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PRICE PER UNIT The ultimate main monitors The main monitors S6X and S7A Mk2 are designed for large control rooms and film studios. They present a completely new, impressive concept: to transport the unique realism of the ADAM monitors at a very high SPL level. In accordance with ADAMʼs main goal to achieve the best possible authenticity in music reproduction, any overemphasis of the bass frequencies should be avoided. Furthermore, it is essential for neutral sound characteristics at high volumes to achieve a wide dispersion in the horizontal plane and a somewhat narrower dispersion in the vertical plane, thus reducing reflections from the ceiling, the floor or a mixing console. Less reflection means superior imaging and better localization, facilitating the best possible transportability of mixes across the widest range of playback systems. Advanced DʽAppolito-array The arrangement of the seven discrete loudspeakers facilitates a gradual transition of the chassis dimensions. One of the most important aspects of these monitorʼs new approach is the horizontal symmetry of the drivers, which could be referred to as advanced D´Appolito array. If the drivers are filtered properly there are – besides the dispersion characteristics mentioned previously – two more advantageous results: - There is an absence of any sudden change in directivity with frequency, leading to harmonic dispersion behavior throughout the audio band. The absence of sudden changes in directivity is not visible in a frequency plot, but clearly audible - especially with a full range of materials, from single complex sources such as the human voice to the wide sonic palette of large orchestras.
- The dynamic capabilities of the monitor are distributed over the audio band more equally, and louder recording or mixdown sessions with SPL´s of 120 dB are handled without offending the ear.
Impulse Coupling In order to get a precise and undistorted reproduction, all drive units are mounted on an ultra stiff 25 mm thick aluminum honeycomb plate, which is acoustically dead - thereby providing an extremely mechanically stable bridge to the cabinet (IC). As the drivers are much better fixed this way their time behavior (and consequently their clarity) is audibly and measurably improved. Amplifiers Both the S6X and the S7A Mk2 ADAM use the new generation of switching amps and power supplies. These are combined in an extremely powerful (1000 and 1500 W rms respectively) yet cool amplifier assembly. Together with the built in overload protection circuits these amplifiers will run reliably and at constant safe operating temperatures not possible with conventional designs. The amplifiers are of extremely low output impedance, leading to a damping factor >4.000, enabling them to strictly control the motion of the drive units. The front panel Numerous controls on the front panel introduce a new degree of control for main monitors. Along with the input gain, there are level controls for each of the four drivers, shelving filters on both ends of the frequency spectrum, and three full parametric EQs (20-200HZ) that can be used to combat standing waves in the control room. The EQ can be bypassed individually or as a group so that their overall effect can be analyzed in direct comparison to the unaffected signal. In large film score mixing rooms, it may be desirable to have a representation of the sound in the theatres. To meet the ISO 2969 Standard, the Dolby™ X-curve has to be applied. Using pink noise, the X-curve engages a 3 dB per octave roll-off above 2 kHz. Both the S6X and S7A Mk2 have a switch that activates this filter, eliminating the need for external processing during the film mix. S7A Mk2 The S7A Mk2 is the ʽbig brotherʼ of the S6X and ADAMʼs most spectacular studio monitor to date. With a whopping combined 1500 W of onboard power (rms), this monitor reaches SPL peaks of 128 dB at a distance of 1 meter. The big bass diaphragms produce even more volume even at lowest pitches down to 20 Hz. Both 15” subwoofers are driven by 500 W rms each, while 250 W rms units are powering all the other frequency bands. The benchmark Quite simply, we feel that the S7A Mk2 is the benchmark of what is possible in the state of the art full range active professional monitoring. It incorporates all of the ADAM inventions and designs, as well as the best materials available. This fusion of power and capacity with precision and accuracy results in unparalleled performance in professional monitoring. The S7A Mk2 is ADAMʼs contribution to the best possible studio monitor available. The proof is in the listening – we encourage you to hear for yourself. Subwoofer | | Number | 2 | Basket Ø | 15" (380 mm) | Voice coil Ø | 4" (100 mm) | Cone material | Paper | Woofer | | Number | 2 | Basket Ø | 9" (228 mm) | Voice coil Ø | 2" (50 mm) | Cone material | HexaCone | Midrange | | Number | 2 | Type | X-ART | Cone material | HexaCone | Diaphragm area | 26 inch² (16800 mm²) | Equiv. Diaphragm Ø | 5.5" (146 mm) | Velocity transform ratio | 3.5:1 | Diaphragm weight | 0.7 g | Tweeter | | Number | 1 | Type | X-ART | Diaphragm area | 4 inch² (2420 mm²) | Equiv. Diaphragm Ø | 2" (56 mm) | Velocity transform ratio | 4:1 | Diaphragm weight | 0.17 g | Built-in Amplifiers | | Subwoofer | 1 | Type | PWM | Amp. power RMS / music | 1000 W / 1400 W | Subwoofer | 1 | Type | PWM | Amp. power RMS / music | 500 W / 700 W | Woofer | 1 | Type | PWM | Amp. power RMS / music | 500 W / 700 W | Woofer | 1 | Type | PWM | Amp. power RMS / music | 250 W / 350 W | Midrange | 1 | Type | PWM | Amp. power RMS / music | 250 W / 350 W | Tweeter | 1 | Type | PWM | Amp. power RMS / music | 250 W / 350 W | Control panel | | Input Sensitivity | ±10 dB | EQ 80 Hz (Quality / Hz / Level) | 3 x 0.2 - 20 / 20 - 200 / ±12 dB | High Shelf EQ > 6 kHz | ±6 dB | Low Shelf EQ | ±6 dB | Sub Gain | ±4 dB | Mid-Woofer Level | ±2 dB | Mid level | ±2 dB | Tweeter gain | ±4 dB | Input connectors | | Analog | XLR | Location | Front / Rear switchable | General data | | Panel | Front | X-Curve-Filter | yes | Frequency response | 20 Hz - 50 kHz | THD > 80 Hz | ≤0.5 % | Long term output | ≥128 dB | Max. peak | ≥138 dB | Crossover frequencies | 65 / 800 / 3100 Hz | Input impedance | 10 KOhm | Weight | 575.4 lb (261 kg) | Height x Width x Depth | 35.5" (900 mm) x 47" (1200 mm) x 26.5" (670 mm) | Warranty | 5 Years | Delivery contents | Power cord, Manual |
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PRICE PER UNIT The smallest big sound ever... With the A3X, ADAM Audio present their smallest monitor to date, making it perfectly suited for all environments where space is limited but sound shouldnʼt be constricted. The A3X combines a tiny footprint with the much acclaimed ADAM sound quality by using the X-ART tweeter for the higher frequencies, a guarantee for crystal clear music reproduction. A 4.5” (basket) driver handles the lower registers. The diaphragm is made from carbon fiber, a material that is very light but very stiff and therefore capable of delivering colouring-free sound. Two built-in 25 Watt amplifiers powers each of the drivers directly. Stereolink A very handy and exclusive technology found in the two smaller AX monitors is the Stereolink. This is accomplished by a pair of additional RCA connections that allow for a bypass of the second stereo channel to the other speaker. This new technology connects two A3X speakers in such a manner as to allow the user the option to control the overall stereo volume of the system from either speakerʼs gain control. This makes the A3X a natural for "mixer-less” desktop applications where overall system volume needs to be adjusted easily. Controls and Connectors The front of the A3X sports dual ports for surprisingly low frequency response down to 60Hz. The front panel also has power and gain controls. The rear panel includes a tweeter gain control as well as balanced (XLR) jacks and unbalanced (RCA) jacks, allowing for greater connection flexibility. There are also two M6 (6 mm) metric screw threads for stand/wall mounting. Review: "Highly recommended“ "Iʼve used various monitors for my computer work before, but never of the caliber of the A3X series. Before these, I would have to redo my mixes significantly when transitioning from the small cheapies to the big 'real ones'. The ADAM Audio A3Xʼs save me a step by providing both great sound in a compact format and by changing mundane audio task-work into a quality listening experience. If you use good monitors from the outset, youʼll learn your music that much faster so that when it comes time for mixdown and mastering on your big boxes, youʼll already be acclimated to your songʼs subtler sonic aspects—aspects revealed only by the A3Xʼs with their sweet, smooth top end, and impressive handling of bass frequencies. Highly recommended.“ (Jon Chappell, Harmony Central, 03/10) Review: "...one of the best compact monitors“ "ADAM´s A3X as the smallest monitor with a X-ART tweeter to date has convinced us in every respect. It´s one of the best compact monitors we have ever reviewed and with its almost shameless low price it´s worth every penny. (Professional Audio, 05/10) Mid-Woofer | | Number | 1 | Basket Ø | 4.5" (120 mm) | Voice coil Ø | 1" (25 mm) | Cone material | Carbon Fiber | Tweeter | | Number | 1 | Type | X-ART | Diaphragm area | 4 inch² (2420 mm²) | Equiv. Diaphragm Ø | 2" (56 mm) | Velocity transform ratio | 4:1 | Diaphragm weight | 0.17 g | Built-in Amplifiers | | Mid-Woofer | 1 | Type | A/B | Amp. power RMS / music | 25 W / 40 W | Tweeter | 1 | Type | A/B | Amp. power RMS / music | 25 W / 40 W | Control panel | | Input Sensitivity | -∞ to +14 dB | Tweeter gain | ±4 dB | Input connectors | | Analog | XLR / RCA | General data | | Frequency response | 60 Hz - 50 kHz | THD 90dB/1m > 100 Hz | ≤0.8 % | Long term output | ≥98 dB | Max. peak | ≥106 dB | Crossover frequencies | 2800 Hz | Input impedance | 10 KOhm | Weight | 10.1 lb (4,6 kg) | Magnetically shielded | No | Height x Width x Depth | 10" (252 mm) x 6" (150 mm) x 7.5" (185 mm) | Warranty | 5 Years | Delivery contents | Cinch-cable, Power cord, Manual |
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The compact LSR6325P-1 provides exceptional performance for use in applications
where accuracy is a must, but space is limited. With a 5.25 in. high-excursion woofer,
a damped titanium composite tweeter, and 150 Watts of amplification, it outperforms
many larger systems. When used with the LSR6312SP Subwoofer, the LSR6325P-1
is the heart of an exceptionally accurate yet space efficient full-range system.
Features:
High-performance bi-amplified design with patented JBL transducer technology.
Front panel volume and power controls.
Integrated mounting points for horizontal and vertical suspension.
Titanium composite high frequency device with elliptical oblate spheroidal waveguide.
Shielded for use next to video monitors.
Built in high-pass filtering for use with optional subwoofer.
User selectable workstation boundary compensation.
Powered monitors with 5.25" woofers and 1" titanium composite dome tweeters
100 watts power for low frequencies, 50 watts for highs
Cast aluminum enclosure for structural rigidity and light weight
Magnetically shielded for interference-free use near CRTs and other electronic gear
Linear Spatial Reference technology ensures even frequency response at the mix position
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The Twin6 Be is the best seller of the Focal Professional range and the most versatile work tool of the SM6 line. It represents the only necessary solution for recording, mixing and mastering. The image precision, treble definition as well as midrange neutrality are at the heart of its reputation.
The excellent articulation of the bass and midbass registers, even at very high sound levels, makes it an unavoidable reference for engineers who require absolute transparency. Furthermore, the design of the Twin6 Be permits a high SPL while at the same time offering a stable tonal balance. One of the two 6.5" woofers works in large band (midrange – bass) whereas the other reproduces from 40 to 150Hz. This creates a bass that preserves all the signal dynamics, without any masking effect in the midrange, thereby keeping all its neutrality and transparency. Additional control of the bass register is accomplished by fine-tuning on the control plate on the back of the Twin6 Be in order to obtain a perfect mirror configuration with its mate. The Twin6 Be can be installed vertically or horizontally to respond to the space requirements of each studio.
Specifications Frequency response : | 40Hz - 40kHz | Maximum SPL : | 115dB SPL (peak @ 1m) |
Input :
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Type/Impedance: symmetrical/10 kOhms
Connector: XLR
Sensitivity: Adjustable, +4dBu or -10dBV
| Bass/mid-range : | 2x150W rms, BASH® technology | Treble : | 100W rms, AB class |
Electric supply :
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Local supply power: 230V (2A fuse)
115V (4A fuse)
Connection: Removable IEC supply wire
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Visualization and control :
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Input sensitivity selector
Mid-range speaker selector (right/left)
Adjustable tweeter and woofer levels by potentiometer
Power on/off
Voltage selector
| warning light : | Power on LED |
Electric supply :
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Local supply power: 230V (2A fuse)
115V (4A fuse)
Connection: Removable IEC supply wire
| Woofer : | 2x6W4370B Focal "W" composite sandwich cone 6-1/2" (16.5cm) speaker | Tweeter : | TB871, Focal inverted dome tweeter in Beryllium | transducer shielding : | Integral through cancellation magnets or by magnet design | Box : | 7-1/2" (19mm) MDF panels |
Finish :
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Dark red natural veneering side panels, black body
| Dimensions (HxWxD) : | 9-13/16 x 19-11/16 x 13-3/8 " (250x500x340mm) | Weight : | 30.8lb (14kg) |
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PRICE PER UNIT
S3X-V
Using the newly developed 4” HexaCone midrange and 9” HexaCone woofer combined together with the X-ART tweeter creates the unique S3X-V control monitor.
A step up over the smaller models, the S3X-V is capable of producing more power and volume along with a more detailed and homogeneous sound that will impress even the most experienced sound engineer. Whether the complex sonic images of an orchestra or the smooth tone of a jazz trio, the S3X-V reveals even the finest nuances of any material. The driver assembly of the S3X-V allows long time, non-fatiguing listening sessions.
Reviews: "Wonderfully detailed...”
“Wonderfully detailed, with an exceptionally transparent mid-range. [...] ADAM make the leap to a three-way speaker design that seems to pay dividends in clarity and separation. [...] I think it would be fair to say theyʽre the best sounding ADAM monitors Iʽve reviewed.” (Sound On Sound, 12/2009)
“No doubt, the S3X-V deserve the title Reference Monitor. With this series, ADAM Audio proves to have a very good feeling for meeting the specific demands of the sound engineerʽs guild, creating studio standards at the same time. [...] A precision tool combined with a luxury good.” (www.96kHz.de, 03/2010)
Woofer |
| Number | 1 | Basket Ø | 9" (228 mm) | Voice coil Ø | 2" (50 mm) | Cone material | HexaCone | Midrange |
| Number | 1 | Basket Ø | 4.5" (116 mm) | Voice coil Ø | 1" (25 mm) | Cone material | HexaCone | Tweeter |
| Number | 1 | Type | X-ART | Diaphragm area | 4 inch² (2420 mm²) | Equiv. Diaphragm Ø | 2" (56 mm) | Velocity transform ratio | 4:1 | Diaphragm weight | 0.17 g | Built-in Amplifiers |
| Woofer | 1 | Type | PWM | Amp. power RMS / music | 250 W / 350 W | Midrange | 1 | Type | PWM | Amp. power RMS / music | 250 W / 350 W | Tweeter | 1 | Type | A/B | Amp. power RMS / music | 50 W / 100 W | Control panel |
| Input Sensitivity (coarse) | -20 to +8 dB (4 dB steps) | Input Sensitivity (fine) | -1.5 to +2 dB (0.5 dB steps) | EQ 80 Hz | 0 to +6 dB (1 dB steps) | High Shelf EQ > 6 kHz | ±4 dB (1 dB steps) | Low Shelf EQ | ±4 dB (1 dB steps) | Tweeter gain | ±2 dB (0.5 dB steps) | Input connectors |
| Analog | XLR | Digital (optional) | AES/EBU / SPDIF / word clock | General data |
| Panel | Front | Frequency response | 32 Hz - 50 kHz | THD > 80 Hz | ≤0.6 % | Long term output | ≥114 dB | Max. peak | ≥124 dB | Crossover frequencies | 350 / 2800 Hz | Input impedance | 10 KOhm | Weight | 34 lb (15,4 kg) | Magnetically shielded | Optional | Height x Width x Depth | 19" (485 mm) x 11" (281 mm) x 11.5" (295 mm) | Warranty | 5 Years | Delivery contents |
Power cord, Manual
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Features
Professional 2-way active DJ monitors
Output: 2x 30 W RMS
Frequency response: 35 Hz - 20 kHz
S/N Ratio: > 75 dB
Impedance: 8 ohm
Magnetically shielded bass drivers
Speakers: 13.34 cm (5.25“) bass, 2.54 cm (1“) tweeter
Technical Data
Dimensions: 232 x 320 x 180 mm
Weight: 5.0 kg (per piece)
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