With added functionality and enhanced audio performance, the AR-133 has been designed to be more affordable for musicians, studios and PA companies. The unit includes phantom power and battery supplies as standard. Should the phantom power from the console fail or be accidentally switched off, the AR-133 automatically switches over to the internal 9V battery […]
With added functionality and enhanced audio performance, the AR-133 has been
designed to be more affordable for musicians, studios and PA companies.
The unit includes phantom power and battery supplies as standard. Should the
phantom power from the console fail or be accidentally switched off, the AR-133
automatically switches over to the internal 9V battery providing uninterrupted use.
The unit is housed in a rugged aluminium extrusion case, with robust polyurethane
end-cheeks which give the AR-133 a very distinctive look.
Input connectors are both 1/4″ jack sockets and an XLR socket, the latter meaning
that the AR-133 can be used to convert unbalanced signals to a balanced output on
XLRs throughout.
The arched case allows cables to run back underneath the unit from the end for neat
cable management.
Input attenuation is 0, -20 or -40dB, making the box suitable for instrument, line or
amplifier levels on inputs. On the output side, a ground-lift switch is provided for quick
solutions to ground-loop problems.
The AR-133 uses an enhanced version of the same audio path as the AR-116, now
regarded by many people as a reference standard. The sound quality is legendary,
particularly on acoustic and bass guitars.
Numerous applications can be satisfied by the AR-133. For example, as well as the
traditional guitar use, the AR-133 can be used with keyboards, DJ consoles, amplifier
outputs, and other electronic sources.An additional bonus is the ability to use the AR-133
as an active balancing device.
Input Section
Input Impedance 1M Ohm (pad at 0dB)
47k Ohm (pad at -20dB)
47k Ohm (pad at -40dB)
Max Input Level +9dBu (pad at 0dB)
+29dBu (pad at -20dB)
+49dBu (pad at -40dB)
Connectors Two Parallel 1/4″ jack connectors and a parallel
XLR connector (unbalanced)
Jack: Tip Hot (+ve)
Sleeve Ground
XLR: Pin 2 Hot (+ve)
Pin 1 & 3 Ground
Output Section
Output Transformer Balanced
Max. Output Level +8dBu into 600 Ohms or greater
Connector XLR3-32 or equivalent
System Performance
Distortion (THD) < 0.005% at 1khz, 0dbu output
Noise < -105db unweighted, 22hz-22khz, rms*
Frequency Response 30Hz to 20kHz, +0dB/-1dB
General
Main/Standby battery 9 volt PP3 type, preferably alkaline.
Current drain on phantom – less than 7.5mA
on battery – less than 2mA.
Phantom Power +20 volts DC to +48 volts DC
Weight 650 gms, excluding batteries.
Overall Dimensions 59 mm x 124 mm x 143 mm
(2.3″ x 4.9″ x 5.6“)
Weight
0.65 kg
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With added functionality and enhanced audio performance, the AR-133 has been
designed to be more affordable for musicians, studios and PA companies.
The unit includes phantom power and battery supplies as standard. Should the
phantom power from the console fail or be accidentally switched off, the AR-133
automatically switches over to the internal 9V battery providing uninterrupted use.
The unit is housed in a rugged aluminium extrusion case, with robust polyurethane
end-cheeks which give the AR-133 a very distinctive look.
Input connectors are both 1/4" jack sockets and an XLR socket, the latter meaning
that the AR-133 can be used to convert unbalanced signals to a balanced output on
XLRs throughout.
The arched case allows cables to run back underneath the unit from the end for neat
cable management.
Input attenuation is 0, -20 or -40dB, making the box suitable for instrument, line or
amplifier levels on inputs. On the output side, a ground-lift switch is provided for quick
solutions to ground-loop problems.
The AR-133 uses an enhanced version of the same audio path as the AR-116, now
regarded by many people as a reference standard. The sound quality is legendary,
particularly on acoustic and bass guitars.
Numerous applications can be satisfied by the AR-133. For example, as well as the
traditional guitar use, the AR-133 can be used with keyboards, DJ consoles, amplifier
outputs, and other electronic sources.An additional bonus is the ability to use the AR-133
as an active balancing device.
Input Section
Input Impedance 1M Ohm (pad at 0dB)
47k Ohm (pad at -20dB)
47k Ohm (pad at -40dB)
Max Input Level +9dBu (pad at 0dB)
+29dBu (pad at -20dB)
+49dBu (pad at -40dB)
Connectors Two Parallel 1/4" jack connectors and a parallel
XLR connector (unbalanced)
Jack: Tip Hot (+ve)
Sleeve Ground
XLR: Pin 2 Hot (+ve)
Pin 1 & 3 Ground
Output Section
Output Transformer Balanced
Max. Output Level +8dBu into 600 Ohms or greater
Connector XLR3-32 or equivalent
System Performance
Distortion (THD) < 0.005% at 1khz, 0dbu output
Noise < -105db unweighted, 22hz-22khz, rms*
Frequency Response 30Hz to 20kHz, +0dB/-1dB
General
Main/Standby battery 9 volt PP3 type, preferably alkaline.
Current drain on phantom - less than 7.5mA
on battery - less than 2mA.
Phantom Power +20 volts DC to +48 volts DC
Weight 650 gms, excluding batteries.
Overall Dimensions 59 mm x 124 mm x 143 mm
(2.3" x 4.9" x 5.6“)
At dbx, when we do something, we do it right. So when we decided to create our new direct injection boxes, we didnʼt settle for the same old tired approach to direct box design. With our dbx name on the line, how could we? One look at our new dB10 Passive and dB12 Active direct boxes will tell you that these are clearly different. With their bullet-proof construction, and extraordinary audio performance to rival their looks, finally thereʼs a direct box worthy of the dbx name.
Utilizing custom dbx mu-metal-shielded audio transformers, high-quality Neutrik® connectors, and low-noise circuitry preserves the sonic integrity and true characteristics of the signal source. Both boxes include a pad switch that accomodates instrument, line and even speaker level signals. Take even more control of your sound by utilizing the polarity invert switch to set the phase relationship between the direct and mic'd sound.
As a professional, you donʼt have time for interference, so weʼve included a ground lift switch to solve potential hum and buzz problems due to ground loops. And between the combined shielding of the cast metal chassis and the custom-wound transformer, you can be doubly assured of a clean signal free from interference. All of this sits atop a solid, stable footprint, that will keep the box from being dragged around the stage, and the unique contoured underside allows secure stacking of multiple units.
So whether you need to control the level, placement in the mix, or overall characteristics of 4 independent signals or control the gain leveling on a couple of stereo pairs, the dbx dB12 is for you.
Thru Output: 1 parallel connection from input jack
Connector: 1/4" jack
Type: Unbalanced, RF filtered
Main Output: 1 line level
Connector: XLR male jack
Type: Balanced
Impedance: 150 Ohm typical
Max Output Level: 0dBu
PERFORMANCE
Transformer: Custom dbx mu-metal-shielded
Frequency Response: 20Hz to 20kHz, +/-2.5dB
Noise:
THD:
GENERAL
Dimensions: 5.82" L X 5.44" W X 2.20" H (148 x 138 x 56mm)
Weight: 1.4 lbs / 0.65 kg
Note: Specifications subject to change without notice.
Inline Transformer IA-2
The model IA-2 line matching transformers !S designed to properly match a low impedance signal to a low impedance source. The advantage of "ground lift" switching allows to optmize hum problems.
Technical Data Frequency response 20 Hz - 20 KHz + 1 dB Impedance 600 : 600 Ohm THD K3 50 Hz = 0.5 % Level < + 6 dBm Weight 100 g Dimensions diameter 17 mm, lenght 115 mm
Behringer DI-400P High-Performance Passive Direct Injection Box
Introducing the Ultra-Compact DI-Boxes from BEHRINGER
There are times when you will want to connect certain sound sources straight to other audio gear, be it for a live performance or a studio session. A direct connection between audio equipment can be a challenge though: technical problems crop up that?ll corrupt the signal.
The DI400P lets you connect instruments or amplifier outputs. It converts any unbalanced signal to a balanced signal and eliminates unwanted noise. With its high-performance transformer, it also allows you to use very long cables without the loss of high frequencies.
This is the sort of medicine that?ll cure headaches in your studio or on stage.
The alphaton Direct Injection-Box SM-50 allows direct connection of electric guitars,
electric bass, and electronic music instruments with mixing desks of PA systems
and of recording studios.
The SM-50 reduces the amount of microphones used on stage, thus improving gain
before feedback.
Coloration of sound is avoided. Clean signal without interference from other instruments
eases the job of the recording engineer. The use of a strong aluminium die-cast box allows
trouble-free function for a number of years even under adverse conditions. Double grounding
(hum) can be eliminated by activating the built-in ground-lift switch. Isolation voltage between
input and output is 2500 volts, against ground 1500 volts (with ground-lift switch activated).
The box thus complies with toughest safety standards.
Technical Data
input impedance 20 kOhm
input impedance, instrument
input impedance, line-In
input impedance, speaker
output impedance 200 Ohm
frequency response 30 ... 20000 Hz, ± 1 dB
THD
isolation voltage tranformer pri/sec 2500 V
outpur to ground 1500 V
inputs 1/4" phone jacks, unbalanced
outputs XLR, balanced, microphone level.
pin 1 = ground, pin 2 = hot, pin 3 = cold
case aluminium die-cast
weight 230 g
dimensions113 x 71 x 37 mm
You're serious about getting rid of all that excess noise on stage, but you've got so many line instruments you don't know where to start. The ADB-4 from Stewart can take care of all your high impedance problems. The ADB-4 is 4 active direct boxes, all in a module that only takes up half a space on your keyboard rack. It's a rugged, durable piece of equipment that packs a lot of DI power.
? Requires phantom power or 9v battery ? Ground lift switch ? Instrument or speaker level switch ? Transformerless ? Can be used with amp up to 400w ? RF shielding
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