x H x D): 260 x125 x 65 mm
  • Incl. power supply

D&R Studio sign On Air light  Mono Face, A perfect matching ON-AIR lamp for all our mixers. You can of course use the unit too for other brands.

We can supply you a perfect matching ON-AIR lamp for all our mixers.

You can of course use the unit too for other brands.
We call it ON-AIR Lamp but actually there is no lamp inside anymore, just everlasting high intensity red leds.
The unit is powered by a 12 volt DC 1A external power supply.
And what’s more… no hassle with how do I connect this thing to my AIRMATE-USB/AIRENCE-USB/AIRLAB or AXUM.
No complicated high voltage AC switching with external relays etc. etc.
What you only need is one stereo cable (wired tip/ring) coming from the MIC-ON connector on the back of the AIRMATE/AIRENCE/AIRLAB console that goes directly hardwired to a terminal strip inside the ON-AIR LAMP. How easy is this for a change.
The power adapter will also be directly wired to the terminal strip inside the unit.

Width: 260mm

Height: 125mm

Depth: 65mm

The power adapter (included in the delivery) will also be directly wired to the barrier strip inside the unit

Weight 1.20 kg

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Quick Comparison

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SKU60881685AirenceLYRA8MIC8 Set144.062144.020
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Price 204.59 incl. GR VAT 3,286.00 incl. GR VAT 5,033.15 incl. GR VAT47.74 incl. GR VAT 752.00 incl. GR VAT 1,804.00 incl. GR VAT
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Only 3 left in stock (can be backordered)

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Only 1 left in stock (can be backordered)

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Description
  • Output resistance: 150Ohm +/-30%
  • Output interface: 3.5mm
  • Signal Noise: 78dB
  • Sensitivity: -45dB+/2dB
  • Equivalent Noise: 16dBA
  • XLR cable length: 2.5m
  • Frequency: 20Hz-20kHz
  • Resistance: >= 1000Ohm
  • Current: 3mA
  • Base clamp size: 45mm
  • Filter bracket length: 370mm
Content
  • Can be operated directly as a standalone or in conjunction with D & R Airmate / Airance / Axum
  • Cable and mounting holes on the back
  • 12 Volt / 450 mAh
  • Dimensions (W x H x D): 260 x125 x 65 mm
  • Incl. power supply
D&R Studio sign On Air light  Mono Face, A perfect matching ON-AIR lamp for all our mixers. You can of course use the unit too for other brands. We can supply you a perfect matching ON-AIR lamp for all our mixers. You can of course use the unit too for other brands. We call it ON-AIR Lamp but actually there is no lamp inside anymore, just everlasting high intensity red leds. The unit is powered by a 12 volt DC 1A external power supply. And what's more... no hassle with how do I connect this thing to my AIRMATE-USB/AIRENCE-USB/AIRLAB or AXUM. No complicated high voltage AC switching with external relays etc. etc. What you only need is one stereo cable (wired tip/ring) coming from the MIC-ON connector on the back of the AIRMATE/AIRENCE/AIRLAB console that goes directly hardwired to a terminal strip inside the ON-AIR LAMP. How easy is this for a change. The power adapter will also be directly wired to the terminal strip inside the unit. Width: 260mm Height: 125mm Depth: 65mm The power adapter (included in the delivery) will also be directly wired to the barrier strip inside the unit
D&R's popular AIRENCE-USB broadcast mixing console is updated. In response to customer demand D&R removed the master faders and made the AIRENCE more in line with their other broadcast consoles. This update made the AIRENCE even more failsafe. The AIRENCE-USB is a digitally controlled reliable analog broadcast console with integrated 4 channel USB sound card and an integrated control section for Play-out systems. With the AIRENCE-USB ON-AIR mixer you can own a modern, split version type of radio production mixer. A smart mixer with an integrated USB based control section. Built with well proven low noise circuitry, this console is the reliable workhorse for the self-op production D.J. Built in Telephone Hybrids (2x), 4 channels USB and 4 Mic inputs. Ideal for streaming to the web and sending and accepting 4 stereo channels from your Play-out software. A heavy duty (19" rack) RF shielded chassis, that can be used as a dropthrough in your furniture, houses all the vertically mounted input modules. Extension units with six triple input channels with high end quality Mic inputs on XLR and two stereo line level inputs on Cinch (RCA) connectors can be connected to the main unit. The result is a modern split drop through 12 (or 18/24) fader radio console. INPUTS. Mic inputs: bal, 2 kOhm, XLR. ,48 volt Phantom.Noise: - 128 dBr (A-weighted). (That 1501)Sensitivity: - 70dB min, OdB Max.Insert: Jack unbalanced send 600 Ohm -10dBV.Aux Return unbalanced 10kOhm -10dBv. Line inputs: unbal.., 10kOhm, Cinch. Gain: range of 40dB. Phono inputs: unbal. 47kOhm, 5 mV. (optional) USB: 4x Stereo in and 4x stereo out.Extern in: - 10 dBV at 10kOhm. Aux returns: - 10 dBv at 10kOhm stereoUSB. Fully compliant with USB 2.0 playback and record mode. 4x Stereo in and Main stereo or SUB signals out. HID Functions: Volume|Mute|Control USB CONTROL SECTION. 24 free assignable illuminated switches plus encoder based on the HID protocol. TELEPHONE HYBRIDS. RJ-11 connectors for phone line/diallerMix Minus rejection @1kHz -40dB. OUTPUTS. Left/Right: + 6dBu bal. XLR. Monitor/Aux : + 6dBu unbal. on Cinch. Studio: + 6dBu, Jacks. Tape outp: -10dBv. Headphone: 32-600 Ohm, Jack. Announcer: 32-600 Ohm, Jack.USB out: Main program stereo signal or SUB EQUALIZER. High: + / -12 dB at 12kHz shelving. Mid: + / -12dB at 1 kHz bell curve. Low: + / -12dB at 60 Hz shelving. THE HIGHLITES... " Inserts on all Mic input modules. " Program and Sub busses. " Two built in Telephone Hybrids. " Four built in USB channels. " Modern Split design with the optional 6 channel Extender. " Bi- Directional Cue Communication buss. " Internal NON-STOP switching. And of course the standard features... " High efficiency switched mode external power supply with optional redundancy. " Three band very musical EQ. " Software based meter application included. " High quality K-Alps faders. Available Options " Redundant power supply " 6 channel Extender units available " Studio Remote for cough and Cue. OVERALL Frequency response: 10 - 60.000Hz. Distortion: < 0.01% max at 1 kHz. Start switch: isolated reed relay. (24volt/50mA)Ledbars: 11 segment and on high res on screen SOFTWARE A software protocol is available for programming of the USB HID protocol to match your software. DIMENSIONS: Main unit19" rack mountable (480mm)Height: 356mm (8HE). Depth: 95mm. Weight: 9kg. Extension unitWidth: 400mmHeight: 356mm (8HE). Depth: 95mm. Weight: 7kg.

The Lyra-8 is a fully digital desktop production mixer. Its concept originates from heavy investigations among end users and distributors looking for a versatile compact small universal desktop mixer.

The core of the Lyra is a sophisticated DSP engine. This processing engine involves the latest developments in DSP technology by Texas Instruments. An intense cooperation between T.I. and D&R has resulted in a digital audio mixer offering tremendous DSP power and a superb sonic quality.

Although the Lyra is a digital console, it is operated with the same comfort as a conventional analog production mixer. No fundamental concessions have been made towards reliability, high speed controller-response and system stability.

Apart from that there is the unique capability to control Lyra\'s functions over the Internet 

  • The Lyra is a fully digital desktop production mixer. Its concept originates from heavy investigations among end users and distributors looking for a versatile compact small universal desktop mixer.
  • The core of the Lyra is a sophisticated DSP engine.
  • This processing engine involves the latest developments in DSP technology by Texas Instruments. An intense cooperation between T.I. and D&R has resulted in a digital audio mixer offering tremendous DSP power and a superb sonic quality.
  • Although the Lyra is a digital console, it is operated with the same comfort as a conventional analog production mixer.
  • No fundamental concessions have been made towards reliability, high speed controller-response and system stability.
  • Apart from that there is the unique capability to control Lyra\'s functions over the Internet 
  • Over 18 inputs (7x digital, 7x analog, 4x mic inputs) are connected to a digital cross-point router to accept various formats of audio.
  • This router actually is an integrated programmable patch-bay allowing you to send any of the input signals to any desired processing channels of the DSP’s.
  • These processing channels consist out of a three band parametric Eq-section and dynamics control application.
  • The signal output by the DSP channel can be routed to main stereo busses.
  • Every main buss is stereo and has dedicated analog outputs, but the bus signals can also be routed to a digital output as well.
  • Monitoring functions are analog making interfacing with the outside world very simple and easy to understand.
  • The Lyra has four processing channels with 100m faders with large illuminated On and Cue switches an a rotary encoder for multiple functions.
  • A LCD per channel shows input selections and many other functions.
  • In the right hand section of the console are dedicated instant access functions for Source selection, Gain, EQ on/off, Dynamics on/off, Aux, Pan, Program and Sub selection.
  • The analog master section with 16 segment led bars and source select switches makes interfacing very easy with all sorts of  monitoring devices.
  • A CobraNet option is available for integration within our network solution to share more sources.
  • An Ethernet connector is available for remote control via TCP/IP protocol.

Professional recording microphone with retractable stand/armrest and clip for desk or table installation and sound card with adjustment sound and music effects. Supplied with 2.5m cable, plus filter and cotton cover which make it suitable for all types of recording situations, e.g. for radio broadcast, karaoke, recording for computer processing etc.   Package Contents: 1 X gold black microphone 16 x 4.5cm 1 X net filter 15.5cm 1 X anti-vibration frame 1 X cotton microphone cover 1 X black clip 1 X microphone clip 1 X 2m audio cable 1 X desk/desk stand 38 x 37cm 1 X user manual in English 1 x sound card 3 x micro USB cables 1 x USB to female 3.5mm adapterThe ultra-compact XB-10 is perfect for small radio or internet broadcast studios, college and university radio stations, podcasting, content creation and more. Despite its tiny footprint, XB-10 is packed with the kinds of specialised broadcast features that normally come at a much higher price. Radio-friendly tools include a telephone communication (telco) channel, mic channel ON switch sensing, stereo channel start/cue outputs for CD deck transport control and automatic muting of speaker outputs. A separate monitor mix can be created for operator and guest or presenter, and the operator can speak off-air to the studio or telephone callers using the ʽTalk' feature. XB-10's preamps use low noise discrete transistor circuitry to achieve high gain and excellent linearity. Each mic channel comes equipped with our innovative CompACT compressor to keep the dynamic range of a presenter microphone under control. A variable limiter on the main output ensures that the final mix to air does not saturate expensive broadcast equipment. The plug-n-play USB connection can be used for VoIP telephone calls, recording program material, playing jingles and more.
  • 3 mic/line and 3 stereo inputs
  • Telco channel with optional USB routing for VoIP
  • CompACT compressors on mic channels
  • ON switch logic on mic and telco channels
  • Start/cue logic outputs on stereo channels
  • Separate headphones mix and outputs
  • Auto mutes on control room outputs
  • Remote mute facility on mic channels
  • Responsive 3-band, swept mid EQ with MusiQ
  • Configurable USB stereo audio in/out
  • XLR main outputs with inserts and variable limiter
  • Aux / Alt bus for external processing, recording or auditioning
USB XB-10 comes with a full duplex USB soundcard built-in and many useful routing options for recording and broadcast applications. MusiQ XB-10 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ with optimised slope for a variety of sources. Output Limiter A variable limiter ensures the level does not exceed a pre-defined level. Back panel option switches allow the limiter to be bypassed. A trim pot is used to vary the threshold and an LED on the front panel indicates when the limiter has triggered. CompACT Compressor XB-10 features our ComPACT compressor on each of its mic channels. CompACT (Adaptive Compression Technology) is a program-dependent audio leveller. Unlike other compressors, which are effective only at reducing loud sounds, CompACT combines both downward and upward compression with peak limiting. Low level signals are given a gain boost, mid level signals are mildly compressed with a soft knee response, and high level signals are limited.
Allen & Heath XB-14² Compact Broadcast Mixer
  • Audition/clean feed bus
  • 3-band EQ on mono channels
  • 4 mic/line and 4 stereo channels
  • 2-band EQ on Telco/stereo channels
  • 2 stage, padless pre-amp design
  • Fader start sensing on mono channels
  • Start/cue logic on stereo channel switches
  • 2 Telco telephone communication channels
  • USB connectivity to interface with PC/MAC
  • Separate headphones mix for engineer/producer and 2 guests
  • Vertically-mounted PCB construction with nutted rotary pots
  • Aux and separate stereo busses for processing/recording
  • Control room outputs with auto and remote mutes
  • Remote mute facility on mic channels
  • Balanced main outputs with inserts
  • Input signal and peak metering
The XB-14² by Allen & Heath is a broadcast mixer designed for self-operated broadcast applications in small radio and internet studios, as well as larger facilities with multiple rooms. It comes in a compact package and is packed with radio-friendly options usually found on large-format broadcast consoles. This Mixer allows for an efficient and flexible workflow with features such as telephone-communication (Telco) channels, fader-start sensing, automatic muting of speaker outputs, stereo channel-start/cue outputs for CD deck-transport control, separate headphone mixes for guests, an audition bus, and more. Separate monitor mixes can be created enabling the operator to check levels and cues without interfering with the listening sources of the presenter or guests. Using remote-interface connectors, mono channels can be remotely muted from studio-located mute or cough switches (available separately). In addition, the Talk to Guest switch allows for the operator to communicate off-air with guests, presenters, and telephone callers. The audio circuitry of the XB-14² features four mic/line channels equipped with high-gain DuoPre preamps and 3-band EQs to help cut sibilance & mic popping, and 2-band EQs on stereo channels for use with music. The full-duplex USB sound card offers playback and record to & from a computer as well as voice over IP (VoIP), and is compliant with Mac & Windows core audio drivers. Flexible Routing Options
  • Four mic/line mono channels
  • Four dual-source stereo channels and a total of up to seven stereo sources
  • Aux bus for external processing, effects, recording or auditioning
  • Mix B for recording an independent mix to the main program mix, or creating a clean feed source from selected channels
  • Audition bus for auditioning or recording telephone conversations
  • 27 logic I/O for remote control
  • 15 configuration switches
  • Output matrix with three headphone outs allows separate mixes for engineer/producer and two guests
  • Talk button for off-air conversation with guests
DuoPre Preamps The four mono channels feature DuoPre technology which employs a two-stage design to control the input gain structure of the channel. The first stage provides 69 dB of gain for the signal at the XLR input. The second stage is activated by plugging the signal into the TRS line-input jack. This gain-staging eliminates the need for pad circuit & pad switch, and ensures that the signal remains in the optimum region of its dynamic range for lower noise and distortion. USB The XB-14² is equipped with a stereo bi-directional sound card for playback, recording, or voice over IP (VoIP) to and from a computer. Its USB 1.1 audio codec is compliant with USB 2.0 ports and Windows & Mac core audio drivers. Telco Two Telco channels provide a selectable clean-feed output (L/R PGM, Aux or audition bus), variable high-pass and low-pass filters which are useful when a caller is connected via a low-quality telephone line, and a talk button that allows for communication with a telephone caller without the presenter\'s voice going to the program mix. Remote Control The mono mic/line channels feature fader-start sensing to control external devices or to automatically mute speaker outputs to prevent feedback. The stereo channels are equipped with start & cue logic outputs used for CD deck transport control. Mic/line input channels can be remotely muted using an external "cough" switch (available separately). Robust Construction The XB-14² features individual vertically-mounted channel circuit boards with rotary controls fixed to the front panel using metal nuts. This robust construction allows for removing channels from the mixer one at a time and for easily changing faders, making servicing minimally disruptive. Additional Features
  • HPF and 3-band, swept-mid EQ on mono channels
  • 2-band EQ on stereo channels
  • Smooth-ride 100mm faders
  • Auto-mute on control-room outputs
  • XLR main outputs with inserts
  • External-meter socket
  • Input-signal and peak metering
Inputs Mono Channel Mic Input (XLR): +6 to -63 dBu nominal / +17 dBu max Mono Channel Line Input (TRS Jack Socket): +10 to -26 dBu / +30 dBu max Insert Point (TRS Jack Socket): 0 dBu nominal / +21 dBu max Stereo Input (TRS Jack Sockets): 0 dBu nominal (control = off to +10 dBu) Stereo Input (RCA Phono Sockets): 0 dBu nominal (control = off to +10 dBu) Telco Channel Input (XLR): +10 to -26 dBu / +30 dBu max
Outputs PGM L/R Outpu(XLR): +4 dBu nominal / +25 dBu max PGM Mono Output (RCA Phono): 0 dBu nominal / +21 dBu max PGM L & R inserts (TRS Jack Sockets): -2 dBu nominal / +21dBu max Aux Output (Jack Socket): 0 dBu nominal / +21 dBu max Mix B Outputs (RCA Phono Sockets): 0 dBu nominal / +21 dBu max Audition Outputs (RCA Phono Sockets): 0 dBu nominal / +21 dBu max CRM Outputs (RCA Phono Sockets): 0 dBu nominal / +21 dBu max Telco Output (XLR): 0 dBu nominal / +21 dBu max
THD + N Mic In to PGM L/R Out: < 0.01% (0 dB Gain, 1 kHz, +10 dBu out) Mic In to PGM Out: < 0.01% (30 dB gain, 1 kHz, +10 dBu out) Line In to PGM L/R Out: < 0.01% (0 dB gain, 1 kHz, 0 dBu out) Stereo In to PGM Out: < 0.01% (0 dB gain, 1 kHz, +10 dBu out)
USB Audio Codec USB Audio In/Out: USB 1.1 compliant / 16-bit Sample Rate: 32, 44.1, 48 kHz
Noise Mic Pre EIN @ Maximum Gain: -124 dBu (150 R Input Z, 22 Hz to 22 kHz) PGM Out: < -100 dBu (PGM fader = 0, 22 Hz to 22 kHz) Audition Out: < -100 dBu (mix B out = 0, 22 Hz to 22 kHz) Aux Out: < -85 dBu (mono out = 0, 22 Hz to 22 kHz)
Headroom Analog Headroom from Nominal (O VU) Outputs: 21 dB Analog Headroom from Nominal (O VU) Mix Point: 24 dB Headroom from Nominal (O VU): 14 dB
Crosstalk / Attenuation Mono Fader Attenuation: -95 / -95 (dB relative to +10 dBu, 1 kHz to 10 kHz) Mono ON Switch Attenuation: -95 / -95 (dB relative to +10 dBu, 1 kHz to 10 kHz) TELCO Fader Attenuation:  -95 / -95 (dB relative to +10 dBu, 1 kHz to 10 kHz) TELCO ON Switch Attenuation: -95 / -95 (dB relative to +10 dBu, 1 kHz to 10 kHz) Stereo Fader Attenuation: -95 / -90 (dB relative to +10 dBu, 1 kHz to 10 kHz) Stereo ON Switch Attenuation: -95 / -95 (dB relative to +10 dBu, 1 kHz to 10 kHz) PGM Fader Attenuation: -100 / -95 (dB relative to +10 dBu, 1 kHz to 10 kHz) TELCO Clean-Feed Isolation from I/P:  -55 / -40 (dB relative to +10 dBu, 1 kHz to 10 kHz) Stereo Separation, L in to PGM R Out: -70 / -50 (dBr, 1 kHz to 10 kHz)
Frequency Response Microphone In to PGM L/R Out: +0.5 / -1 dB, 10 Hz to 30 kHz (30 dB gain) Line In to PGM L/R Out: +0.5 / -1 dB, 10 Hz to 20 kHz (0 dB gain) Stereo In to PGM L/R Out: +0.5 / -1 dB, 10 Hz to 30 kHz
Power Supply 100 - 240 V / 47 - 63 Hz
Power Consumption 30 W
Fuse Rating T 10 A / 250 V / 20 mm
Dimensions (W x H x D) 15.2 x 4.1 x 18.3" / 385 x 103 x 465 mm
Weight 16.5 lb / 7.5 kg
Weight1.20 kg8.00 kg20.00 kg2 kg4.60 kg8.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 1.20 kg
Weight 8.00 kg
Weight 20.00 kg
Weight 2 kg
Weight 4.60 kg
Weight 8.00 kg